by Mo Hayder
‘Give it to me. I’ll keep it safe.’
‘It’s not worth anything, Stevie.’
‘I’m not interested in what it’s worth, I’m interested in what they think. And for God’s sake, Mum, stop taking photos. We don’t want a repeat of what happened last time.’ His eyes run over the photos of the seagulls and the cats and the guillemots. The dolphins. The beautiful creatures of this planet. He gets up and goes to the computer table. Leafs through the pictures she’s taken of the neighbours in their cars in the mornings. ‘I mean, look at this. They think you’re spying on them.’
‘Well, I am. And I need to. These are the innocents of the world I’m trying to protect, Stevie. The ones that never did anyone any harm. Whose side are you on, anyway?’
‘Yours. Of course I’m on your side, always will be. But, Mum, the place looks nuts. And the more photos you take, the more rubbish you pile up, the more people think you’re tapped. Just do me a favour. Stop taking photos, Mum. Bring the telescope in. And those stone cats on the roof have got to come down. They’re embarrassing.’
‘I like them.’
‘You do but the rest of the village doesn’t, does it? Looks like Hansel and fuckin’ Gretel’s gingerbread house. Just stop taking the photos. And get rid of the ones you’ve got.’
Ruth taps her tooth. The chipped one. Regards him thoughtfully. ‘Do I embarrass you too, Stevie? Do I?’
Steve pushes away his drink. He looks uncomfortable. ‘Of course you don’t,’ he mumbles.
‘What’s wrong with your drink, poppet? Don’t you want it?’
‘Nah. I’m driving.’
‘One little drink won’t do any harm. When your uncle got stopped he had three pints and half a bottle of wine down his throat and he still came up negative.’
‘Thanks, Mum, but no.’
‘You’re a good boy, Stevie. A good boy.’
‘Yeah.’
She chews her nails. Looks at the TV. EastEnders. Sound down. The drinks are making her warm. It’s interesting how the private investigator found the money so quickly, she thinks. No quibbles. The full amount. It makes her wonder who the client is, because she’s sure she can smell a little more money loitering around that particular honey-pot. Her appointment with the consultant is tomorrow morning. First thing. If he wants the money for the operation up front she’ll take the fifteen K off the private eye and be happy with it. If he’s prepared to wait for it, she’ll have time to move the goalposts. Refuse the fifteen K when Little Miss PI comes at lunchtime. Ask for a bit more.
She studies her nails where she’s chewed them. Pushes back the cuticle on one and holds out her hand to check the light bouncing off the varnish. ‘Stevie? Do you want to know why I asked you here today?’
‘I didn’t think it was just because you wanted to see me.’
‘You’re right. I asked you here cos I wanted to give you a really nice present.’ She smiles coyly at him. ‘Something beautiful, Stevie. Very soon. I’m going to get you a – a Porsche. No – how much does a Porsche cost? Maybe something . . .’ She blinks.
‘How much does a Porsche cost?’
‘Dunno. Eighty grand, should think. If you get it new.’
‘Something like a Porsche. As good as a Porsche. Something black. Tinted windows. One of those SUVs you like.’
‘Nah. You’re all right, Mum. You save your money. Spend it on yourself.’
She leans across and presses her fingernails lightly into his arm. ‘I’m in a comfortable position with money. You’re going to see me, Stevie, one day not very far away, you’re going to see me and you’re going to be very, very proud.’
48
It was a cool evening with no hint of the heat from earlier in the day. Flea wore a Powerlite tank and shorts set and ran a two-hour circuit along the lanes that meandered lazily through the hills north of Bath. Years ago, before Mum and Dad’s accident, she’d had boyfriends. Lots of them. One had been an ex-marine who’d trained in Quantico – they used to run together. He taught her the Fartlek technique, and she still used it: two-kilometre sprint, five-minute walk, then a long, loping run, extended stride, comfortable pace, interspersed every three hundred metres with sixty-metre sprints. Every ten sprints she checked her heart rate: average 173. Way further into the cardio range than usual. But it was what she needed today.
After ninety minutes she calculated she’d already gone over the lactate threshold twenty times. She should ease off into cool-down, drop back a little and come home on a jog. But she didn’t. She kept pushing it to the wall, pounding the lanes until the sun dropped behind Bristol, until the shadows were long in the fields, until her legs were shaking. Until she was calm. She ran until the only thing she felt was a residual sadness – an ache located somewhere near her lungs – to remind her of her brother.
On the homeward leg, a narrow stretch of tree-lined road with a small stile and horse fields on her right, she thought she saw something at the entrance to the house. Something small like an animal. A large dog, maybe, standing on its hind legs, looking back down the dark lane towards her. She slowed to a jog. Narrowed her eyes. Whatever it was had gone. Must have been the shadows playing tricks with her eyes. There was nothing. Just the long straight trunk of the neighbour’s eucalyptus tree at the edge of her drive.
She trotted on to the point and did a short circuit of the area, looking for anything out of the ordinary. The place was empty. The garden was silent. It was almost dark now and just a vague yellowish light came from the Oscars’ windows high in the wall.
She began to unlock the door but stopped for a moment or two, sweat streaming off her, her mind working. Then she took the key out of the door and went about two yards along the wall to a place where the wisteria hung in heavy fronds.
For years it had been the family’s habit to leave a spare door key on a nail under the wisteria. For emergencies. It was hidden behind the thickened stem so even in the winter it would only be visible to the initiated. She pulled aside the leaves and scrutinized it. It hung there just as it had for years: a little rusted, completely hidden. There was nothing different about it. She was sure. Nothing wrong. Nothing amiss.
She turned slowly, watching the stillness of the trees, the cold disc of the moon coming up, a Hallowe’en filigree of branches splayed in front of it. She thought about human feet disappearing above her in the bubbles. About Caffery: Have you ever asked yourself if we missed someone that day? When we came to the squat?
After the raid on the squat in Operation Norway, Wellard had complained he’d ‘felt watched’ when he was coming out of the building. ‘Watched’ was the word. They’d all felt it. And that night, when it was all over and she was at home, she’d had a moment of feeling something had been wrong about the arrest.
She unhooked the key from the wall, put it into her pocket and went inside. The empty hallway was cool, with just a moth battering the ceiling light. ‘Hello?’ she said. ‘Hello?’
She switched on lamps in all the downstairs rooms, went into the garage and stood for a long time staring at the shape in the bath, at the places where the plastic showed over the rim. She’d been in here before the jog. Had scooped out the water earlier and refilled the ice. Nothing had moved since. Nothing.
She went into the kitchen and looked at the things on the shelf: her mother’s pots and pans, her father’s old safe, which no one could open and contained God only knew what. She took the key out of her pocket and put it on the mantelpiece. There were only two people who knew where the key was kept. One was Kaiser, her father’s friend, and one . . . Well, one was Thom.
From somewhere above her in one of the bedrooms she heard a small creak. She turned her face to the ceiling, her eyes watering a little. The hot water came on at six every night. Sometimes the pipes had a life of their own. They made the old house creak and complain.
She went into the hallway. The moon had come up and its light came through the half-glazed back door, giving everything fizzy, metallic ou
tlines: the runner carpet, the polished floorboards on either side, the umbrella stand and the old carved mirror at the foot of the stairs. Her wellington boots stood patiently at the back door as if someone had just stepped out of them. They seemed a million miles away. As if the hallway had lengthened itself stealthily while she’d been in the kitchen.
The umbrella stand contained no umbrellas, but was full of bric-à-brac – a hunting stick, an old dog leash from a pet long dead, a malacca sword cane Dad had brought back from Poland years ago. Eyes on the staircase, on the dark gulf of the landing above, she went to the stand and silently fumbled the sword out of its sheath. She held it in front of her and went up the stairs. The boards squeaked underfoot.
The landing was dark. She went along the corridor with its lumpy floor and low ceilings. Into the bedrooms, quickly and quietly, following her professional search-and-clear training: her own room, Mum and Dad’s room – their bedding in piles on the floor because she still hadn’t found the heart to put it away. The room where Dad had slapped Thom that day. Two spare rooms at the end. Empty. There was no one here except herself and the hot-water pump.
She sat down on the top step, fished her phone out of her pocket and dialled Jack Caffery.
‘I’m driving,’ he said. ‘I’ll put you on speaker.’ There was a pause and a clunk. Then she could hear the muffled thud and vibration of the car travelling at seventy m.p.h. somewhere out there in the night. ‘What’s on your mind?’
‘Did you ever find him?’
‘Find who?’
She rubbed her legs, trying to smooth down the goosebumps that had broken out. ‘The thing you were looking for, the Tokoloshe.’
‘You thought I was mad. But it turns out I wasn’t. There was someone else in the squat that day. Someone who escaped. His name is Amos Chipeta. He’s an illegal immigrant.’
‘How old is he? He can’t be an adult. An adult would never have got out of that window.’
‘But someone with a birth defect might. Ever heard of bone dysplasia?’
She massaged her temples, a slideshow of images starting in her head. There’d been an illustration of the Tokoloshe in a book on African superstition she’d read during Norway, and when she mentally superimposed it over the sort of images she’d seen occasionally in medical textbooks, she could see what Caffery was talking about. ‘No,’ she murmured. ‘But I suppose I can imagine.’
‘And you’ll like this. Remember the free-diving stuff? Amos started his life like that, wreck-diving. Ends up dealing in muti and graduates to teaching our local thugs how to cut up bodies. Nice CV.’
‘Jesus,’ she murmured, thinking about the feet in the water. She’d been so cynical about those fifty metres, but some of the world’s best free divers had started life wreck-diving. And then she thought about the spare key on the mantelpiece downstairs. Amos Chipeta taught the people on Operation Norway to cut up dead bodies. What might he do with what was in the garage? ‘What’s MCIU doing about him? Where is he?’
A pause. ‘We don’t know.’
‘You mean he’s out there?’
‘Yes. He’s hiding somewhere. Probably living rough. We don’t know.’
‘Is he . . . When you say cutting up dead bodies, you don’t mean he’s still dangerous?’
‘Dangerous?’ Another pause. The low throb of the car hurtling through the night. ‘I don’t know that either. But I think—’ Caffery broke off.
‘Yes,’ she whispered, her arms very cold now. ‘You think—?’
‘The tor,’ he said distantly. ‘The bloody tor.’
‘What?’
‘Nothing,’ he muttered. ‘Nothing.’
And before she could answer he’d hung up. She was left holding the phone, the screen light dying, the noise of his car still vibrating in her ears.
She sat there for a long time, staring at the phone in her hand, her body cold. An illegal immigrant? Out there in the night somewhere? Creeping through hedgerows and forests?
She got to her feet, steeling herself to go back into the garage and check Misty Kitson’s body again.
And that was when the knocking started at the back door.
49
The last few encounters Caffery’d had with Flea hadn’t been exactly knockdown dragout fights, but they hadn’t been exactly friendly either. So it was a surprise, an uncomfortable surprise, to hear her voice. Under different circumstances he might have used the opportunity as a springboard and dug a little deeper into why she’d been acting so bloody odd, but then the image of the tor slipped into his mind and a stark blast of light stopped that train of thought dead. He was in the fast lane of the M5, a boy racer in a Golf GTi right up his backside, when it happened. He cancelled the call and slowed the car so quickly the boy racer gave him the finger.
It was nearly ten at night. He’d spent half the evening trying to catch the thread of a lead into who Lucy had been seeing – who had fathered that baby and what had happened to the child. He’d got the warrant for the bank, to be served in the morning, and first light he’d be out re-interviewing the friends, Lucy’s GP, and getting a second warrant signed by the magistrate for all the local labour wards to open their records for the last twenty months. He’d done everything in his power. At half past ten, feeling beaten and running on empty, he’d left the office.
Now he dropped the phone and pulled across the carriageway into the middle lane, ignoring the Audi and the F signs.
Glastonbury Tor. The shape, like a tall pudding, had been somewhere in his mind for the last couple of days, lingering on the edges. But it was only now that it made sense. He steadied the car in the middle lane, keeping the needle at a level seventy-five, gripping the wheel. He was seeing the reclamation-yard owner, James Pooley, looking down at the paperweights, making the shape of the tor with his hands.
You could line them up like this. Maybe on a windowsill, he’d said. If there was something out of the window you wanted to draw attention to.
That was why Pooley didn’t have any sales dockets. Lucy hadn’t paid him for those pieces. And the other paperweights Pooley had produced, bought because Lucy would have liked the colour, were exactly the same shade of blue as her paintings. How did Pooley know she’d like the colour if he’d never been inside her bedroom and seen the paintings? How did he know she had a view of the tor out of that studio window? Especially when she was so defensive about the room. Were they things that came up in natural conversation? He didn’t think so. He thought it was Pooley who’d made that video of Lucy in the studio.
He called the crime-scene manager who’d searched Susan Hopkins’s flat, but his phone was switched off so he left a message: ‘Just wondering if there were any antiques in Hopkins’s flat, or paperweights. Did the name “The Emporium” come up at any time? Call me. ASAP, if you can, mate. Even if you get this at two a.m.’
Then he called someone at Control to check on James Pooley but the guy was clean. An electoral search brought up three James Pooleys – two in Wiltshire and one in Somerset. All three were at least an hour and a half’s drive away. And then, as he was making up his mind which to hit first, he noticed he was passing the ring-road exit to Brislington. He indicated left and swerved off the motorway, swinging the car up over the bridge and pulling hard on the steering-wheel so the car headed south on the empty road.
The little industrial estate had a security guard in a booth at the entrance. He was fast asleep, a copy of the Mirror spread over his stomach, a yellow milk skin floating on his cold coffee. Caffery had to hammer on the booth to wake him up. He couldn’t have been gagging to keep his job because he let Caffery in without a murmur, and even though he’d seen the warrant card and knew it was police business, once Caffery had driven through the barrier he didn’t bother to watch, just went back to sleep.
At the back of the lot the first thing Caffery noticed was that the big twin sliding hangar doors of the Emporium stood open. Odd at this time of night – even with the guard on site. He killed the
engine and wound down the window. There was no artificial illumination, only the milky light of the Bristol cityscape spilling down from the clouds, dimly bathing everything a uniform smoky grey. He could just make out the spectral outlines of the bric-à-brac stacked against the walls inside the hangar. There were two cars parked about twenty feet away, their noses facing him. He was wondering about calling Control again and checking their indexes when a sound came out of the hangar. A sound that made the hairs go up on his skin.
He leant across and opened the glove compartment. The bling gun was in there, tucked behind a map and two packets of tobacco. Not to be used. He looked at them for a moment or two, then closed the glove compartment and checked his suit pocket for the ASP baton and the pepper spray. He got out of the car, closed the door silently, and walked quickly and quietly to the doors, stopping a little to the side so he couldn’t be seen from within. The noise was louder here, and although he screwed up his face in concentration, he couldn’t identify it. It might have been an animal, an injured fox panting. Or a child whimpering.
He opened his mouth to speak, because that was how it was supposed to be. You were supposed to warn people you were police and you were coming in. Give them a chance. A chance to do what? A chance not to panic? Not to shoot? Or just give them a chance to run? He flipped his jacket away from the radio clipped into his breast pocket so he could hit the red emergency button if he had to, then slipped inside the hangar.
The space was taller than he remembered, and higher. In the semi-darkness he sensed huge cavities arching above his head. The faint illumination from the city came behind him, and from ahead the dusty blue light of a computer or a fax machine filtered through the windows of the glass office cubicle. At the point he remembered seeing the customer pulling at the chandelier crystals he stopped. Standing next to a low oak bench, one hand on the CS gas, the other resting on the bench to steady himself, he put his head back to concentrate on the sound. It seemed to be coming from everywhere and nowhere: as if it was ricocheting across the roof girders. What was it? It made his skin crawl because he was sure of one thing. It was made by something living.