Also by Simon Garfield
Expensive Habits
The End of Innocence
The Wrestling
The Nation’s Favourite
Mauve
The Last Journey of William Huskisson
Our Hidden Lives (ed.)
We Are at War (ed.)
Private Battles (ed.)
The Error World
Mini
Exposure
Just My Type
On the Map
To the Letter
My Dear Bessie (ed.)
A Notable Woman (ed.)
Timekeepers
How the World Became Obsessed with Time
Simon Garfield
Published in Great Britain in 2016 by Canongate Books Ltd,
14 High Street, Edinburgh EH1 1TE
www.canongate.tv
This digital edition first published in 2016 by Canongate Books
Copyright © 2016 Simon Garfield
The moral right of the author has been asserted
For picture credits, see p.337
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available on request from the British Library
ISBN 978 1 78211 319 5
eISBN 978 1 78211 320 1
To Ben, Jake, Charlie, Jack and Justine
And to the memory of Rena Gamsa
Alice: How long is forever?
White Rabbit: Sometimes, just one second.
Contents
Introduction: Very, Very Early or Very, Very Late
1. The Accident of Time
i) Leaving the Ground
ii) The Shortness of Life and How to Live It
2. How the French Messed Up the Calendar
3. The Invention of the Timetable
i) The Fastest Thing You Ever Did See
ii) Was Ever Tyranny More Monstrous?
4. The Beet Goes On
i) The Way to Play the Ninth
ii) Just How Long Should a CD Be?
iii) Revolver
5. How Much Talking Is Too Much Talking?
i) In the Time of Moses
ii) Talking It Over
6. Movie Time
i) How You Get to the Clock
ii) Oncoming Train
7. Horology Part One: How to Make a Watch
i) A Very Difficult Floor
ii) Just What Is It about the Swiss?
8. Roger Bannister Goes Round and Round
9. Vietnam. Napalm. Girl.
i) The Split Second
ii) ‘I am Muybridge and this is a message from my wife’
10. The Day Shift
i) We Will Crush, Squash, Slaughter Yamaha!
ii) The Boss from Hell
11. Horology Part Two: How to Sell the Time
i) Vasco da Gama Special Edition
ii) Welcome to Baselworld
iii) Uh-oh
iv) In Which We Name the Guilty Man
v) The Most Valuable Watch on the Planet
12. Time Tactics That Work!
i) The Berry Season
ii) The Lean Email Simple System
13. Life Is Short, Art Is Long
i) The Clock Is a Clock
ii) White People Are Crazy
14. Slowing Down the World
i) A Place Where Time Stands Still
ii) Living Frenchly
iii) Faster Food
15. The British Museum and the Story of Us
i) The Book of Hours
ii) Doomed and Marooned
iii) Those Who Feel Differently
Epilogue: Humility Watch
Further Reading and Acknowledgements
Picture Credits
Index
Introduction:
Very, Very Early or Very, Very Late
We are in Egypt. Not Ancient Egypt, which would be a reasonable place to begin a book about time, but in modern Egypt, an Egypt out of Condé Nast Traveller, with the fine beaches and the tourists at the pyramids and the sun beating down on the Mediterranean. We are sitting at a restaurant above a beach near Alexandria, and at one end of the beach we can see a local fisherman catching something tasty for dinner: a nice red mullet perhaps.
We are on holiday after a punishing year. After our meal we stroll towards the fisherman. He speaks a little English. He shows us his catch – not much yet, but he’s hopeful. Because we know a little about fishing and opportunity, we suggest he might move to that rock over there, just a little further out, a higher cast than his present position on his old folding stool, and a greater chance of hooking his daily haul of fish faster.
‘Why would I want to do that?’ he asks.
We say that with greater speed he could catch more fish, so that he could not only have enough for his dinner, but sell the surplus at the market, and with the proceeds he could buy a better rod and a new icebox for his catch.
‘Why would I want to do that?’
So that you can catch even more fish at greater speed, and then sell those fish, and swiftly earn enough to buy a boat, which means deeper seas and still more fish in record time with those big nets they use on trawlers. In fact, you could soon become a successful trawler yourself, and people would start calling you Captain.
‘Why would I want that?’ he asks smugly, annoyingly.
We are of the modern world, attuned to ambition and the merits of alacrity, and so we advance our case with growing impatience. If you had a boat, your haul would soon be of such size that you would be a kingpin at the market, be able to set your own prices, buy more boats, hire a workforce and then, fulfilling the ultimate dream, retire early, and spend your time sitting in the sun fishing.
‘A bit like I do today?’
*
Now let us briefly consider the case of William Strachey. Strachey was born in 1819, and from his schooldays had set his heart on becoming a civil servant. By the mid-1840s he was working in the Colonial Office in Calcutta, where he became convinced that the people of India, and the people of Calcutta in particular, had found a way to maintain the most accurate clocks (the best clocks in India at this time were probably made in Britain, but no matter). When he returned to England after five years away he determined to carry on living his life by Calcuttan time: a valiant move, for this was usually five-and-a-half hours ahead of London time.
William Strachey was the uncle of Lytton Strachey, the eminent Victorian critic and biographer. Lytton’s own biographer, Michael Holroyd, has noted how William was among the most eccentric of all the Stracheys, which was really saying something, given the amount of general weirdness ritually favoured by the Strachey clan.1
William Strachey lived until his mid-80s, and thus spent more than 50 years in England on Calcuttan time. This meant having breakfast at teatime and a candlelit lunch in the evening, and making decisive calculations regarding train timetables and other routines of daily life, such as shopping and banking hours. But in 1884 it got more complicated still, as Calcuttan time jumped 24 minutes ahead of much of the rest of India, making Strachey’s day 5 hours and 54 minutes ahead of London time. Sometimes it was just impossible to tell if he was very, very early or very, very late.
Many of Strachey’s friends (not that he had many friends) grew used to this eccentricity, although he severely tried the patience of his family when he bought a mechanised bed at the Paris International Exposition of 1867. The bed came with a clock designed to wake the occupant at an appointed hour by tipping him or her out, and Strachey rigged it up in such a way that it tipped him into his bath. Despite his planning, he was apparently so enraged when he was first woken in this way that he saw no other option but to smash the clock to ensure he wouldn’t be tipped up again. According to Holroyd, William S
trachey spent his remaining years in galoshes, and shortly before he died he bequeathed his nephew a considerable assortment of coloured underpants.
*
Between the serenity of the fisherman and the madness of Strachey lies the compromised life of us all. Do we want the fishing life or the clock life? We want both. We envy those with a carefree existence but we don’t have time to examine it for long. We want more hours in the day but fear we’d probably only waste them. We work all hours so that we may eventually work less. We have invented quality time to distinguish it from that other time. We place a clock by our bed but what we really want is to smash it up.
Time, once passive, is now aggressive. It dominates our lives in ways that the earliest clockmakers would have surely found unbearable. We believe that time is running away from us. Technology is making everything faster, and because we know that things will become faster in the future, it follows that nothing is fast enough now. The time zones that so possessed William Strachey are rendered almost obsolete by the perpetual daylight of the Internet. But the strangest thing of all is this: if they were able, the earliest clockmakers would tell us that the pendulum swings at the same rate as it always has, and the calendars have been fixed for hundreds of years. We have brought this cauldron of rush upon ourselves. Time seems faster because we have made it so.
This is a book about our obsession with time and our desire to measure it, control it, sell it, film it, perform it, immortalise it and make it meaningful. It considers how, over the last 250 years, time has become such a dominant and insistent force in our lives, and asks why, after tens of thousands of years of looking up at the sky for vague and moody guidance, we now take atomically precise cues from our phones and computers not once or twice a day but continually and compulsively. The book has but two simple intentions: to tell some illuminating stories, and to ask whether we have all gone completely nuts.
I recently bought the smartphone app Wunderlist. It’s designed to ‘sort out and synchronise your to-dos for home, work and everything in between’ and ‘take a quick peek inside a to-do’ and ‘swipe down from any app to get a glance of your due to-dos with our Today widget’. Buying the app was a tough choice, for there are also apps named Tick Task Pro, Eisenhower Planner Pro, gTasks, iDo Notepad Pro, Tiny Timer, 2Day 2Do, Little Alarms, 2BeDone Pro, Calendar 366 Plus, Howler Timer, Tasktopus, Effectivator and many, many hundreds of others. In January 2016, these Business and Productivity apps – the vast majority concerned with time-saving, time management and increased speed and efficiency in all aspects of our lives – accounted for a greater share of smartphone apps than Education, Entertainment, Travel, Books, Health & Fitness, Sports, Music, Photos and News, all of which were also vaguely concerned with improving efficiency and getting more done faster. Yes, that name was ‘Tasktopus’. How did we arrive at this terrible and exciting place?
*
Timekeepers examines some important moments in an attempt to find out. For most of the time we will be in the company of contemporary and modern witnesses, among them some remarkable artists, athletes, inventors, composers, film-makers, writers, orators, social scientists and, of course, watchmakers. The essays in this book will consider the practical rather than ethereal applications of time – time as a lead character in our lives, and sometimes the only one against which we judge our worth – and examine a few instances when our measurement and notion of temporal things enhanced, restricted or restructured our lives in significant ways. The book will not scold us for our fast living, although several people will suggest how to apply the brakes. Nor will it be a book about theoretical physics, so we will not figure out whether time is real or imaginary, or what came before the Big Bang; instead, the book examines what came after the big bang of the industrial revolution. Equally, we’re not going to mess around with science fiction or the mind-bending mechanics of time travel: all that going back to kill your own grandfather and suddenly-waking-up-in-the-Field-of-the-Cloth-of-Gold rigmarole. I’m leaving that to the physicists and Doctor Who fanatics, and taking the rational Groucho Marx line on all of this: time flies like an arrow but fruit flies like a banana.2
Timekeepers tracks time’s arrow in the modern age. The pace picks up with the railways and the factory, but our tour is primarily a cultural one, and occasionally a philosophical one, gathering momentum with Beethoven’s symphonies and the fanatical traditions of Swiss watchmaking. There will be the occasional sampling of wisdom from Irish and Jewish comedians. The timeline will be cyclical rather than linear, because time has a habit of folding back upon itself (the early days of cinema appear here before the early days of photography, for example). But, chronological or not, it comes with one inevitability – that sooner or later we will track down the person responsible for the adverts that claim ‘You never actually own a Patek Philippe, you merely look after it for the next generation’, and try not to kill him. A little later the book will also evaluate the wisdom of time-saving gurus, examine why the CD lasts the length it does, and explain why you should think very seriously before travelling on 30 June.
But we begin at a football match, an event where timing is everything.
_______________
1 Another of Lytton Strachey’s uncles, Uncle Bartle, wrote the definitive book – definitive up to that point at any rate – on the orchids of Burma. Yet another, Uncle Trevor, was married to a woman named Aunt Clementina, who, whenever she visited Lytton’s home in Lancaster Gate, spent her time making chapattis on the living-room carpet. One of Trevor’s and Clementina’s children died while embracing a bear.
2 The joke is attributed to Groucho Marx, although one can spend a very pleasurable weekend searching in vain for even one occurrence of him actually saying it. The expression probably originates in an article on the uses of computers in science written for Scientific American in September 1966 by the Harvard professor Anthony G. Oettinger.
Chapter One
The Accident of Time
i) Leaving the Ground
You know that thing they say about comedy being tragedy plus time? The thinking is that any terrible misfortune can be made hilarious given a suitable period to recover and reassess the situation. The film director Mel Brooks (who found that the passage of time permitted him to make fun of Hitler in The Producers) had his own version: ‘Tragedy is when I cut my finger. Comedy is when you fall into an open sewer and die.’
*
We had been to a football match. After three minutes of extra time, my son Jake and I untied our bikes from the railings and cycled towards Hyde Park. Chelsea’s opening game of the season had been an easy thing, 2–0 over Leicester, goals from Costa and Hazard, and we’d enjoyed being back at the ground after the summer layoff. The cycle home was good too: late August sun, the park packed with tourists.
The day was dominated by a fixture list that had appeared two months before, and the kick-off time was dictated about a month after that by the television companies. But when the day of the match finally came it was all about old rituals: when to meet up, when to have lunch, how long the pizzas take, how long until the bill arrives, the walk to the ground, the length of the turnstile queue, the songs on the PA before the game – always Blur’s ‘Parklife’ these days, coordinated with the big-screen video of past glories. And then the game itself: how slow it seems when you’re winning and waiting for the final whistle, and how quickly it goes when you’re behind.
We left a minute early to avoid the crowds, also a temporal negotiation: how does one measure the possibility of missing a last-minute goal with the value one attaches to saving ten minutes of crowd congestion? Many in the crowd chose the early departure, which almost defeated the object, and we weaved our bikes through the throngs on the Fulham Road. My youngest son Jake was 24, full of energy, slightly ahead of me along Exhibition Road and past the Albert Hall. The nice thing about Hyde Park is the modern division of the pavement, half for cyclists, half for pedestrians, and you glide past the Serpentine Gallery, a s
how by an artist I’d never heard of, and then suddenly I had blood pouring from my face, a pulsing gash just above my eye, my sunglasses smashed, my bike in the road, a heavy numb pain around my right elbow, a lot of concerned people, the sort of frowns on their faces that suggested to me that my head wound must be serious. Someone was calling an ambulance and another was giving me paper towels to clutch to my head, and the towels were turning crimson.
It was just as people had said: time did indeed seem to slow down. I can see the fall not exactly in slow motion but extended, each tiny event surrounding the accident elongated and logged as if it might be my last, my flight from bike to ground an elegant swoop through the air rather than an ungainly, panicky confusion, people saying ‘ambulance’ all the time. The ambulance arrived in six long minutes or so, probably finding it hard to work itself past all the supporters, and I can remember being worried about my bike, and who would tell my wife. One of the ambulance men cut open the sleeve of my jacket and flinched a little as he saw the state of my elbow. No bones exposed, but swelling like a dinner plate, and he said, ‘You’ll have that X-rayed, but I can tell you now that it’s broken!!’, and we sped on to the hospital on the Fulham Road we had passed not fifteen minutes earlier. I asked him if they were going to put the sirens on, and he asked me what had happened.
I had been undone by time. I wasn’t going fast, because the pavement was crowded. Jake was ahead of me, and there were a lot of people on our left up ahead, and one of them, a visitor from Portugal we find out later, drifted out slightly from her friends, and walked directly into my path. I knew I was going to hit her before I did, but there was no time to brake or even put my hand out, and my bike seemed to disappear underneath me as I fell forward. The Portuguese woman, perhaps mid-20s, was shocked and concerned, and Jake took her mobile number, but we have no idea where that is now. Even at the time, sitting on the grass near the Serpentine Gallery, I think I knew it could have been much worse, and my sunglasses could have shattered into my eyes, and I would have lost my sight.
Timekeepers Page 1