He paused. "Here is where the true genius of Stradivari comes in. He found that in his secret varnish."
He moused up the computer screen, clicked through a few menus. A new image appeared in black and white, a landscape of incredible ruggedness, looking to D'Agosta like some vast mountain range.
"Here is the varnish of a Stradivarius under a scanning electron microscope, 30,000x. As you can see, it is not the smooth, hard layer it seems to the naked eye. Instead, there are billions of microscopic cracks. When the violin is played, these cracks absorb and dampen the harsh vibrations and resonances, allowing only the purest, clearest tone to escape. That's the true secret to Stradivari's violins. The problem is, the varnish he used was an incredibly complex chemical solution, involving boiled insects and other organic and inorganic sources. It has defied all analysis—and we have so little of it to test. You can't strip the varnish off a Strad—removing even a little will ruin a violin. You'd need to destroy an entire instrument to get enough varnish to analyze it properly. Even then, you couldn't use one of his inferior violins. Those were experimental, and the varnish recipe changed many times. No—you'd have to destroy one from the golden period. Not only that, but you'd need to cut into the wood and analyze the chemistry of the solution he soaked them in as well as the interface between the varnish and the wood. For all these reasons, we have not been able to figure out exactly how he did it."
He leaned back. "Another problem. Even if you had all his secret recipes, you still might fail. Stradivari, knowing all that we don't, managed to make some mediocre violins. There were other factors to making a great violin, some apparently even beyond his control—such as the particular qualities of the piece of wood he used."
Pendergast nodded.
"And that, Mr. Pendergast, is all I can tell you." The man's face glittered with feverish intensity. "And now let us speak of this." He opened his hand and smoothed the crumpled business card. And for the first time, D'Agosta glimpsed what Pendergast had written on it.
It was the word Stormcloud.
{ 62 }
The man held out the card in a trembling hand.
Pendergast nodded in return. "Perhaps the best way to start would be for you to tell Sergeant D'Agosta what you know of its history."
Spezi turned to D'Agosta, his face filling with regret. "The Stormcloud was Stradivari's greatest violin. It was played by a string of virtuosi in an almost unbroken line from Monteverdi to Paganini and beyond. It was present at some of the greatest moments in the history of music. It was played by Franz Clement at the premiere of Beethoven's violin concerto. It was played by Brahms himself at the premiere of his Second Violin Concerto, and by Paganini for the first Italian performance of all twenty-four of his caprices. And then, just before World War I—on the death of the virtuoso Luciano Toscanelli, may God curse him—it disappeared. Toscanelli went insane at the end of his days and, some say, destroyed it. Others say it was lost in the Great War."
"It wasn't."
Spezi straightened abruptly. "You mean it still exists?"
"A few more questions if I may, Dottore. What do you know of the ownership of the Stormcloud?"
"That was one of its mysteries. It was always owned by the same family, apparently, who it was said purchased the instrument directly from Stradivari himself. It was passed down from father to son only in name, being on continuous loan to a string of virtuosi. That's normal, of course: most of the Strads today are owned by wealthy collectors who turn them over to virtuosi to play on long-term loan. Just so with the Stormcloud. When the virtuoso who was playing it died—or if he had the misfortune to give a bad concert—it was taken away by the family that owned it and given to another. There would have been intense competition for it. No doubt that is the reason the family remained anonymous—they didn't want to be harried and importuned by aspiring violinists. They made secrecy of their identity a strict condition of playing the violin."
"No virtuoso ever broke the silence?"
"Not as far as I know."
"And Toscanelli was the last virtuoso to play it."
"Yes, Toscanelli. The great and terrible Toscanelli. He died a syphilitic wreck in 1910, under strange and mysterious circumstances. The violin was not beside his body and was never found."
"Who should the violin have gone to after Toscanelli?"
"A good question. Perhaps the Russian child prodigy, young Count Ravetsky. Murdered in the revolution, though—a great loss. What a terrible century that was. And now, Mr. Pendergast—I am almost expiring from curiosity."
Pendergast reached into his pocket and slipped out a glassine envelope, held it up to the light. "A fragment of horsehair from the bow of the Stormcloud."
The man reached out with trembling fingers. "May I?"
"I promised an exchange. It's yours."
The man opened it, removed the horsehair with a pair of tweezers, placed it on a microscope stage. A moment later the image appeared on a computer screen.
"It's definitely horsehair from a violin bow—you can see the grains of rosin, here, and the damage that playing has done to the microscopic scales on the shaft, there." He straightened. "Of course, any bow with the Stormcloud almost certainly isn't the original, and even if it was, the horsehair must have been replaced a thousand times. This is hardly proof."
"I'm well aware of that. It was only the first clue that led me on a string of deductions, the conclusion of which was that the Stormcloud still exists. It is here, Dottore, in Italy."
"If only it were so! Where did you get this hair?"
"From a crime scene in Tuscany."
"For God's sake, man: who has it?"
"I don't yet know for certain."
"How will you find out?"
"First, I need to learn the name of the family that originally owned it."
Spezi thought for a moment. "I'd start with Toscanelli's heirs—he was said to have had a dozen children from almost as many mistresses. God knows, one might still be alive somewhere—and now that I think of it, it seems to me there's a granddaughter or some such here in Italy. He was a notorious womanizer, drinker of absinthe, indiscreet in his later years. Perhaps he told one of his mistresses, who then might have passed it on to her issue."
"An excellent suggestion." Pendergast rose. "You have been most generous, Dottore. When I do learn more about the Stormcloud's whereabouts, I promise I shall share the facts with you. For now, I thank you for your time."
Pendergast led the way back out through the narrow streets with the same caution he'd shown in approaching Spezi's workshop. By the time they'd reached the café, however, he seemed to have satisfied himself on some point, and suggested they stop for another espresso. Standing at the bar, he turned to D'Agosta with a smile.
"And now, my dear Vincent—do you have a theory?"
D'Agosta nodded. "Most of one, anyway."
"Excellent! Don't tell me yet. Let us continue our investigations in silence just a little longer. The time will soon come when we need to share our conclusions."
"Fine by me."
D'Agosta sipped the bitter drink. He wondered if it was possible to get a cup of decent American coffee somewhere in Italy instead of this poisonous black stuff that stripped the inside of your throat and boiled in your stomach for hours afterward.
Pendergast tossed his off, then leaned against the bar. "Can you imagine, Vincent, what the Renaissance would have been like had Michelangelo’s David been carved in green marble?"
{ 63 }
Captain of Detectives Laura Hayward sat in the orange plastic chair, coffee going cold in its Styrofoam cup. She was acutely aware of being both the youngest person, and the only female, in this room full of high-ranking police officers. The walls of the conference room were painted the usual pale puce. A picture of Rudolph Giuliani decorated one wall, framed together with a picture of the Twin Towers and, below, a list of police officers killed in the attacks. No picture of the current mayor, president of the U.S., or anyone el
se.
Hayward liked that.
Commissioner of Police Henry Rocker sat at the head of the table, his large hand permanently closed around a huge mug of black coffee, his permanently tired face gazing down the middle of the table. To his right sat Milton Grable, captain of patrol for the precinct in which Cutforth had been murdered and the tent city erected.
Hayward checked her watch. It was 9 A.M. sharp.
"Grable?" Rocker said, opening the meeting.
Grable cleared his throat, shuffled some papers. "As you know, Commissioner, this tent city is becoming a problem. A big problem."
The only acknowledgment of this, it seemed to Hayward, was that the dark circles under Rocker's eyes grew darker.
"We got a couple hundred people living across the street from the most exclusive neighborhood in my precinct—the whole city, in fact—and they're trashing the park, pissing in the bushes, shitting everywhere—" His eyes darted to Hayward. "Sorry, ma'am."
"It's all right, Captain," Hayward said crisply. "I'm acquainted with both the term and the bodily function."
"Right."
"Proceed," the commissioner said dryly. Hayward thought she noticed a subtle flicker of amusement in Rocker's tired eyes.
"We're getting calls up the wazoo"—another glance at Hayward—"from important people. You know who I'm referring to, sir. They're demanding, they’re screaming , for something to be done. And they're right. These people in the park have no permit."
Hayward shifted in her chair. Her job was on the Cutforth murder, not listening to some precinct captain talk about permits.
"It isn't a political protest, a question of freedom of speech," Grable went on. "It's a bunch of religious nuts, egged on by this so-called Reverend Buck. Who, by the way, did nine years in Joliet for murder two, shot some clerk over a pack of gum."
"Is that right?" Rocker murmured. "And why not murder one?"
"Plea-bargained it down. The point I'm making, Commissioner, is that we're not dealing with a simple fanatic here. Buck's a dangerous man. And the damn Post is beating the drum, doing all they can to keep things stirred up. It's getting worse by the day."
Hayward knew the facts already, and she half tuned Grable out, her mind turning to D'Agosta and Italy. She realized, with a twinge she didn't fully understand, that he was overdue for a phone update. Now, there was a real cop. And where did it get him? It was guys like Grable who got the promotions-desk jockeys.
"This isn't just a precinct situation. It's a problem for the whole city." Grable laid his hands on the table, palms-up. "I want a SWAT team to go in there and bring this man out before we have a riot on our hands."
When Rocker replied, his voice was gravelly and calm. "And that's just what we're here for, Captain: to figure out a way not to have a riot on our hands."
"Exactly, sir."
Rocker turned to a man sitting at his left. "Wentworth?"
Hayward had no idea who this was. She'd never seen him before, and there were no insignia on his suit to indicate rank. He didn't even look like a cop.
Wentworth turned, eyes half lidded, fingers tented, and took a long, slow breath before answering.
Psychologist, thought Hayward.
"As far as this, ah, Buck fellow is concerned," Wentworth drawled, "he's a common-enough personality type. Without an interview, of course, it's impossible to develop a firm diagnosis. But from what I've observed, he exhibits a marked psychopathology: possibly paranoid schizophrenic, potential for a Messianic complex. There's a good chance he suffers from a delusion of persecution. This is complicated by the fact that the man is prone to violence. I would definitely not recommend sending in a SWAT team." He paused thoughtfully. "The others are simply followers and will respond as Buck responds: with violence or with cooperation. They will follow his lead. The key here is getting Buck out of the picture. I would suggest that the movement will collapse of its own accord once Buck is removed."
"Right," said Grable. "But how do you get him out, if not with a SWAT team?"
"If you threaten a man like Buck, he'll lash out. Violence is the language of last resort for such a man. I would suggest sending an officer or two in there—unarmed, no threatening, preferably female and attractive—to take him out. A gentle and non provocative arrest. Do it quickly, surgically. Within a day, the tent city will be gone, his followers off to the next guru, or Grateful Dead concert, or whatever they were doing before they read those articles in the Post." Another long exhalation. "That is my considered advice."
Hayward couldn't help rolling her eyes. Buck, a schizophrenic? His speeches, as lovingly quoted in the Post, showed none of the disorganized thought processes you'd expect from schizophrenia.
Rocker, who was about to pass over her, caught her expression. "Hayward? Do you have something to contribute?"
"Thank you, sir. While I agree with some of Mr. Wentworth's analysis of the situation, I disagree with his recommendation, with all due respect."
She found Wentworth's watery eyes on her, clearly pitying her ignorance. Too late, she realized she had called him "Mr." instead of "Dr." A cardinal sin among academics, and his antagonism was palpable. Well, screw him.
"There's no such thing as a nonprovocative arrest," she went on. "Any attempt to go in there and take Buck away by force—even gently—won't work. If he's crazy, then he's crazy like a fox. He'll refuse to come. As soon as the cuffs appear, your two 'preferably female and attractive' cops will find themselves in a nasty situation."
"Commissioner," Grable interrupted, "this man is openly flouting the law. I'm getting a thousand calls a day from businesses and residents on Fifth Avenue—the Sherry Netherland, the Metropolitan Club, the Plaza. The phone lines are jammed. And you can bet that if they're calling me, they're calling the mayor." He paused, letting this sink in.
"I am acutely aware they have been calling the mayor," Rocker said, his voice low and unamused.
"Then you know, sir, that we don't have the luxury of time. We've got to do something. What other options are there besides arresting this man? Does Captain Hayward have a better idea? I'd like to hear it." He leaned back, breathing hard.
Hayward spoke coolly. "Captain Grable, these businesses and residents you mention should not be allowed to push the police into a hasty and ill-considered operation. "In other words, she thought, they can go fuck themselves.
"Easy for you to say from your perch in the detective bureau. These people are in my face every day. If you had solved the Cutforth homicide, we wouldn't have this problem, Captain."
Hayward nodded, keeping her face neutral. Score one to Grable.
Rocker turned to her. "Speaking of that, how is the investigation proceeding, Captain?"
"There's some new forensic evidence the boys in lab coats are going over. We're still checking the people on Cutforth's call list during his last seventy-two hours. And we're reviewing the security video cams from his apartment lobby, cross-checking them against residents and known visitors. And, of course, the FBI is following up some promising leads in Italy." This was thin, and Hayward knew it sounded that way. The fact was, they didn't have squat.
"So what’s your plan for dealing with this guy Buck?" Grable, sensing he had the upper hand, faced her belligerently.
"I would advise an even less aggressive approach. Don't push it. Don't do anything to provoke things. Instead, send someone in there to talk to Buck. Lay it out for him. He's got hundreds of people there, ruining the park and disturbing the neighborhood. He is a responsible person at heart and will naturally want to do something about that; he'll surely want to send his followers home to shave, shit, and shower. That's how I'd put it. On top of that, I'd offer Buck a deal: if he sends his followers home, we give him a parade permit. Treat him like a rational human being. All carrot, no stick. Then, as soon as they've broken camp, fence the area under the guise of reseeding. And then give them a parade permit for eight o'clock Monday morning for the far corner of Flushing Meadows Park. That will be t
he last you see of them."
She saw another cynical glimmer in Rocker's eye. She wondered if it indicated agreement with, or amusement at, her suggestion. Rocker had a good rep among the rank and file, but he was notoriously hard to read.
"Treat him like a rational human being?" Grable repeated. "The man's a convicted murderer."
The psychologist chuckled. Hayward glanced at him, and he returned the look. His expression had become even more condescending. She wondered if he knew something she didn't. This was all beginning to look like a foregone conclusion.
"And if your plan doesn't work?" Commissioner Rocker asked her.
"Then I would defer to, ah, Mr. Wentworth."
"That's Doc—," began Wentworth, but he was interrupted by Grable.
"Commissioner, we don't have the time to try first one plan and then another. We need to get Buck out now. Either he comes nicely or in cuffs—his choice. We do it quick, at dawn. He'll be sweating in the back of a squad car even before his followers know he's missing."
Silence. Rocker was looking around the room. There were a couple of men who hadn't spoken. "Gentlemen?"
Nods, murmurs. Everyone, it seemed, agreed with the psychologist and Grable.
"Well," said Rocker, rising. "I have to go along with the consensus. After all, we don't have a psychologist on staff only to ignore his advice." He glanced at Hayward. She couldn't quite read his expression, but she sensed something not unsympathetic in the look.
"We'll go in with a small group, as Wentworth suggests," Rocker continued. "Just two officers. Captain Grable, you'll be the first."
Grable looked at him in surprise.
"It's your precinct, as you took pains to point out. And you're the one advocating quick action."
Grable quickly mastered his surprise. "Of course, sir. Quite right."
"And also as Wentworth suggests, we'll send in a woman." Rocker nodded to Hayward. "That would be you."
The room fell silent. Hayward saw Grable and Wentworth exchanging glances.
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