With effort he shook loose of those thoughts. He focused his attention on Elizabeth Osborn’s home, trying to get a feel for the woman’s lifestyle and financial circumstances. Though the house was modest enough—only a single story, perhaps twelve hundred square feet, and hardly new—Delgado knew it had been expensive; in this part of town, even a stucco box like this one would run three hundred thousand dollars and up. Mortgage payments of two grand a month, easily. Either Osborn had been doing well in her real-estate sales or she’d been heavily in debt, living on her credit cards and charge accounts; these days the latter was more likely.
Delgado’s gaze ticked restlessly across the living room. A white oval throw rug, creamy as a puddle of spilled milk, lay on the hardwood floor under a glass cocktail table with chrome-plated legs. Other glass tables were scattered around in an artful illusion of disorder. Glass surfaces, Delgado knew, were unusually receptive to latent prints. There would be plenty of tented arches and radial loops to occupy the Scientific Investigation Division. But whatever prints the evidence technicians found would belong to Elizabeth Osborn, whose fingers would be printed for comparison, or to her boyfriend, if she’d had one, or to a cleaning woman. Somebody. Anybody.
Not the Gryphon.
Pages of a newspaper, probably the L.A. Times, were scattered on a futon flanked by chrome torcheres. Against one wall stood an entertainment center with mirrored doors, holding a twenty-six-inch Magnavox and a Pioneer stereo system. A reproduction of an emakimono, a Japanese watercolor on a horizontal scroll, hung over the fireplace.
The painting and the white walls were spotted with blood. Long slanted splashes like bugs on a windshield.
The stains could have been made when the saw was used, but Delgado didn’t think so. The height and trajectory of the marks looked wrong. No, Osborn had still been upright, struggling wildly, releasing an arterial spray like a hellish lawn sprinkler. A dying person could spasm and convulse as frantically as an epileptic in a grand mal seizure.
Death was everywhere in this room. Delgado could not escape from it. Sighing, he returned his attention to the statue.
It was a small brown figure, unpainted, four inches long, modeled by hand out of self-hardening clay. The work was unsophisticated but far from inept; there had been speculation that the Gryphon might be an art instructor or a professional sculptor, but it was equally likely that he was a talented amateur.
The sculpture he had made was a representation of his namesake, the raptorial bird-beast of Arabian and Greek mythology, a gargoyle-like monster featuring the head and wings of an eagle joined incongruously with the body of a lion. The clay gryphon was posed rearing upright, forelimbs extended, wings folded, beak jutting dangerously forward. It was a pose often given to the heraldic gryphons on medieval shields.
The dead woman’s hands had both fisted in a cadaveric spasm. If Osborn had been holding the statuette when she died, the clay figure would have been crushed. It was intact. That meant the killer had pried open her dead, rigid fingers to insert the figurine. Peering closely, Delgado detected no tool marks on the skin, no grooves cut by pliers or a screwdriver. Tools had not been needed. The Gryphon had done the job by hand. He was strong, then, with a powerful grip. But Delgado had already known that. It would take a strong man to sever muscle and bone with only a hacksaw. Ordinarily a surgeon’s electric saw would have been needed to do a job of that kind.
The hacksaw, however, was unlikely to have been the murder weapon. Too unwieldy. No, something else had released the spray of blood that measled the walls. Most likely the same weapon that had been used in the other cases. But what?
There was no way to know. Not now.
Delgado stared down at the dark mushroom of blood sprouting between Elizabeth Osborn’s shoulders, crusted brown, soaking into the gaps between the floorboards. It looked eerily like the distorted shadow of the head that was not there. The head that had been sawed off at the base of the neck and taken away.
He sighed, feeling older, much older, than his thirty-six years.
Detective Sebastián Juarez Delgado had spent his entire adult life in the LAPD, and he knew about cops, all cops—plainclothes and uniformed, raw recruits and tarnished brass. He knew how they liked to grouse about their jobs, about the long hours, the bureaucratic paper shuffle, the stretches of enervating boredom interrupted by flashes of electric danger. And he knew, perhaps better than most of them, that such talk was only misdirection, a magician’s sleight of hand.
Overtime, red tape, fatigue, risk—none of that was the bad part of the job, the part that made a young man old. The bad part was facing things like this. Not the physical reality as such, not the lake of blood that had gushed from a severed neck, but the implications to be drawn from the sight. Had Elizabeth Osborn been decapitated in a freeway accident, the condition of her body would have been much the same, but its emotional meaning utterly different.
A man had done this. A member of the human species. A man had hacked through gristle and bone to take the prize he wanted. Had he carried it under his arm, or in a zippered bag, like a bowling ball? Had he whistled cheerfully as he left the house, his night’s work done?
After what seemed like many long minutes, Delgado looked up from the body again and saw that the SID technicians had entered the living room. He nodded to Frommer, the leader of the team; the thin, bespectacled, constantly agitated man had supervised evidence recording and collection on both of the previous cases. He was infuriated by the Gryphon, who so far had refused to leave anything interesting.
“Hello, Eric,” Delgado said, getting to his feet.
“Detective.” Frommer nodded in a distracted way. “Christ, I hate the smell of blood.”
“You should try these.” Delgado tapped his nostrils. “Cotton balls moistened with Aqua Velva. I can’t smell a thing.”
“I experimented with something like that once. Only I used Mennen Skin Bracer. And I’ve tried cigarette filters and swimmers’ nose plugs too. Problem is, when I stick anything up my nose, I feel I can’t breathe. I know it’s irrational—just breathe through your mouth, right?—but I can’t help it. The only thing that works for me is coffee grounds on the stove. Handful of fresh grounds in a saucepan, no water, on a hot burner. In five minutes it masks every other smell in the place.”
“I’ll keep that in mind.”
Frommer stared down at the body. “Jesus, look at her. Just look at her. First thing to do is bag the hands and that goddamned statue. You know, I used to like sculpture.”
Delgado nodded. “So did I.”
Two of the evidence techs in Frommer’s team were busily unpacking their kit bags, removing canister vacuum cleaners, compasses and calipers, four-by-five cameras and video equipment, fiberglass brushes and vials of gray and white fingerprint powder. The cartographer was already plotting the coordinates of the room on graph paper, prior to marking down the exact location of every item of furniture, every ashtray, every bloodstain. The other three would set to work momentarily, snapping photos and bagging evidence. Delgado figured he’d better get out of their way.
Carefully he retraced his steps, backing away from the corpse. On the steps outside, Nason and Gray stood waiting.
“Let’s see the window,” Delgado said tersely.
The two men nodded. Wordlessly they led him down a hallway adjacent to the living room, into a large and well-kept kitchen.
The lights were off, and Delgado left them that way. The wall switch would not be touched until it had been dusted. Wan daylight, filtering through the window curtains, provided some feeble illumination.
Looking around intently, Delgado saw a linoleum floor of indeterminate color, perhaps blue or gray—a built-in electric range—a stainless steel sink piled with last night’s dinner dishes—white steel wall cabinets, charmlessly functional. In one corner a black-paneled side-by-side refrigerator hummed tunelessly to itself; a grocery list was pinned to the door by a magnet in the shape of a saguaro cactus. The s
aguaro grew almost exclusively in Arizona’s Sonoran Desert, and Delgado was willing to bet that Elizabeth Osborn either had recently visited Arizona or had grown up there.
He stepped up to the kitchen window and carefully parted the curtains. The glass had been removed, leaving only a few jagged shards clinging to the frame.
Directly beneath the window there was a dining nook; a three-sided upholstered bench bracketed a small oak-veneer table. A scatter of shining glass fragments dusted the table, the bench, and the floor, but not enough glass to have filled the frame. Delgado turned inquiringly to Nason and Gray.
“Used tape,” Gray said, answering the unspoken question. “Love tap with a blunt instrument. Neatly done.”
Delgado nodded. With strips of tape covering the window, the glass would not have spilled noisily out of the frame even after a soft blow had shattered it.
“Did you find the tape and the glass?” he asked.
“Yeah. He dropped it right outside the window. In a flower bed.”
Delgado nodded. “It’s the first time he’s tried this method.”
“He keeps it interesting,” Nason said.
“Too interesting,”
The Gryphon’s single break-in prior to tonight’s job had been accomplished by picking the lock. He’d sprung a standard latch bolt, apparently by using a loid of some kind—perhaps a credit card or a homemade tool.
Delgado returned his attention to the bench. He saw a few crumbs of dark soil scattered on the tan vinyl upholstery. The killer must have planted his foot on the bench after climbing through the window. Lowering his gaze, Delgado spotted similar specks of dirt on the floor near the table. Perhaps two feet away, there were another few crumbs.
For the first time since entering the house, he smiled.
“I think he’s given us some help this time,” Delgado said softly, speaking more to himself than to the others.
“What do you mean?” Nason asked.
“He tracked dirt into the room. See it? There ... and there ... and there.”
“Yeah. From the flower bed. But he didn’t leave any footprints as far as I can see.”
“True. But if we measure the distance between tracks, we’ll know the approximate length of his step. From that, we can arrive at an estimate of his height.”
“Shit,” Nason said. “That might work.”
“Retrace your steps carefully,” Delgado ordered.
Walking backward, the three men returned to the kitchen doorway.
“No one enters this room again until SID has photographed and measured those tracks,” Delgado said. “Tell Frommer to make it his first priority once the living room is taken care of.”
“Right.” Gray hurried off to convey the orders.
Delgado was still smiling. “He can make mistakes, it seems. Small ones. But those are the ones that will do him in.”
From outside the house rose a loud male voice shouting questions at the beat cops positioned around the cordon. A reporter, Delgado assumed. Soon dozens of them would swarm over this neighborhood like flies crusting a garbage pail. This afternoon every local newscast would lead with the story, and the city’s panic, already high, would be ratcheted up another notch. Gun stores and home-security outfits would report a new wave of record sales. Not since the Night Stalker case had one killer generated a wave of paranoia of such frightening intensity. People acted as if the phenomenon of serial murder were new to L.A. It was not.
The Gryphon, as Delgado and every other cop in the LAPD knew only too well, was far from the only repeat killer loose in Los Angeles on this chill March morning. No one in the department cared to speculate on how many unsolved homicides were the work of men who killed capriciously, not for gain but for the satisfaction of an anti-life impulse so primal it could scarcely be understood by a normal mind. L.A. had dozens of them, and they were rarely caught.
The Gryphon had garnered more publicity than any of the others, in part because of the sensational aspects of the case, but in greater part because his first two victims, like his third, had been not prostitutes or runaways, not the faceless shadow figures who slept in alleys and turned tricks for a hit of crack, but “decent people,” in the cops’ own parlance. Julia Stern had been a young housewife; Rebecca Morris had been an upwardly mobile junior executive. So far the Gryphon had worked exclusively in L.A.’s Westside, a patchwork of middle- and upper-class neighborhoods, where attractive young women were not supposed to die random, senseless deaths.
But then, nobody was supposed to die a death like that. Life, any life, was not meant to end that way.
Delgado sighed, his brief smile fading.
A moment later Gray returned with the news that Frommer was eager to get a look at the tracked dirt. “He’ll probably put it through microscopic analysis,” Gray remarked.
Delgado was barely listening. “Let’s check out the rest of the house.”
A narrow hallway led past a bathroom, a utility closet, and a guest room that Elizabeth Osborn had turned into a messy, but comfortable, study. At the far end of the hall was the bedroom. The table lamp on the nightstand was unlit. A piano concerto played from a clock radio; apparently the alarm had been set to awaken the woman with soft music. The bed was unmade, the quilted spread flung back hastily. The walls were bare save for an Arizona Highways calendar; the photo showed a grove of golden paloverde trees against a wall of striated purple.
Definitely a relocated Arizonan, Delgado concluded.
A stack of mail had been left on the bureau. Delgado looked it over and saw a Century Cable bill, a mailing from the Sierra Club, a Great Western Bank statement, and a catalog from Crane’s Department Store. The catalog’s cover featured a smiling woman in a straw hat and the cheerful announcement: “Summer’s On the Way!” It was a summer Elizabeth Osborn would never see.
“Seb?” The voice was Gray’s. “You okay?”
“Just ... thinking.”
“It gets to you,” Nason said sympathetically. “You start seeing them in your sleep.”
“And hearing them,” Delgado said. “Their voices.”
Nason blinked. “I forgot about that. You kept that out of the papers, didn’t you?”
“So far.”
“Good.”
The tapes, like many other details of the case, had been withheld from the press, partly to protect the victims’ privacy and partly to provide a means of debunking the endless phony confessions that came in over the task-force hotline. If necessary, such information also could be used to distinguish a copycat killer from the original. As yet, thank God, there had been no imitators. In time there would be. In time ...
“So how do you figure it?” Nason asked abruptly. “You think maybe he woke her up, hustled her out of bed, cooled her in the other room?”
“No. That’s not his M.O. He doesn’t move them around like pieces on a chessboard.”
“Then what’s the story?”
“Something like this.” Eyes closed, Delgado watched the scene unroll in his mind. “The Gryphon breaks in while Osborn is asleep. He makes some noise that awakens her. She’s not certain if she heard anything or not, so she slips out of bed and looks into the living room to see if anyone is there. The Gryphon strikes from behind. He kills her. Strips the body, tosses her nightgown aside. Rapes the corpse. Takes the head. And leaves the lights on and the door open, as always, when he departs.”
Nason grunted. “Sounds reasonable.”
“Reasonable?” Delgado shook his head wearily. “Oh, no. There is nothing reasonable about it.” He moved toward the doorway, his shoulders sagging. “Let’s get out of here. That goddamn music is giving me a headache.”
The three men returned to the foyer, making a detour around the living room, where Frommer was aiming a video camcorder at the body as he narrated a running commentary on the crime scene. Outside, several news vans were parked around the cordon; cameras were being mounted on tripods; snarled snakes of microphone cable slithered everywhere.
The coroner’s assistant, Ralston, was waiting for Delgado near the front door. He had handled the Gryphon case from the beginning, and he looked very tired of it now.
“Not much I can tell you yet, Seb,” Ralston said in answer to Delgado’s unvoiced question. “So far Frommer has hardly let me touch the deceased. He’s rather protective of his crime scene, as you know.”
“You’ll get your chance. Have you taken the temperature readings?” That part of the pathologist’s examination had to be done as soon as possible.
Ralston nodded. “Rectum and liver. Body temp is ninety-two point three. That puts the time of death at roughly midnight.”
Delgado scribbled in his notepad. “The body wasn’t moved.” It was not a question.
“Uh-uh. Definitely not. That arterial spray makes it pretty obvious she died right here. Standing up, I’d say. The evidence techs will have to chart the trajectories of the spatters in order to fix her exact location.”
“Anything else I ought to know?”
“Nothing you didn’t notice for yourself. There are no apparent abrasions, contusions, incisions, or ligature marks on the limbs or trunk, not even any defense cuts. The damage must have been inflicted exclusively on the head and neck.”
“Just like the others. Did you smell sulfur?”
“No. I don’t think it was a gunshot. We’ve never found any traces of powder on the previous victims.”
“And there’s no sound of a shot on the tapes. More like … cutting or strangling ... a combination of the two.” Delgado shook his head.
“Knife or a straight razor,” Ralston suggested. “With a sideways jerk of a sharp blade”—he demonstrated with a slash of his hand across his own throat—“he could tear out the carotid arteries. Plenty of blood then.”
“Yes,” Delgado said, looking at the living-room walls. “Plenty of blood.” He sighed. “Okay. Thanks, Rally. See you at the autopsy.”
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