Beethoven: Anguish and Triumph
Page 130
Credo, [>]–[>]
Gesellschaft der Musikfreunde and, [>]–[>]
Gloria, [>]–[>]
Kyrie, [>]–[>]
performances and, [>]–[>]
preparations for premiere/premiere (parts of), [>]–[>], [>]
presentation to Rudolph, [>]
publishers and, [>]–[>], [>]–[>], [>], [>], [>], [>], [>]
Sanctus, [>]–[>]
subscribers/subscriptions and, [>], [>], [>], [>]
writing/description, [>], [>]–[>], [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>]–[>]
Molière, [>]
Moonlight Sonata (Beethoven), [>]–[>], [>], [>], [>], [>]
Moscheles, Ignaz, [>], [>], [>], [>], [>], [>], [>]
Mozart, Leopold
children/music and, [>], [>], [>]
health problems/death, [>]
as violinist, [>]
Mozart, Wolfgang Amadeus
Beethoven meeting/myth, [>]–[>]
criticism of others, [>]
death, [>], [>]
description, [>]
Freemasons and, [>], [>], [>], [>], [>], [>], [>]
wife/children, [>]
Mozart, Wolfgang Amadeus/music
1770s, [>], [>]
Beethoven and, [>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]
Beethoven on, [>]
Bonn family performance (1763), [>]
on composing, [>]
Don Giovanni, [>], [>], [>], [>], [>], [>]
Jupiter Symphony, [>]
Magic Flute, The/Die Zauberflöte, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]
Marriage of Figaro, The, [>], [>], [>], [>], [>]
Marx on, [>], [>]
on music listeners, [>]
musical duel, [>]
musical form and, [>], [>]
as prodigy, [>], [>], [>]
Requiem, [>], [>], [>], [>], [>]
sister and, [>]
status/works, [>], [>], [>], [>], [>], [>]–[>], [>], [>]
music composers
dichotomy, [>]
stolen/pirated work, [>]–[>], [>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>]
See also specific individuals
music listeners dichotomy, [>]
musical forms (overview)
ABA form, [>]
background, [>]
canon, [>]
coda and, [>], [>], [>], [>], [>]
concerto-sonata, [>]–[>]
fugue, [>]–[>]
minuet-scherzo, [>]
sonata, [>]–[>]
sonata-rondo, [>]
theme and variations, [>]
Nägeli publisher, [>], [>], [>]
name day of Beethoven
baptism, [>]–[>]
exorcisms/anointings, [>], [>]
Napoleon Bonaparte
Beethoven and, [>], [>]–[>], [>]–[>], [>]–[>], [>], [>], [>]
Code Napoleon, [>]
Concordat (1801) and, [>]
descriptions, [>]
dethroning/exile of, [>], [>]
as emperor, [>]–[>], [>], [>], [>]–[>], [>]–[>]
end/defeat of, [>]–[>], [>], [>], [>]–[>]
as First Consul, [>], [>], [>], [>]
leaving Elba and, [>]–[>]
marrying into Habsburg family/son, [>], [>]
relatives as rulers, [>]
rise of, [>], [>], [>]
as “self-made,” [>]–[>]
wars and, [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>]–[>]
See also Eroica Symphony (Beethoven)
Neefe, Christian Gottlob
attitudes toward women, [>]
background, [>]–[>], [>]
Beethoven learning composition and, [>]–[>]
collection of sketches, [>]–[>]
court music/theater and, [>], [>], [>], [>], [>], [>], [>], [>], [>]
criticism of, [>]
description, [>], [>], [>]
Dilettanterien, [>]–[>], [>]
at end of life/death, [>]
Enlightenment and, [>], [>]
Freemasons and, [>], [>]
Illuminati and, [>], [>], [>], [>]
Leipzig and, [>]–[>], [>]
as Ludwig’s teacher/mentor, [>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]
Max Franz regime and, [>], [>], [>], [>]
Mozart inspiration and, [>]
portrait of, [>]–[>]
publication promoting Beethoven, [>]–[>]
Reading Society, [>]
religion and, [>]
reputation, [>]
as Schwärmer, [>], [>], [>]
Nelson, Horatio, [>], [>], [>]
Newton, Isaac, [>]
Niemetz, Joseph, [>], [>], [>], [>]
Ninth Symphony (Beethoven)
background/influences overview, [>]–[>], [>]
begging Beethoven for Vienna premiere, [>]–[>]
British premiere, [>]–[>]
description/meanings, [>]–[>], [>]–[>], [>]
Freude/Joy theme, [>], [>]–[>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]
legacy/significance, [>], [>]–[>]
performances, [>], [>]
preparations for premiere/premiere, [>]–[>], [>]–[>]
profit from premiere concert/Beethoven’s reaction, [>], [>]–[>]
publishers and, [>], [>]
reception/reviews, [>]–[>], [>]–[>]
revising thoughts, [>]–[>]
Schiller’s poem and, [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>]
tempo markings, [>], [>]
writing, [>], [>], [>], [>], [>]–[>], [>]
Novalis, [>], [>]
Oberthür, Bonifaz, [>], [>]
Oliva, Franz, [>], [>], [>], [>]–[>], [>]–[>], [>], [>], [>]
Oppersdorff, Count, [>], [>], [>], [>], [>], [>]
Paer, Ferdinando, [>]–[>], [>], [>]
Paine, Thomas, [>], [>]
Pasqualati, Baron/house, [>], [>], [>], [>], [>]–[>]
Passavanti, Candidus, [>]
Pastoral Sonata (Beethoven), [>]–[>]
Pastoral Symphony/Sixth Symphony (Beethoven)
dedication, [>]
premiere/performances, [>], [>]
reviews, [>]–[>]
Sturm’s writings and, [>]–[>]
writing/description, [>], [>], [>]–[>], [>]–[>], [>]
Pathétique/Grande Sonate Pathétique (Beethoven), [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>]
patrons’ contract with Beethoven (1809)
description, [>], [>]–[>], [>], [>]
Kinsky’s death/Lobkowitz financial problems and, [>], [>], [>]–[>], [>]–[>], [>], [>]
patrons’ expectations, [>]
Pergolesi, Giovanni, [>]
Peters, C. F./publisher, [>]–[>], [>], [>], [>], [>]
Peters, Karl, [>]–[>], [>], [>], [>], [>], [>], [>]
Petrovna, Elizabeth, [>]
Pfeifer, Tobias Friedrich
background, [>]
Cäcilie Fischer and, [>]
Johann and, [>], [>]
leaving Beethoven family, [>]
as Ludwig’s teacher, [>]–[>], [>], [>]
residence with Beethovens, [>]
Piano Concerto No. [>] in C Major (Beethoven), [>]–[>]
Piano Concerto No. [>] in B-flat (Beethoven), [>]–[>]
piano/pianoforte
1770s and, [>]
1780s and, [>]
Beethoven in mid-teens and, [>]–[>]
Beethoven’s favorite makers of, [>], [>]
Érard of Paris piano, [>], [>], [>], [>], [>], [>]
Graf, Conrad/piano, [>], [>], [>]
John Broadwood & Sons gift to Beethoven, [>]–[>
], [>], [>], [>]
significance, [>]
See also Streicher, Johann Andreas; Streicher, Nannette
Piano Quartets WoO [>], [>]–[>], [>]
Piano Sonata in A-flat Major (Beethoven), [>]–[>]
Piano Sonata in A Major (Beethoven), [>]–[>]
Piano Sonata in C Minor (Beethoven), [>]–[>]
Piano Sonata in E Major (Beethoven), [>]–[>]
Piano Sonata in E Minor (Beethoven), [>]–[>]
Piano Sonatas, op. [>] (Beethoven), [>]–[>]
Piano Sonatas, op. [>] (Beethoven)
description, [>]–[>]
Nägeli changing, [>]
See also Tempest, The (Beethoven)
Piano Sonatas, opp. [>]–[>] (Beethoven), [>]–[>], [>], [>]. See also Moonlight Sonata (Beethoven)
Piano Trios, op. [>] (Beethoven), [>], [>]–[>], [>]–[>], [>]
Piano Trios, op. [>] (Beethoven), [>]–[>]
See also Ghost Trio (Beethoven)
Piano Variations, opp. [>] and [>] (Beethoven), [>]–[>]
pirated/stolen work, [>]–[>], [>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>]
Pius VI, Pope, [>]
Pius VII, Pope, [>], [>], [>]
Pleyel, Ignaz, [>], [>]
Poll, Maria Josepha, [>]
Pope, Alexander, [>]
Poppelsdorf Palace/Allée, [>]
portraits of Beethoven
first portrait, [>]
Klöber, [>]–[>]
Mähler, [>]–[>]
Schimon, [>]–[>]
Stieler, [>]
Potter, Cipriani, [>], [>]–[>], [>]
prejudice (racial/ethnic) in Beethoven’s time, [>], [>]–[>]
Probst publisher, [>]
Prometheus ballet/music (Viganò/Beethoven), [>]–[>], [>]–[>]
prostitutes and Beethoven, [>], [>]–[>], [>], [>], [>]
public performance scheduling, [>]–[>]
publishers of music
finances and, [>]–[>]
See also specific publishers
publishers of music and Beethoven
anti-Semitism and, [>]–[>]
Beethoven and Clementi/Britain, [>]–[>]
“exclusive” offers to multiple publishers, [>]–[>], [>]–[>], [>], [>]
money owed Steiner, [>], [>]–[>], [>], [>]
“new” overtures/British publishers, [>]–[>]
promises/lies, [>], [>]
public fight with, [>]–[>]
publication against Beethoven’s wishes, [>], [>]–[>]
See also specific publishers
Punto, Giovanni (Wenzel Stich), [>]–[>], [>], [>]
Radoux, Amelius, [>]
Razumovsky, Count
background/description, [>], [>]–[>], [>]
Beethoven and, [>], [>], [>], [>], [>], [>], [>], [>], [>]
palace fire/consequences, [>], [>]
publishing/Britain, [>]
Razumovsky, Countess, [>]
Razumovsky Quartets, [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]
description, [>]–[>]
reading societies, [>], [>], [>], [>], [>]
Reicha, Anton, [>], [>], [>]–[>], [>]
Reicha, Joseph, [>]
Reichardt, Johann Friedrich, [>], [>]–[>], [>], [>], [>], [>], [>]
Reis, Johanna, [>]–[>], [>]–[>]
See also Beethoven, Johanna
Renaissance-Palestrina style, [>]–[>]
rescue opera, [>], [>]. See also Fidelio (Beethoven)
Rhine, [>], [>]
Ries, Ferdinand
Beethoven/Beethoven’s music and, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>]
conscription into French army and, [>]
practical joke/consequences, [>]–[>], [>]
Ries, Franz Anton, [>], [>], [>], [>]–[>], [>], [>]
Righini Variations (Beethoven), [>]–[>], [>], [>]
Robespierre, [>], [>], [>]
Rochlitz, Johann Friedrich, [>], [>]–[>], [>], [>], [>]–[>], [>], [>]
Röckel, Joseph August, [>], [>], [>], [>], [>], [>]
Rode, Pierre, [>]
Rolland, Romain, [>]
Romance cantabile (Beethoven), [>]
Romantics/Romantic period
Beethoven myth and, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]
description/views, [>], [>], [>], [>]–[>], [>]
sonata and, [>]
Romberg, Andreas, [>], [>], [>]
Romberg, Bernhard, [>], [>], [>], [>], [>]
Rossini, Gioachino, [>]–[>], [>]–[>], [>]
Rotterdam trip (Ludwig/mother, 1783)
Beethoven on, [>]–[>]
Beethoven performing/payment, [>], [>]
Rovantini, Franz Georg
Beethoven family and, [>]–[>], [>]
Cäcilie Fischer and, [>], [>], [>]–[>]
death, [>]–[>]
description/character, [>]
Johann and, [>]
as Ludwig’s teacher, [>]–[>], [>], [>], [>]
sister visiting grave, [>]–[>]
Rudolph, Archduke
as archbishop/cardinal, [>], [>], [>], [>]
background/music, [>]–[>], [>]–[>]
as Beethoven patron, [>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>], [>]–[>]
Beethoven planning mass for, [>], [>]–[>], [>], [>], [>]–[>]
Beethoven protection and, [>]
dedications (Beethoven), [>]
piano lessons/Beethoven, [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>], [>]
See also Missa solemnis (Beethoven)
Ruins of Athens, The (Beethoven), [>], [>], [>], [>], [>]–[>]
rumor of Beethoven’s noble father, [>], [>]
Salieri, Antonio, [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>]
Salomon, Johann Peter, [>]–[>], [>], [>]
Satzenhoven, Caroline von, [>]
Schall, August von, [>], [>], [>]
Schenk, Johann Baptist, [>]–[>]
“scherzo” defined, [>]
Schikaneder, Emmanuel
background, [>]
Beethoven/operas and, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>]
Schiller, Friedrich
Freemasons and, [>]
Goethe and, [>]
Illuminati and, [>]
influence/significance of, [>]
Kant and, [>]
“Ode to Joy”/An die Freude, [>]–[>], [>], [>], [>], [>], [>]
wife, [>]
work/views of, [>], [>], [>], [>]–[>], [>], [>]–[>], [>]–[>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>]
See also Ninth Symphony (Beethoven)
Schimon, Frederick, [>]–[>]
Schindler, Anton
background/music, [>], [>], [>], [>]–[>]
Beethoven and, [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>]
on Beethoven/Beethoven’s music, [>]–[>], [>], [>]–[>], [>]
description, [>]–[>]
Holz replacing, [>], [>]
on relationship with Beethoven, [>]–[>], [>], [>]
taking material after Beethoven’s death, [>]
Schlemmer, Wenzel, [>], [>], [>]
Schlesinger, Adolf/Moritz publishers, [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>]–[>], [>], [>], [>], [>], [>]
Schmidt, Johann, [>], [>]–[>], [>], [>]
Schneider, Eulogius, [>], [>], [>]–[>], [>]–[>]
Schott and Sons publishers, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]
Schröder-Devrient, Wilhelmine, [>]
Schubert, Franz, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]
Schumann, Robert, [>