by Martha Wells
The Element of Fire
by Martha Wells
This is a work of fiction. All the characters and events portrayed in this book are fictitious, and any resemblance to real people or events is purely coincidental.
Copyright © 2006 by Martha Wells
Cover Design by Tiger Bright Studios
The image of the rapier on the cover is licensed under the Creative Commons Attribution-Share Alike 2.0 France license by Rama.
Typesetting by Katya Loney
ISBN 978-0-6151-3571-7
Originally published by Tor Books:
Hardcover July 1993
Paperback July 1994
www.marthawells.com
Introduction
The Element of Fire was my first novel, written around 1990, when I was 26. It was published in hardcover in 1993 and paperback in 1994, by Tor Books. It was published in Italy in 1995, Russia in 1997, Poland in 1998, in France, by l'Atalante, in 2002, and will be published in Spanish by Bibliopolis. It was a finalist for the 1993 Compton Crook/Stephen Tall Award and a runner-up for the 1994 Crawford Award.
It was the first Ile-Rien book, before I knew there were going to be any other Ile-Rien books. Since then Vienne, altered by time, war, and general rough usage, has been a setting for The Death of the Necromancer (nominated for the Nebula Award in 1998 and also becoming impossible to find in the US) and The Wizard Hunters, The Ships of Air, and The Gate of Gods, available in paperback and ebook from HarperCollins. Kade Carrion also appears in the short story "The Potter's Daughter" in the anthology Elemental, edited by Steve Savile and Alethea Kontis, published in 2006 by Tor Books.
The text here does not match the original US edition; I've edited it to make the prose a little smoother and more in line with my current style, but haven't made any substantial changes to plot, storyline, characterization, or anything else.
And New Philosophy calls all in doubt,
The Element of fire is quite put out;
The Sun is lost, and th'earth, and no man's wit
Can well direct him where to looke for it.
-John Donne
"An Anatomie of the World"
Chapter One
THE GRAPPLING HOOK skittered across the rain-slick stone of the ledge before dropping to catch in the grillwork below the third-story window. Berham leaned back on the rope to test it. "That's it, Captain Sir. Tight as may be," the servant whispered.
"Well done," Thomas Boniface told him. He stepped back from the wall and looked down the alley. "Now where in hell is Dr. Braun?"
"He's coming," Gideon Townsend, Thomas's lieutenant, said as he made his way toward them out of the heavy shadows. Reaching them, he glanced up at the full moon, stark white against the backdrop of wind-driven rain clouds, and muttered, "Not the best night for this work." The three men stood in the muddy alley, the dark brocades and soft wools of their doublets and breeches blending into the grimy stones and shadow, moonlight catching only the pale lace at the wrists or shirt collars of Thomas and his lieutenant, the glint of an earring, or the cold metal sheen on rapiers and wheellock pistol barrels. It was a cool night and they were surrounded by failed counting houses and the crumbling elegance of the decaying once-wealthy homes of the River Quarter.
Thomas personally couldn't think of a good time to forcibly invade a foreign sorcerer's house. "The point of it is to go and be killed where you're told," he said. "Is everyone in position?"
"Martin and Castero are up on the tannery roof, watching the street and the other alley. I put Gaspard and two others at the back of the house and left the servants to watch the horses. The rest are across the street, waiting for the signal," Gideon answered, his blue eyes deceptively guileless. "We're all quite ready to go and be killed where we're told."
"Good," Thomas said. He knew Gideon was still young enough to see this as a challenge, to care nothing for the political reality that sent them on a mission as deadly as this with so little support. Glancing down the alley again, he saw Dr. Braun was finally coming, creeping along the wall and uncomfortably holding his velvet-trimmed scholar's robes out of the stinking mud. "Well?" Thomas asked as the sorcerer came within earshot. "What have you done?"
"I've countered the wards on the doors and windows, but the inside... This person Grandier is either very strong or very subtle. I can't divine what protections he's used." The young sorcerer looked up at him, his watery eyes blinking fitfully. His long sandy hair and drooping mustache made him look like a sad-faced spaniel.
"You can't give us any hint of what we're to find in there?" Thomas said, thinking, This would have been better done if I hadn't been saddled with a sorcerer who has obviously escaped from a market-day farce.
Braun's expression was both distressed and obstinate. "He is too strong, or... He might have the help of some creature of the Fay."
"God protect us," Berham muttered, and uneasily studied the cloudy darkness above. The others ignored him. Berham was short, rotund, and had been wounded three times manning barricades in the last Bisran War. He claimed that the only reason he had left the army was that servants' wages were better. Despite the little man's vocal quavering, Thomas was not worried about his courage.
"What are you saying?" Gideon asked the sorcerer. "You mean we could fall down dead or burst into flame the moment we cross the threshold?"
"The uninitiated so often have ill-conceived ideas about these matters, like the fools who believe sorcerers change their shapes or fly like the fay. It would be exceedingly dangerous to create heat or cold out of nothing..."
"So you say, but..."
"That's enough," Thomas interrupted. He took the rope and tested it again with his own weight. The first floor of the house would be given over to stables, storage for coaches or wagons, and servants' quarters. The second would hold salons and other rooms for entertaining guests, and the third and fourth would be the owner's private quarters. That would be where the sorcerer would keep his laboratory, and very likely his prisoner. Thomas only hoped the information from the King's Watch was correct and that the Bisran bastard Grandier wasn't here. He told Gideon, "You follow me. Unless, of course, you'd like to go first?"
The lieutenant swept off his feathered hat and bowed extravagantly. "Oh, not at all, Sir, after you."
"So kind, Sir."
The brickwork was rough and Thomas found footholds easily. He reached the window and pulled himself up on the rusted grating, balancing cautiously. He felt the rope jerk and tighten as Gideon started to climb.
The window was set with small panes of leaded glass and divided into four tall panels. Thomas drew a thin dagger from the sheath in his boot and slipped the point between the wooden frames of the lower half. Working the dagger gently, he eased the inside catch up. The panels opened inward with only a faint creak. Moonlight touched the polished surface of a table set directly in front of the window, but the darkness of the deeper interior of the room was impenetrable. It was silent, but it was a peculiar waiting silence that he disliked.
Then the window ledge cracked loudly under his boots and he took a hasty step forward onto the table, thinking, Now we'll know, at any rate. Dust rose from the heavy draperies as he brushed against them, but the room remained quiet.
"Was that wise?" Gideon asked softly from below the windowsill.
"Possibly not. Don't come up yet." Thomas slipped the dagger back into his boot sheath and drew his rapier. If something came at him out of that darkness, he preferred to keep it at as great a distance as possible. "Tell Berham to hand up a light."
There was some soft cursing below as a dark lantern, its front covered by a metal slide to keep the light dimmed, was lit and passed upward. Thomas waited impatiently, feeling the darkness press in on him like a sol
id wall. He would have preferred the presence of another sorcerer besides Braun, the rest of the Queen's Guard, and a conscripted city troop to quell any possibility of riot when the restive River Quarter neighborhood discovered it had a mad foreign sorcerer in its midst. But orders were orders, and if Queen's guards or their captain were killed while entering Grandier's house secretly, then at least civil unrest was prevented. An inspired intrigue, Thomas had to admit, even if he was the one it was meant to eliminate.
As he reached down to take the shuttered lamp from Gideon, something moved in the corner of his eye. Thomas dropped the lamp onto the table and studied the darkness, trying to decide if the hesitant motion was actually there or in his imagination.
The flicker of light escaping from the edges of the lamp's iron cover touched the room with moving shadows. With the toe of his boot Thomas knocked the lantern slide up.
The wan candlelight was reflected from a dozen points around the unoccupied room, from lacquered cabinets, the gilt leather of a chair, the metallic threads in brocaded satin hangings.
Then the wooden cherub supporting the right-hand corner of the table Thomas was standing on turned its head.
He took an involuntary step backward.
"Captain, what is it?" Gideon's whisper was harsh.
Thomas didn't answer. He was looking around the room as the faces in the floral carving over the chimneypiece shifted their blank white eyes, their tiny mouths working silently. The bronze snake twined around the supporting pole of a candlestand stirred sluggishly. In the woolen carpet the interwoven pattern of vines writhed.
Keeping hold of the rope, Gideon chinned himself on the window ledge to see in. He cursed softly.
"Worse than I thought," Thomas agreed, not looking away from the hideously animate room. Unblinking eyes of marbleized wood stared sightlessly, limbs and mouths moved without sound. Can they see? Or hear? he wondered grimly. Most likely they can. He doubted they were here only to frighten intruders, however effective they might be at it.
"We should burn this house to the ground," Gideon whispered.
"We want to get Dubell out alive, not scrape his ashes out of the wreckage."
"How?"
Good question, Thomas thought. The vines in the carpet were lifting themselves above the surface of the floor like the tentacles of a sea beast. They were as thick around as a man's wrist and looked strong, and metallic glints that had been gilt threads in the weaving were growing into knife-edged thorns. It was only going to get more difficult. Thomas caught up the lantern and stepped down into a chair with arms shaped into gilded lampreys. They were struggling viciously but were unable to turn their heads back far enough to reach him. From there he stepped down to the hardwood floor and backed toward the doorway.
Gideon made a move to climb into the window but the viselike tentacles were reaching up above waist-height and groping along the edge of the table. Thomas said, "No, stay back."
At the sound of his voice the vines whipped around and stretched out for him, growing prodigiously longer in a sudden bound, and Thomas threw himself at the door.
The latch was weak and snapped as his weight struck it. He stumbled through and caught himself, just as something thudded into the dark paneled wall in front of him. He dropped the lantern and dove sideways, scrambling for cover between two brocaded chairs and the fireplace.
Embedded in the wall, still quivering, was a short metal arrow; if he had come through the doorway cautiously it would have struck his chest. The lion heads on the iron firedogs snapped ineffectually at him as he pushed himself further behind the chairs, thinking, Where the hell is he? The sputtering candle sent shadows chasing across crowded furniture and everything was moving. Then in the far corner he saw the life-sized statue of a Parscen archer. Naked to the waist and balancing a candleholder on his turbaned head, he was drawing a second arrow out of the bronze quiver at his side and putting it to his short bow.
Rolling onto his back to make himself a smaller target, Thomas dropped the rapier and drew one of his wheellocks. He'd loaded both pistols down in the alley, and now as he wound up the mainspring, an arrow thudded into the over-stuffed chair seat. The other chair began to edge sideways using the clawed feet at the ends of its splayed legs; without thinking Thomas muttered, "Stop that." He set the spring, braced the pistol on his forearm and fired.
The plaster statue shattered in the deafening impact. The shot scarred the wall behind it and filled the room with the stink of gunpowder.
Thomas got to his feet, tucking away the empty pistol and picking up his rapier. Now the whole damned house knows I'm here. He hadn't planned to do this alone either, but the vines filling up the first room and curling round the doorway into this one committed him to it.
Avoiding the animate furniture, he went to the door in the opposite wall and tried the handle. It was unlocked, and he eased it open carefully. The room within was dark, but the archway beyond revealed a chamber lit by a dozen or so red glass candelabra.
Thomas pulled the door closed behind him and moved forward. The dim light revealed stealthy movement in the carvings on the fireplace mantel and along the bordered paneling. In the more brightly lit chamber beyond the arch, he could see an open door looking out onto the main stairwell.
He stopped just before the fall of light from the next room would have revealed his presence. There was something... Then he heard the creak of leather and a harsh rasp of breath. It came from just beyond his range of sight, past the left side of the arch. They knew Grandier had hired men to guard the house; it was the only way the King's Watch had been able to trace the sorcerer, since there was no one in the city who could identify him. The man in the next room must have heard the shot; possibly he was waiting for the protective spells to dispose of any intruders. Thomas had planned on something to distract the sorcerer's human watchdogs, to send them down to the lower part of the house, if Gideon would just get on with it...
From somewhere below there was a muffled thump, and the floorboards trembled under his feet. Thomas smiled to himself; shouts and running footsteps sounded from the stairs as the hired swords hastened for the front door. In theory, he wasn't disobeying the King's orders to keep the raid on Grandier's house secret. Placed correctly, a small charge of gunpowder could blow a wooden door to pieces while making little noise, and the houses to either side of Grandier's were empty anyway.
The waiting guard did not take the bait with the others, but went forward to stand at the doorway into the stairwell, his rapier drawn. He was big, with greasy blond hair tied back from his face, and dressed in a dun-colored doublet. Thomas had already decided to kill him and had started forward when the man turned and saw him.
The hired sword's shout was muffled by the clatter of his comrades on the stairs and he rushed forward without waiting for help. Thomas parried two wild blows, then beat his opponent's sword aside and lunged for the kill. The man jerked away and took the point between the ribs instead of under the breastbone, dropping his weapon and staggering back. Cursing his own sloppiness, Thomas leapt after him, grappling with him and trying to drive his main gauche up under the man's chin. In another moment Thomas was easing the limp body to the floor. There was blood pooling on the rug and on his boots, but hopefully the others were occupied below and there was no one left to follow his trail.
He glanced quickly around the room and noted it was free of the sorcerous animation. There was a closed door on the opposite wall, and it bore examining before he ventured out onto the main stairs.
As Thomas was reaching for the handle, he felt a sharp stab of unease. He stepped back, his hand tightening on his sword-hilt, baffled by his own reaction. It was only a door, as the others had been. He reached out slowly and felt his heart pound faster with anxiety as his hand neared the knob.
Either I've gone mad, he thought, or this door is warded. Testing it with his own reactions, he found the ward began about a foot from the door and stretched out to completely cover the surface. It wa
s a warning, with a relatively mild effect, more than likely meant to keep the hired swords and servants away from this portion of the house. It could also explain why the dead man hadn't left his post to investigate the pistol shot or to follow his comrades to the front entrance. He had been guarding something of crucial importance.
Thomas stepped back and kicked the center panel, sending the door crashing open. Beyond was a staircase leading upward, softly lit by candlelight glowing down from the floor above.
Bracing himself, Thomas stepped through the ward and onto the first step, and had to steady himself against the wall as the effect faded. He shook his head and started up the stairs.
The banister was carved with roses which swayed under a sorcerous breeze only they could sense. Thomas climbed slowly, looking for the next trap. When he stopped at the first landing, he could see that the top of the stairs opened into a long gallery, lit by dozens of candles in mirror-backed sconces. Red draperies framed mythological paintings and classical landscapes. At the far end was a door, guarded on either side by a man-sized statuary niche. One niche held an angel with flowing locks, wings, and a beatific smile. The other niche was empty.
Thomas climbed almost to the head of the stairs, looking up at the archway that was the entrance to the room. Something suspiciously like plaster dust drifted down from the carved bunting.
A tactical error, Thomas thought. Whatever was hiding up there wasn't doing it to be decorative. He took a quiet step back down the stairs, drawing his empty pistol. The air felt warm; beneath his doublet, sweat was sticking the thin fabric of his shirt to his ribs. From the powder flask on his belt he measured out a double charge and poured it into the barrel. He pushed the bullet and wadding down with the short ramrod, thinking that it would be quite ironic if the pistol exploded and ended the matter here.
Thomas wound and set the spring, carefully aimed the pistol at the top of the archway and fired. The fifty-caliber ball tore through the light ornamental wood and into the body of the plaster statue that had perched up on the opposite side of the arch. Thomas shielded his face as splintered wood and fragments of plaster rained down. A sculpted head, arm, and pieces of a foot thudded to the floor in front of him.