Halfway through the morning, they finished the work. The fact that a man and a woman had taken care of its restoration was more significant than the fact that there were two of them, the machine looked as good as new and as spick and span as the day it made its maiden flight. Plucking and entwining branches of bramble, Baltasar closed off the entrance. After all, this is a fairy tale. Before the grotto there stands a forest of oak trees, unless what we are seeing is a river without barge or oars. Only from on high could one discern the singular black roof of the grotto, only a large bird passing overhead, but the only large bird that exists in this world lies here grounded, while ordinary birds, those made or ordained by God, pass and pass once more, look and look once more, and fail to understand. Even the donkey does not know why it has been led here. A beast on hire, it goes where it is taken and carries whatever is loaded on its back, one journey is much the same as any other for the poor donkey, but if only they could all be journeys like this one, the donkey has been free of baggage for most of the way and has worn a garland of lilies around his ears, so perhaps the springtime of donkeys will soon be here.
They went down into the sierra and cautiously decided to return by a different route, through Lapaduços and Vale Benfeito, which wended in continuous descent, and because they felt they would be less conspicuous if they kept close to inhabited areas, they skirted Torres Vedras, then headed south along the Ribeira de Pedrulhos, and if only there were no gloom or misery, if streams flowed over pebbles everywhere, and birds were singing, then life would be simply to sit on the grass, holding a daisy without stripping off the petals, either because one already knew the answers or because they were so unimportant that to discover them would not be worth a flower's life. There are other simple, rustic pleasures, such as when Baltasar and Blimunda bathe their feet in the stream, she hoisting up her skirts above her knees, and better that she should lower them, because for every nymph who bathes there is a faun spying nearby, and this one is dangerously close and about to pounce. Blimunda escapes from the stream laughing merrily, Baltasar grabs her by the waist and they both fall, one on top of the other, and they no longer appear to belong to this century. The donkey raises its head, pricking up its large ears, but it does not see what we are seeing, only a stirring of shadows, ash-coloured trees, for every creature's world is perceived through its own eyes. Baltasar lifts Blimunda into his arms and seats her on the saddle, Come on, little donkey, giddy-up, giddy-up. It is late afternoon, there is neither wind nor breeze nor whiff of air, you can feel the air on your skin as if it were another skin, there is no perceptible difference between Baltasar and the world, and between the world and Blimunda what difference could there be. It is already night by the time they reach Mafra. Bonfires are burning on the Alto da Vela. Where the flames fan out in all directions, you can see the irregular walls of the basilica, the empty niches, the scaffolding, the black apertures of the windows, more like a ruin than a new building, but that is always the impression when workers have left a building site.
Days of endless fatigue and sleepless nights. The men rest in these great sheds, more than twenty thousand of them accommodated on rough beds, yet for many of them the bunks are better than what they would have had at home, where they slept on a mat on the floor with only the clothes they wore and their cloak for protection, at least when it is cold here the men can keep one another warm as they huddle together, things get worse in the heat of the summer, when they are tormented by fleas and mosquitoes that suck their blood, their hair and bodies are covered with lice and they itch all over. They feel lustful and crave sex, some discharge semen in their sleep, and the fellow on the next bunk lies panting with desire, but if there are no women what can we do. Or, rather, there are some women, but not for everyone. The most fortunate are the men who have been on the site from the beginning, they have found themselves women who were either widowed or abandoned, but Mafra is a small town, and very soon there were no unattached women left and the main concern for the men was to defend their garden from would-be intruders and assailants, however few or non-existent its charms. This has led to a number of stabbing incidents. When someone is killed, the criminal magistrate arrives with his constables and, if it is considered necessary, the soldiers are asked to intervene, the culprit is sent to prison, so that one of two things ensues, if the criminal was the woman's husband he will soon have a successor, and if the dead man was the woman's husband he will have a successor in even less time.
And what about the other men. They roam the streets, covered with mud because of the constant rain, and visit certain alleyways where the houses are made of timber, perhaps because they were built by the provident Inspectorate General, which is fully aware of the men's needs, or for the benefit of some contractor of brothels, whoever built the house sold it, whoever bought it rented it, and whoever rented it also rented themselves, the donkey hired by Baltasar and Blimunda was much more fortunate, for they decked it out with waterlilies, but no one has offered any flowers to these women lingering in the doorways, all they receive is a rampant penis that enters and withdraws by stealth, often bringing syphilis with it, and the wretched fellows groan in their misery like the wretched women who infected them, as the pus trickles down their legs in an interminable flow, this is not an illness physicians admit to their infirmaries, the remedy, if such a thing exists, is to treat the infected parts with the juice of the miraculous plant already mentioned, which is good for everything and cures nothing. Strapping youths came here and now, after three or four years, they are disease-ridden from head to foot. Healthy women came here, then went to an early grave and had to be buried deep because their corpses decomposed quickly and poisoned the air. Next day the house has another tenant. The pallet is the same, the filthy bedclothes have not been washed, a man knocks at the door and enters, no questions are asked or answered, the price is known, he unbuttons his trousers, she hoists up her skirts, he moans with pleasure, and she is not required to put up any pretence, for we are among serious people.
The friars from the hospice keep their distance when they pass, for the sake of appearing virtuous, we feel no pity for them, for there has never been such a wily congregation when it comes to alternating and compensating sacrifices with consolations. They walk with lowered eyes, rattling their beads, those of the rosary they wear around their waist as well as those of their thingamajig, which they secretly give to their penitents to pray with, and if some shirt made of horsehair girds their loins, perhaps even equipped with prongs in certain extravagant cases, you can be sure that they are not worn for punishment, and read this carefully, so that you get my meaning. When the friars are not engaged in other charitable tasks and duties, they visit the sick in the hospital, cooling and holding out bowls of broth for the patients and assisting the dying, some days they die in twos and threes despite all those prayers to the saints who protect the sick, to St Cosmas and St Damiãn, the patron saints of doctors, to St Antony, who is capable of mending bones as well as mending jugs, to St Francis, who knows all about stigmata, to St Joseph, who can mend crutches, to St Sebastian, who can resist death, to St Francis Xavier, who is well versed in the medicines of the Far East, and to Jesus, Mary, and Joseph, the Holy Family, the rabble, however, are carefully segregated from patients of rank and military status, who have their own separate infirmary, and because of this discrimination the friars, who know perfectly well who will help them to secure their convent, administer treatment and the last rites accordingly. Let any man who has not committed similar transgressions cast the second stone, Christ Himself was guilty of favouring Peter and of spoiling John, although there were twelve apostles. One day it will be revealed that Judas betrayed Jesus because he felt jealous and unwanted.
It was about this time that João Francisco Sete-Sóis died. He waited until his son returned home from work, Álvaro Diogo was the first to arrive, eager to eat quickly and get back to the mason's workshop, he was just breaking bread into his soup when Baltasar entered, Good evening, yo
ur blessing, Father, it was an evening like any other, only the boy, who was always the last to arrive, was missing, perhaps he is already lurking in the street where the prostitutes ply their trade, but Álvaro Diogo asks himself where he would find the money to pay them, since he hands over his entire daily wage to his father without spending anything on himself, Gabriel has still not arrived, just imagine, after all these years we have known the boy, it is only now that he has grown up that we learn his name, and Inês Antónia tries to make excuses for his lateness, He'll be here any minute, it is an evening like any other, they make the same conversation, and no one notices the look of terror that has come into João Francisco's face as he sits by the hearth despite the heat, not even Blimunda, who became distracted when Baltasar entered, said good evening to his father, and asked for his blessing without waiting to see if the old man would grant it, when someone has been a son for many years, he tends to fall into these careless ways, he simply said, Your blessing, Father, and the old man responded by raising his hand with the slowness of someone who has barely the strength to do it, this was his final gesture, and before he could finish, his hand fell beside his other hand, resting on the folds of his cloak, and when Baltasar finally turned to his father to receive his blessing, he saw him leaning back against the wall with open hands, his head slumped on his chest, Are you ill, a futile question, and they would have been terrified if João Francisco had answered, I am dead, and that would have been the greatest of spoken truths. They wept natural tears, Álvaro Diogo did not return to work that day, and when Gabriel came in he felt obliged to express sorrow, even though he was still savouring the fruits of paradise, let us hope that hell has not scorched him between his legs.
João Francisco left an orchard and an old house. He had owned a plot of land on the Alto da Vela. He had spent years clearing away the stones, until he was finally able to dig into the soft earth. He laboured in vain, the stones are back now, and one might well ask why a man is born into this world.
THE BASILICA OF Saint Peter in Rome has rarely been taken out of the chests in recent years. Contrary to what the ignorant populace believes, kings are just like ordinary men, they grow up, become more mature, and their tastes change as they become older, when their inclinations are not deliberately concealed in order to curry public favour, they are sometimes feigned out of political expediency. Besides, the wisdom of nations and the experience of individuals have shown that repetition makes for boredom. The Basilica of Saint Peter holds no further secrets for Dom João V. He could assemble and dismantle the entire model with his eyes shut, alone or assisted, starting from north to south, with the colonnade or the apse, piece by piece or section by section but the final result would always be the same, a wooden construction, a child's set of blocks, a place of pretence where real Masses will never be said, even though God is omnipresent.
What matters, however, is that a man should prolong himself in his offspring, and if it is true that in his anguish at the thought of old age or its imminent approach, man does not always relish seeing certain of his own actions repeated that were once a cause for public scandal or discord, it is no less true that a man is delighted when he can persuade his children to repeat some of his own gestures, his own attitudes, even his own words, thus appearing to recover some justification for what he himself has been and accomplished. His children, needless to say, keep up the pretence. By means of other signs, which were, it is hoped, clearer, Dom João V, having lost any desire to assemble the Basilica of Saint Peter, still found a way of reviving his interest indirectly and demonstrating in a single gesture his paternal and royal affection, by summoning his children, Dom José and Dona Maria Bárbara, to help him. Both have already been mentioned, and both will be further discussed anon, for the moment all that need be said about Dona Maria Bárbara is that the poor girl was badly disfigured by smallpox, but princesses are so greatly favoured that they always find someone to marry them, even when they are disfigured and extremely ugly, if such a marriage should prove to be in the best interests of the crown and of His Majesty. It goes without saying that the Infantes do not waste much energy in building the model of the Basilica of Saint Peter in Rome. If Dom João V had his footmen to fetch and carry the pieces when he set up the dome of Michelangelo, which opportunely reminds us how the vast architecture prophetically reverberated the night the King went to the Queen's private apartments, then these delicate adolescents need even more assistance, the Infanta a mere seventeen years of age, the Infante barely fourteen. The important thing here is the spectacle itself, at least half of the entire court has gathered to watch the Infantes at play, their Majesties sit under a canopy, the friars exchange conventional pleasantries in whispers, the nobles wear expressions that simultaneously convey the respect due to princes, the tenderness one extends to youth, and devotion toward the holy shrine that is at present being constmcted, all these emotions embodied in one and the same expression, so it is small wonder that they look as if they are suppressing some secret and perhaps even illicit sorrow. When Dona Maria Bárbara carries in her own hands one of the miniature statues that adorn the coping, the court breaks into applause. When Dom José places the cross on the crest of the dome with his own hands, all those present fall to their knees, for this Infante is the heir to the crown. Their Majesties smile, then Dom João V summons his children, praises their accomplishments, and gives them his blessing, which they receive on bended knees. There is such harmony here on earth, or so it would appear from the scene we have just described, that the universe clearly mirrors the perfection of heaven. Every gesture witnessed here is noble, even divine, in its studied solemnity, words are uttered like the fragments of a phrase that is neither inclined nor meant to reach any conclusion. This is surely how those who inhabit the celestial dwellings speak when they walk adamantine roads, when they are received in audience by the Father of all universes in His golden palace, when reunited at court they watch His Son and Heir at play as He assembles, dismantles, and reassembles a wooden cross.
Dom João V gave orders that the basilica not be dismantled or disturbed. The court dispersed, the Queen withdrew, and the Infantes departed, the friars in the background go on intoning their litanies while the King gravely examines every detail of the construction and the nobles in attendance try to emulate his expression, ever on their guard at such moments. The King and his retinue remained in this state of contemplation for at least half an hour. We shall make no attempt to probe the thoughts of the footmen, who knows what thoughts were passing through their heads, perhaps they were bothered by the twinges of cramp in one leg, or thinking about a pet dog, due to give birth tomorrow, the unloading at the custom-house of bales of cloth that have just arrived from Goa, a sudden urge to eat toffee, the memory of that soft little hand of the nun at the convent grille, the itchy feeling under their wig, anything and everything except the sublime inspiration that gripped His Majesty as he thought to himself, I want a basilica exactly like this one for my court, this was something we did not expect.
The following day, Dom João V summoned the architect from Mafra, a certain João Frederico Ludovice, a German name translated here into Portuguese, and the King bluntly informed him, It is my will that a church be built for my court like that of the Basilica of Saint Peter in Rome, and as he uttered these words, he looked at the architect with the utmost severity. A king must always be obeyed, and this Ludovice, who was known as Ludovisi in Italy, thus having twice renounced the name Ludwig, knows that if an artist is to pursue a successful career, he must be ever accommodating, especially if he depends on the patronage of altar and throne. However, there are limits, this King has no idea what such a demand involves, and he is a fool if he imagines that simply by willing it, one conjures up an artist like Bramante, Raphael, Sangallo, Peruzzi, Buonarroti, Fontana, Della Porta, or Maderno, if he believes that he needs only to come and command me, Ludwig, or Ludovisi, or Ludovice if intended for Portuguese ears, I want the Basilica of Saint Peter, and the basilica wil
l appear in every detail, when the only churches I am capable of building are those on a scale suitable for places like Mafra, I may be an architect of renown, and as presumptuous as the next man, but I know my own limitations and the ways of Portugal, where I have lived for the last twenty-eight years amongst a race known for its pride and lack of perseverance, the essential thing here is to reply with tact, to phrase a refusal that will sound more flattering than any words of acceptance, which would be even more laborious, and may God defend me from such speeches, Your Majesty's command is worthy of the great King who ordered that Mafra should be built, however, life is short, Your Majesty, and the Basilica of Saint Peter in Rome, from the moment the foundation stone was blessed until its consecration, swallowed up one hundred and twenty years of labour and expense, Your Majesty, who, if I am not mistaken, has never been to Rome, may judge from the replica you have there before you that perhaps not even the next two hundred and forty years would suffice to build such a basilica, and by then Your Majesty will be dead, as well as your son, grandson, great-grandson, great-great-grandson, and great-great-great-grandson, therefore I must respectfully urge you to consider whether it is worth building a basilica that will not be completed until the year two thousand, assuming that by that time there will still be a world, nevertheless, it is for Your Majesty to decide, Whether there will still be a world, No, Your Majesty, whether a second Basilica of Saint Peter in Rome should be erected in Lisbon, although it strikes me that it would be much easier for the world to come to an end than to achieve a full-scale copy of the Basilica of Saint Peter, So you think I should forget this whim, Your Majesty will live eternally in the memory of your subjects, as well as in the glory of heaven, but the memory is a poor terrain when it comes to establishing foundations, the walls would soon start to crumble, and the heavens are one united church, where the Basilica of Saint Peter in Rome would make as much impact as a grain of sand, If that's the case, then why do we build churches and convents on earth, Because we've failed to recognise that the universe has always been both church and convent, a place of faith and obligation, a place of refuge and freedom, I don't quite grasp your meaning. Just as I don't quite understand what I am saying, but, to return to the question, if Your Majesty wishes to see the walls of the basilica raised even as much as one span before your death, you must issue the necessary orders without a moment's delay, otherwise the building will make no progress beyond the foundations, Is my life likely to be so short, Art is long, life is short.
The Collected Novels of José Saramago Page 32