Full text of Memoirs of Emma, lady Hamilton, the friend of Lord Nelson and the court of Naples;

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Full text of Memoirs of Emma, lady Hamilton, the friend of Lord Nelson and the court of Naples; Page 5

by Yelena Kopylova

for all the kindness and goodness you have showed

  me."

  Conscious of growing gifts, she had chafed by fits

  and starts at the seclusion of her home for home it

  was to her, in her own words, " though never so

  homely." On one occasion (noted by Pettigrew and

  John Romney too substantially to admit of its being

  fiction) Greville took her to Ranelagh, and was an-

  noyed by her bursting into song before an applauding

  crowd. His displeasure so affected her that on her

  return she doffed her finery, donned the plainest at-

  tire, and, weeping, entreated him to retain her thus

  or be quit of her. This episode may well have

  been the source of Romney's picture " The Seam-

  stress."

  The accounts omit any mention of amusements, and

  it must have been Greville alone who (rarely) treated

  her. She may have seen " Coxe's Museum," and the

  " balloonists " Lunardi and Sheldon, the Italian at the Pantheon, the Briton in Foley Gardens. She may

  EMMA, LADY HAMILTON 41

  have been present, too, when in the new " Marylebone Gardens " Signer Torre gave one of his firework displays of Mount Etna in eruption. If so, how odd

  must she afterwards have thought it, that her hus-

  band was to be the leading authority on Italian and

  Sicilian volcanoes ! But what at once amazed Greville

  the paragon of nil admirari was the transformation

  that she seriously set herself to achieve. " She does not," observed this economist of ease three years later,

  " wish for much society, but to retain two or three creditable acquaintances in the neighbourhood she has

  avoided every appearance of giddiness, and prides

  herself on the neatness of her person and the good

  order of her house; these are habits," he comments,

  " both comfortable and convenient to me. She has

  vanity and likes admiration; but she connects it so

  much with her desire of appearing prudent, that she is

  more pleas 'd zvith accidental admiration than that of

  crowds ^vhich now distress her. In short, this habit,

  of three or four years' acquiring, is not a caprice, but is easily to be continued. . . ." " She never has wished for an improper acquaintance," he adds a month later.

  " She has dropt everyone she thought I could except against, and those of her own choice have been in a

  line of prudence and plainness which, tho' I might have

  wished for, I could not have proposed to confine her

  [to]."

  Their visitors seem to have included his brother and

  future executor, Colonel the Honourable Robert Fulke-

  Greville, with perhaps, too, his kinsmen the Cathcarts;

  afterwards, the sedate Banks, a Mr. Tollemache, the

  Honourable Heneage Legge, whom we shall find meet-

  ing her just before her marriage, and oftener the artist Gavin Hamilton, Sir William's namesake and kinsman.

  He at once put Emma on his " list of favorites," reminding him, as she did, of a Roman beauty that he

  42

  had once known, but superior to her, he said, in the

  lines of her beautiful and uncommon mouth. Her

  main recreation, besides her study to educate herself,

  were those continual visits to Romney, which indeed

  assisted it. His Diaries contain almost three hundred

  records of " Mrs. Hart's " sittings during these four years, most of them at an early hour, for Emma, except in illness, was never a late riser. One portrait of her, unmentioned in our previous list, represents her

  reading the Gazette with a startled expression. I have

  been informed (though at first I thought otherwise)

  that this is really a likeness of her in the character of Serena reading scandal about herself in the pages of a

  journal. " While," remarks the sententious John Romney, " she lived under Greville's protection, her conduct was in every way correct, except only in the

  unfortunate situation in which she happened to be

  placed by the concurrence of peculiar circumstances

  such as might perhaps in a certain degree be admitted

  as an extenuation. . . . Here is a young female of

  an artless and playful character, of extraordinary Ele-

  gance and symmetry of form, of a most beautiful coun-

  tenance glowing with health and animation, turned

  upon the wide world. ... In all Mr. Romney's inter-

  course with her she was treated with the utmost re-

  spect, and her demeanour fully entitled her to it." He adds that she " sat " for the " face " merely and " a slight sketch of the attitude," and that in the " Bacchante " he painted her countenance alone ; while Hayley, in his Life of the painter, speaks of " the high and constant admiration " with which Romney contemplated not only the " personal " but the " mental endowments of this lady, and the gratitude he felt for

  many proofs of her friendship," as expressed in his letters. " The talents," he continues, " which nature bestowed on the fair Emma, led her to delight in the

  43

  two kindred arts of music and painting; in the first she acquired great practical ability; for the second she

  had exquisite taste, and such expressive powers as

  could furnish to an historical painter an inspiring

  model for the various characters either delicate or

  sublime. . . . Her features, like the language of

  Shakespeare, could exhibit all the gradations of every

  passion with a most fascinating truth and felicity of

  expression. Romney delighted in observing the won-

  derful command she possessed over her eloquent

  features." He called her his " inspirer." To Romney, as we have already seen, she " first opened her heart." At Romney's she met those literary and

  artistic lights that urged her native intelligence into

  imitation. A sketch by Romney of his studio displays

  her seated as his model for the " Spinstress " by her spinning-wheel. A figure entering and smiling is

  Greville ; of two others seated at a table, the one appealing to her would seem to be Hayley, to whom she al-

  ways gratefully confessed her obligations.

  William Hayley, the "Hermit" of Eartham, the

  close ally both of Romney and Cowper, must have been

  far more interesting in his conversation than his books, though his Triumphs of Temper created a sensation

  now difficult to understand. He was a clever, ego-

  tistical eccentric, who successively parted from two

  wives with whom he yet continued to correspond in af-

  fectionate friendship. Curiously enough, Hayley's

  rhymed satirical comedies x are much the best of his

  otherwise stilted verses. He must have remembered

  Hamilton and Greville when, in one of them, he makes

  " Mr. Beril " account for his ownership of a lovely Greek statue:

  1 The Happy Prescription (1784) and The Two Connoisseurs are brilliant vers de societe. For Horace Walpole's poor opinion of his authorship, cf. Letters, vol. viii. pp. 235, 236, 251.

  44 EMMA, LADY HAMILTON

  " I owe it to chance, to acknowledge the truth,

  And a princely and brave Neapolitan youth,

  Whom I luckily saved in a villainous strife

  From the dagger of jealousy aimed at his life:"

  and when his " Bijou " ironically observes to " Var-nish " :

  " I protest your remark is ingenious and new,

  You have gusto in morals as well as virtu : "

  His unfamiliar sonnet on Romney's " Cassandra "

  may
be here cited, since it may have suggested to

  Greville his estimate of Emma " piece of modern

  virtu " :

  "Ye fond idolaters of ancient art,

  Who near Parthenope with curious toil,

  Forcing the rude sulphureous rocks to part,

  Draw from the greedy earth her buried spoil

  Of antique entablature; and from the toil

  Of time restoring some fair form, acquire

  A fancied jewel, know 'tis but a foil

  To this superior gem of richer fire.

  In Romney's tints behold the Trojan maid,

  See beauty blazing in prophetic ire.

  From palaces engulphed could earth retire,

  And show thy works, Apelles, undecay'd,

  E'en thy Campaspe would not dare to vie

  With the wild splendour of Cassandra's eye."

  In a late letter to Lady Hamilton the poet assures

  her that an unpublished ode was wholly inspired by

  her, and there are traces of her influence even in his

  poor tragedies. But since " Serena " influenced her often, it may be of interest to single out a few lines

  from the Triumphs of Temper (composed some years

  before its author first met her) as likelier to have ar-

  rested her attention than his triter commonplaces about

  " spleen " and " cheerfulness " :

  " Free from ambitious pride and envious care,

  To love and to be loved was all her prayer."

  EMMA, LADY HAMILTON 45

  " Th' imperishable wealth of sterling love."

  " . . . She's everything by starts and nothing long, But in the space of one revolving hour

  Flies thro all states of poverty and power,

  All forms on whom her veering mind can pitch,

  Sultana, Gipsy, Goddess, nymph, and witch.

  At length, her soul with Shakespeare's magic fraught,

  The wand of Ariel fixed her roving thought."

  And

  " But mild Serena scorn'd the prudish play

  To wound warm love with frivolous delay;

  Nature's chaste child, not Affection's slave,

  The heart she meant to give, she frankly gave."

  The August of 1782 brought about an event decisive

  for Emma's future the death of the first Lady Hamilton, the Ambassador's marriage with whom in 1757

  had been mainly one of convenience, though it had

  proved one also of comfort and esteem. She was a

  sweet, tranquil soul of rapt holiness, what the Germans

  call " Eine schone Seele," and she worshipped the very earth that her light-hearted husband, far nearer to it

  than she was, trod on. He had set out as a young

  captain of foot, who, in his own words, had " known the pinch of poverty "; but during the whole twenty-five years of their union she had never once reproached

  him, and had dedicated to him all " that long disease "

  she called " her life." So far, though intimate with the young Sicilian King and friendly with the Queen,

  Hamilton had weighed little in diplomacy. In a

  sprightly letter to the Earl of Dartmouth some six

  years earlier, he observes : " It is singular but certainly true that I am become more a ministre de farnille at

  this court than ever were the ministers of France,

  Spain, and Vienna. Whenever there is a good shoot-

  ing-party H.S. Majesty is pleased to send for me, and

  for some months past I have had the honour of dining

  46

  with him twice or three times a week, nay sometimes

  I have breakfasted, dined, and supped ... in their

  private party without any other minister." He next

  descants on his exceptional opportunities of helping the English in Naples. He hits off a certain Lady Boyd

  among them as " Like Mr. Wilkes, but she has [such]

  a way of pushing forward that face of hers and filling

  every muscle of it with good humour, that her homeli-

  ness is forgot in a moment "; and he concludes with the usual complaint that unlike his predecessor, Sir William Lynch he has not yet been made " Privy Coun-

  cillor." So dissatisfied was he that in 1774 he had tried hard on one of his periodical home visits to exchange his ambassadorship at Naples for one at

  Madrid ; and hitherto science, music, pictures, archaeology, sport, and gallantry had occupied his constant

  leisure indeed he was more of a Consul than of an

  Ambassador. General Acton's advent, however, as

  Minister of War and Marine in 1779 proved a passing

  stimulus to his dormant energy. If a dawdler, he was

  never a trifler; and he was uniformly courteous and

  kind-hearted. His frank geniality recommended him

  as bear-leader to the many English visitors who flocked

  annually to Naples, often stumbled lightly into scrapes

  that caused him infinite trouble, and prompted his

  humorous regret that Magna Charta contained no

  clause forbidding Britons to emigrate. It was not till

  Emma dawned on his horizon that he woke up in

  earnest to the duties of his office. His wife made

  every effort, so far as her feeble health admitted, to

  grace his hospitalities. She shared his own taste for

  music, and sang to the harpsichord before the Court of

  Vienna. The sole regret of her unselfish piety was

  that he remained a worldling. She studied to spare

  him every vexation and intrusion; and while he pur-

  sued his long rambles, sporting, artistic, or sentimental, EMMA, LADY HAMILTON 47

  she sat at home praying for her elderly Pierrot's

  eternal welfare. Her example dispensed with pre-

  cepts, and hoped to win- her wanderer back imper-

  ceptibly. How little she deserved the caricature of

  her as merely " a raw-boned Scotchwoman " may be gleaned from some of the last jottings in her diary and

  her last letters to her husband :

  " How tedious are the hours I pass in the absence of the beloved of my heart, and how tiresome is every

  scene to me. There is the chair in which he used to

  sit, I find him not there, and my heart feels a pang,

  and my foolish eyes overflow with tears. The num-

  ber of years we have been married, instead of dimin-

  ishing my love have increased it to that degree and

  wound it up with my existence in such a manner that

  it cannot alter. How strong are the efforts I have

  made to conquer my feelings, but in vain. . . . No

  one but those who have felt it can know the miserable

  anxiety of an undivided love. When he is present,

  every object has a different appearance; when he is

  absent, how lonely, how isolated I feel. ... I re-

  turn home, and there the very dog stares me in the

  face and seems to ask for its beloved master. . . . Oh !

  blessed Lord God and Saviour, be Thou mercifully

  pleas'd to guard and protect him in all dangers and in

  all situations. Have mercy upon us both, oh Lord,

  and turn our hearts to Thee."

  " A few days, nay a few hours . . . may render

  me incapable of writing to you. . . . But how shall I

  express my love and tenderness to you, dearest of

  earthly blessings. My only attachment to this world

  has been my love to you, and you are my only regret in

  leaving it. My heart has followed your footsteps

  where ever you went, and you have been the source of

  all my joys. I would have preferred beggary with

  you to kingdoms wit
hout you, but all this must have

  4 8

  an end forget and forgive my faults and remember

  me with kindness. I entreat you not to suffer me to

  be shut up after I am dead till it is absolutely necessary.

  Remember the promise you have made me that your

  bones should lie by mine when God shall please to call

  you, and leave directions in your will about it."

  That promise was kept, and the man of the world

  sleeps by the daughter of heaven, re-united in the Pem-

  brokeshire vault. A possibly adopted daughter

  Cecilia who is mentioned in the greetings of early

  correspondents, had died some seven years before.

  Could any Calypso replace such pure devotion ? Yet

  Calypsos there had been already among their num-

  ber the divorced lady who became Margravine of

  Anspach, the " sweet little creature qui a I'honneur de me plaire," and whom he pitied ; a " Madame

  Tschudy " ; a " Lady A.," contrasted by Greville in 1785 with Emma; and, perhaps platonically, those

  gifted artists Diana Beauclerk, once Lady Bolingbroke,

  and Mrs. Darner, who was to sculpture one of the two

  busts of Nelson done from the life. In England as

  well as Naples flirtation was the order of the day. Yet

  about Sir William there must have been a charm of

  demeanour, a calm of ease and good nature, and a

  certain worldly unselfishness which could fasten such

  spiritual love more surely than the love profane. He

  was a sincere worshipper of beauty, both in art and

  nature; while Goethe himself respected his discrim-

  inating taste. He was a Stoic-Epicurean, a " philosopher." His confession of faith and outlook upon ex-

  istence are well outlined in a letter to Emma of 1792

  which deserves attention. " My study of antiquities has kept me in constant thought of the perpetual fluctu-ation of everything. The whole art is, really, to live

  all the days of our life; and not, with anxious care,

  disturb the sweetest hour that life affords which is,

  EMMA, LADY HAMILTON 49

  the present. Admire the Creator, and all His works

  to us incomprehensible; and do all the good you can

  upon earth; and take the chance of eternity without

  dismay."

  Absent since 1778, he came over at the close of 1782

  to bury his wife. It is just possible that even then he

  may have caught a flying glimpse of the girl whom he

  was to style two years later " the fair tea-maker of Edgware Row." Greville, of course, was punctual in

 

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