I set out for Crete in the Easter holidays with no encumbrance but a fair-sized suitcase and my painting gear. A travel agent had recommended a hotel overlooking the Gulf of Mirabello on the eastern coast, after I had told him I was not interested in archaeological sights but wanted to paint. I was shown a brochure which seemed to meet my requirements. A pleasantly situated hotel close to the sea, and chalets by the water's edge where one slept and breakfasted. Clientele well-to-do, and although I count myself no snob I cannot abide paper-bags and orange-peel. A couple of pictures painted the previous winter--a view of St Paul's Cathedral under snow, and another one of Hampstead Heath, both sold to an obliging female cousin-- would pay for my journey, and I permitted myself an added indulgence, though it was really a necessity--the hiring of a small Volkswagen on arrival at the airport of Herakleion.
The flight, with an overnight stop in Athens, was pleasant and uneventful, the forty-odd miles' drive to my destination somewhat tedious, for being a cautious driver I took it slowly, and the twisting road, once I reached the hills, was decidedly hazardous. Cars passed me, or swerved towards me, hooting loudly. Also, it was very hot, and I was hungry. The sight of the blue Gulf of Mirabello and the splendid mountains to the east acted as a spur to sagging spirits, and once I arrived at the hotel, set delightfully in its own grounds, with lunch served to me on the terrace despite the fact that it was after two in the afternoon--how different from England! --I was ready to relax and inspect my quarters. Disappointment followed. The young porter led me down a garden path flagged on either side by brilliant geraniums to a small chalet bunched in by neighbours on either side, and overlooking, not the sea, but a part of the garden laid out for mini-golf. My next-door neighbours, an obviously English mother and her brood, smiled in welcome from their balcony, which was strewn with bathing-suits drying under the sun. Two middle-aged men were engaged in mini-golf. I might have been in Maiden-head.
'This won't do,' I said, turning to my escort. 'I have come here to paint. I must have a view of the sea.'
He shrugged his shoulders, murmuring something about the chalets beside the sea being fully booked. It was not his fault, of course. I made him trek back to the hotel with me, and addressed myself to the clerk at the reception desk.
'There has been some mistake,' I said. 'I asked for a chalet overlooking the sea, and privacy above all.'
The clerk smiled, apologised, began ruffling papers, and the inevitable excuses followed. My travel agent had not specifically booked a chalet overlooking the sea. These were in great demand, and were fully booked. Perhaps in a few days there might be some cancellations, one never could tell, in the meantime he was sure I should be very comfortable in the chalet that had been allotted to me. All the furnishings were the same, my breakfast would be served me, etc., etc.
I was adamant. I would not be fobbed off with the English family and the mini-golf. Not having flown all those miles at considerable expense. I was bored by the whole affair, tired, and considerably annoyed.
'I am a professor of art,' I told the clerk. 'I have been commissioned to execute several paintings while I am here, and it is essential that I should have a view of the sea, and neighbours who will not disturb me.'
(My passport states my occupation as professor. It sounds better than schoolmaster or teacher, and usually arouses respect in the attitude of reception clerks.)
The clerk seemed genuinely concerned, and repeated his apologies. He turned again to the sheaf of papers before him. Exasperated, I strode across the spacious hall and looked out of the door on to the terrace down to the sea.
'I cannot believe,' I said, 'that every chalet is taken. It's too early in the season. In summer, perhaps, but not now.' I waved my hand towards the western side of the bay. 'That group over there,' I said, 'down by the water's edge. Do you mean to say every single one of them is booked?'
He shook his head and smiled. 'We do not usually open those until mid-season. Also, they are more expensive. They have a bath as well as a shower.'
'How much more expensive?' I hedged.
He told me. I made a quick calculation. I could afford it if I cut down on all other expenses. Had my evening meal in the hotel, and went without lunch. No extras in the bar, not even mineral water.
'Then there is no problem,' I said grandly. 'I will willingly pay more for privacy. And, if you have no objection, I should like to choose the chalet which would suit me best. I'll walk down to the sea now and then come back for the key, and your porter can bring my things.'
I gave him no time to reply, but turned on my heel and went out on to the terrace. It paid to be firm. One moment's hesitation, and he would have fobbed me off with the stuffy chalet overlooking the mini-golf. I could imagine the consequences. The chattering children on the balcony next door, the possibly effusive mother, and the middle-aged golfers urging me to have a game. I could not have borne it.
I walked down through the garden to the sea, and as I did so my spirits rose. For this, of course, was what had been so highly coloured on the agent's brochure, and why I had flown so many miles. No exaggeration, either. Little whitewashed dwellings, discreetly set apart from one another, the sea washing the rocks below. There was a beach, from which doubtless people swam in high season, but no one was on it now, and, even if they should intrude, the chalets themselves were well to the left, inviolate, private. I peered at each in turn, mounting the steps, standing on the balconies. The clerk must have been telling the truth about none of them being let before full season, for all had their windows shuttered. All except one. And directly I mounted the steps and stood on the balcony I knew that it must be mine. This was the view I had imagined. The sea beneath me, lapping the rocks, the bay widening into the gulf itself, and beyond the mountains. It was perfect. The chalets to the east of the hotel, which was out of sight anyway, could be ignored. One, close to a neck of land, stood on its own like a solitary outpost with a landing-stage below, but this would only enhance my picture when I came to paint it. The rest were mercifully hidden by rising ground. I turned, and looked through the open windows to the bedroom within. Plain whitewashed walls, a stone floor, a comfortable divan bed with rugs upon it. A bedside table with a lamp and telephone. But for these last it had all the simplicity of a monk's cell, and I wished for nothing more.
I wondered why this chalet, and none of its neighbours, was unshuttered, and stepping inside I heard from the bathroom beyond the sound of running water. Not further disappointment, and the place booked after all? I put my head round the open door, and saw that it was a little Greek maid swabbing the bathroom floor. She seemed startled at the sight of me. I gestured, pointed, said, 'Is this taken?' She did not understand, but answered me in Greek. Then she seized her cloth and pail and, plainly terrified, brushed past me to the entrance, leaving her work unfinished.
I went back into the bedroom and picked up the telephone, and in a moment the smooth voice of the reception clerk answered.
'This is Mr Grey,' I told him, 'Mr Timothy Grey. I was speaking to you just now about changing my chalet.'
'Yes, Mr Grey,' he replied. He sounded puzzled. 'Where are you speaking from?'
'Hold on a minute,' I said. I put down the receiver and crossed the room to the balcony. The number was above the open door. It was 62. I went back to the telephone. 'I'm speaking from the chalet I have chosen,' I said. 'It happened to be open--one of the maids was cleaning the bathroom, and I'm afraid I scared her away. This chalet is ideal for my purpose. It is No. 62.'
He did not answer immediately, and when he did he sounded doubtful. 'No. 62?' he repeated. And then, after a moment's hesitation, 'I am not sure if it is available.'
'Oh, for heaven's sake ...' I began, exasperated, and I heard him talking in Greek to someone beside him at the desk. The conversation went back and forth between them; there was obviously some difficulty, which made me all the more determined.
'Are you there?' I said. 'What's the trouble?'
More hurried whi
spers, and then he spoke to me again. 'No trouble, Mr Grey. It is just that we feel you might be more comfortable in No. 57, which is a little nearer to the hotel.'
'Nonsense,' I said, 'I prefer the view from here. What's wrong with No. 62? Doesn't the plumbing work?'
'Certainly the plumbing works,' he assured me, while the whispering started again. 'There is nothing wrong with the chalet. If you have made up your mind I will send down the porter with your luggage and the key.'
He rang off, possibly to finish his discussion with the whisperer at his side. Perhaps they were going to step up the price. If they did, I would have further argument. The chalet was no different from its empty neighbours, but the position, dead centre to sea and mountains, was all I had dreamed and more. I stood on the balcony, looking out across the sea and smiling. What a prospect, what a place! I would unpack and have a swim, then put up my easel and do a preliminary sketch before starting serious work in the morning.
I heard voices, and saw the little maid staring at me from halfway up the garden path, cloth and pail still in hand. Then, as the young porter advanced downhill bearing my suitcase and painting gear, she must have realised that I was to be the occupant of No. 62, for she stopped him midway, and another whispered conversation began. I had evidently caused a break in the smooth routine of the hotel. A few moments later they climbed the steps to the chalet together, the porter to set down my luggage, the maid doubtless to finish her swabbing of the bathroom floor. I had no desire to be on awkward terms with either of them, and, smiling cheerfully, placed coins in both their hands.
'Lovely view,' I said loudly, pointing to the sea. 'Must go for a swim,' and made breast-stroke gestures to show my intent, hoping for the ready smile of the native Greek, usually so responsive to goodwill.
The porter evaded my eyes and bowed gravely, accepting my tip nevertheless. As for the little maid, distress was evident in her face, and forgetting about the bathroom floor she hurried after him I could hear them talking as they walked up the garden path together to the hotel.
Well, it was not my problem. Staff and management must sort out their troubles between them. I had got what I wanted, and that was all that concerned me. I unpacked and made myself at home. Then, slipping on bathing trunks, I stepped down to the ledge of rock beneath the balcony, and ventured a toe into the water. It was surprisingly chill, despite the hot sun that had been upon it all day. Never mind. I must prove my mettle, if only to myself. I took the plunge and gasped, and being a cautious swimmer at the best of times, especially in strange waters, swam round and round in circles rather like a sea-lion pup in a zoological pool.
Refreshing, undoubtedly, but a few minutes were enough, and as I climbed out again on to the rocks I saw that the porter and the little maid had been watching me all the time from behind a flowering bush up the garden path. I hoped I had not lost face. And anyway, why the interest? People must be swimming every day from the other chalets. The bathing-suits on the various balconies proved it. I dried myself on the balcony, observing how the sun, now in the western sky behind my chalet, made dappled patterns on the water. Fishing-boats were returning to the little harbour port a few miles distant, the chug-chug engines making a pleasing sound.
I dressed, taking the precaution of having a hot bath, for the first swim of the year is always numbing, and then set up my easel and instantly became absorbed. This was why I was here, and nothing else mattered. I worked for a couple of hours, and as the light failed, and the colour of the sea deepened and the mountains turned a softer purple blue, I rejoiced to think that tomorrow I should be able to seize this after-glow in paint instead of charcoal, and the picture would begin to come alive.
It was time to stop. I stacked away my gear, and before changing for dinner and drawing the shutters--doubtless there were mosquitoes, and I had no wish to be bitten--watched a motor-boat with gently purring engine draw in softly to the eastward point with the landing-stage away to my right. Three people abroad, fishing enthusiasts no doubt, a woman amongst them. One man, a local, probably, made the boat fast, and stepped on the landing-stage to help the woman ashore. Then all three stared in my direction, and the second man, who had been standing in the stern, put up a pair of binoculars and fixed them on me. He held them steady for several minutes, focusing, no doubt, on every detail of my personal appearance, which is unremarkable enough, heaven knows, and would have continued had I not suddenly become annoyed and withdrawn into the bedroom, slamming the shutters to. How rude can you get, I asked myself? Then I remembered that these western chalets were all unoccupied, and mine was the first to open for the season. Possibly this was the reason for the intense interest I appeared to cause, beginning with members of the hotel staff and now embracing guests as well. Interest would soon fade. I was neither pop star nor millionaire. And my painting efforts, however pleasing to myself, were hardly likely to draw a fascinated crowd.
Punctually at eight o'clock I walked up the garden path to the hotel and presented myself in the dining-room for dinner. It was moderately full and I was allotted a table in the corner, suitable to my single status, close to the screen dividing the service entrance from the kitchens. Never mind. I preferred this position to the centre of the room, where I could tell immediately that the hotel clientele were on what my mother used to describe as an 'all fellows to football' basis.
I enjoyed my dinner, treated myself--despite my deluxe chalet--to half a bottle of domestica wine, and was peeling an orange when an almighty crash from the far end of the room disturbed us all. Waiters hurried to the scene. Heads turned, mine amongst them. A hoarse American voice, hailing from the deep South, called loudly, 'For God's sake clear up this Goddarn mess!' It came from a square-shouldered man of middle age, whose face was so swollen and blistered by exposure to the sun that he looked as if he had been stung by a million bees. His eyes were sunk into his head, which was bald on top, with a grizzled thatch on either side, and the pink crown had the appearance of being tightly stretched, like the skin of a sausage about to burst. A pair of enormous ears the size of clams gave further distortion to his appearance, while a drooping wisp of moustache did nothing to hide the protruding underlip, thick as blubber and about as moist. I have seldom set eyes on a more unattractive individual. A woman, I suppose his wife, sat beside him, stiff and bolt upright, apparently unmoved by the debris on the floor, which appeared to consist chiefly of bottles. She was likewise middle-aged, with a mop of tow-coloured hair turning white, and a face as sunburnt as her husband's, but mahogany brown instead of red.
'Let's get the hell out of here and go to the bar!' The hoarse strains echoed across the room. The guests at the other tables turned discreetly back to their own dinner, and I must have been the only one to watch the unsteady exit of the bee-stung spouse and his wife--I could see the deaf-aid in her ear, hence possibly her husband's rasping tones as he literally rolled past me to the bar, a lurching vessel in the wake of his steady partner. I silently commended the efficiency of the hotel staff, who made short work of clearing the wreckage.
The dining-room emptied. 'Coffee in the bar, sir,' murmured my waiter. Fearing a crush and loud chatter I hesitated before entering, for the camaraderie of hotel bars has always bored me, but I hate going without my after-dinner coffee. I need not have worried. The bar was empty, apart from the white-coated server behind the bar, and the American sitting at a table with his wife. Neither of them was speaking. There were three empty beer bottles already on the table before him. Greek music played softly from some lair behind the bar. I sat myself on a stool and ordered coffee.
The bar-tender, who spoke excellent English, asked if I had spent a pleasant day. I told him yes. I had had a good flight, found the road from Herakleion hazardous, and my first swim rather cold. He explained that it was still early in the year. 'In any case,' I told him, 'I have come to paint, and swimming will take second place. I have a chalet right on the water-front, No. 62, and the view from the balcony is perfect.'
Ra
ther odd. He was polishing a glass, and his expression changed. He seemed about to say something, then evidently thought better of it, and continued with his work.
'Turn that God-damn record off!'
The hoarse, imperious summons filled the empty room. The bar-man made at once for the gramophone in the corner and adjusted the switch. A moment later the summons rang forth again.
'Bring me another bottle of beer!'
Now, had I been the bar-tender I should have turned to the man and, like a parent to a child, insisted that he said please. Instead, the brute was promptly served, and I was just downing my coffee when the voice from the table echoed through the room once more.
'Hi, you there, chalet No. 62. You're not superstitious?'
I turned on my stool. He was staring at me, glass in hand. His wife looked straight in front of her. Perhaps she had removed her deaf-aid. Remembering the maxim that one must humour madmen and drunks, I replied courteously enough.
'No,' I said, 'I'm not superstitious. Should I be?'
He began to laugh, his scarlet face creasing into a hundred lines.
'Well, God darn it, I would be,' he answered. 'The fellow from that chalet was drowned only two weeks ago. Missing for two days, and then his body brought up in a net by a local fisherman, half-eaten by octopuses.'
He began to shake with laughter, slapping his hand on his knee. I turned away in disgust, and raised my eyebrows in enquiry to the bar-tender.
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