by Hugh Howey
She was asked to join the cheer squad. She was invited to sleepovers, where every girl in school wanted to brush her hair and try on clothes with her in the bathroom. She caught them watching her in the mirror after PE. People noticed her. Her grades improved, but only in some courses. English with Mr. Mayberry and history with Mr. Thomson, where she wrote in cursive and got large red A-pluses. In math with Mrs. Pickens, where she wrote in numbers, her grades got a little worse. At school dances, the boys lined up for her, giggling, while the same girls who brushed her hair looked on, unsmiling. Life was as good as it would ever get for Montana, for every curse begins with a blessing. This is a truth the Tralfamadorians know, for they see what follows right from the start. Montana had to learn the hard way. Gradually, the way a fire moves.
Her uncle Chip won $60,000 from a scratch-off once. Montana was in eighth grade and remembers the party he threw. Uncle Chip became suddenly popular. Even Montana’s dad, who hated his brother Chip, liked him just fine all of a sudden. And at the party, Uncle Chip took Montana for a ride in his new truck. He gave her a pair of earrings and told her not to lose them, that they weren’t fakes. Then he asked her to thank him with a kiss. Montana remembers his breath tasting like beer and his hand accidentally brushing against her breast. Back at the party, she looked everywhere for her grandma, but Granny had passed away the year before. Uncle Chip would be dead a year later, as any Tralfamadorian could plainly see. Shot himself with his brand-new gun in his brand-new truck, a year’s worth of scratch-offs under the seat and stuck to the mud of his brand-new boots. So it goes.
Breasts were a lottery ticket, Montana saw. One random girl in every school wins that first pair, and at pool parties, the boys laugh and tug at those knotted bows on sunburnt backs, like ribbons on Christmas presents. She can see it now like a Tralfamadorian, how each thing leads to the other. Dating. Obsessed with the boys who are obsessed with her. Ninth grade and not a male teacher on her schedule. Ninth grade a second time with the same results. Dropping out. But life was good. A boy who graduated the year before wanted to see her steady. He showed her the college campus and said they’d get married one day. She drank too much and danced at a party, and someone offered her money to take her shirt off. There was laughter, which eventually vanished, but the money stayed real. The air was cool in that house—so cold her nipples hurt like tiny fists. The money, though, was warm from sweaty palms. This was a thing, getting paid to dance. Montana never knew before.
4
Everything happens twice in your life. Often, it’s quite more than that. This is a thing Tralfamadorians know and humans ignore. It’s rarely enough to suffer a thing once, the Tralfamadorians like to say. Not when you can suffer it again and again.
I ran away to Charleston, South Carolina, more than once. The first time was to elope. I was nineteen. A girl I loved was leaving to take a job on a boat, and getting married would make sure that we stayed together even while we were apart. On Tralfamadore, they would laugh, knowing what happens next.
Less than a year later, I quit my career as a computer technician, packed what I could into a car, and fled to Charleston, an emotional wreck. A chessboard there saves my life. Fleeing to Charleston saves my life. I am twenty years old and will soon divorce. So it goes.
There is a café on King Street where chess players sit on coffee-bean sacks and move around six-inch wooden soldiers, soldiers we slam down with happy violence. My hurts disappear when I move those soldiers. A stranger is sitting across from me, as strangers do in that place. Names are exchanged. “Scott,” a man says, not looking up from the board. He must be a decade older than me. The woman beside him glances up from her magazine to smile piteously at her boyfriend’s next victim. But Scott is about to save my life. As most things go, he will do this more than once.
Best friends form like fires spread. Gab turns to conversation. Familiar faces are smiled at. People have to eat, so why not grab a bite together? Like Montana Wildhack, Scott dances for a living. But it’s called ballet and wardrobe is involved, so somehow it’s more respectable. In Charleston, South Carolina, you can have a ballet studio within four blocks of a church if you want. But probably not right next door. There are limits.
When I decide I should buy a sailboat to live on, Scott goes with me to Baltimore to sail it down the coast. Neither of us knows what we’re doing as we head for Charleston around Cape Hatteras in January. Boats have disappeared to the bottom of the sea here once or twice. We soon discover this is so. And it is not the last time Scott and I will see trouble from the deck of a boat. Nor is it the last time that I am certain I will die.
At the base of the Twin Towers, there is a glass dome called the Winter Garden. Palm trees stand there in the dead of winter, like the sea snakes of Zyx, trapped in a strange world. I wake up one day to find myself living in that dome. One moment, I’m attending college classes in Charleston. The next minute, I’m in an alien land, surrounded by strangers, trapped in a glass dome, wanting to scream and scream.
The line to get a bagel in this place is infuriatingly slow.
Montana bought a house in Palm Springs with her own money. Movie money. Her realtor showed her houses in the hills with nice views, but seeing out meant others could see in. She settled on a small place with a roof that needed repair, but she liked the hedge. And it had a pool, where she could lie out and feel the sun warm her flesh, touching her without touching her. Until she woke up smelling like baby oil and coconuts, a nightmare of creatures gazing in through geodesic glass, a naked stranger beside her, a horror she knew all too well.
Montana had forgotten what it meant to own her body. She had lived a life on display, first because it felt nice, later to survive, and then to profit. She wasn’t oblivious to this trade-off. There were days when the exchange made her feel powerful, when checks came in the mail from her agent and she thought of the number of men aroused by her on-screen performances. It reminded her of that party and dancing for those college boys, going home with more money than she’d ever held.
But then there were days in the middle of a shoot, brief moments of nakedness when the director yelled “cut” or the cameraman needed to change rolls, and the magic of the scene vanished and the characters around her faded back into actors. Here was when an assistant took a dozen paces to bring her a robe, and Montana Wildhack felt a chill. Here was the off-camera hell when the actor from the previous scene continued to touch her as if she were his. This was when they would ask her out. Tell her how great she was. The best ever.
On Tralfamadore, she was back on display in a geodesic dome of glass that held thousands of alien viewers at bay. This was her movie set, with its lime-green kitchen appliances, yellow lounger, sofa bed, end tables, lamps. The alien zookeepers had installed a phonograph that worked and a television set that didn’t. The latter had an image painted on the curved glass screen, an image of two cowboys dueling with pistols. Montana thought she recognized the film. She’d had sex with one of the actors a few years ago when his feature career had hit the skids and hers had not yet begun. He had played a doctor, she a nurse.
Montana remembered the trepidation she’d felt on every new shoot. Arriving at some rented house, the smell of morning coffee, a man she would perform with smiling too widely as the director introduced her. They would pump her hand, these actors, and stare at her breasts where a locket lay with its little prayer, Montana silently pining for the wisdom to know what things she might change.
Billy Pilgrim stirred on the sofa bed, and the Tralfamadorians outside the dome went wild from the sudden movement. Montana Wildhack shivered from the cold of being trapped with yet another actor. They had been on display for several months, she and Billy Pilgrim, and she was fairly certain of two things: The first was that she would never see her home again. The second, that she was pregnant.
5
We are on the dock, gazing up at the smoking building. My boss Kevin is there. And so is Andrew, the engineer. The first sign that someth
ing is wrong is Andrew’s wife running to us, shaking and crying. This is not the Leslie I know, the forever smiling, the warm and friendly. This is a wife collapsing into the arms of her husband, unable to talk, barely able to breathe.
She was in the gym on the top floor of the hotel. There was a crash. Ceiling panels rained down, lights exploding. They had run from the building, had run through the courtyard, and there were bodies—
There were bodies everywhere.
Andrew held his wife. My best friend, Scott, ran off to investigate. The rest of us looked up at those marching flames and that drifting smoke. Here was a thing to gawk at.
If Montana Wildhack had a type, she was quite sure that Billy Pilgrim was not it. Billy possessed a weak countenance, was thin and made up of more joints than bones. He also did not seem entirely sane.
He would drift off to sleep at all hours and claim upon waking to have traveled through time, to be both there on Tralfamadore and also back on Earth, to be simultaneously younger and older, and to know how he would one day die. He said he knew every mistake he would make, that he could see them all at once, and complained that he was doomed to repeat them again and again. “There’s no stopping,” he would say. And then he would drift back, unstuck from time, the Tralfamadorians listening in on his dreams with their telepathic minds as Billy squirmed and murmured and slept.
It wasn’t until Montana watched him cry in his sleep, whimpering his whispers of war, that she began to care for him. Billy woke her one night while the zoo was quiet and told her about the bombing of Dresden. Every horrible detail. The stars overhead twinkled serenely, and Montana had a revelation. Billy Pilgrim wasn’t weak, she decided, as he drifted back to sleep—he was broken. The whole system was broken. Sending young men to war, expecting them to come back whole, their bullets to make things right. Expecting a girl from the Big Sky State to step off a bus in LA and have a career that wouldn’t kill her. The machinery of it all was set up unfair from the start. Living in three dimensions meant you learned what you needed to know too late in life.
Montana held Billy in her arms that night while he had another fitful dream, and she watched the stars fade and the sky brighten. She wondered which of those pinpricks up there held Earth in its orbit. The view blurred as she thought of the friends and family she would never see again, the sounds of the waves on Venice Beach, the horns blaring as lights turned green, the wind in the palm trees that shrouded her small home in the Springs, the simple torture of deciding what she would eat that day, every day, three times a day.
There were things she wouldn’t miss, but many more of them she would. And it took this to realize her life wasn’t so bad as she had once thought. She felt an impulse to go back to school, to study this time, to read more, to make herself better. Because it wasn’t right that they had the two of them on display here, that this was all the Tralfamadorians would know of Earth. Not these two to represent them. She and Billy, two broken souls. This was not their kind. It made the zoo a lie, and this frustrated her the most.
Billy whimpered, and Montana wiped her eyes. The sky brightened, and the zoo opened, grotesque aliens sidling by beyond the glass. These creatures covered their eyes with their fingers; they made fists of joy; and Montana could hear their thoughts leak into her mind. But as loudly as she screamed in her own head, no one moved to save her. They just clapped and clapped.
Billy disappeared later that day. Montana had stretched out on the sofa for a nap—she liked to sleep when the Tralfs were watching; she spent her waking time when the zoo was closed and they weren’t around. When she woke up, Billy was gone. Back to Earth, she caught herself thinking, envious of his deluded voyages. Back to his youth or forward to his death. But that was impossible, however much she liked to dream it wasn’t.
She rose and took a shower and used the bathroom, every movement on display, and the crowds outside grew dense as the Tralfs shuffled to a leering stop. She could feel them probing her mind. A thousand hands pawed at her head like bodies stuffed into the same crowded train. A thousand unblinking eyes bored through her flesh. She could hear them. Their language was gibberish, but she knew they could understand her. She begged them to let her go, to take her home, that she wasn’t an animal for a zoo. She repeated this in her mind like a mantra. She remembered chanting something similar as the cameras looked on and men twice her age were rough with her. She remembered thinking that if she froze and sat real still, Uncle Chip would know that she was uncomfortable, that he would stop.
Montana toweled off and pulled on one of the robes that cycled back and forth through the food chutes. The robes had come after much begging. The Tralfs could talk back to her by means of a musical organ with a humanlike voice, but she never knew when they might respond and when they might simply go on ignoring her pleas. It was maddening, this. The inconsistency. It was back to living with a drunk.
It was Stained who explained why their responses didn’t make sense. Stained was one of the zookeepers who cleaned the domes at night. He had a red blotch on his palm, and since Tralfs didn’t have names, Montana had given him one. Stained explained that Tralfs saw in four dimensions, and so sometimes they answered before a question was asked, and sometimes they waited until years later to answer, and so you had to listen carefully. He told Montana this two days before she asked about it. It took some piecing together, talking to Stained.
Stained also explained how the universe would end. He cleaned the glass by dunking a large fleshy finger into a bucket of suds, and between the sounds of squeaks, he told Montana about a test pilot trying out a new type of fuel and how this would blow up the entire universe one day. Montana asked, “If they knew it was going to happen, why didn’t anyone stop him?” She said the question out loud, even though Stained could read her mind.
Stained went on cleaning the glass for a few hours, and Montana busied herself with making the bed. She knew rushing Stained or repeating the question wouldn’t make any difference, so she kept herself busy. She had a system for making the bed that took four and a half hours, but she had additions in mind that might stretch it out to five. Finally, Stained answered her last question. At least—she thought it was her last question. It could’ve been the answer to one she would ask tomorrow.
“Because,” Stained said, his voice musical and sonorous through that great pipe organ over her head.
Montana nodded. It was the answer she had expected.
6
I am about to die. It is September 11, and every cell in my body is acutely aware of my looming demise. The certainty of it. The inevitability. Not years from now, not weeks or days. Moments. Like how a Tralfamadorian knows.
The first plane hitting a skyscraper was an aberration, an accident, something to gaze upon and wait for things to get better, wait for the sirens to arrive. The second jet, however, brought the promise of a third and a fourth. Here was a pattern. Jets are falling out of the sky. The world has gone amok. A GPS malfunction, an EMP detonation, solar flares, a dozen disaster films, and science fiction plots. My brain is misfiring with all the possibilities but the real one. Trapped between a cliff wall of burning buildings and the Hudson River, I look around for my best friend, Scott, but he went off to investigate the fire, the report of bodies. I feel the impulse to run after him, to push through the crowd that’s heading the other way. I start up the metal ramp toward the wharf and away from the yachts.
“We have to get the boats out of here,” Kevin tells me.
Kevin is my boss, and he’s right. We need to get the boats away from these burning buildings, away from the next impact and the one after. I look to the wharf for Scott. He’ll be back at any moment and help me cast these lines off. He saw the second plane disappear into that building, and he’s running back my way. I try not to think of the bodies Leslie saw or the debris raining down. I try not to think about that. He’ll be back.
I scamper onto the boat. The starboard engine has been having problems—it won’t crank from the helm or
the flybridge. I have to go down into the engine room to start the mains. This is where I’ll die. This is when the surety of my last breath seizes me. It’s when I lift that heavy hatch of stainless steel and teak decking and gaze down that steep ladder into the darkness of the engine room. Down there, I won’t be able to see the sky. I won’t spot the next jet hurtling in at hundreds of miles an hour and be able to . . . to dodge, to know that this is the end, to witness my destruction, to do anything about it. I turn my back on that loaded gun—that bright blue sky—and descend below deck.
The engines crank one by one, slowly, starter motors whining, diesel firing under pressure, kicking up into that throaty rattle of an idle that sounds as though it could stop at any moment, that sound like a weakened heart.
Scrambling back up the ladder, feet clanking on rungs, I find chaos outside. People are running across the wharf, away from the buildings, looking to the sky for the next plane. A man asks if I’m leaving. People can hear the engines, can see the exhaust, are watching me scramble around the decks to make ready.
“C’mon,” I tell the man. Others are looking at me expectantly. “Anyone who wants to go, c’mon,” I say. I have people to help. Somehow, this helps me.
I loosen the spring lines as strangers dash onboard. Someone offers to get the bowline and runs up the dock before I say yes. “No shoes,” I tell a man. This reflexive bark comes as quickly as the realization that such rules are now ridiculous. But there are habits. And my body is calmer now with something to do. I have a responsibility to this boat, to its owner, to these dozen or more strangers onboard.