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Sargent's Women

Page 36

by Donna M. Lucey

art studies of, xvi, 61, 62–63, 65

  character of, 78–79, 100, 107, 111, 116

  clients of, 70–71, 79–80, 82–84

  and Cornish colony, 72, 74–75, 85–87, 90, 95, 98, 107

  death of, 109–10, 115–16

  and Fuller, 64–65, 66–72, 79, 87–90, 92, 98–99, 106, 111

  health problems of, 66–67, 69, 78, 80, 84, 89, 90–91, 99, 104–5, 107, 111, 116

  honors and awards to, 104

  and house fire, 84–85

  In the Looking-Glass (self-portrait), 98

  loss of sight, 90, 107, 111

  miniatures by, 68–69, 70, 71–72, 89, 91, 101, 104, 111

  money worries of, 67, 69–72, 76, 79–81, 89, 92, 98, 99, 105–6

  mural by, 65–66

  in New York, 68–70, 77, 79–80, 91–92

  psychic powers of, 86–87, 117

  and Sargent, xix, 60, 61, 62–64, 104, 111, 114, 116–17

  Women of Plymouth, 65, 74, 86

  Fairchild, May (Charles Jr.’s wife), 101

  Fairchild, Nelson (brother), 101

  Fairchild, Sally (sister), 55, 100, 148

  death of, 115

  and Gordon, 103–4, 108–9, 110

  and her mother, 103, 107–8, 109, 116

  in later years, 115

  and Lucia, 78–79, 99, 107–8, 109–10

  marriage prospects of, 77–78

  Sargent’s portrait of, xiii, xvi, xix, 56–57, 60, 61, 78, 116, 117

  travels of, 99, 103, 116

  Fairchild family, 55–60

  “Bel’ Napoli” in Newport, 66–67

  family business of, 100–101

  financial problems of, 77, 99, 110–11

  in Nahant, 55, 56–57, 60

  papers of, 86–87, 90, 108, 117

  suicides of, 101–2, 110

  Farragut, David, 73

  Flinck, Govaert, 217

  Forbes-Robertson, Johnston, 28

  Forster, E. M., 52

  “Four Hundred,” 124

  Frederick, Empress, of Germany, 222

  Freer, Charles, 237

  Frick, Henry Clay, 178

  Fuller, Agnes Higginson (mother), 64, 98, 105–7, 111

  Fuller, Blair (great nephew), 115

  Fuller, Charles (son), 70, 75, 84, 85, 91–92, 95, 105–6, 109, 112

  Fuller, Clara (daughter):

  birth and childhood of, 70, 75, 84, 85, 90, 92–93

  and Cornish colony, 75, 85, 95

  and her father, 90, 91, 92–93, 98–99, 113–14

  and her grandmother, 105–7

  and her mother, 85, 87, 90–92, 98–99, 107, 109–10, 115–16

  and Sally, 110, 115–16

  teen years of, 104, 105–7

  tonsillectomy of, 92–93

  Fuller, George (father), 64

  Fuller, Henry Brown “Harry,” 76, 84, 111–15, 117

  and Clara, 90, 91, 92–93, 98–99, 113–14

  and Cornish colony, 72, 74, 75, 95, 98–99

  death of, 114–15

  and his mother, 79, 98, 106, 111

  Illusions, 65, 89–90, 267

  and Lucia, 64–65, 66–72, 79, 87–90, 92, 98–99, 106, 111

  and money, 67–68, 69–70, 72, 79, 92, 98, 106, 111, 113–14

  and Susie (waitress), 112–14

  and Symbolism, 65, 90

  Triumph of Truth over Error, 65, 93–94

  Fuller, Lucia, see Fairchild, Lucia

  Gainsborough, Thomas, 77

  Gardner, (William) Amory, 195, 200, 290

  Gardner, Augustus “Gus,” 195, 200, 290

  Gardner, George, 184

  Gardner, Isabella Stewart “Belle”:

  art collection of, xvi, 178, 208–9, 212–20, 224–25, 226, 227, 234, 237, 239, 241–42, 243, 286

  and Berenson, 213–18, 220, 242

  birth and early years of, 179–80

  and Boston Brahmins, 181–83, 184, 186, 240–41

  broken leg of, 225–26

  and customs duties, 219–20, 225

  as Dante devotee, 195–96

  death of, 231, 244, 245

  in Egypt, 176–77, 188–94, 229, 288–89

  first meeting of Sargent and, 201–2

  health problems of, 242

  and her nephews, 195, 200–201

  on the Ibis, 176–77, 189–94, 288–89

  and Jack, see Gardner, John Lowell Jr.

  life pattern of, 177–78

  museum of, see Isabella Stewart Gardner Museum

  personal traits of, 177–78, 202, 205, 216, 227

  Sargent’s letters to, 4, 99, 237, 293

  as Sargent’s patron, 20, 63, 202, 209, 211–12, 218, 238

  Sargent’s portraits of, xiii, xix–xx, 202–5, 237, 238, 242–44

  schooling of, 180

  socializing, 186–87, 195–96, 205–8

  travels of, 180, 185–86, 187–95, 196–200

  and Venice, 221–25, 229, 230

  wealth of, 212, 227

  will of, 178–79, 286, 296

  Gardner, John Lowell III “Jackie,” 185

  Gardner, John Lowell Jr. “Jack,” 180–81

  and Belle’s collection, 212, 216, 218, 220, 224, 227

  and Belle’s museum, 224–25, 226

  and Belle’s portrait, 204–5

  and Belle’s socializing, 186–87

  death of, 227–28

  and family business, 184, 187

  and travel, 187, 188–95, 197–200, 223

  Gardner, Joseph (Joe’s father), 194

  Gardner, Joseph Peabody “Joe” (son), 194–95, 200–201, 290

  Gardner family:

  and Civil War, 184

  shipping business of, 183–84

  Garland, Hamlin, 49

  Garrison, William Lloyd, 150

  Gaskill, Elizabeth, 130

  Gilded Age, xiii, 72, 81, 146

  collections in, 209, 218

  fashion in, 185–86, 278

  letters, diaries, and papers from, xv–xvi

  marriage customs in, 39

  Old World connections in, 115, 126, 292

  Panic of 1893, 33, 68, 76, 99

  portraiture in, xiv, xx, 243–44

  railroads in, 6–7, 179

  robber barons in, 209

  in Smithsonian collection, 125, 175, 267

  travel in, xvi–xvii

  yachts in, 82

  Giotto, 217

  Gladstone, William, 40

  Glessner, Frances, 234

  Glory (film), 73

  Gold Rush, California, 179

  Grant, Ulysses S., 7

  Great Depression, 114

  Grew, Jane “Jessie” Norton, 81–82

  Grimes, Frances, 266–67

  Haas, Madame, 25

  Harrington, Tim, 291

  Harrison, Alma Strettell, 33, 46, 48, 52

  Harrison, Peter:

  and Dos, 34, 44–46, 48, 52, 246

  and Elsie, 33–35, 39, 40, 42–46, 47, 48, 51–52

  Elsie’s correspondence with, 43–46, 51–52

  and Sargent, 246, 258

  Hay, John, 95

  Helleu, Paul César, 237

  Hemingway, Ernest, 111, 112

  Henry VIII, king of England, 12

  Higginson, Henry Lee, 60, 77

  HMS Eurydice, 134–35

  Holbein, Hans the Younger, 216–17

  Holl, Frank, 81

  Holmes, H. H., 86

  Holmes, Oliver Wendell Sr., 181

  Homer, Winslow, 77

  Hopkins, Emma Curtis, 165

  Hopkins, Gerard Manley, 134

  Houston, Charlotte, 102

  Howe, Julia Ward, 62, 204

  Howells, William Dean, 59, 103

  Hugo, Victor, 125

  Irving, Henry, 5

  Isabella, queen of Spain, 217

  Isabella Stewart Gardner Museum, Boston, 220–25, 228–35

  acquisitions for, 224–25, 226, 233, 286

  the collection in, 230�
�32, 233, 286

  The Deposition of Christ in, 218

  Fens site of, 226, 228, 234

  as Fenway Court, 205, 228, 235, 236, 237, 238

  Gardner’s creation of, xvi, 177, 178, 179, 228, 232–33

  Gardner’s portrait in, 205

  and Gardner’s will, 178–79, 286, 296

  installation of artworks in, 233–35

  interiors of, 205, 228–30, 231, 278

  opening gala, 235–36

  performances in, 236–37

  public admission to, 239–41

  and Sargent, 236, 237–38, 241, 242

  Sears as architect of, 178, 221, 226, 228, 232, 233

  thefts from, 213, 217

  and Titian’s Europa, 220–21, 232

  Venetian influence in, 221, 222–23, 224, 228, 229, 230, 231, 232, 236, 240, 241

  Italian Renaissance, 214–15, 232

  Jackson, Helen Hunt, 8

  James, Henry:

  and Chapman family, 172

  and Cornish colony, 95

  and Fairchild family, 57, 62

  and Gardner, 200, 201, 223–24

  The Golden Bowl, 95

  and Palmer family, 3, 15, 16, 254–55

  social circle of, xviii, 3, 34, 57, 59, 62, 115, 144

  and Venice, 222, 223–24

  The Wings of the Dove, 224

  James, William, 167, 236

  Janvier & Duval, 98

  Jay, John, 150

  Jefferson, Thomas, 184

  Johns, Clayton, 225

  Joyce, James, 111

  J. P. Morgan Library, New York, 229

  Kipling, Rudyard, 148

  Korbay, Francis, 27, 29

  Ku Klux Klan, 170

  La Farge, John, 108

  Lafayette Escadrille, 169

  Laurence, Caroline Mudge, 204

  Lee, Higginson & Company, 59, 76

  Lennon, John, 11

  Leo (dog), 13, 19

  Lincoln, Abraham, 73, 184, 193

  Loeffler, Charles Martin, 236–37

  Luling, Grace Dunham, 91–92

  Lummis, Charles Fletcher, 240

  Lyceum Theater, Ellen Terry as Lady Macbeth exhibited in, 5

  MacDonald, George, 9

  Macknight, Dodge, 243

  Macmillan, George A., 298

  Manet, Édouard, 213, 237

  Marc Anthony, 177

  Marshall, Mary:

  and Chanler family, 120, 121, 125, 136, 142

  and Elizabeth, 137, 140–41, 142, 153

  and haunting spirits, 124

  Marx, Karl, 129

  McAllister, Ward, 124

  McClellan, George B., 193

  McKim, Mead & White, 20, 147

  Mellen, William Proctor, 6–7, 30–31

  Meredith, George, 3, 17, 28, 254–55

  Meredith, Marie, 28

  Metropolitan Museum, New York, 104

  Minot, Grace, 207

  Miró, Joan, 111

  Mitchell, Silas Weir, 48

  Monet, Claude, 237

  Montaigne, Michel de, 114

  Morgan, Jane “Jessie” Norton Grew, 81–82, 107

  Morgan, J. P., 81, 82–83, 178, 218

  Morgan, J. P. Jr. “Jack,” 81, 83, 84

  Morgan family, 81–84

  Morse, Langdon, 73

  Museum of Fine Arts, Boston, 245–46

  Myers, Elsie Queen “EQ” (daughter), 51

  Myers, Eveleen (daughter), 52

  Myers, Eveleen Tennant (mother), 38–39, 40

  Myers, Frederic W. H. (father), 38–40, 50–53

  Myers, Leo, 38–40

  marriage of Elsie and, 50–53

  The Root and the Flower, 53

  suicide of, 53

  Nahant, Massachusetts, Fairchild family in, 55, 56–57, 60

  National Academy of Design, New York, 174

  New Gallery, Elsie’s portrait hanging in, 4, 25

  New York:

  Brearley school in, 10

  the Dakota in, 10–11

  house museums in, 178

  Nichols, Rose, 292

  Norton, Charles Eliot, 195, 214, 215

  Norton, Richard, 216, 218, 219

  Nubar, Pasha, 288

  Paderewski, Ignacy Jan, 27, 29

  Paget, Dr. James, 138

  Palazzo Barbaro, Venice, 222–24, 225, 228

  Palmer, Dame Dorothy (ghost), 3, 16

  Palmer, Dorothy “Dos” (sister), 9, 19, 36

  and Harrison, 34, 44–46, 48, 52, 246

  Palmer, Elsie, xvi

  birth of, 8–9

  childhood of, 9–13

  death of, 53

  and Glen Eyrie, 9, 14, 32, 36–38, 47

  and Harrison, 33–35, 39, 40, 42–46, 47, 48, 51–52

  health problems of, 22

  and her father, 9–10, 13, 22–23, 29, 30, 31, 35–36, 49, 51, 52–53

  and her mother, 13–14, 17, 21–22, 23–24, 28, 33, 41, 42

  and Ightham Mote, 11–13, 14, 17, 19–20, 26, 35

  and marriage prospects, 28, 39, 40, 47, 50

  and Myers, 50–53

  Sargent’s portrait of (A Portrait), xiii, xix, 1–3, 12, 17–19, 20–21, 25, 26, 27, 43, 252

  schooling of, 10

  social activities of, 27–28, 32, 36

  teen years of, 13–14, 15, 24

  travels of, 13, 24, 31–33

  Palmer, Marjory (sister), 9, 36, 42, 43, 49

  Palmer, Queen (mother), 3, 7

  death of, 35–36

  and Elsie, 13–14, 17, 21–22, 23–24, 28, 33, 41, 42

  and Glen Eyrie home, 8

  health problems of, 6, 9, 10, 30, 35

  at Ightham Mote, 12, 15–17, 18, 28

  at Losely Manor, 25, 29–30

  as “Motherling,” 13–14, 22, 32

  and Sargent, 18, 21, 26

  Palmer, William Jackson “the General” (father), 3, 25, 40

  in Colorado, 38, 39, 40, 41, 43, 46–49

  death of, 51

  and Elsie, 9–10, 13, 22–23, 29, 30, 31, 35–36, 49

  equestrian statue of, 52–53

  and Ightham Mote, 14–15

  injury to, 48–49

  and Queen, 7, 15, 30, 31, 35

  and railroads, 6–7, 30, 38

  Palmer family:

  at Blackdown, 19–20

  and “Definitions” (parlor game), 255

  Glen Eyrie home of, 8, 9, 14, 32–33, 36–38, 40–41, 46–47, 49

  Ightham Mote residence of, 3–4, 6, 11–17, 18, 19–20, 22, 28, 35, 255

  at Losely Manor, 25, 26, 28, 29–30

  and Queen’s death, 35–36

  travels of, 30

  Pan-American Exposition, Buffalo (1901), 90

  Panic of 1893, 33, 68, 76, 99

  Paris Salon (1884), 201, 205

  Parnell, Charles, 21

  Parrish, Maxfield, 74, 87, 95, 98

  Parsons, Alfred, 24

  Pasteur, Louis, 46

  Perkins Institution for the Blind, 235

  Piano, Renzo, 296

  Pitt-Rivers, St George, 77

  Plainfield, New Hampshire, Lucia and Harry’s house in, 72–76

  Poe, Edgar Allan, 2, 164

  Potter, Henry Codman, 91, 155

  Praxiteles, 218

  Price, C. A. (pseud.), 62

  Proctor, George, 209

  Prohibition, 113

  Putnam, Corinne, 226

  Radnor, Lady, 245

  Raphael, 217, 219

  Ray, Man, 111

  Rembrandt van Rijn, 213, 217, 220

  Revere, Paul, 54

  Rives, Amélie, 162

  RMS Baltic, 246

  Roosevelt, Theodore, 142, 159, 163, 238

  Rosemary’s Baby (film), 10

  Roth, Philip, 173

  Rothstein, Sir William, 292

  Royal Academy, London, 174

  Rubens, Peter Paul, 217, 220

  Russell, Lord Bertrand, 77, 115

  Rutherfurd, Margaret Stuyvesant “Daisy�
� (White), as Elizabeth’s guardian, 138, 143

  Saarinen, Aline, 229

  St. Denis, Ruth, 236

  Saint-Gaudens, Augustus, 66

  Amor Caritas, 87

  and Aspet estate, 73

  and Cornish Colony, 72–75, 87–88, 94–98

  Saint-Gaudens, Gussie, 87–88, 96, 97, 266–67

  Sandow (perfect man), 206

  Santayana, George, 241

  Sargent, Emily (sister), xvii, xix, 6, 20, 119, 242, 246

  Sargent, FitzWilliam (father), xvii, 5–6

  Sargent, John Singer:

  as American artist, 6

  birth and childhood of, xvii

  Boston Public Library wall decorations by, 20, 21, 25, 34, 147, 237, 243

  Carnation, Lily, Lily, Rose, 284

  commissions of, 2, 19, 20, 55, 70, 147, 209

  death of, 116, 246

  El Jaleo, 210–11, 241

  Ellen Terry as Lady Macbeth, 4–5, 21

  English residence of, 6

  family background of, xvii, 6

  and Gardner Museum, 236, 237–38, 241, 242

  and Gardner’s death, 244, 245

  Group with Parasols, 34

  honors and awards to, 63

  Lady with a Blue Veil (Sally Fairchild), xiii, xvi, xix, 56–57, 60, 61, 78, 116, 117

  and Lucia Fairchild, 61, 62–64, 104, 111, 114, 116–17

  Madame X, iv, xvii–xviii, 63, 201–2

  murals of, 245–46

  myth of, xiii–xiv

  personal traits of, xviii, xix, 20–21, 34, 57, 258

  A Portrait (Elsie Palmer), xiii, xix, 1–3, 12, 17–19, 20–21, 25, 26, 27, 43, 252

  as portrait artist, xiii–xiv, xix, xx, 18, 27, 56, 57, 63, 84, 110, 143, 210, 224, 238, 240, 298

  portrait of Elizabeth Chanler, xiii, 118–19, 125, 145, 146, 147–49, 174–75

  Portrait of Miss Elsie Palmer or A Lady in White (aka A Portrait), 252

  portrait of T. Roosevelt, 238

  portraits of Gardner, xiii, xix–xx, 202–5, 237, 238, 242–44, 293

  portraiture procedures of, 17–19, 148–49, 238, 243–44

  preliminary sketches made by, 2

  reputation of, xx, 5, 144

  scrapbook dedicated to, 54–56

  social circle of, xviii, 3–4, 115, 116, 143

  Stevenson portraits, 61, 102

  Street in Venice, 146–47

  theater interests of, 209–10

  tiring of portraiture, xiv, 81, 242, 245, 298

  Tite Street studio of, 20, 25, 26–27, 34, 147, 224, 246, 293

  travels of, xvii, 222, 224, 244

  Sargent, Mary Newbold Singer (mother), xvii, 5, 6, 222

  Sargent, Violet (sister), 6, 19, 21, 55, 58

  Sassoon, Sir Philip, 246

  Scott, Sir Walter, 21, 125

  Sears, Willard, 178, 221, 226, 228, 232, 233

  Sewell, Miss Elizabeth, 129–33

  Amy Herbert, 131–32

  and Elizabeth Chanler’s character development, 135–36, 137, 141, 153

  and Elizabeth Chanler’s schooling, 126, 128, 132–33, 139

  moral outlook of, 129–32

  Sewell, Aunt Ellen, 126, 131, 132, 133, 135

 

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