"They clean out his room and throw it away. Except that John sometimes saves a few things."
"John?"
"Yeah. He saves dead people's shit. He's a little strange."
"Did John save any of Beckmann's possessions?" Pendergast asked.
"Maybe. His room's full of junk. Why don't you go on up there and ask? It's 6A. Top floor, head of the stairs."
Pendergast thanked the man, then led the way into the dim lobby and up the wooden staircase. The treads creaked alarmingly under their feet. As they reached the sixth floor, Pendergast laid a hand on D'Agosta's arm.
"I compliment you on your adroitness back there," he said. "Thinking to ask about his belongings was a clever move. Care to handle John, too?"
"Sure thing."
D'Agosta rapped on the door marked6A , but it was already ajar and creaked inward at his knock. It opened a little, then stopped, blocked by a mountain of cardboard boxes. The room was almost completely filled with vermin-gnawed cartons, stacks of books, all manner of memorabilia. D'Agosta stepped in, threading a narrow path between walls of assorted junk: old pictures, photo albums, a tricycle, a signed baseball bat.
In the far corner, beneath a grimy window, a space just big enough for a bed had been cleared. A white-haired man lay on the filthy bed, fully clothed. He looked at them but did not rise or move.
"John?" D'Agosta asked.
He gave a faint nod.
D'Agosta went over to the bed, showed his badge. The man's face was creased and sunken, and his eyes were yellow. "We just want a little bit of information, and then we'll be gone."
"Yes," the man said. His voice was quiet, slow, and sad.
"Jed, downstairs, said you might have saved some personal effects belonging to Ranier Beckmann, who lived here several years back."
There was a long pause. The yellowed eyes glanced over toward one of the piles. "In the corner. Second box from the bottom. Beck written on it."
D'Agosta laboriously made his way to the tottering stack and found the box in question: stained, moldy, and half flattened from the weight of the boxes on top.
"May I take a look?"
The man nodded.
D'Agosta shifted the boxes and retrieved Beckmann's. It was small; inside were a few books and an old cigar box wrapped in rubber bands. Pendergast came up and looked over his shoulder.
"James, Letters from Florence," he murmured, glancing at the spines of the books. "Berenson, Italian Painters of the Renaissance. Vasari, Lives of the Painters. Cellini, Autobiography. I see our Mr. Beckmann was interested in Renaissance art history."
D'Agosta picked up the cigar box and began to remove the rubber bands, which were so old and rotten they snapped at his touch. He opened the lid. The box exuded a perfume of dust, old cigars, and paper. Inside, he could see a moth-eaten rabbit's foot, a gold cross, a picture of Padre Pio, an old postcard of Moosehead Lake in Maine, a greasy pack of cards, a toy Corgi car, some coins, a couple of matchbooks, and a few other mementos. "Looks like we found Beckmann's little chest of treasures," he said.
Pendergast nodded. He reached over and picked up the matchbook. "Trattoria del Carmine," he read aloud. His slender white fingers drifted over the coins and other mementos. Next he reached for the books, plucking the Vasari from the box and leafing through it. "Required reading for anyone wishing to understand the Renaissance," he said. "And look at this."
He handed the book to D'Agosta. Scrawled on the flyleaf was a dedication:
To Ranier, my favorite student,
Charles F. Ponsonby Jr.
D'Agosta took out a book himself. There was no inscription in this one, but as he rifled through it, a photograph dropped from between the pages. He picked it off the floor. It was a faded color snapshot of four youths, all male, arms draped around each other's necks, before what looked like a blurry marble fountain.
D'Agosta heard a sharp intake of breath from Pendergast. "May I?" the agent asked.
D'Agosta handed him the photograph. He stared at it intently, then handed it back.
"The one on the far right, I believe, is Beckmann. And do you recognize his friends?"
D'Agosta looked. Almost instantly he recognized the massive head and jutting brows of Locke Bullard. The others took a moment longer, but once recognized were unmistakable: Nigel Cutforth and Jeremy Grove.
He glanced over at Pendergast. The man's silvery eyes were positively glittering. "There it is, Vincent: the connection we've been looking for."
He turned to the man lying on the bed. D'Agosta had almost forgotten him, he had been so silent. "John, may we take these items?"
"It's what I've been saving them for."
"How so?" D'Agosta asked.
"That's what I do. I keep the things they treasured, in trust for their families."
"Who’s they?"
"The ones that die."
"Do the families ever come?"
The question hung in the air. "Everybody has a family," John finally said.
It looked to D'Agosta like some of the boxes were so rotten and discolored they'd been sitting around for twenty years. It was a long time to wait for a family member to come calling.
"Did you know Beckmann well?"
The man shook his head. "He kept to himself."
"Did he ever have visitors?"
"No." The man sighed. His hair was brittle and his eyes were watering. It seemed to D'Agosta that he was dying, that he knew it, and that he welcomed it.
Pendergast picked up the small box of memorabilia and tucked it under his arm. "Is there anything we can do for you, John?" he asked quietly.
The man shook his head and turned to the wall.
They left the room without speaking. At the stoop, they passed the three drunks again.
"Find what you were looking for?" Jed asked.
"Yes," said D'Agosta. "Thanks."
The man touched his brow with his finger. D'Agosta turned. "What will happen to all the stuff in John's room when he dies?"
The drunk shrugged. "They'll toss it."
"That was a most valuable visit," Pendergast said as they got into the car. "We now know that Ranier Beckmann lived in Italy, probably in 1974, that he spoke Italian decently, perhaps fluently."
D'Agosta looked at him, astonished. "How did you figure that out?"
"It's what he said when he lost at rummy. 'Kay Biskerow.' It's not a name, it's an expression. Che bischero! It's Italian, a Florentine dialect expostulation meaning 'What a jerk!' Only someone who had lived in Florence would know it. The coins in that cigar box are all Italian lire, dated 1974 and before. The fountain behind the four friends, although I don't recognize it, is clearly Italianate."
D'Agosta shook his head. "You figured all that out just from that little box of things?"
"Sometimes the small things speak the loudest." And as the Rolls shot from the curb and accelerated down the street, Pendergast glanced over. "Would you slide my laptop out of the dash there, Vincent? Let us find out what light Professor Charles F. Ponsonby Jr. can shed on things."
{ 47 }
As Pendergast drove south, D'Agosta booted the laptop, accessed the Internet via a wireless cellular connection, and initiated a search on Charles F. Ponsonby Jr. Within a few minutes, he had more information than he knew what to do with, starting with the fact that Ponsonby was Lyman Professor of Art History at Princeton University.
"I thought the name was familiar," Pendergast said. "A specialist in the Italian Renaissance, I believe. Lucky for us he's still teaching—no doubt as professor emeritus by now. Bring up his curriculum vitae, if you will, Vincent."
As Pendergast merged onto the New Jersey Turnpike and smoothly accelerated into the afternoon traffic, D'Agosta read off the professor's appointments, awards, and publications. It was a lengthy process, made lengthier by the numerous abstracts Pendergast insisted on hearing recited verbatim.
At last, he was done. Pendergast thanked him, then slipped out his cell phone, dialed, spoke to di
rectory information, redialed, spoke again briefly. "Ponsonby will see us," he said as he replaced the phone. "Reluctantly. We're very close, Vincent. The photograph proves that all four of them were together at least once. Now we need to know exactly where they met, and—even more important—just what happened during that fateful encounter to somehow bind them together for the rest of their lives."
Pendergast pushed the car still faster. D'Agosta shot a surreptitious glance in his direction. The man looked positively eager, like a hound on a scent.
Ninety minutes later the Rolls was cruising down Nassau Street, quaint shops on the left and the Princeton campus on the right, Gothic buildings rising from manicured lawns. Pendergast slid the Rolls into a parking space and fed the meter, nodding to a crowd of students who stopped to gawk. They crossed the street, passed through the great iron gates, and approached the enormous facade of Firestone Library, the largest open-stack library in the world.
A small man with a thatch of untidy white hair stood before the glass doors. He was exactly what D'Agosta imagined a Professor Ponsonby would look like: fussy, tweedy, and pedantic. The only thing missing was a briar pipe.
"Professor Ponsonby?" Pendergast asked.
"You're the FBI agent?" the man replied in a reedy voice, making a show of examining his watch.
Three minutes late, D'Agosta thought.
Pendergast shook his hand. "Indeed I am."
"You didn't say anything about bringing a policeman."
D'Agosta felt himself bristling at the way he pronounced the word.
"May I present my associate, Sergeant Vincent D'Agosta?"
The professor shook his hand with obvious reluctance. "I have to tell you, Agent Pendergast, that I don't much like being questioned by the FBI. I will not be bullied into giving out information on former students."
"Of course. Now, Professor, where may we chat?"
"We can talk right there on that bench. I would rather not bring an FBI agent and a policeman back to my office, if you don't mind."
"Of course."
The professor marched stiffly over to a bench beneath ancient sycamores and sat down, fussily cocking one knee over the other. Pendergast strolled over and took a seat beside him. There wasn't room for D'Agosta, so he stood to one side, arms folded.
Ponsonby removed a briar pipe from his pocket, knocked out the dottle, began packing it.
Now it's perfect, thought D'Agosta.
"You aren't the Charles Ponsonby who just won the Berenson Medal in Art History, are you?" asked Pendergast.
"I am." He removed a box of wooden matches from his pocket, extracted one, and lit the pipe, sucking in the flame with a low gurgle.
"Ah! Then you are the author of that new catalogue raisonné of Pontormo."
"Correct."
"A splendid book."
"Thank you."
"I shall never forget seeing The Visitation in the little church in Carmignano. The most perfect orange in all of art history. In your book—"
"May we get to the point, Mr. Pendergast?"
There was a silence. Ponsonby apparently had no interest in discussing academic subjects with gumshoes, no matter how cultivated. For once, Pendergast's usual charm offensive had failed.
"I believe you had a student named Ranier Beckmann," Pendergast went on.
"You mentioned that on the phone. I was his thesis adviser."
"I wonder if I could ask you a few questions."
"Why don't you ask him directly? I have no intention of becoming an FBI informant, thank you."
D'Agosta had run into this type before. Deeply suspicious of law enforcement, treating every question as a personal challenge. They refused to be flattered into compliance and fought you every step of the way, citing all kinds of spurious legalisms about the right to privacy, the Fifth Amendment, the usual bullshit.
"Oh, you didn't know?" Pendergast said, his voice smooth as honey. "Mr. Beckmann died. Tragically."
Silence. "No, I didn't know." More silence. "How?"
Now it was Pendergast's turn to be unforthcoming. Instead, he dropped another tantalizing nugget. "I've just come from the exhumation of his body… But perhaps this isn't an appropriate topic of conversation, seeing as how you two weren't close."
"Whoever told you that was misinformed. Ranier was one of my best students."
"Then how is it you didn't hear about his death?"
The professor shifted uneasily. "We lost touch after he graduated."
"I see. Then perhaps you won't be able to help us, after all." And Pendergast made a show of preparing to stand.
"He was a brilliant student, one of the best I've ever had. I was—I was very disappointed he didn't want to go on to graduate school. He wanted to go to Europe, do a grand tour on his own, a sort of wandering journey without any kind of academic structure. I did not approve." Ponsonby paused. "May I ask how he died and why the body was exhumed?"
"I'm sorry, but that information can be disclosed only to Mr. Beckmann's family and friends."
"I tell you, we were very close. I gave him a book at parting. I've only done that with half a dozen students in my forty years of teaching."
"And this was in 1976?"
"No, it was in 1974." The professor was very glad to offer the correction. Then a new thought seemed to strike him. He looked at Pendergast afresh. "It wasn't homicide… was it?"
"Really, Professor, unless you can get the permission of a family member to release this information—you do know someone in his family, I daresay?"
The professor's face fell. "No. No one."
Pendergast arched his eyebrows in surprise.
"He wasn't close to his family. I can't recall him ever mentioning them."
"Pity. And so you say that Beckmann left for Europe in 1974, right after graduation, and that was the last you heard of him?"
"No. I got a note from Scotland at the end of August of that year. He was preparing to leave some farming commune he'd joined and head to Italy. I felt it was just some stage he had to go through. To tell you the truth, these past dozen years I'd been half expecting to see his name turn up in one of the journals, or perhaps to hear of an art opening of his. I've often thought of him over the years. Really, Mr. Pendergast, I would appreciate hearing anything you might be able to tell me about him."
Pendergast paused. "It would be highly irregular…" He let his voice trail off.
D'Agosta had to smile. Flattery hadn't worked, so Pendergast had taken another tack. And now he had the professor begging him for information.
"Surely you can at least tell me how he died."
His pipe had gone out, and Pendergast waited while the professor drew out another match. As Ponsonby struck it, Pendergast spoke. "He died an alcoholic in a flophouse in Yonkers and was buried in the local potter's field."
The professor dropped the burning match, his face a mask of horror. "Good God. I had no idea."
"Very tragic."
The professor tried to cover up his shock by opening the matchbox again, but his shaking hands spilled them over the bench.
Pendergast helped pick them up. The professor poked them back one by one into the trembling box. He put his pipe away, unlit. D'Agosta was surprised to see the old man's eyes film over. "Such a fine student," he said, almost to himself.
Pendergast let the silence grow. Then he slipped Beckmann's copy of Lives of the Painters out from his suit coat and held it out to Ponsonby.
For a moment, the old man didn't appear to recognize it. Then he started violently. "Where did you get this?" he asked, grasping it quickly.
"It was with Mr. Beckmann's effects."
"This is the book I gave him." As he opened the flyleaf to the dedication page, the photograph slipped out. "What's this?" he asked as he picked it up.
Pendergast said nothing, asked no questions.
"There he is," Ponsonby said, pointing at the photo. "That's just how I remember him. This must have been taken in Florence in the fall."
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"Florence?" said Pendergast. "It could have been taken anywhere in Italy."
"No, I recognize that fountain behind them. It's the one in Piazza Santo Spirito. Always a big hangout for students. And there, behind, you can just see the portone of the Palazzo Guadagni, which is a shabby student pensione. I say the fall because they're dressed that way, although I suppose it could have also been in spring."
Pendergast retrieved the picture, then asked offhandedly, "The other students in the photograph were also from Princeton?"
"I've never seen any of them before. He must have met them in Florence. Like I said, the Piazza Santo Spirito was a gathering place for foreign students. Still is." He closed the book. His face looked very tired and his voice cracked. "Ranier… Ranier had such promise."
"We are all born with promise, Professor." Pendergast stood up, then hesitated. "You may keep the book, if you wish."
But Ponsonby didn't seem to hear. His shoulders were bent, and he caressed the spine with a trembling hand.
As they drove back to New York in the gathering dusk, D'Agosta stirred restlessly in the front passenger seat. "Amazing how you extracted all that information from the professor without his even knowing it." And it was amazing, though also a little sad: despite the professor's arrogance and high-handedness, he'd seemed terribly moved by the death of a favorite student, even one not seen for three decades.
Pendergast nodded. "One rule, Vincent: the more unwilling the subject is to release information, the better the information is, once released. And Dr. Ponsonby's information was as good as gold." His eyes gleamed in the dark.
"It looks like they met up in Florence in the fall of '74."
"Exactly. Something happened to them there, something so extraordinary it resulted in at least two murders, thirty years later." He turned to D'Agosta. "Do you know the saying, Vincent, 'All roads lead to Rome'?"
"Shakespeare?"
"Very good. In this case, however, it appears all roads lead to Florence. And that is precisely where our road should lead."
"To Florence?"
"Precisely. No doubt Bullard himself is on his way there, if he's not there already."
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