], [>], [>]
Schuppanzigh, Ignaz
background/music, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]
Beethoven and, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>]
description, [>], [>]–[>]
Schwärmer defined, [>]
Sebald, Amalie, [>], [>]
Second Symphony (Beethoven), [>], [>], [>], [>], [>]–[>], [>]–[>], [>]
Septet, op. [>] (Beethoven), [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]
Serioso Quartet (Beethoven), [>], [>]–[>], [>], [>], [>], [>]
Seventh Symphony (Beethoven)
performances/publications, [>], [>], [>], [>], [>], [>], [>], [>]
writing/description, [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>]
Seyfried, Ignaz von, [>]–[>], [>], [>], [>], [>], [>]
Shakespeare/works, [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>]–[>], [>], [>], [>]–[>]
Simrock, Nikolaus/publisher, [>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]
Sixth Symphony. See Pastoral Symphony/Sixth Symphony (Beethoven)
Smart, Sir George, [>], [>], [>], [>], [>], [>], [>]
Sobieski, Jan, King of Poland, [>]
sonata
Baroque period, [>]
Classical era, [>], [>], [>]
classifying and, [>]–[>]
overview, [>]–[>]
Romantic period, [>]
sections/components, [>]–[>]
“sonata form” and Marx, [>], [>], [>]–[>]
sonata-rondo, [>]
Sonnleithner, Joseph von, [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>]
Sontag, Henriette, [>], [>], [>]
Spohr, Louis, [>], [>], [>], [>]
Stackelberg, Christoph von, [>]–[>], [>], [>]
Stackelberg, Josephine. See Deym, Josephine, Countess
Stamitz, Carl, [>]
Stammbuch (stem-book), [>]–[>], [>]
Starke, Friedrich, [>], [>], [>]
steam power beginnings/effects, [>]
Steibelt, Daniel, [>]–[>], [>], [>]
Stein, Johann Andreas, [>], [>]
Stein, Nannette (Maria Anna), [>], [>]
See also Streicher, Nannette
Steiner, Sigmund Anton/publisher, [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>], [>]
Stendhal, [>], [>]–[>], [>]
Sterkel, Abbé, [>], [>]
Stich, Wenzel (Giovanni, Punto), [>]–[>], [>], [>]
Stieler, Joseph Karl, [>]
Streicher, Johann Andreas, [>]–[>], [>], [>], [>]–[>], [>], [>]
Streicher, Nannette, [>]–[>], [>]–[>], [>], [>], [>]–[>]
See also Stein, Nannette (Maria Anna)
String Quartet in C-sharp Minor (Beethoven), [>], [>], [>], [>], [>]–[>], [>]–[>]
String Quartet in F Major (Beethoven), [>], [>], [>], [>], [>], [>]–[>]
String Quintet in C Major, op. [>] (Beethoven), [>]–[>], [>]
Stumpff, Johann Andreas, [>], [>]–[>], [>]
Sturm, Christoph Christian, [>]–[>], [>]–[>]
Sturm und Drang (Storm and Stress), [>]–[>], [>], [>], [>], [>], [>]
Sulzer, Johann Georg, [>], [>]–[>], [>]
Swieten, Gottfried van
background/description, [>], [>], [>], [>]
Beethoven and, [>], [>]
Tagebuch. See diary (Tagebuch) of Beethoven
Talleyrand, Charles-Maurice de, [>], [>], [>], [>]
Tempest, The (Beethoven), [>]–[>], [>], [>], [>], [>]
Tenth Symphony plans, [>]–[>]
Teutonic Knights, [>], [>]
Thayer, Alexander Wheelock, [>]–[>]
Theater an der Wien
Beethoven and, [>], [>], [>], [>], [>], [>]–[>], [>], [>]–[>], [>], [>]–[>], [>]–[>]
Beethoven’s letter/petition to directors of, [>]–[>]
Eroica premiere and, [>], [>]–[>]
Fidelio and, [>]
Schikaneder and, [>], [>], [>], [>]
theater of Electoral Residence/National Theater
Belderbusch and, [>], [>]
closing/job loses (1784), [>], [>]
as National Theater, [>], [>]
productions (1780s), [>]
reopening/reviving, [>], [>]–[>]
theme and variations
Beethoven and, [>], [>], [>]
description, [>]–[>], [>]
Third Piano Concerto (Beethoven), [>], [>], [>], [>], [>], [>], [>]
Third Symphony (Beethoven). See Eroica Symphony (Beethoven)
Thomson, George/publisher, [>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>]
thoroughbass, [>]–[>], [>], [>]
Thun, Countess, [>], [>], [>], [>]
Thürheim, Lulu von, Countess, [>], [>]
Tiedge, C. A., [>], [>]–[>]
To an Infant (Beethoven), [>]
To the Distant Beloved/An die ferne Geliebte (Beethoven), [>]–[>], [>]
Tomaschek, Wenzel Johann, [>]–[>], [>], [>], [>], [>]
“tonic” defined, [>]
Touchemoulin, Kapellmeister, [>]
Treitschke, G. F., [>], [>], [>], [>], [>], [>], [>]
Trémont, Baron de, on Beethoven/Beethoven’s house, [>]–[>]
Trio for Piano and Winds (Beethoven), [>]
Trio for Piano, Clarinet, and Cello (Beethoven), [>]–[>], [>]
Trio for Piano, Flute, and Bassoon (Beethoven), [>]
Triple Concerto, op. [>] (Beethoven), [>]
Triumph of the Cross, The (Beethoven), [>]–[>], [>]
Tuscher, Mathias von, [>]–[>], [>], [>]
Umlauf, Michael, [>], [>], [>], [>], [>], [>], [>]
Unger, Karoline, [>], [>]–[>], [>], [>]
University of Cologne, [>]
van den Eaden, Gilles
death, [>]
as Ludwig’s teacher, [>]–[>], [>]
“van” vs. “von,” [>], [>], [>]–[>]
Varena, Joseph von, [>], [>], [>], [>]
Varnhagen, Karl, [>], [>], [>], [>], [>], [>], [>]–[>]
venereal disease, [>], [>], [>], [>], [>], [>], [>]
Vering, Julie von, [>], [>]
Vermeer, [>]
Vestas Feuer, [>], [>], [>]–[>], [>], [>], [>]
Victory of the Cross, The (commissioned oratorio), [>], [>]
Vienna
fear of “Jacobins,” [>]–[>]
French occupation (1805), [>]–[>], [>]–[>]
French/war and, [>]–[>]
music/dance, [>]–[>], [>]–[>], [>]–[>]
See also Beethoven, Ludwig van, and Vienna
Vienna trip (1787) of Beethoven
Beethoven’s letter to von Schaden, [>]–[>]
mother’s illness and, [>]
Mozart meeting/myth and, [>]–[>]
overview, [>]–[>]
Vienna description, [>]–[>]
Viennese Classical style, [>]
Viganò, Salvatore, [>]–[>], [>], [>], [>]
Violin Concerto (Beethoven), [>], [>]–[>], [>], [>]
Violin Sonata in G Major (Beethoven), [>]–[>]
Violin Sonatas (Beethoven), [>], [>]–[>]
Violin Sonatas, op. [>] (Beethoven), [>]–[>]
Viotti, Giovanni Battista, [>], [>], [>], [>]
Vivaldi, Antonio, [>]
Voltaire
Joseph II and, [>]
works/views of, [>], [>], [>]
von Schaden, Joseph, Hofrat
Beethoven and, [>], [>], [>]–[>]
Beethoven’s letter to, [>]–[>]
Freemasons and, [>]
von Schaden, Nannette, [>]
“von” vs. “van,” [>], [>], [>]–[>]
Wackenroder, Wilhelm, [>]
Wagner, Richard, [>], [
>], [>], [>], [>]
Waldstein, Count
background/career, [>], [>], [>], [>], [>], [>]
as Beethoven’s mentor/champion, [>]–[>], [>], [>], [>], [>], [>]–[>], [>], [>]
Bonn/court and, [>], [>], [>]
Freemasons and, [>]
Waldstein Sonata (Beethoven), [>], [>], [>]–[>], [>], [>]
Washington, George, [>], [>], [>], [>]
Wawruch, Andreas, [>], [>]–[>], [>], [>], [>], [>]
Wegeler, Franz
on Beethoven, [>], [>], [>]–[>], [>], [>]
Beethoven and, [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>]–[>], [>], [>]–[>]
University of Bonn, [>]
wife (Lorchen), [>], [>], [>], [>]
Weishaupt, Adam, [>]–[>]
Well-Tempered Clavier, The (J. S. Bach)
Beethoven and, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]
keys/tuning system and, [>], [>]
“well-tempered” defined, [>]
Wellington’s Victory (Beethoven)
publishing, [>]–[>], [>]
unauthorized performances, [>]
writing/description, [>], [>]–[>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]
Westerholt, Maria Anna von, [>], [>]
“Who Is a Free Man?” (Wer ist ein freier Mann?) (Beethoven), [>], [>], [>]
Wieck, Friedrich/Clara, [>]–[>]
Wiessenbach, Alois, [>]–[>]
Willmann, Magdalena, [>]–[>], [>]
Wittelsbachs of Bavaria, [>]
Wölffl, Joseph, [>]–[>], [>], [>]
women instrumentalists (early 1800s), [>]–[>]
Zehrgarten/Beethoven’s friends, [>], [>], [>]–[>], [>]–[>], [>]
Zelter, Carl Friedrich, [>], [>], [>]–[>], [>]
Zmeskall, Nikolaus, Baron
background/description, [>]–[>], [>], [>], [>], [>]
Beethoven and, [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>]
About the Author
JAN SWAFFORD is an award-winning composer whose work has been performed by ensembles around the country. He is the author of Johannes Brahms: A Biography, which was a New York Times Notable Book, and Charles Ives: A Life with Music, a finalist for the National Book Critics Circle Award and winner of the PEN/Winship Award. He is also the author of The Vintage Guide to Classical Music. His writing and commentary on music has been featured on NPR and in Slate, the Guardian, Gramophone, and elsewhere. Swafford teaches music history, theory, and composition at the Boston Conservatory.
Beethoven: Anguish and Triumph Page 131