by Frank Norris
“Yes, I see,” assented Vandover.
“Now,” resumed the lawyer, “here is your father’s bank account. He had in the First National to his credit between nine and ten thousand dollars; nine thousand seven hundred and ninety, to be exact. His professional account book shows that there is now due him in bills and notes eight hundred and thirty dollars; on the debit side he owes in all nine hundred; the difference, you see, is seventy. Nine thousand seven hundred and ninety less seventy leaves a balance of nine thousand seven hundred and twenty. All clear?” he asked, interrupting himself. Vandover nodded and the other continued:
“Now, your father left a will; here it is. I drew it for him a year ago last September. He has given fifteen hundred dollars to some cousin in the southern part of the state, and six hundred to a few charities here in the city. The remainder, seven thousand five hundred and twenty, and all the rest of the estate is left to you with the wish that you pursue your art studies abroad. Brunt, of Adams & Brunt, and myself are appointed executors. So now, that is just how you stand as far as I can see: seventy-five hundred dollars in ready money and, if we suppose you rent the California Street house, income property that nets you two hundred and thirty-four a month. The will will have to be probated some time next month and you will have to appear; however, I shall let you know about that in time.”
During the next two weeks Vandover was plunged into the affairs of business for the first time in his life. It interested and amused him, and he felt a certain self-importance in handling large sums of money, and in figuring interest, rents, and percentages. Three days after his interview with Mr. Field the sale of his father’s office effects took place, and the consequent five hundred dollars Vandover turned over into the hands of the lawyer, who was already looking for an investment for the eighty-nine hundred. This matter had given Vandover considerable anxiety.
“I don’t want anything fancy,” he said to Field. “No big per cents. and bigger risks. If I’ve got to live economically I want something that’s secure. A good solid investment, don’t you know, with a fair interest; that’s what I’m looking for.”
“Yes,” answered the lawyer grimly; “I’ve been looking for that myself ever since I was your age.”
They both laughed, and the lawyer added: “Has Brunt found a tenant for the California Street house yet? No? Well, perhaps you had better keep that five hundred for your running expenses until he does. It will probably take some time.”
“All right,” answered Vandover. “There were a couple of women up to look at the place yesterday, but they wanted to use it for a boarding-house. I won’t hear to that. Brunt says they would ruin it, dead sure.”
“I suppose you are looking around, yourself, for rooms?” inquired Mr. Field. “Have you found anything to suit you?”
“No,” answered Vandover, “I have not. I don’t like the idea of living in one of the downtown hotels, and as far as I have looked, the uptown flats are rather steep. However, I haven’t gone around very much as yet. I’ve been so busy. Oh, how about the paving of the street in front of those Bush Street houses of mine? Brunt says that the supervisors have passed a resolution of intention to that effect. Now shall I let the city contractor have the job or give it to Brunt’s man?”
“Better let the city people do it,” advised Field. “They may charge more, but you needn’t pay them for a long time.”
By the end of three weeks Vandover had sickened of the whole thing. The novelty was gone, and business affairs no longer amused him. Besides this, he was anxious to settle down in some comfortable rooms. It was now the middle of winter and he had determined that it was not the season for a European trip. He would wait until the summer before going to Paris.
Little by little Vandover turned over the supervision and management of his affairs and his property to Adams & Brunt, declaring that he could not afford to be bothered with them any longer. This course was much more expensive and by no means so satisfactory from a business point of view, but Vandover felt as though the loss in money was more than offset by his freedom from annoyance and responsibility.
He was eager to get settled. The idea of taking rooms that should be all his own and that he could fit up to suit his taste attracted him immensely. Already he saw himself installed in charming bachelor’s apartments, the walls covered with rough stone-blue paper forming an admirable background for small plaster casts of Assyrian bas-reliefs and photogravures of Velasquez portraits. There would be a pipe-rack over the mantelpiece, and a window-seat with a corduroy cushion such as he had had in his room in Matthew’s.
Very slowly his father’s affairs were settled, and by degrees the estate began to adjust itself to the new grooves in which it was to run. By the middle of December everything was beginning to go smoothly, and the day before Christmas Mr. Field announced to Vandover that he had invested his eighty-nine hundred in registered U.S. 4 per cents. They had had several long talks concerning this sum of money, and in the end had concluded that it would be better to invest it in some such fashion rather than to take up any of the mortgages that were on the houses.
During the first weeks of the new year the house on California Street was rented for one hundred and twenty-five dollars to an English gentleman, the president of a fruit syndicate in the southern part of the state. There were but three in the family, and though the rent was below that which Vandover had desired, Brunt advised him to close the transaction at once, as they were desirable tenants and would probably stay in the house a long time.
On the last evening which he was to spend in his home, Vandover cast up his accounts and made out a schedule as to his monthly income.
Rent from realty, net average
$ 84.00
Rent from homestead property on California Street
125.00
Interest on U.S. bonds, 4 per cent.
23.00
Total
$232.00
In small iron safe
$170.00
Received from sale of office effects
$500.00
$670.00
Expenses, outstanding bills, lawyer’s fees, undertaker’s
bill, expenses for collecting, etc.
587.00
Balance, January 16th
$83.00
Then with a shrug of the shoulders he dismissed the whole burdensome business from his mind. Brunt would manage his property, sending him regularly the monthly statement in order to keep him informed. The English gentleman of the fruit syndicate would add his hundred and twenty-five, and the 4 per cents., faithfully brooding over his eighty-nine hundred in the dark of the safety deposit drawer, would bring forth their little quota of twenty-three with absolute certainty. Two thirty-two a month. Yes, he was comfortably fixed and was free now to do exactly as he pleased.
His first object now was to settle down for the winter in some pleasant rooms. He had decided that he would look for a suite of three — a bedroom, studio, and sitting-room. The bedroom he was not particular about, the studio he hoped would have plenty of light from the north, but the sitting-room must be sunny and overlook the street, else what would be the use of a window-seat? As to the neighbourhood, he thought he would prefer Sutter Street anywhere between Leavenworth and Powell.
In the downtown part this street was entirely given over to business houses; in the far, uptown quarter it was lined with residences; but between these two undesirable extremes was an intermediate district where the residences had given place to flats, and the business blocks to occasional stores. It was a neighbourhood affected by doctors, dentists, and reputable music-teachers; drug stores occupied many of the corners, here and there a fine residence still withstood the advance of business, there were a number of great apartment houses, and even one or two club buildings.
It was a gay locality, not too noisy, not too quiet. The street was one of the great arteries of travel between the business and the residence portions of the city, and its cable-cars were frequented by l
adies going to their shopping or downtown marketing or to and from the matinées. Acquaintances of Vandover were almost sure to pass at every hour.
He took rooms temporarily at the Palace and at once set about locating on Sutter Street. He had recourse again to Brunt, who furnished him with a long list of vacancies in that neighbourhood. Apartment-hunting was an agreeable pastime to Vandover, though in the end it began to bore him. Altogether, he visited some fifteen or twenty suites, in each case trying to fit himself into the rooms, imagining how the window-seat would look in such a window, how the pipe-rack would show over such a mantel, just where on such walls the Assyrian bas-reliefs could be placed to the best advantage, and if his easel could receive enough steady light from such windows. Then he considered the conveniences, the baths, the electric light, and the heat.
After a two weeks’ search, he had decided upon one of two suites; both of these were in the desired neighbourhood but differed widely in other respects.
The first was reasonable enough in the matter of rent, and had even been occupied by an artist for some three or four years previous. However, the room that Vandover proposed to use as a sitting-room was small and had no double windows, thus making the window-seat an impossibility. There did not seem to be any suitable place for the Assyrian bas-reliefs, and the mantelpiece was of old-fashioned white marble like the mantelpiece in Mrs. Wade’s front parlour, a veritable horror. It revolted Vandover even to think of putting a pipe-rack over it. These defects were offset by the studio, a large and splendid room with hardwood floors and an enormous north light, the legendary studio, the dream of an artist, precisely such a studio as Vandover had hoped he would occupy in the Quarter.
The other suite was in a great apartment house, a hotel in fact, but very expensive, with electric bulbs and bells, and with a tiled bathroom connecting with the bedroom. The room which he would be obliged to use as his studio was small, dark, the light coming from the west. But the sitting-room was perfect. It had the sun all day long through a huge bay window that seemed to have been made for a window-seat; there were admirable, well-lighted spaces on the walls for casts and pictures, and the mantelpiece was charming, extremely high, and made of oak; in a word, the exact sitting-room that Vandover had in mind. Already he saw himself settled there as comfortably and snugly as a kernel in a nutshell. It was true that upon investigation he found that the grate had been plastered up and the flue arranged for a stove. But for that matter there were open-grate stoves to be had that would permit the fire to be seen and that would look just as cheerful as a grate. He had even seen such a stove in the window of a hardware store downtown, a tiled stove with a brass fender and with curious flamboyant ornaments of cast-iron — a jewel of a stove.
For two days Vandover hesitated between these two suites, undecided whether he should sacrifice his studio for his sitting-room, or his sitting-room for his studio. At length he came to the conclusion that as he was now to be an artist a good studio ought to be the first consideration, and that since he was to settle down to hard, serious work at last he owed it to himself to have a fitting place in which to paint; yes, decidedly he would take the suite with the studio. He went to the agent, told him of his decision, and put up a deposit to secure the rooms.
The same day upon which he took this decided step he had occasion to pass by both places in question. As he approached the apartment house in which the rejected suite was situated it occurred to him to tell the clerk in the office that he had decided against the rooms; he could take a last look at them at the same time.
He was shown up to the rooms again, and walked about in the sitting-room, asking the same questions about the heat, the plumbing, and the baths. He even went to the window and looked out into the street. It was a first-rate berth just the same, and how jolly it would be to lounge in the window-seat of a morning, with a paper, a cigarette, and a cup of coffee, watching the people on their way downtown; the women going to their shopping and morning’s marketing. Then all at once he remembered that at most he would only have these rooms for five months, and reflected that if his whole life was to be devoted to painting he might easily put up with an inconvenient studio for a few months. Once at Paris all would be different.
At that the rooms took on a more charming aspect than ever; never had they appeared cheerier, sunnier, more comfortable; never had the oak mantel and the tiled stove with the flamboyant ornaments been more desirable; never had a window-seat seemed more luxurious, never a pipe-rack more delectable, while at the same time, the other rooms, the rooms of the big studio, presented themselves to his imagination more sombre, uncomfortable, and forbidding than ever. It was out of the question to think of living there; he was angry with himself for having hesitated so long. But suddenly he remembered the deposit he had already made; it was ten dollars; for a moment he paused, then dismissed the matter with an impatient shrug of the shoulders. “So much the worse,” he said. “What’s ten dollars?” He made up his mind then and there and went downstairs, walking on his heels, to tell the clerk that after all he would engage the rooms from that date.
Chapter Twelve
Vandover took formal possession of his rooms on Sutter Street during the first few days of February. For a week previous they had been in the greatest confusion: the studio filled with a great number of trunks, crates, packing cases, and furniture still in its sacking. In the bedroom was stored the furniture that had been moved out of the sitting-room, while the sitting-room itself was given over to the paperhangers and carpenters. Vandover himself appeared from time to time, inquiring anxiously as to the arrival of his “stuff,” or sitting on a packing-case, his hands in his pockets, his hat pushed back, and a cigarette between his lips.
He had passed a delightful week selecting the wall paper and the pattern for the frieze, buying rugs, screens, Assyrian bas-reliefs, photogravures of Renaissance portraits, and the famous tiled stove with its flamboyant ornaments. Just after renting his home he had had a talk with the English gentleman of the fruit syndicate and had spoken about certain ornaments and bits of furniture, valuable chiefly to himself, which he wished to keep. The president of the fruit syndicate had been very gracious in the matter, and as soon as Vandover had taken his rooms he had removed two great cases of such articles from the California Street house and had stored them in the studio.
After the workmen were gone away Vandover began the labour of arrangement, aided by one of the paperhangers he had retained for that purpose. It was a work of three days, but at last everything was in its place, and one evening toward the middle of the month Vandover stood in the middle of the sitting-room in his shirt-sleeves, holding the tweezers and a length of picture-wire in his hand, and looked around him in his new home.
The walls were hung with dull blue paper of a very rough texture set off by a narrow picture moulding of ivory white. A dark red carpet covered with rugs and skins lay on the floor. Upon the left-hand wall, reaching to the floor, hung a huge rug of sombre colours against which were fixed a fencing trophy, a pair of antlers, a little water colour sketch of a Norwegian fjord, and Vandover’s banjo; underneath it was a low but very broad divan covered with corduroy. To the right and left of this divan stood breast-high bookcases with olive green curtains, their tops serving as shelves for a multitude of small ornaments, casts of animals by Fremiet and Barye, Donatello’s lovely femme inconnue, beer steins, a little bronze clock, a calendar, and a yellow satin slipper of Flossie’s in which Vandover kept Turkish cigarettes. The writing-desk with the huge blue blotter in a silver frame, the paper-cutter, and the enormous brass inkstand filled the corner to the right of the divan, while drawn up to it was the huge leather chair, the chair in which the Old Gentleman had died. In the drawer of the desk Vandover kept his father’s revolver; he never thought of loading it; of late he had only used it to drive tacks with, when he could not find the hammer. Opposite the divan, on the other side of the room, was the famous tiled stove with the flamboyant ornaments; back of this the mantel, and
over the mantel a row of twelve grotesque heads in plaster, with a space between each for a pipe. To the left in the angle of the room stood the Japanese screen in black and gold, and close to this a tea-table of bamboo and a piano-lamp with a great shade of crinkly red paper that Turner Ravis had given to Vandover one Christmas. The bay window was filled by the window-seat, covered with corduroy like the divan and heaped with cushions, one of them of flaming yellow, the one spot of vivid colour amidst the dull browns and sombre blues of the room. A great sideboard with decanters and glasses and chafing-dishes faced the window from the end wall. The entrance to the studio opened to the left of it, which entrance Vandover had hung with curtains of dust-brown plush.
The casts of the Assyrian bas-reliefs were against the wall upon either side of the window. There were three of them, two representing scenes from the life of the king, the third the wounded lioness which Vandover never wearied of admiring.
Upon the wall over the mantel hung two very large photogravures, one of Rembrandt’s “Night Watch,” the other a portrait of Velasquez representing a young man with a hunting spear. Above one of the bookcases was an admirable reproduction of the “Mona Lisa”; above the other, a carbon print of a Vandyke, a Dutch lady in a silk gown and very high ruff.
By the side of the “Mona Lisa,” however, was a cheap brass rack stuffed with photographs: actresses in tights, French quadrille dancers, high kickers, and chorus girls.