by Philip Roth
"Why don't you worry about Kentucky when and if we go to Kentucky."
"He'll wear them to school here, Ma."
"What is the matter with you?" she replied. "What is going on with you? You're turning into—"
"So are you!" and I ran off with my books to school, and when I got home for lunch at noon I pulled from the bedroom closet the green shirt I hated and the brown corduroy pants that never fit and brought them downstairs to Seldon, who was in his kitchen eating the sandwich his mother had left for him and playing chess with himself.
"Here," I said, throwing the clothes on the table. "I'm giving you these," and then I told him, for all the good it did in rerouting the direction of either of our lives, "Only stop following me around!"
There were leftover delicatessen sandwiches for our supper when Sandy, Seldon, and I got back from the movies. The adults, who'd eaten in the living room when their meeting was through, had by now all left for home, except for Mrs. Wishnow, who sat at the kitchen table with her fists clenched, still embattled, still grappling day in and day out with everything determined to crush her and her fatherless son. She listened, along with the three of us, to the Sunday-night comedy shows and, while we ate, watched Seldon the way an animal watches over her newborn when she's caught a whiff of something stealthily creeping their way. Mrs. Wishnow had washed and dried the dishes and put them away in the pantry cupboard, my mother was in the living room pushing the carpet sweeper over the rug, and my father had collected and put out the garbage and carried the Wishnows' set of bridge chairs downstairs to return them to the back of the closet where Mr. Wishnow had killed himself. The reek of tobacco smoke pervaded the house despite every window having been thrown open and the ashes and butts flushed down the toilet and the glass ashtrays rinsed clean and stacked away in the breakfront's liquor cabinet (from which not a bottle had been removed that afternoon nor—in keeping with the matter-of-fact temperance practiced in the bulk of the homes of that first industrious American-born generation—a drop requested by a single guest).
For the moment, our lives were intact, our households were in place, and the comfort of habitual rituals was almost powerful enough to preserve a child's peacetime illusion of an eternal, unhounded now. We had the radio going with our favorite programs, we had dripping corned beef sandwiches for supper and rich coffee cake for dessert, we had the resumption of the routines of the school week before us and a double feature under our belts. But because we had no idea what our parents had decided about the future—had as yet no way of telling whether Shepsie Tirschwell had persuaded them to immigrate to Canada, whether cousin Monroe had come through with an affordable legal maneuver to challenge the relocation plan without getting everyone fired, or whether, after poring over the ins and outs of their government-ordained displacement as unemotionally as it was in them to do, they'd found no alternative but to accept that the guarantees of citizenship no longer fully extended to them—the embrace of the totally familiar wasn't the Sunday-night debauch it would ordinarily have been.
Seldon had got mustard all over his face when he hungrily attacked his sandwich, and it surprised me to see his mother reach over to wipe it off with a paper napkin. His letting her do it surprised me even more. I thought, "It is because he has no father," and though by now I believed that about everything that concerned him, probably this time I was right. I thought, "This is the way it's going to be in Kentucky." The Roth family against the world, and Seldon and his mother for dinner forever.
Our voice of belligerent protest, Walter Winchell, came on at nine. Everyone had been waiting on successive Sunday evenings for Winchell to lay into Homestead 42, and when he failed to, my father attempted to rid himself of his agitation by sitting down to compose a letter to the one man aside from Roosevelt whom he considered America's last best hope. "This is an experiment, Mr. Winchell. This is the way Hitler did it. The Nazi criminals start with something small, and if they get away with it," he wrote, "if no one like you raises a cry of alarm. . ." but he never proceeded to list the horrors that could ensue, because my mother was sure that the letter would wind up in the office of the FBI. It is mailed to Walter Winchell, she reasoned, but it never reaches Walter Winchell—at the post office it's diverted to the FBI and placed in a folder labeled "Roth, Herman," to be filed beside the existing folder labeled "Roth, Alvin."
My father argued, "Never. Not the U.S. Mail," but my mother's commonsensical reply stripped him on the spot of what little remained of his certainty. "You're sitting there writing Winchell," she said, "you're predicting to him how these people will stop at nothing once they know what they can get away with. And now you're trying to tell me that they can't do what they want to the postal system? Let someone else write to Walter Winchell. Our children have been questioned by the FBI already. The FBI is already watching like a hawk because of what Alvin did." "But that," he told her, "is why I'm writing him. What else should I do? What more can I do? If you know, advise me. Should I just sit here waiting for the worst to happen?"
In his helpless bewilderment she saw her opportunity, and, not because she was callous but because she was desperate, she seized it and thereby humbled him further. "You don't see Shepsie sitting around writing letters and waiting for the worst to happen," she said. "No," he replied, "not Canada again!" as though Canada were the name of the disease insidiously debilitating us all. "I don't want to hear it. Canada," he told her firmly, "is not a solution." "It's the only solution," she pleaded. "I am not running away!" he shouted, startling everyone. "This is our country!" "No," my mother said sadly, "not anymore. It's Lindbergh's. It's the goyim's. It's their country," she said, and her breaking voice and the shocking words and the nightmare immediacy of what was mercilessly real forced my father, in the prime of his manhood, fit, focused, and undiscourageable as any forty-one-year-old could possibly be, to see himself with mortifying clarity: a devoted father of titanic energy no more capable of protecting his family from harm than was Mr. Wishnow hanging dead in the closet.
To Sandy—still silently enraged by the injustice of having been stripped of his precocious importance—neither of them sounded anything but stupid, and alone with me he didn't hesitate to speak of them in the language he'd picked up from Aunt Evelyn. "Ghetto Jews," Sandy told me, "frightened, paranoid ghetto Jews." At home he sneered at just about everything they said, on any subject, and then sneered at me when I appeared to be skeptical of his bitterness. He might anyway have begun by now to seriously enjoy sneering, and perhaps even in ordinary times our mother and father might have found themselves having to tolerate as best they could a restless adolescent's contemptuous derision, but back in 1942 what made it more than merely exasperating was the ambiguously menacing predicament throughout whose duration he would continue disparaging them right to their faces.
"What's 'paranoid'?" I asked him.
"Somebody afraid of his shadow. Somebody who thinks the whole world's against him. Somebody who thinks Kentucky is in Germany and that the president of the United States is a storm trooper. These people," he said, mimicking our captious aunt whenever she would superciliously distinguish herself from the Jewish rabble. "You offer to pay their moving expenses, you offer to throw open the gates for their children. . .Know what paranoid is?" Sandy said. "Paranoid is nuts. The two of them are bats—they're crazy. And you know what's made them crazy?"
The answer was Lindbergh, but I didn't dare say it to him. "What?" I asked.
"Living like a bunch of greenhorns in a goddamn ghetto. You know what Aunt Evelyn says Rabbi Bengelsdorf calls it?"
"Calls what?"
"The way these people live. He calls it 'Keeping faith with the certainty of Jewish travail.'"
"And what's that supposed to mean? I don't understand. Translate, please. What's 'travail'?"
"Travail? Travail is what you Jews call tsuris."
The Wishnows had gone back downstairs and Sandy had settled into the kitchen to finish his homework when my parents, at the front of th
e house, tuned the living room radio to Walter Winchell. I was in bed with the lights out: I didn't want to hear another panic-stricken word from anyone about Lindbergh, von Ribbentrop, or Danville, Kentucky, and I didn't want to think about my future with Seldon. I wanted only to disappear into forgetful sleep and to wake up in the morning somewhere else. But because it was a warm night and the windows were wide open, I couldn't help, at the stroke of nine, but be beset from virtually every quarter by the renowned Winchell radio trademark—the clatter of dots and dashes sounding over the telegraph ticker and signaling in Morse code (which Sandy had taught me) absolutely nothing. And then, above the ticker's dimming clatter, the red-hot blast of Winchell himself issuing from all the houses on the block. "Good evening, Mr. and Mrs. America. . ." followed by the staccato barrage of the long-hoped-for words—at last the purgative Winchell scourge that would change everything. In normal times, when it was generally within the power of my mother and father to set things right and explain away enough of the unknown to make existence appear to be rational, it wasn't at all like this, but because of the maddening here and now, Winchell, even to me, had become an out-and-out god and more important by far than Adonoy.
"Good evening, Mr. and Mrs. America and all the ships at sea. Let's go to press! Flash! To the glee of rat-faced Joe Goebbels and his boss, the Berlin Butcher, the targeting of America's Jews by the Lindbergh fascists is officially under way. The phony moniker for phase one of organized Jewish persecution in the land of the free is 'Homestead 42.' Homestead 42 is being aided and abetted by the most respectable of America's robber barons—but don't worry, they'll be rewarded in giveaway tax breaks by Lindbergh's Republican henchmen in the next pro-greed Congress.
"Item: Whether the Homestead 42 Jews end up in concentration camps a la Hitler's Buchenwald has yet to be decided by Lindbergh's two top swastinkers, Vice President Wheeler and Secretary of the Interior Henry Ford. Did I say 'whether'? Pardon my German. I meant when.
"Item: Two hundred and twenty-five Jewish families have already been told to vacate the cities of America's northeast in order to be shipped thousands of miles from family and friends. This first shipment has been kept strategically small in order to escape national attention. Why? Because it marks the beginning of the end for the four and a half million American citizens of Jewish descent. The Jews will be scattered far and wide to wherever Hitlerite America Firsters flourish. There the right-wing saboteurs of democracy—the so-called patriots and the so-called Christians—can be turned against these isolated Jewish families overnight.
"And who's next, Mr. and Mrs. America, now that the Bill of Rights is no longer the law of the land and the racial haters are running the show? Who's next under the Wheeler-Ford pogrom-plan for government-funded persecution? The long-suffering Negroes? The hard-working Italians? The last of the Mohicans? Who else among us is no longer welcome in Adolf Lindbergh's Aryan America?
"Scoop! This reporter has learned that Homestead 42 was in the works on January 20, 1941, the day the American Fascist New Order moved its mob into the White House, and was signed into the Iceland sellout between the American Führer and his Nazi partner in crime.
"Scoop! This reporter has learned that only in return for the gradual relocation—and eventual mass imprisonment—of America's Jews by the Lindbergh Aryans would Hitler agree to spare the British Isles from a massive armed invasion across the English Channel. The two beloved Führers agreed in Iceland that massacring blue-eyed, blond-haired bona fide Aryans didn't make sense unless you definitely had to. And it comes as no surprise that Hitler will most definitely have to if Oswald Mosley's British fascist party fails to take dictatorial control of 10 Downing Street before 1944. That's when the master race plans to wrap up the Nazi enslavement of three hundred million Russians and to raise the swastika over the Moscow Kremlin.
"And how long will the American people stand for this treachery perpetrated by their elected president? How long will Americans remain asleep while their cherished Constitution is torn to shreds by the fascist fifth column of the Republican right marching under the sign of the cross and the flag? Stay with me, your New York correspondent Walter Winchell, for my next big bombshell about Lindbergh's treasonous lies.
"I'll be back in a flash with a flash!"
Three things then happened at once: the calming voice of announcer Ben Grauer started hawking hand lotion for the program's sponsor; the phone began to ring in the hallway outside my bedroom as it never did after nine in the evening; and Sandy exploded. Addressing only the radio (but so passionately that my father was instantly roused from his living room chair), he began to shout, "You filthy liar! You lying prick!"
"Whoa," said my father, rushing into the kitchen. "Not in this house. Not that language. That is enough."
"But how can you listen to this crap? What concentration camps? There are no concentration camps! Every word is a lie—bullshit and more bullshit to get you people to tune in! The whole country knows Winchell's full of hot air—it's only you people who don't."
"And which people exactly is that?" I heard my father say.
"I lived in Kentucky! Kentucky is one of the forty-eight states! Human beings live there like they do everywhere else! It is not a concentration camp! This guy makes millions selling his shitty hand lotion—and you people believe him!"
"I told you already about the dirty words, and now I'm telling you about this 'you people' business. 'You people' one more time, son, and I am going to ask you to leave the house. If you want to go live in Kentucky instead of here, I'll drive you down to Penn Station and you can catch the next train out. Because I know very well what 'you people' means. And so do you. So does everyone. Don't you use those two words in this house ever again."
"Well, in my opinion Walter Winchell is full of it."
"Fine," he said. "That is your opinion and you are entitled to it. But other Americans hold a different opinion. It so happens that millions and millions of Americans listen to Walter Winchell every single Sunday night—and they are not just what you and your brilliant aunt call 'you people.' His program is still the highest-rated news show on the air. Franklin Roosevelt confided to Walter Winchell things he would never tell another newspaperman. And listen to me, will you—these are facts."
"But I can't listen to you. How can I listen to you when you tell me about 'millions' of people? Millions of people are nothing but idiots!"
Meanwhile my mother had answered the phone in the hall, and from my bed I could now hear her speaking as well. Yes, she said, of course they had Winchell on. Yes, it was terrible, it was worse than they thought, but at least now it was out in the open. Yes, Herman would call as soon as the Winchell show was over.
Four consecutive times she had this conversation, but when the phone rang a fifth time, she didn't jump to answer, even though the caller had to have been another of their friends shaken by Winchell's rapid-fire disclosures—she didn't answer because the commercial was finished and she and my father were back beside the radio in the living room. And Sandy was now in the bedroom, where I pretended to be asleep while he got himself ready for bed by the night light, the small lamp with the pump-handle switch that he had made from scratch in shop class back when he was merely an artistic boy engrossed by what he could fashion with his own skillful hands and blessedly uncontaminated by ideological battling.
Our phone hadn't been used so incessantly so late at night since the death of my grandmother a couple of years back. It was close to eleven before my father had returned everyone's call, and another hour before my parents left the kitchen, where they'd been quietly conversing together, and themselves went to bed. And it was another two hours after that before I could assure myself that they were sound asleep and that, in the bed beside mine, my brother was no longer glaring at the ceiling but was also asleep, and that I could safely get up without being discovered and make my way to the back door and undo the lock and slip out of the flat and pad down the stairs into the cellar and, in the dark, st
eer myself barefoot across the dank floor to our storage bin.
There was nothing impulsive or hysterical driving me, nothing melodramatic about my decision, nothing reckless that I could see. People said afterward that they'd had no idea that beneath the fourth-grade patina of obedience and good manners I could be such a surprisingly irresponsible, daydreaming child. But this was no shallow daydream. I wasn't playing at make-believe, and I wasn't making mischief for mischief's sake. As it turned out, the mischief-making with Earl Axman had been valuable training but undertaken for a purpose entirely different. I surely didn't feel as though I were rushing headlong into insanity, not even when I stood in the dark bin removing my pajamas and stepping into Seldon's pants while at the same time mentally warding off the ghost of his father and trying not to be terrified by Alvin's empty wheelchair. I wasn't being swallowed up by anything other than the determination to resist a disaster our family and our friends could no longer elude and might not survive. Later my parents said, "He didn't know what he was doing," and "sleepwalking" became the official explanation. But I was fully awake and my motivation never obscure to me. All that was obscure was whether I would succeed. One of my teachers suggested that I had been suffering from "delusions of grandeur" inspired by what I was learning in school about the Underground Railroad, organized before the Civil War to assist the slaves in making their way north to freedom. Not so. I wasn't at all like Sandy, in whom opportunity had quickened the desire to be a boy on the grand scale, riding the crest of history. I wanted nothing to do with history. I wanted to be a boy on the smallest scale possible. I wanted to be an orphan.
There was only one thing I couldn't leave behind—my stamp album. Perhaps if I could have been sure that it would be preserved undisturbed after I was gone, I wouldn't, at the last moment, on the way out of my bedroom, have stopped to open my dresser drawer and, as quietly as I could, lifted it from where it was stored beneath my socks and my underclothes. But it was intolerable to think of my album ever being broken up or thrown out or, worst of all, given away wholly intact to another boy, and so I took it under my arm, and along with it the musket-shaped letter opener I'd bought at Mount Vernon whose beak of a bayonet I used to neatly slice open the only mail ever addressed to me, other than birthday cards—the packets of "approvals" sent regularly from Boston 17, Massachusetts, by "the world's largest stamp firm," H. E. Harris & Co.