Kindred

by Butler, Octavia

  I found myself in a wide hallway. I could see the stairs a few feet away and I started toward them. Just then, a young black girl in a long blue dress came out of a door at the other end of the hall. She came toward

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  me, staring at me with open curiosity. She wore a blue scarf on her head and she tugged at it as she came toward me.

  “Could you tell me where the cookhouse is, please?” I said when she was near enough. She seemed a safer person to ask than Margaret Weylin.

  Her eyes opened a little wider and she continued to stare at me. No doubt I sounded as strange to her as I looked.

  “The cookhouse?” I said.

  She looked me over once more, then started down the stairs without a word. I hesitated, finally followed her because I didn’t know what else to do. She was a light-skinned girl no older than fourteen or fifteen. She kept looking back at me, frowning. Once she stopped and turned to face me, her hand tugging absently at her scarf, then moving lower to cover her mouth, and finally dropping to her side again. She looked so frus- trated that I realized something was wrong.

  “Can you talk?” I asked.

  She sighed, shook her head.

  “But you can hear and understand.”

  She nodded, then plucked at my blouse, at my pants. She frowned at me. Was that the problem, then—hers and the Weylins’?

  “They’re the only clothes I have right now,” I said. “My master will buy me some better ones sooner or later.” Let it be Kevin’s fault that I was “dressed like a man.” It was probably easier for the people here to understand a master too poor or too stingy to buy me proper clothing than it would be for them to imagine a place where it was normal for women to wear pants.

  As though to assure me that I had said the right thing, the girl gave me a look of pity, then took my hand and led me out to the cookhouse.

  As we went, I took more notice of the house than I had before—more notice of the downstairs hall, anyway. Its walls were a pale green and it ran the length of the house. At the front, it was wide and bright with light from the windows beside and above the door. It was strewn with oriental rugs of different sizes. Near the front door, there was a wooden bench, a chair, and two small tables. Past the stairs the hall narrowed, and at its end there was a back door that we went through.

  Outside was the cookhouse, a little white frame cottage not far behind the main house. I had read about outdoor kitchens and outdoor toilets. I hadn’t been looking forward to either. Now, though, the cookhouse

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  looked like the friendliest place I’d seen since I arrived. Luke and Nigel were inside eating from wooden bowls with what looked like wooden spoons. And there were two younger children, a girl and boy, sitting on the floor eating with their fingers. I was glad to see them there because I’d read about kids their age being rounded up and fed from troughs like pigs. Not everywhere, apparently. At least, not here.

  There was a stocky middle-aged woman stirring a kettle that hung over the fire in the fireplace. The fireplace itself filled one whole wall. It was made of brick and above it was a huge plank from which hung a few utensils. There were more utensils off to one side hanging from hooks on the wall. I stared at them and realized that I didn’t know the proper names of any of them. Even things as commonplace as that. I was in a different world.

  The cook finished stirring her kettle and turned to look at me. She was as light-skinned as my mute guide—a handsome middle-aged woman, tall and heavy-set. Her expression was grim, her mouth turned down at the corners, but her voice was soft and low.

  “Carrie,” she said. “Who’s this?” My guide looked at me.

  “My name is Dana,” I said. “My master’s visiting here. Mrs. Weylin told me to come out for supper.”

  “Mrs. Weylin?” The woman frowned at me.

  “The red-haired woman—Rufus’s mother.” I didn’t quite catch myself in time to say Mister Rufus. I didn’t really see why I should have to say anything. How many Mrs. Weylins were there on the place anyway?

  “Miss Margaret,” said the woman, and under her breath, “Bitch!” I stared at her in surprise thinking she meant me.

  “Sarah!” Luke’s tone was cautioning. He couldn’t have heard what the cook said from where he was. Either she said it often, or he had read her lips. But at least now I understood that it was Mrs. Weylin—Miss Margaret—who was supposed to be the bitch.

  The cook said nothing else. She got me a wooden bowl, filled it with something from a pot near the fire, and handed it to me with a wooden spoon.

  Supper was corn meal mush. The cook saw that I was looking at it instead of eating it, and she misread my expression.

  “That’s not enough?” she asked.

  “Oh, it’s plenty!” I held my bowl protectively, fearful that she might

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  give me more of the stuff. “Thank you.”

  I sat down at the end of a large heavy table across from Nigel and Luke. I saw that they were eating the same mush, though theirs had milk on it. I considered asking for milk on mine, but I didn’t really think it would help.

  Whatever was in the kettle smelled good enough to remind me that I hadn’t had breakfast, hadn’t had more than a few bites of dinner the night before. I was starving and Sarah was cooking meat—probably a stew. I took a bite of the mush and swallowed it without tasting it.

  “We get better food later on after the white folks eat,” said Luke. “We get whatever they leave.”

  Table scraps, I thought bitterly. Someone else’s leftovers. And, no doubt, if I was here long enough, I would eat them and be glad to get them. They had to be better than boiled meal. I spooned the mush into my mouth, quickly fanning away several large flies. Flies. This was an era of rampant disease. I wondered how clean our leftovers would be by the time they reached us.

  “Say you was from New York?” asked Luke. “Yes.”

  “Free state?”

  “Yes,” I repeated. “That’s why I was brought here.” The words, the questions made me think of Alice and her mother. I looked at Luke’s broad face, wondering whether it would do any harm to ask about them. But how could I admit to knowing them—knowing them years ago— when I was supposed to be new here? Nigel knew I had been here before, but Sarah and Luke might not. It would be safer to wait—save my ques- tions for Rufus.

  “People in New York talk like you?” asked Nigel. “Some do. Not all.”

  “Dress like you?” asked Luke.

  “No. I dress in what Master Kevin gives me to dress in.” I wished they’d stop asking questions. I didn’t want them to make me tell lies I might forget later. Best to keep my background as simple as possible.

  The cook came over and looked at me, at my pants. She pinched up a little of the material, feeling it. “What cloth is this?” she asked.

  Polyester double knit, I thought. But I shrugged. “I don’t know.” She shook her head and went back to her pot.

  “You know,” I said to her back, “I think I agree with you about Miss

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  Margaret.”

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  She said nothing. The warmth I’d felt when I came into the room was turning out to be nothing more than the heat of the fire.

  “Why you try to talk like white folks?” Nigel asked me.

  “I don’t,” I said, surprised. “I mean, this is really the way I talk.” “More like white folks than some white folks.”

  I shrugged, hunted through my mind for an acceptable explanation. “My mother taught school,” I said, “and …”

  “A nigger teacher?”

  I winced, nodded. “Free blacks can have schools. My mother talked the way I do. She taught me.”

  “You’ll get into trouble,” he said. “Marse Tom already don’t like you. You talk too educated and you come from a free state.”

  “Why should either of those things matter to him? I don’t belong to him.”

  The boy smiled. �
�He don’t want no niggers ’round here talking better than him, putting freedom ideas in our heads.”

  “Like we so dumb we need some stranger to make us think about free- dom,” muttered Luke.

  I nodded, but I hoped they were wrong. I didn’t think I had said enough to Weylin for him to make that kind of judgment. I hoped he wasn’t going to make that kind of judgment. I wasn’t good at accents. I had deliberately decided not to try to assume one. But if that meant I was going to be in trouble every time I opened my mouth, my life here would be even worse than I had imagined.

  “How can Marse Rufe see you before you get here?” Nigel asked.

  I choked down a swallow of mush. “I don’t know,” I said. “But I wish to heaven he couldn’t!”

  4

  I stayed in the cookhouse when I finished eating because it was near the main house, and because I thought I could make it from the cook- house into the hall if I started to feel dizzy—just in case. Wherever Kevin was in the house, he would hear me if I called from the hallway.

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  Luke and Nigel finished their meal and went to the fireplace to say something privately to Sarah. At that moment, Carrie, the mute, slipped me bread and a chunk of ham. I looked at it, then smiled at her gratefully. When Luke and Nigel took Sarah out of the room with them, I feasted on a shapeless sandwich. In the middle of it, I caught myself wondering about the ham, wondering how well it had been cooked. I tried to think of something else, but my mind was full of vaguely remembered horror stories of the diseases that ran wild during this time. Medicine was just a little better than witchcraft. Malaria came from bad air. Surgery was per- formed on struggling wide-awake patients. Germs were question marks even in the minds of many doctors. And people casually, unknowingly ingested all kinds of poorly preserved ill-cooked food that could make them sick or kill them.

  Horror stories.

  Except that they were true, and I was going to have to live with them for as long as I was here. Maybe I shouldn’t have eaten the ham, but if I hadn’t, it would be the table leavings later. I would have to take some chances.

  Sarah came back with Nigel and gave him a pot of peas to shell. Life went on around me as though I wasn’t there. People came into the cook- house—always black people—talked to Sarah, lounged around, ate whatever they could put their hands on until Sarah shouted at them and chased them away. I was in the middle of asking her whether there was anything I could do to help out when Rufus began to scream. Nineteenth- century medicine was apparently at work.

  The walls of the main house were thick and the sound seemed to come from a long way off—thin high-pitched screaming. Carrie, who had left the cookhouse, now ran back in and sat down beside me with her hands covering her ears.

  Abruptly, the screaming stopped and I moved Carrie’s hands gently. Her sensitivity surprised me. I would have thought she would be used to hearing people scream in pain. She listened for a moment, heard nothing, then looked at me.

  “He probably fainted,” I said. “That’s best. He won’t feel the pain for a while.”

  She nodded dully and went back out to whatever she had been doing. “She always did like him,” remarked Sarah into the silence. “He kept

  the children from bothering her when she was little.”

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  I was surprised. “Isn’t she a few years older than he is?”

  “Born the year before him. Children listened to him though. He’s

  white.”

  “Is Carrie your daughter?”

  Sarah nodded. “My fourth baby. The only one Marse Tom let me keep.” Her voice trailed away to a whisper.

  “You mean he … he sold the others?”

  “Sold them. First my man died—a tree he was cutting fell on him. Then Marse Tom took my children, all but Carrie. And, bless God, Carrie ain’t worth much as the others ’cause she can’t talk. People think she ain’t got good sense.”

  I looked away from her. The expression in her eyes had gone from sadness—she seemed almost ready to cry—to anger. Quiet, almost frightening anger. Her husband dead, three children sold, the fourth defective, and her having to thank God for the defect. She had reason for more than anger. How amazing that Weylin had sold her children and still kept her to cook his meals. How amazing that he was still alive. I didn’t think he would be for long, though, if he found a buyer for Carrie.

  As I was thinking, Sarah turned and threw a handful of something into the stew or soup she was cooking. I shook my head. If she ever decided to take her revenge, Weylin would never know what hit him.

  “You can peel these potatoes for me,” she said.

  I had to think a moment to remember that I had offered my help. I took the large pan of potatoes that she was handing me and a knife and a wooden bowl, and I worked silently, sometimes peeling, and sometimes driving away the bothersome flies. Then I heard Kevin outside calling me. I had to make myself put the potatoes down calmly and cover them with a cloth Sarah had left on the table. Then I went to him without haste, without any sign of the eagerness or relief I felt at having him nearby again. I went to him and he looked at me strangely.

  “Are you all right?” “Fine now.”

  He reached for my hand, but I drew back, looking at him. He dropped his hand to his side. “Come on,” he said wearily. “Let’s go where we can talk.”

  He led the way past the main house away from the slave cabins and other buildings, away from the small slave children who chased each other and shouted and didn’t understand yet that they were slaves.

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  We found a huge oak with branches thick as separate trees spread wide to shade a large area. A handsome lonely old tree. We sat beside it put- ting it between ourselves and the house. I settled close to Kevin, relax- ing, letting go of tension I had hardly been aware of. We said nothing for a while, as he leaned back and seemed to let go of tensions of his own.

  Finally, he said, “There are so many really fascinating times we could have gone back to visit.”

  I laughed without humor. “I can’t think of any time I’d like to go back to. But of all of them, this must be one of the most dangerous—for me anyway.”

  “Not while I’m with you.”

  I glanced at him gratefully.

  “Why did you try to stop me from coming?” “I was afraid for you.”

  “For me!”

  “At first, I didn’t know why. I just had the feeling you might be hurt trying to come with me. Then when you were here, I realized that you probably couldn’t get back without me. That means if we’re separated, you’re stranded here for years, maybe for good.”

  He drew a deep breath and shook his head. “There wouldn’t be any- thing good about that.”

  “Stay close to me. If I call, come quick.”

  He nodded, and after a while said, “I could survive here, though, if I

  had to. I mean if …” “Kevin, no ifs. Please.”

  “I only mean I wouldn’t be in the danger you would be in.”

  “No.” But he’d be in another kind of danger. A place like this would endanger him in a way I didn’t want to talk to him about. If he was stranded here for years, some part of this place would rub off on him. No large part, I knew. But if he survived here, it would be because he man- aged to tolerate the life here. He wouldn’t have to take part in it, but he would have to keep quiet about it. Free speech and press hadn’t done too well in the ante bellum South. Kevin wouldn’t do too well either. The place, the time would either kill him outright or mark him somehow. I didn’t like either possibility.

  “Dana.”

  I looked at him.

  “Don’t worry. We arrived together and we’ll leave together.”

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  I didn’t stop worrying, but I smiled and changed the subject. “How’s

  Rufus? I heard him screaming.”

  “Poor kid. I was glad when he passed out. The doctor gave him some opium, but the pain
seemed to reach him right through it. I had to help hold him.”

  “Opium … will he be all right?”

  “The doctor thought so. Although I don’t know how much a doctor’s opinion is worth in this time.”

  “I hope he’s right. I hope Rufus has used up all his bad luck just in get- ting the set of parents he’s stuck with.”

  Kevin lifted one arm and turned it to show me a set of long bloody scratches.

  “Margaret Weylin,” I said softly.

  “She shouldn’t have been there,” he said. “When she finished with me, she started on the doctor. ‘Stop hurting my baby!’”