How to Bake a Perfect Life

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How to Bake a Perfect Life Page 34

by Barbara O'Neal


  “Fine. That child was born to have babies, Ramona. We’ll go see her in a minute.” She lifts a hand, scoops Katie into our circle. “Come see your brother.”

  She edges closer, all limbs and bristling joy and fear and anticipation as she bends in to look at him. “Oh,” she cries. “He’s beautiful!” At the sound of her voice, his head whips around. Babies are not supposed to be able to track, but this one knows that this voice matters.

  “He knows his sister is here.”

  “Look at his fingernails! Oh, and look at his palm!” She touches him reverently.

  “He needs to go back to his mommy right now,” Lily says, and gives us directions to the maternity ward. “Come find us when you’re done.”

  “Is Oscar awake?”

  “Yes. Only one at a time.”

  “Okay.”

  Katie looks at the door.

  “You’re his blood,” I say. “His only daughter. You go.”

  She swallows, smooths her hair. And opens the door.

  Katie

  It’s kind of dim in the hospital room, only the light from the television flickering. Katie’s heart is pounding really hard, so hard that it’s making her hands shake, and she feels like she might cry.

  In the bed is a person under the blankets. There are a lot of bandages, around arms and a head. His head turns and he sees her. “Katydid!” His voice is just the same. He sounds shocked.

  She stands by the door, not sure what to do exactly. It’s been more than a year since she’s seen him, anyway, since before his last deployment. “Hi, Dad.”

  “How did you get here?”

  “Ramona.”

  He is in the shadows. Katie can’t see much, really. She feels frozen where she is. “Did you see your brother?”

  “Yeah, he’s really cute.”

  “He looks just like you. Except you were always more of a girly-looking thing than that. He’s a bruiser.”

  He sounds exactly the same. Exactly, exactly the same. Without knowing that she would, she says, “I’m mad at you, Dad. I’m really mad that you tried to kill yourself.”

  “Baby, come here.” His tone is the one you don’t disobey, and it pulls her across the room to his side. “Give me your hand.”

  She raises it and he takes it in his left. His right is bandaged, and it is the right leg that’s missing beneath the blanket. His forehead is not messed up and his eyebrows are growing back in, like they were singed off. She can’t see his nose, but all of a sudden she’s not afraid anymore. It’s like Ramona said. Somebody else all burned and scarred would freak her out, but this person in this bed is looking at her with her dad’s eyes and talking to her with her dad’s voice.

  “I was wrong,” he says. “I was being a coward. I’m sorry.”

  And at that, Katie splits open like an overripe watermelon. “I went to see Mom, and she stole all my stuff and left me in this creepy park, and I didn’t know where to go or what to do.” She’s crying now, and her dad is holding her hand really tight. “And she’s not ever going to be well, even though I wanted her to be, and I need you to be alive, or I won’t have any parents at all.”

  There are tears in her dad’s eyes. “I promise you, Katie, that I am not going anywhere. And if I look as if I’m going to, you just take my leg off and hit me with it, all right?”

  She laughs and has to cover her face, because her nose is getting all snotty.

  “Give me a hug, Katydid, and then I gotta get some sleep.”

  She sniffs hard, then gingerly presses her cheek into his shoulder. But he lifts his left arm and grabs her tight. “I love you.”

  “I love you, too, Dad.”

  Sofia’s Journal

  JULY 15, 20—

  I am a mother!!!!! That backache turned out to be labor, and by the time I got to the delivery room, I was in transition, so he was born two hours later. Big baby! They got him cleaned up and weighed and all that, got me all cleaned up and stitched (ow, it hurts to pee!!!!!!!!), and then they brought him back to me, all wrapped in a little white blanket. His poor face is smushed and his ears are all battered, but they said he’ll be fine in a day or two. I nursed him and nursed him and nursed him, and he took to it like a champ, no problem at all. But then, I would guess he had to be pretty hungry. Nearly ten pounds! Holy cow.

  He’s fussing again. Gotta go.

  Ramona

  I spend the morning of my birthday with Sofia and Marcus. My daughter is beaming, awash in hormones and love and the possibility that life might work out all right. Nursing her son, her hair tied back in a ponytail, she says, “I had no idea you could feel love like this. I mean, I love Oscar, and you, and drinking margaritas, and all kinds of other things, but …” She shakes her head. “Nothing ever felt like it was going to swallow me whole.”

  “I know.”

  She looks at me. “It must have been so hard for you, Mom. You were so young.”

  “No. There was a day, when I first met Jonah, that I was in the record store and he played a record of Spanish guitar. You started to dance in my belly, and that was it. When I saw your face, it was like I already knew you, that you’d been in my world forever.”

  She nods, cupping the baby’s head with her hand, ruffling his hair. He makes snorting sounds as he gulps milk. “Yes. Exactly.” Leaning back on the pillows, she says, “I love the way Jonah looks at you.”

  She met him this morning, before he went out to do mysterious things, as my mother and Katie had done. He took her hand and gave her his gentle smile and said, “At last we meet,” which made her laugh.

  “How does he look at me?”

  “What, are you kidding? You haven’t seen it?”

  “I don’t know.”

  “Well, I wouldn’t want to spoil it for you. Maybe you should notice.” She strokes the baby’s cheek. “Even better is how you look at him.” She smiles her old-soul smile. “Like he’s the morning.”

  I cover my face. “How embarrassing.”

  “No. It’s great. He’s the one, you know.”

  “The one?”

  “Yeah. The. One. The one you’ve been waiting for. The one you want. The one from every song ever sung about love.”

  “We’ll see.”

  She nods. “You’ll see. I know.”

  My mother, whose hotel room has a kitchenette, went shopping with Katie in the afternoon, and the pair of them have prepared a feast to serve in the courtyard of her hotel, not far away from the hospital. The air is soft and warm as we arrive, the night filled with crickets and, far away, the sound of music. There are tacos and strawberry shortcake and candles all in pink and white and red.

  My mother comes forward, crisp and pressed. “Jonah,” she says, holding out her hand. “We didn’t have a chance to talk last night. How extraordinary that you are here.”

  He nods, grasps her hand, covers it with his own. “I am glad to see you again after so long. You look just the same.”

  “No, I don’t, and neither do you, but I would have known you anywhere.” For a minute she peers at him, then, finding whatever she was looking for, gestures for him to sit down. Merlin sidles up to him and flops down happily.

  “Happy birthday, sweetheart,” Lily says to me, kissing my cheek.

  We settle in for serious feasting, talking about Marcus and Oscar, who has been cheerful if easily wearied today. Then my mother tells us the story of Sofia going into labor without knowing it. “That isn’t how it happened with me,” Lily says.

  “What was it like, Lily,” Jonah asks, “the day Ramona was born?”

  She smiles and looks at me. “It was hot. Really hot. I was tired of being pregnant, and grumpy, and there was a thunderstorm every afternoon. Her dad was working twenty hours a day at the Erin, and he wasn’t around. I was mad at him, too.

  “When the lightning started, I knew the baby was coming, so I called my mother and she went with me to the hospital. Complaining all the way, of course, that my husband should be there, that men
should take more responsibility.”

  I laugh. To Jonah and Katie, I say, “Let’s just say she didn’t have a lot of faith in the male of the species.”

  “Right.” Lily brushes crumbs off the table. “So we got to the hospital and they whisked me away and it took about seven hours, but Ramona finally ambled into the world. And my mother”—she shakes her head—“who was not the best of mothers by anyone’s measure, that woman took one look at Ramona and her red hair and fell head over heels in love. Right there, that minute. I think you changed your grandmother,” she says.

  There’s such a wistful note in her voice that even Katie notices. She puts a comforting hand on my mother’s arm. “She didn’t mean to hurt you, your mom. Adelaide told me she always felt bad about it.”

  For a long, utterly quiet second, the air is charged. Finally my mother says, “What?”

  “Adelaide told me, that lady who comes to pick the flowers.”

  A shiver runs down my spine. “Are you sure it was Adelaide?”

  “Yeah. She’s the one who taught me that rhyme:

  One for the cutworm

  One for the crow

  One to rot and one to grow.”

  I think of the flowers in the front of the house, the bachelor’s buttons and daisies. “Did she tell you how to plant the front yard?”

  “Yeah, and she was right. It looks good.” Katie glances between my mother and me. “She told me it was okay, that Ramona said it was all right.”

  “Honey, are you sure her name was Adelaide?” Lily asks.

  The mood is so odd, Jonah takes my hand.

  “Well, it’s not exactly a name I’d make up. She’s always forgetting to put her tooth in.”

  “Her bridge?” I ask.

  “Yeah.” She picks up a tortilla and rolls it into a tube. “She’s the one who told me about your mom beating you when you were fifteen and that you felt bad the summer Ramona got pregnant and—”

  “Stop,” my mother says, and stands up. Her face is pure white. “This is a terrible joke.”

  “Mom,” I say, and take her hand. “Sit down.”

  Katie looks stricken. “What did I do?”

  “Nothing,” I say. “Everything Adelaide told you is true.” I keep a hand on my mother’s shoulder, not letting her fly away.

  “Well, I think I should say the last thing,” Katie says, “which is that she said that your mom was always sorry and never found a way to make it better.”

  My mother’s hand is visibly shaking as she reaches for Katie. In a voice that I know means she is struggling for control, she says only, “Well, the next time you see her, you tell her that I forgave my mother a long time ago.”

  Katie frowns. “What is wrong with you guys?”

  “Nothing, sweetie. Thanks for the report.” I rub my hands together. “Now, isn’t it time for presents?”

  Jonah stands. “I’ll be right back.”

  When he heads for the car, my mother leans in. “He really grew into his looks, didn’t he? But such a shame about that hand.”

  “Mom!”

  She straightens. “It’s true.”

  When he returns, Jonah is carrying a guitar. As he lopes across the grass, I am fifteen again, and he is a little too old for me, his long brown hair loose on his shoulders and my young heart full to overflowing. The two Jonahs meld as he sits down in front of me and meets my gaze. “I wrote this in the summer of 1985,” he says, “and it’s called ‘Ramona.’ ”

  He begins to play. It is Spanish guitar, mournful and joyful all at once, full of the contradictions of life, of love. I see the colors of that summer winding around the notes, the gray of the clouds, the promise of our connection, and I smell bread.

  And whatever else happens, whatever else I might know later, I know that even if soul mates don’t exist, this one time the heavens or the Fates or whoever is in charge has made an exception.

  When he stops playing and raises his head, vulnerable and shy and waiting, I stand up and kiss him with all of that on my mouth. What’s one more hostage to fortune, after all? “I love you,” I whisper so quietly only he can hear. He hugs me so hard I think it might break my ribs.

  “I love you, too.”

  Behind us, Katie cheers and claps, and my mother, who I suspect is wiping away tears, joins her a split second later.

  STEP FIVE

  The best smell is bread, the best savour salt, the best love that of children.

  —GRAHAM GREENE

  Katie

  SEPTEMBER

  She’s wearing a dress for maybe the third time in her entire life. She likes the way it swings around her legs as she cuts dahlias from the garden. Her father is coming home today, and Katie is moving in with him, Sofia, and her little brother, Marcus, who is the cutest baby she’s ever, ever seen. Katie is glad, but she’s also going to miss living here over the bakery, with all the smells of bread, and the garden, and her bedroom overlooking the back and the mountains. Ramona says the room is hers forever now, and she can come stay whenever she wants. Katie can tell Ramona is emotional about her moving. She keeps hugging her at odd times.

  Which is why she’s collecting the flowers, finding the very best ones from the entire garden. The kenora majestic is blooming, as big as Katie’s head, and three of them fill a vase. She tucks in some asters, a soft bluish purple, and stands back to admire it. Behind the vase rises the house, and high up in the trees is her bedroom.

  Ramona sold the bakery to the family corporation last month, and ever since, Lily and James have been over a lot. Ramona still runs the place, but her family—as she says herself—likes to be in the middle of things. This way she has the business and her grandmother’s house, and she has access to the accountants and businesspeople in the corporation. She also has backup if she wants to travel, which she does, with Jonah, maybe next summer when everything is more settled.

  A breeze rustles through the trees, and Merlin leaps up, rushing toward the back of the garden with a little yip. Katie freezes.

  Because it turns out that the name Adelaide is the name of Ramona’s grandmother. Which means that maybe the old lady who talks to her is a ghost.

  She’s afraid to turn around, and then she does.

  No one’s there. Only Merlin, acting silly, as if someone is there. When Milo comes sauntering out of the corn, Katie lets go of a breath and shakes her head at herself. Imagining things.

  She picks up the vase of flowers and carries it inside, leaving it on the table for Ramona to find later. She bought a card with a picture of a woman and a little girl dancing. For a long time, she struggles with what to say exactly, and then it comes to her.

  Dear Ramona,

  I love you. Thanks for everything.

  Katie

  ABOUT THE AUTHOR

  BARBARA O’NEAL fell in love with food and restaurants at the age of fifteen, when she landed a job in a Greek café and served baklava for the first time. She sold her first novel in her twenties, and has since won a plethora of awards, including two Colorado Book Awards and six prestigious RITAs, including one for The Lost Recipe for Happiness. Her novels have been widely published in Europe and Australia, and she travels all over the world, presenting workshops, hiking hundreds of miles, and, of course, eating. She lives with her partner, a British endurance athlete, and their collection of cats and dogs, in Colorado Springs.

 

 

 


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