Killing Quarry

Home > Other > Killing Quarry > Page 18
Killing Quarry Page 18

by Max Allan Collins


  All the rooms had double beds, and there were a lot of men around, but the men would come and go, so to speak, and the women stayed on.

  Which is why it hadn’t been hard to infiltrate the place. I just dropped in one afternoon and sat by the pool, wearing my tight little trunks, and waited to be picked up. It wasn’t as degrading as I’d imagined it, but it was degrading enough. As any woman reading this could tell you.

  So now that the dragon lady was away, with an apparent rift developed between her and her plaything, I figured I’d find that apartment very empty. And the risk of being interrupted while I had my look around was little or no.

  Getting in would be no problem. Getting in was never a problem around this place, in about any sense you can think of. The asshole who managed the place (the owner, old Bob Roberts, remember?) was never in his own apartment, as he considered that part of his function was servicing any of his tenants who were momentarily between playthings. He liked to tell his tenants his door was always open, and it was. So was his fly.

  Anyway, I walked in one afternoon, found his master key in a drawer and took it to a Woolworth’s in the nearby good-size town, where I had a dupe made, returned his key, and got back in bed with Nancy, all in the course of fifty minutes.

  I used to be good at picking locks, but got out of the habit. For what I’d been doing the past few years, I’d seldom needed tools of that sort, as most of my work was in the Midwest, where security tends to be lax, where most doors can be opened with a credit card, and there are lots of other ways to get in a place if you have to, easier ways than picking a lock, I mean, which honest-to-Christ requires daily practice. Anybody tells you picking locks is easy is somebody who doesn’t know how to pick locks.

  I got out of the pool.

  I put on my robe, went up the steps and inside, where I found the corridor empty and felt no apprehension at all as I worked the dupe of the owner/manager’s master key in the lock and went in. I turned on the lights (the windows of her apartment faced the ocean-front side of the building, so no one was likely to see them on, and even so, so what?) and began poking around.

  The apartment itself was identical in layout to Nancy’s, except backwards, as this was on the opposite side of the hall. The decorating was very different, which surprised me: apparently each tenant could have her own decorating done, so where a wall in Nancy’s had pastel blue wallpaper, light color blue like Wisconsin summer sky, the dragon lady had shiny metallic silver wallpaper; other walls were standard dark paneling in either apartment, but in this one, for example, a gleaming metal bookcase-cum-knickknack rack jutted across the living room, cutting it in half, with few books on it and a lot of weird African-looking statues and some abstract sculptures made of glazed black something. And where in Nancy’s place there was a lot of wood, nothing furniture, everything antiques, this place had plastic furniture, metal furniture, glass furniture, all of it looking expensive and cheap at the same time.

  In the bedroom, above the round waterbed, with its white silk sheets and black furry spread, was a painting. A black square with an immense red dot all but engulfing it. Nancy had a picture above her bed, too. An art nouveau print of a beautiful woman in a flowing scarf against a pastel background. Nancy had an antique brass bed. I had the feeling these girls weren’t two of a kind.

  Meanwhile, I was going through things. The name she was using here was Glenna Cole, but I found identification cards of various sorts in several other names. The Broker’s name for her was Ivy. Knowing Broker’s so-called sense of humor, that probably came from poison ivy. Broker called me Quarry. Because (he said) a quarry is carved out of rock. The Broker’s dead now.

  I found a gun. A spare, probably. She wouldn’t have taken her suitcases with her unless she was going off on a job. That was my guess, anyway, and it came from experience. Also, the gun was just a little purse thing, a pearl-handled .22 automatic, and I imagined she used something a little heavier than that in her work. A .38, at least. Speaking of which, I did find a box of .38 shells behind some lacy panties in a drawer, and that substantiated my guesswork, as there was no gun here that went with these shells.

  What I didn’t find was evidence of where she’d gone. I went through the wastebaskets, and I even went through a bag of garbage in her kitchen, and found nothing, no plane or bus reservation notice, no nothing. I even played the rubbing a pencil against the top blank sheet of a notepad trick, and while it seems to work on television, all I got for my trouble was dirty fingers.

  I sat on an uncomfortable-looking comfortable couch in her living room and wondered what to do next.

  That was when her boyfriend came in.

  Don’t Let the Mystery End Here.

  Try These Other Great Books From

  HARD CASE CRIME!

  Hard Case Crime brings you gripping, award-winning crime fiction

  by best-selling authors and the hottest new writers in the field.

  Find out what you’ve been missing:

  DEADLY

  BELOVED

  by MAX ALLAN COLLINS

  MYSTERY WRITERS OF AMERICA GRAND MASTER

  Marcy Addwatter killed her husband. Shot him dead in the motel room where he was trysting with a blonde hooker. Shot the hooker, too. But where the cops might see an open-and-shut case, private eye Michael Tree—Ms. Michael Tree—sees a conspiracy. For Ms. Tree, digging into it could mean digging up her own murdered husband’s grave…and maybe digging her own.

  Based on the longest-running private-eye comic book series of all time, Deadly Beloved brings you the first-ever prose adventure of the legendary Ms. Tree—the groundbreaking female P.I. who put the ‘graphic’ into graphic novel.

  “The big, bloody bouquet one would expect

  from the author of Road to Perdition.

  Sharp and satisfying.”

  — Publishers Weekly

  Available now at your favorite bookstore.

  For more information, visit

  www.HardCaseCrime.com

  A Collaboration in Suspense From

  Two of Crime Fiction’s Biggest Stars!

  The

  CONSUMMATA

  by MICKEY SPILLANE

  and MAX ALLAN COLLINS

  “FRIEND, YOU’RE TALKING TO A GUY

  WITH A PRICE ON HIS HEAD AND

  THE POLICE AT HIS BACK…”

  Compared to the $40 million the cops think he stole, $75,000 may not sound like much. But it’s all the money in the world to the struggling Cuban exiles of Miami who rescued Morgan the Raider. So when it’s snatched by a man the Cubans trusted, Morgan sets out to get it back. A simple favor—but as the bodies pile up…dead men and beautiful women…the Raider wonders what kind of Latin hell he’s gotten himself into, and just who or what is the mysterious Consummata?

  Begun by mystery master Mickey Spillane in the late 1960s and completed four decades later by his buddy Max Allan Collins (Road to Perdition), The Consummata is the long-awaited followup to Spillane’s bestseller The Delta Factor—a breathtaking tale of treachery, sensuality, and violence, showcasing two giants of crime fiction at their pulse-pounding, two-fisted best.

  Available now at your favorite bookstore.

  For more information, visit

  www.HardCaseCrime.com

 

 

 


‹ Prev