by Frank Norris
The musicians began to tune up. From their corner came a medley of mellow sounds, the subdued chirps of the violins, the dull bourdon of the bass viol, the liquid gurgling of the flageolet and the deep-toned snarl of the big horn, with now and then a rasping stridulating of the snare drum. A sense of gayety began to spread throughout the assembly. At every moment the crowd increased. The aroma of new-sawn timber and sawdust began to be mingled with the feminine odour of sachet and flowers. There was a babel of talk in the air — male baritone and soprano chatter — varied by an occasional note of laughter and the swish of stiffly starched petticoats. On the row of chairs that went around three sides of the wall groups began to settle themselves. For a long time the guests huddled close to the doorway; the lower end of the floor was crowded! the upper end deserted; but by degrees the lines of white muslin and pink and blue sateen extended, dotted with the darker figures of men in black suits. The conversation grew louder as the timidity of the early moments wore off. Groups at a distance called back and forth; conversations were carried on at top voice. Once, even a whole party hurried across the floor from one side of the barn to the other.
Annixter emerged from the harness room, his face red with wrangling. He took a position to the right of the door, shaking hands with newcomers, inviting them over and over again to cut loose and whoop it along. Into the ears of his more intimate male acquaintances he dropped a word as to punch and cigars in the harness room later on, winking with vast intelligence. Ranchers from remoter parts of the country appeared: Garnett, from the Ruby rancho, Keast, from the ranch of the same name, Gethings, of the San Pablo, Chattern, of the Bonanza, and others and still others, a score of them — elderly men, for the most part, bearded, slow of speech, deliberate, dressed in broadcloth. Old Broderson, who entered with his wife on his arm, fell in with this type, and with them came a certain Dabney, of whom nothing but his name was known, a silent old man, who made no friends, whom nobody knew or spoke to, who was seen only upon such occasions as this, coming from no one knew where, going, no one cared to inquire whither.
Between eight and half-past, Magnus Derrick and his family were seen. Magnus’s entry caused no little impression. Some said: “There’s the Governor,” and called their companions’ attention to the thin, erect figure, commanding, imposing, dominating all in his immediate neighbourhood. Harran came with him, wearing a cut-away suit of black. He was undeniably handsome, young and fresh looking, his cheeks highly coloured, quite the finest looking of all the younger men; blond, strong, with that certain courtliness of manner that had always made him liked. He took his mother upon his arm and conducted her to a seat by the side of Mrs. Broderson.
Annie Derrick was very pretty that evening. She was dressed in a grey silk gown with a collar of pink velvet. Her light brown hair that yet retained so much of its brightness was transfixed by a high, shell comb, very Spanish. But the look of uneasiness in her large eyes — the eyes of a young girl — was deepening every day. The expression of innocence and inquiry which they so easily assumed, was disturbed by a faint suggestion of aversion, almost of terror. She settled herself in her place, in the corner of the hall, in the rear rank of chairs, a little frightened by the glare of lights, the hum of talk and the shifting crowd, glad to be out of the way, to attract no attention, willing to obliterate herself.
All at once Annixter, who had just shaken hands with Dyke, his mother and the little tad, moved abruptly in his place, drawing in his breath sharply. The crowd around the great, wide-open main door of the barn had somewhat thinned out and in the few groups that still remained there he had suddenly recognised Mr. and Mrs. Tree and Hilma, making their way towards some empty seats near the entrance of the feed room.
In the dusky light of the barn earlier in the evening, Annixter had not been able to see Hilma plainly. Now, however, as she passed before his eyes in the glittering radiance of the lamps and lanterns, he caught his breath in astonishment. Never had she appeared more beautiful in his eyes. It did not seem possible that this was the same girl whom he saw every day in and around the ranch house and dairy, the girl of simple calico frocks and plain shirt waists, who brought him his dinner, who made up his bed. Now he could not take his eyes from her. Hilma, for the first time, was wearing her hair done high upon her head. The thick, sweet-smelling masses, bitumen brown in the shadows, corruscated like golden filaments in the light. Her organdie frock was long, longer than any she had yet worn. It left a little of her neck and breast bare and all of her arm.
Annixter muttered an exclamation. Such arms! How did she manage to keep them hid on ordinary occasions. Big at the shoulder, tapering with delicious modulations to the elbow and wrist, overlaid with a delicate, gleaming lustre. As often as she turned her head the movement sent a slow undulation over her neck and shoulders, the pale amber-tinted shadows under her chin, coming and going over the creamy whiteness of the skin like the changing moire of silk. The pretty rose colour of her cheek had deepened to a pale carnation. Annixter, his hands clasped behind him, stood watching.
In a few moments Hilma was surrounded by a group of young men, clamouring for dances. They came from all corners of the barn, leaving the other girls precipitately, almost rudely. There could be little doubt as to who was to be the belle of the occasion. Hilma’s little triumph was immediate, complete. Annixter could hear her voice from time to time, its usual velvety huskiness vibrating to a note of exuberant gayety.
All at once the orchestra swung off into a march — the Grand March. There was a great rush to secure “partners.” Young Vacca, still going the rounds, was pushed to one side. The gayly apparelled clerk from the Bonneville store lost his head in the confusion. He could not find his “partner.” He roamed wildly about the barn, bewildered, his eyes rolling. He resolved to prepare an elaborate programme card on the back of an old envelope. Rapidly the line was formed, Hilma and Harran Derrick in the lead, Annixter having obstinately refused to engage in either march, set or dance the whole evening. Soon the confused shuffling of feet settled to a measured cadence; the orchestra blared and wailed, the snare drum, rolling at exact intervals, the cornet marking the time. It was half-past eight o’clock.
Annixter drew a long breath:
“Good,” he muttered, “the thing is under way at last.”
Singularly enough, Osterman also refused to dance. The week before he had returned from Los Angeles, bursting with the importance of his mission. He had been successful. He had Disbrow “in his pocket.” He was impatient to pose before the others of the committee as a skilful political agent, a manipulator. He forgot his attitude of the early part of the evening when he had drawn attention to himself with his wonderful clothes. Now his comic actor’s face, with its brownish-red cheeks, protuberant ears and horizontal slit of a mouth, was overcast with gravity. His bald forehead was seamed with the wrinkles of responsibility. He drew Annixter into one of the empty stalls and began an elaborate explanation, glib, voluble, interminable, going over again in detail what he had reported to the committee in outline.
“I managed — I schemed — I kept dark — I lay low — —”
But Annixter refused to listen.
“Oh, rot your schemes. There’s a punch in the harness room that will make the hair grow on the top of your head in the place where the hair ought to grow. Come on, we’ll round up some of the boys and walk into it.”
They edged their way around the hall outside “The Grand March,” toward the harness room, picking up on their way Caraher, Dyke, Hooven and old Broderson. Once in the harness room, Annixter shot the bolt.
“That affair outside,” he observed, “will take care of itself, but here’s a little orphan child that gets lonesome without company.”
Annixter began ladling the punch, filling the glasses.
Osterman proposed a toast to Quien Sabe and the Biggest Barn. Their elbows crooked in silence. Old Broderson set down his glass, wiping his long beard and remarking:
“That — that certainly
is very — very agreeable. I remember a punch I drank on Christmas day in ‘83, or no, it was ‘84 — anyhow, that punch — it was in Ukiah— ‘TWAS ‘83—” He wandered on aimlessly, unable to stop his flow of speech, losing himself in details, involving his talk in a hopeless maze of trivialities to which nobody paid any attention.
“I don’t drink myself,” observed Dyke, “but just a taste of that with a lot of water wouldn’t be bad for the little tad. She’d think it was lemonade.” He was about to mix a glass for Sidney, but thought better of it at the last moment.
“It’s the chartreuse that’s lacking,” commented Caraher, lowering at Annixter. The other flared up on the instant.
“Rot, rot. I know better. In some punches it goes; and then, again, in others it don’t.”
But it was left to Hooven to launch the successful phrase:
“Gesundheit,” he exclaimed, holding out his second glass. After drinking, he replaced it on the table with a long breath. “Ach Gott!” he cried, “dat poonsch, say I tink dot poonsch mek some demn goot vertilizer, hey?”
Fertiliser! The others roared with laughter.
“Good eye, Bismarck,” commented Annixter. The name had a great success. Thereafter throughout the evening the punch was invariably spoken of as the “Fertiliser.” Osterman, having spilt the bottom of a glassful on the floor, pretended that he saw shoots of grain coming up on the spot. Suddenly he turned upon old Broderson. “I’m bald, ain’t I? Want to know how I lost my hair? Promise you won’t ask a single other question and I’ll tell you. Promise your word of honour.”
“Eh? What — wh — I — I don’t understand. Your hair? Yes, I’ll promise. How did you lose it?”
“It was bit off.”
The other gazed at him stupefied; his jaw dropped. The company shouted, and old Broderson, believing he had somehow accomplished a witticism, chuckled in his beard, wagging his head. But suddenly he fell grave, struck with an idea. He demanded:
“Yes — I know — but — but what bit it off?”
“Ah,” vociferated Osterman, “that’s JUST what you promised not to ask.”
The company doubled up with hilarity. Caraher leaned against the door, holding his sides, but Hooven, all abroad, unable to follow, gazed from face to face with a vacant grin, thinking it was still a question of his famous phrase.
“Vertilizer, hey? Dots some fine joke, hey? You bedt.”
What with the noise of their talk and laughter, it was some time before Dyke, first of all, heard a persistent knocking on the bolted door. He called Annixter’s attention to the sound. Cursing the intruder, Annixter unbolted and opened the door. But at once his manner changed.
“Hello. It’s Presley. Come in, come in, Pres.”
There was a shout of welcome from the others. A spirit of effusive cordiality had begun to dominate the gathering. Annixter caught sight of Vanamee back of Presley, and waiving for the moment the distinction of employer and employee, insisted that both the friends should come in.
“Any friend of Pres is my friend,” he declared.
But when the two had entered and had exchanged greetings, Presley drew Annixter aside.
“Vanamee and I have just come from Bonneville,” he explained. “We saw Delaney there. He’s got the buckskin, and he’s full of bad whiskey and dago-red. You should see him; he’s wearing all his cow-punching outfit, hair trousers, sombrero, spurs and all the rest of it, and he has strapped himself to a big revolver. He says he wasn’t invited to your barn dance but that he’s coming over to shoot up the place. He says you promised to show him off Quien Sabe at the toe of your boot and that he’s going to give you the chance to-night!” “Ah,” commented Annixter, nodding his head, “he is, is he?”
Presley was disappointed. Knowing Annixter’s irascibility, he had expected to produce a more dramatic effect. He began to explain the danger of the business. Delaney had once knifed a greaser in the Panamint country. He was known as a “bad” man. But Annixter refused to be drawn.
“All right,” he said, “that’s all right. Don’t tell anybody else. You might scare the girls off. Get in and drink.”
Outside the dancing was by this time in full swing. The orchestra was playing a polka. Young Vacca, now at his fiftieth wax candle, had brought the floor to the slippery surface of glass. The druggist was dancing with one of the Spanish-Mexican girls with the solemnity of an automaton, turning about and about, always in the same direction, his eyes glassy, his teeth set. Hilma Tree was dancing for the second time with Harran Derrick. She danced with infinite grace. Her cheeks were bright red, her eyes half-closed, and through her parted lips she drew from time to time a long, tremulous breath of pure delight. The music, the weaving colours, the heat of the air, by now a little oppressive, the monotony of repeated sensation, even the pain of physical fatigue had exalted all her senses. She was in a dreamy lethargy of happiness. It was her “first ball.” She could have danced without stopping until morning. Minna Hooven and Cutter were “promenading.” Mrs. Hooven, with little Hilda already asleep on her knees, never took her eyes from her daughter’s gown. As often as Minna passed near her she vented an energetic “pst! pst!” The metal tip of a white draw string was showing from underneath the waist of Minna’s dress. Mrs. Hooven was on the point of tears.
The solitary gayly apparelled clerk from Bonneville was in a fever of agitation. He had lost his elaborate programme card. Bewildered, beside himself with trepidation, he hurried about the room, jostled by the dancing couples, tripping over the feet of those who were seated; he peered distressfully under the chairs and about the floor, asking anxious questions.
Magnus Derrick, the centre of a listening circle of ranchers — Garnett from the Ruby rancho, Keast from the ranch of the same name, Gethings and Chattern of the San Pablo and Bonanza — stood near the great open doorway of the barn, discussing the possibility of a shortage in the world’s wheat crop for the next year.
Abruptly the orchestra ceased playing with a roll of the snare drum, a flourish of the cornet and a prolonged growl of the bass viol. The dance broke up, the couples hurrying to their seats, leaving the gayly apparelled clerk suddenly isolated in the middle of the floor, rolling his eyes. The druggist released the Spanish-Mexican girl with mechanical precision out amidst the crowd of dancers. He bowed, dropping his chin upon his cravat; throughout the dance neither had hazarded a word. The girl found her way alone to a chair, but the druggist, sick from continually revolving in the same direction, walked unsteadily toward the wall. All at once the barn reeled around him; he fell down. There was a great laugh, but he scrambled to his feet and disappeared abruptly out into the night through the doorway of the barn, deathly pale, his hand upon his stomach.
Dabney, the old man whom nobody knew, approached the group of ranchers around Magnus Derrick and stood, a little removed, listening gravely to what the governor was saying, his chin sunk in his collar, silent, offering no opinions.
But the leader of the orchestra, with a great gesture of his violin bow, cried out:
“All take partners for the lancers and promenade around the hall!”
However, there was a delay. A little crowd formed around the musicians’ platform; voices were raised; there was a commotion. Skeezicks, who played the big horn, accused the cornet and the snare-drum of stealing his cold lunch. At intervals he could be heard expostulating:
“Ah, no! at the end of the end! Render me the sausages, you, or less I break your throat! Aha! I know you. You are going to play me there a bad farce. My sausages and the pork sandwich, else I go away from this place!”
He made an exaggerated show of replacing his big horn in its case, but the by-standers raised a great protest. The sandwiches and one sausage were produced; the other had disappeared. In the end Skeezichs allowed himself to be appeased. The dance was resumed.
Half an hour later the gathering in the harness room was considerably reinforced. It was the corner of the barn toward which the male guests naturally gravita
ted. Harran Derrick, who only cared to dance with Hilma Tree, was admitted. Garnett from the Ruby rancho and Gethings from the San Pablo, came in a little afterwards. A fourth bowl of punch was mixed, Annixter and Caraher clamouring into each other’s face as to its ingredients. Cigars were lighted. Soon the air of the room became blue with an acrid haze of smoke. It was very warm. Ranged in their chairs around the side of the room, the guests emptied glass after glass.
Vanamee alone refused to drink. He sat a little to one side, disassociating himself from what was going forward, watching the others calmly, a little contemptuously, a cigarette in his fingers.
Hooven, after drinking his third glass, however, was afflicted with a great sadness; his breast heaved with immense sighs. He asserted that he was “obbressed;” Cutter had taken his steer. He retired to a corner and seated himself in a heap on his chair, his heels on the rungs, wiping the tears from his eyes, refusing to be comforted. Old Broderson startled Annixter, who sat next to him, out of all measure by suddenly winking at him with infinite craftiness.
“When I was a lad in Ukiah,” he whispered hoarsely, “I was a devil of a fellow with the girls; but Lordy!” he nudged him slyly, “I wouldn’t have it known!”
Of those who were drinking, Annixter alone retained all his wits. Though keeping pace with the others, glass for glass, the punch left him solid upon his feet, clear-headed. The tough, cross-grained fibre of him seemed proof against alcohol. Never in his life had he been drunk. He prided himself upon his power of resistance. It was his nature.