The Man Without Qualities: Picador Classic

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The Man Without Qualities: Picador Classic Page 74

by Robert Musil


  It was he who had discovered the link between what these young people called their love, or, alternatively, their community, and the consequences of a peculiar, wildly religious, unmythologically mythical (or merely infatuated) state, and it touched him deeply, though they did not know it, because he confined himself to making fun of its manifestations in them. In the same vein he now answered Hans by asking him point-blank why he would not take advantage of the Parallel Campaign for advancing the cause of his “Community of the Purely Selfless.”

  “Because it’s out of the question,” Hans replied.

  The resulting conversation between them would have been as baffling to an uninitiated listener as an exchange in criminal street slang, although it was no more than the pidgin of social infatuation. So what follows is more the gist of what was said than a literal transcription of it. The Community of the Purely Selfless was what Hans called it; despite this, it was not devoid of meaning; the more selfless a person feels, the brighter and intenser the things of this world appear; the more weight a person sheds, the more he feels uplifted; everyone has probably experienced this at one time or another, though such experiences must not be confused with mere gaiety, cheerfulness, lightheartedness, or the like, which are simply substitutes for it, serving a lower or even some corrupt purpose. Perhaps the real thing should be called not a state of uplift but rather a shedding of one’s armor, that armor in which the ego was encased. You had to distinguish between the two walls pressing in on the human being. Man succeeds in getting over the first rampart every time he does something kind and unselfish, but that is only the lesser rampart. The greater wall equals the selfhood of even the most unselfish person; this is original sin as such; with us, every sensation, every feeling, even that of self-surrender, is more a taking than a giving, and there is hardly any way of shaking off this armor of all-permeating selfishness. Hans ticked off specifics: Knowledge is simply the appropriation of something not our own. We kill, tear, and digest our “object” as an animal does its prey. A concept is a living thought killed, never to stir again. A conviction is an impulse of faith, frozen into some unchanging lifeless form. Research confirms the known. Character is inertia, the refusal to keep growing. To know a person amounts to no longer being moved by that person. Insight is one-way vision. Truth is the successful effort to think impersonally and inhumanly. Everywhere, the instinct to kill, to freeze, to clutch, to petrify, is a mixture of self-seeking with a cold, craven, treacherous mock-selflessness. “And when,” Hans wanted to know, even though the innocent Gerda was all he had experienced, “when has love ever been anything but possession, or the giving of oneself as its quid pro quo?”

  Ulrich cautiously and with qualifications professed to agree with all these none too coherent assertions. He allowed that even suffering and renunciation yielded a slight profit for the ego; a faint, as it were grammatical cast of egotism shadowed all we did as long as there was no predicate without a subject.

  But Hans would have none of that! He and his friends argued endlessly about the right way to live. Sometimes they assumed that everyone had to live first and foremost for himself and only then for all the others; or else they agreed that a person could have only one true friend, who, however, needed his own one friend, so that they saw the community as a circular linking of souls, like the spectrum or other chains of being; but what they most liked to believe was that there was such a thing as a communal soul; it might be overshadowed by the forces of egotism, but it was a deep, immense source of vital energy, its potential unimaginable and waiting to be tapped. A tree fighting for its life in the sheltering forest cannot feel more unsure of itself than sensitive people nowadays feel about the dark warmth of the mass, its dynamism, the invisible molecular process of its unconscious cohesion, reminding them with every breath they take that the greatest and the least among them are not alone. Ulrich felt the same. While he perceived clearly that the tamed egotism on which life is built makes for an orderly structure, compared with which the single breath of all mankind is no more than the quintessence of murky thinking, and while for his part he preferred keeping to himself, he could not help feeling oddly moved when Gerda’s young friends talked in their extravagant fashion of the great wall that had to be surmounted.

  Hans now reeled off the articles of his faith in a drone interspersed with bursts of vehemence, his eyes staring straight ahead without seeing anything. An unnatural crack ran through the cosmos, breaking it in two like the two halves of an apple, which consequently start to shrivel up. Which was why, nowadays, we had to regain by artificial and unnatural means what had once been a natural part of ourselves. But this split could be healed by opening up the self, by a change of attitude, for the more a person could forget himself, blot himself out, get away from himself, the more his energy could be freed for the common good, as though released from a bad chemical combination; and the closer he drew to the community, the more he would realize his true self, because, as Hans saw it, true originality was not a matter of empty uniqueness but came from opening oneself up, degree by degree, to participation and devotion, perhaps all the way to the ultimate degree of total communion with the world achieved by those dissolved in selflessness.

  These propositions so devoid of content set Ulrich to wondering how they might possibly be substantiated, but all he did was to ask Hans coolly just how all this opening up of one’s self and so forth might be done in actual practice.

  Hans came up with some prodigious words for it: the transcendent ego in place of the sensual ego, the Gothic ego instead of the naturalistic one, the realm of being rather than the realm of phenomena or appearances, the unconditional experience, and similar formidable expressions, which had to do duty for his sense of the indescribable reality he envisioned, as they all too often must, incidentally, to the detriment of the cause they somehow manage to enhance nonetheless. And because this condition of which he had occasional, perhaps even frequent, glimpses never stayed in focus for more than a few brief instants of meditation, he went even further and claimed that transcendence nowadays simply did not manifest itself other than sporadically, in flashes of an extracorporeal vision that was naturally hard to pin down, except perhaps in the traces it left in great works of art, which led him on to the symbol, his favorite word both for art and for other supernaturally towering signs of life, and finally to the Germanic gift, peculiar to those who carried even a smattering of Germanic blood in their veins, for creating and envisioning said things. Using this sublime variant of “good old days” nostalgia made it easy for him to suggest that a lasting perception of the essence of things was a thing of the past and denied to the present time, an assertion from which the whole debate had after all sprung.

  Ulrich found this superstitious claptrap rather irritating. He had been wondering for a long time what it was that Gerda actually saw in Hans. There she sat, with her pale look, taking no active part in the conversation. Hans Sepp had a grandiose theory of love, in which she probably found the deeper meaning of her own existence. Ulrich now gave the conversation a new turn by stating—not without a protest against having to carry on this kind of talk in the first place—that the highest intensity of feeling of which a person was capable did not arise out of one’s usual egotistical appropriation of whatever came one’s way or, as Hans and his friends felt, out of what is called self-enhancement through self-surrender, but was actually a state of rest, of changelessness, like still waters.

  At this Gerda brightened up and asked what he meant.

  Ulrich told her that Hans had actually been talking all this time, even when he went out of his way to disguise it, about love and nothing but love; saintly love, solitary love, the love that overflows its banks of desire, the love always described as a loosening, a dissolution, indeed a reversal of all earthly bonds, in any case no longer a mere emotion but a transformation of a person’s whole way of thinking and perceiving.

  Gerda looked at him as though she were trying to decide whether this man who
knew so much more than she did had somehow discovered this too, or whether this man she was secretly in love with and who sat beside her without revealing much of himself was emitting some strange sympathetic radiation that draws two people together even when their bodies do not touch.

  Ulrich felt her probing look. It was as though he were speaking some foreign tongue in which he could go on fluently, but only superficially, because the words had no roots inside him.

  “In this state,” he said, “in which one oversteps the limits normally imposed on one’s actions, one understands everything, because the soul accepts only what is already part of it; in a sense, it already knows all that’s coming its way. Lovers have nothing new to say to each other; nor do they actually recognize each other; all that a lover recognizes is the indescribable way in which he is inwardly activated by the beloved. To recognize a person he does not love means drawing that person into the sphere of his love like a blank wall with the sunlight on it. To recognize some inanimate object doesn’t mean decoding its characteristics one by one; it means that a veil falls away or a barrier is lifted, somewhere beyond the world of the senses. Even the inanimate, unknown as it is, enters trustfully into the shared life of lovers. Nature and the spirit peculiar to love gaze into each other’s eyes, two versions of the same act, a flowing in two directions, a burning at both ends. Awareness of a person or thing apart from oneself then becomes impossible, for to take notice is to take something from the things noticed; they keep their shape but turn to ashes inside; something evaporates from them, leaving only their mummies. For lovers there is no such thing as a truth—it could only be a blind alley, the finish, the death of something that, while it lives, is like the breathing edge of a flame, where light and darkness lie breast-to-breast. How can any one thing light up, in recognition, where all is light? Who needs the beggarly small change of security and proof where everything spills over in superabundance? And how can one still want anything for oneself alone, even the beloved itself, once one knows how those who love no longer belong to themselves but must give themselves freely, four-eyed intertwined creatures that they are, to everything that comes their way?”

  Anyone who has mastered the idiom can run on in this vein without even trying. It is like walking with a lighted candle that sheds its tender rays on one aspect of life after another, all of them looking as if their usual appearance in the hard light of common day had been a crude misrepresentation. How impossible it becomes, for instance, to apply that verbal gesture “to possess” to lovers, once one remembers the etymology (from potis and sedere, i.e., possess equals “to sit upon,” “be-set”). Does it show desires of a higher order, to aim at “possessing” principles, the respect of one’s children, ideas, oneself? But this clumsy ploy of a heavy animal subduing its prey with the full weight of its own body is still, and rightly, the basic and favorite term of capitalism, showing the connection between the possessors of the social world and the possessors of knowledge and skills, which is what it makes of its thinkers and artists, while love and asceticism stand apart in their lonely kinship. How aimless this pair appears, how devoid of a target, compared with the aims and targets of normal life. But the terms “aim” and “target” derive from the language of the marksman. To be without aim or target must have meant, originally, not to be out to kill. So merely by tracking down the clues in language itself—a blurred, but revealing trail!—one can see how a crudely changed meaning has everywhere usurped the function of far subtler messages now quite lost to us, that ever-perceptible but never quite tangible nexus of things. Ulrich gave up pursuing this idea out loud, but Hans could not be blamed for thinking that all he had to do was tug at a certain thread to unravel the whole fabric; the world had merely lost its instinct for the right thread to pull. He had been repeatedly interrupting Ulrich and finishing his sentences for him.

  “If you choose to look at all this with a scientific eye, you’ll see nothing more in it than any bank teller might. All empirical explanations are deceptive, they never take us beyond the level of crude sensory data. Your need to know would like to reduce the world to nothing more than the so-called forces of nature twiddling their thumbs.” These were Hans’s objections, his interpolations. He alternated between rudeness and passion. He felt that he had done a poor job of stating his case, and blamed his failure on the presence of this interloper between him and Gerda, for had he been alone with Gerda, eye-to-eye with her, the same words would have risen skyward like a shimmering fountain, like spiraling falcons. He knew it, he felt that this was one of his days. He was also surprised and annoyed to hear Ulrich talking so fluently and so intently in his place.

  Actually, Ulrich was not speaking as a scientist at all but was saying far more than he would have been prepared to defend, although he was not saying anything he did not believe. He was carried away by a suppressed fury. To run on like this he had to be in a curiously elevated, a rather inflamed frame of mind, and Ulrich’s mood was somewhere between this state and the one induced by seeing Hans, with his greasy, bristling hair, his muddy skin, his repellent emphatic gestures, and his foaming torrent of speech in which some filmy fragment of his true self hung trapped, like the skin from a flayed heart. But strictly speaking, Ulrich had been suspended all his life between two such aspects of this subject, always ready to expound it as he was doing, half believing what he was saying but never going beyond such verbal games, because he did not really take them for real, and so his discomfiture was keeping step with his pleasure in this conversation.

  Gerda ignored the mocking asides that he injected into his talk from time to time as a kind of self-parody, overwhelmed as she was by her sense of his opening himself up at last. She looked at him with a touch of anxiety. He’s much softer than he’ll ever admit, she thought, with a feeling that broke down her own defenses, as if a baby were groping at her breast. Ulrich caught her eye. He knew almost everything that was going on between her and Hans, because in her worry she needed to relieve her heart by at least throwing out hints of her problems, and that made it easy enough for Ulrich to fill in the rest. She and Hans regarded the act of physical possession, the normal preoccupation of young lovers, as a despicable surrender to capitalist urges; they thought they despised physical passion altogether, but they also despised self-control as a middle-class virtue, so what it came to was their always clinging to each other in a nonphysical or semiphysical way. They tried to “accept” each other, as they called it, and felt that trembling, tender merging of two people lost in each other’s eyes, slipping into the invisible currents that ripple through each other’s heads and hearts, and feeling, at the apparent moment of mutual understanding, that each holds the other inside himself and is at one with the other. At less exalted times they were satisfied with ordinary mutual admiration, seeing in great paintings or dramatic scenes the parallels to their own condition and marveling, when they kissed, at the thought that—as the saying goes—millennia were gazing down upon them. They did kiss, even though they regarded the crude physical sensations of love, that spasm of the bodily self, as no better than a stomach cramp, but their limbs did not pay too much attention to their ideals and pressed hard against each other on their own. Afterward they both felt bewildered. Their budding philosophy was not proof against their heady sense of nobody watching, the dim lights, the furiously mounting attraction of two young bodies nestling close together, and Gerda especially, who as the girl was the more mature of the two, felt the craving to consummate their embrace with the innocent intensity a tree might feel on being prevented from budding in the springtime. This arrested lovemaking, as bland as the kisses of little children and as interminable as the aimless fondlings of the old, always left them feeling shattered. Hans found it easier to take because he could always regard it afterward as a successful test of his convictions.

  “It isn’t for us to have and to hold,” he lectured her. “We are nomads who must keep moving onward, step after step.” And when he noticed that Gerda’s whole body
was quivering with frustrated desire, he made no bones about calling it a weakness, if not actually a residue of her non-Germanic genes, and felt like Adam walking with his God, his manly heart having once more resisted his erstwhile rib’s tempting of his faith. At such moments Gerda despised him. Which was probably why she had told Ulrich so much about it, at least in the beginning. She suspected that a full-grown man would do both more and less than Hans, who would bury his tear-stained face in her lap like a child after he had insulted her. Since she was just as proud of her experiences as she was bored with them, she let Ulrich in on all this in the anxious hope that he would find something to say that would put an end to the agonizing beauty of it.

  Ulrich, however, seldom spoke to her as she wished he might; instead, he cooled her off with his sardonic tone, because even though it made Gerda more reserved, he knew too well that she longed to submit to him, and that neither Hans nor anyone else had the power over her mind he could have if he chose. He justified himself with the thought that any other real man in his place would have the same effect on Gerda, that of a blessed relief after that woolly-minded dirty little tease Hans. But even as he was thinking it over, suddenly seeing it all in perspective, Hans had collected himself and started a fresh attack.

 

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