by A. S. Byatt
Its end was flat and blunt, almost transparent, like some earthworms.
When it had gone, Penny and Primrose, kneeling on the moss and dead leaves, put their arms about each other, and hugged each other, shaking with dry sobs. Then they stood up, still silent, and stared together, hand in hand, at the trail of obliteration and destruction, which wound out of the forest and into it again. They went back, hand in hand, without looking behind them, afraid that the wicket-gate, the lawn, the stone steps, the balustrade, the terrace and the great house would be transmogrified, or simply not there. But the boys were still playing football on the lawn, a group of girls were skipping and singing shrilly on the gravel. They let go each other’s hand, and went back in.
THEY DID NOT SPEAK to each other again.
THE NEXT DAY they were separated and placed with strange families. Their time in these families— Primrose was in a dairy farm, Penny was in a parsonage—did not in fact last very long, though then the time seemed slow-motion and endless. These alien families seemed like dream worlds into which they had strayed, not knowing the physical or social rules which constructed those worlds. Afterwards, if they remembered the evacuation it was as dreams are remembered, with mnemonics designed to claw back what fleets on waking. So Primrose remembered the sound of milk spurting in the pail, and Penny remembered the empty corsets of the vicar’s wife, hanging bony on the line. They remembered dandelion clocks, but you can remember those from anywhere, any time. They remembered the thing they had seen in the forest, on the contrary, in the way you remember those very few dreams—almost all nightmares—which have the quality of life itself, not of fantasm, or shifting provisional scene-set. (Though what are dreams if not life itself?) They remembered too solid flesh, too precise a stink, a rattle and a soughing which thrilled the nerves and the cartilage of their growing ears. In the memory, as in such a dream, they felt, I cannot get out, this is a real thing in a real place.
THEY RETURNED from evacuation, like many evacuees, so early that they then lived through wartime in the city, bombardment, blitz, unearthly light and roaring, changed landscapes, holes in their world where the newly dead had been. Both lost their fathers. Primrose’s father was in the Army, and was killed, very late in the war, on a crowded troop-carrier sunk in the Far East. Penny’s father, a much older man, was in the Auxiliary Fire Service, and died in a sheet of flame in the East India Docks on the Thames, pumping evaporating water from a puny coil of hose. They found it hard, after the war, to remember these different men. The claspers of memory could not grip the drowned and the burned. Primrose saw an inane grin under a khaki cap, because her mother had a snapshot. Penny thought she remembered her father, already grey-headed, brushing ash off his boots and trouser-cuffs as he put on his tin hat to go out. She thought she remembered a quaver of fear in his tired face, and the muscles composing themselves into resolution. It was not much, what either of them remembered.
AFTER THE WAR, their fates were still similar and dissimilar. Penny’s widowed mother embraced grief, closed her face and her curtains, moved stiffly, like an automat, and read poetry. Primrose’s mother married one of the many admirers, visitors, dancing partners she had had before the ship went down, gave birth to another five children, and developed varicose veins and a smoker’s cough. She dyed her blonde hair with peroxide when it faded. Both Primrose and Penny were only children who now, because of the war, lived in amputated or unreal families. Penny developed crushes on poetical teachers and in due course—she was clever—went to university, where she chose to study developmental psychology. Primrose had little education. She was always being kept off school to look after the others. She too dyed her blonde curls with peroxide when they turned mousy and faded. She got fat as Penny got thin. Neither of them married. Penny became a child psychologist, working with the abused, the displaced, the disturbed. Primrose did this and that. She was a barmaid. She worked in a shop. She went to help at various church crèches and Salvation Army reunions, and discovered she had a talent for story-telling. She became Aunty Primrose, with her own repertoire. She was employed to tell tales to kindergartens and entertain at children’s parties. She was much in demand at Hallowe’en, and had her own circle of bright yellow plastic chairs in a local shopping mall, where she kept an eye on the children of burdened women, keeping them safe, offering them just a frisson of fear and terror that made them wriggle with pleasure.
THE HOUSE AGED differently. During this period of time—whilst the little girls became women—it was handed over to the Nation, which turned it into a living museum, still inhabited by the flesh and blood descendants of those who had built it, demolished it, flung out a wing, closed off a corridor. Guided tours took place in it, at regulated times. During these tours, the ballroom and intimate drawing-rooms were fenced off with crimson twisted ropes on little brass one-eyed pedestals. The bored and the curious peered in at four-poster beds and pink silk fauteuils, at silver-framed photographs of wartime Royalty, and crackling crazing Renaissance and Enlightenment portraits of long-dead queens and solemn or sweetly musing ancestors. In the room where the evacuees had eaten their rationed meals, the history of the house was displayed, on posters, in glass cases, with helpful notices, and opened copies of old diaries and records. There were reproductions of the famous paintings which had lain here in hiding during the war. There was a plaque to the dead of the house: a gardener, an under-gardener, a chauffeur and a second son. There were photographs of military hospital beds, and of nurses pushing wheelchairs in the grounds. There was no mention of the evacuees whose presence appeared to have been too brief to have left any trace.
THE TWO WOMEN met in this room on an autumn day in 1984. They had come with a group, walking in a chattering crocodile behind a guide, and had lingered amongst the imagery and records, rather than going on to eavesdrop on the absent ladies and gentlemen whose tidy clutter lay on coffee tables and escritoires. They prowled around the room, each alone with herself, in opposite directions, without acknowledging each other’s presence. Both their mothers had died that spring, within a week of each other, though this coincidence was unknown to them. It had made both of them think of taking a holiday, and both had chosen that part of the world. Penny was wearing a charcoal trouser suit and a black velvet hat. Primrose wore a floral knit long jacket over a shell-pink cashmere sweater, over a rustling long skirt with an elastic waist, in a mustard-coloured tapestry print. Her hips and bosom were bulky. They coincided because both of them, at the same moment, half saw an image in a medieval-looking illustrated book. Primrose thought it was a very old book. Penny assumed it was nineteenth-century mock-medieval. It showed a knight, on foot, in a forest, lifting his sword to slay something. The knight shone on the rounded slope of the page, in the light, which caught the gilding on his helmet and sword-belt. It was not possible to see what was being slain. This was because, both in the tangled vegetation of the image, and in the way the book was displayed in the case, the enemy, or victim, was in shadows.
Neither of them could read the ancient (or pseudo-ancient) black letter of the text beside the illustration. There was a typed explanation, or description, under the book, done with a faded ribbon and uneven pressure of the keys. They had to lean forward to read it, and to see what was worming its way into, or out of, the deep spine of the book, and that was how they came to see each other’s face, close up, in the glass which was both transparent and reflective. Their transparent reflected faces lost detail—cracked lipstick, pouches, fine lines of wrinkles—and looked both younger and greyer, less substantial. And that is how they came to recognise each other, as they might not have done, plump face to bony face. They breathed each other’s names, Penny, Primrose, and their breath misted the glass, obscuring the knight and his opponent. I could have died, I could have wet my knickers, said Penny and Primrose afterwards to each other, and both experienced this still moment as pure, dangerous shock. But they stayed there, bent heads together, legs trembling, knees knocking, and read the captio
n, which was about the Loathly Worm, which, tradition held, had infested the countryside and had been killed more than once by scions of that house, Sir Lionel, Sir Boris, Sir Guillem. The Worm, the typewriter had tapped out, was an English Worm, not a European dragon, and like most such worms, was wingless. In some sightings it was reported as having vestigial legs, hands or feet. In others it was limbless. It had, in monstrous form, the capacity of common or garden worms to sprout new heads or trunks if it was divided, so that two worms, or more, replaced one. This was why it had been killed so often, yet reappeared. It had been reported travelling with a slithering pack of young ones, but these may have been only revitalised segments. The typed paper was held down with drawing-pins and appeared to continue somewhere else, on some not visible page, not presented for viewing.
BEING ENGLISH, the recourse they thought of was tea. There was a tea-room near the great house, in a converted stable at the back. There they stood silently side by side, clutching floral plastic trays spread with briar roses, and purchased scones, superior raspberry jam in tiny jam jars, little plastic tubs of clotted cream. “You couldn’t get cream or real jam in the war,” said Primrose in an undertone as they found a corner table. She said wartime rationing had made her permanently greedy, and thin Penny agreed, it had, clotted cream was still a treat.
They watched each other warily, offering bland snippets of autobiography in politely hushed voices. Primrose thought Penny looked gaunt, and Penny thought Primrose looked raddled. They established the skein of coincidences—dead fathers, unmarried status, child-caring professions, recently dead mothers. Circling like beaters, they approached the covert thing in the forest. They discussed the great house, politely. Primrose admired the quality of the carpets. Penny said it was nice to see the old pictures back on the wall. Primrose said, funny really, that there was all that history, but no sign that they, the children, that was, had ever been there. Penny said no, the story of the family was there, and the wounded soldiers, but not them, they were perhaps too insignificant. Too little, said Primrose, nodding agreement, not quite sure what she meant by too little. Funny, said Penny, that they should meet each other next to that book, with that picture. Creepy, said Primrose in a light, light cobweb voice, not looking at Penny. We saw that thing. When we went in the forest.
Yes we did, said Penny. We saw it.
Did you ever wonder, asked Primrose, if we really saw it?
Never for a moment, said Penny. That is, I don’t know what it was, but I’ve always been quite sure we saw it.
Does it change—do you remember all of it?
It was a horrible thing, and yes, I remember all of it, there isn’t a bit of it I can manage to forget. Though I forget all sorts of things, said Penny, in a thin voice, a vanishing voice.
And have you ever told anyone of it, spoken of it, asked Primrose more urgently, leaning forward, holding on to the table edge.
No, said Penny. She had not. She said, who would believe it, believe them?
That’s what I thought, said Primrose. I didn’t speak. But it stuck in my mind like a tapeworm in your gut. I think it did me no good.
It did me no good either, said Penny. No good at all. I’ve thought about it, she said to the ageing woman opposite, whose face quivered under her dyed goldilocks. I think, I think there are things that are real— more real than we are—but mostly we don’t cross their paths, or they don’t cross ours. Maybe at very bad times we get into their world, or notice what they are doing in ours.
Primrose nodded energetically. She looked as though sharing was solace, and Penny, to whom it was not solace, grimaced with pain.
“Sometimes I think that thing finished me off,” said Penny to Primrose, a child’s voice rising in a woman’s gullet, arousing a little girl’s scared smile which wasn’t a smile on Primrose’s face. Primrose said:
“It did finish her off, that little one, didn’t it? She got into its path, didn’t she? And when it had gone by—she wasn’t anywhere,” said Primrose. “That was how it was?”
“Nobody ever asked where she was, or looked for her,” said Penny.
“I wondered if we’d made her up,” said Primrose. “But I didn’t, we didn’t.”
“Her name was Alys.”
“With a y.”
There had been a mess, a disgusting mess, they remembered, but no particular sign of anything that might have been, or been part of, or belonged to, a persistent little girl called Alys.
Primrose shrugged voluptuously, let out a gale of a sigh, and rearranged her flesh in her clothes.
“Well, we know we’re not mad, anyway,” she said. “We’ve got into a mystery, but we didn’t make it up. It wasn’t a delusion. So it was good we met, because now we needn’t be afraid we’re mad, need we, we can get on with things, so to speak?”
THEY ARRANGED to have dinner together the following evening. They were staying in different bed-and-breakfasts and neither of them thought of exchanging addresses. They agreed on a restaurant in the market square of the local town—Seraphina’s Hot Pot—and a time, seven-thirty. They did not even discuss spending the next day together. Primrose went on a local bus tour. Penny asked for sandwiches, and took a long solitary walk. The weather was grey, spitting fine rain. Both arrived at their lodgings with headaches, and both made tea with the teabags and kettle provided in their rooms. They sat on their beds. Penny’s bed had a quilt with blowsy cabbage roses. Primrose’s had a black-and-white checked gingham duvet. They turned on their televisions, watched the same game show, listened to the inordinate jolly laughter. Penny washed herself rather fiercely in her tiny bathroom: Primrose slowly changed her underwear, and put on fresh tights. Between bathroom and wardrobe Penny saw the air in the room fill with a kind of grey smoke. Rummaging in a suitcase for a clean blouse, Primrose felt giddy, as though the carpet was swirling. What would they say to each other, they asked themselves, and sat down, heavy and winded, on the edges of their single beds. Why? Primrose’s mind said, scurrying, and Why? Penny asked herself starkly. Primrose put down her blouse and turned up the television. Penny managed to walk as far as the window. She had a view with a romantic bit of moorland, rising to a height that cut off the sky. Evening had caught her: the earth was black: the house-lights trickled feebly into gloom.
Seven-thirty came and went, and neither woman moved. Both, indistinctly, imagined the other waiting at a table, watching a door open and shut. Neither moved. What could they have said, they asked themselves, but only perfunctorily. They were used to not asking too much, they had had practice.
THE NEXT DAY they both thought very hard, but indirectly, about the wood. It was a spring day, a good day for woods, and yesterday’s rain-clouds had been succeeded by clear sunlight, with a light movement of air and a very faint warmth. Penny thought about the wood, put on her walking-shoes, and set off obliquely in the opposite direction. Primrose was not given to ratiocination. She sat over her breakfast, which was English and ample, bacon and mushrooms, toast and honey, and let her feelings about the wood run over her skin, pricking and twitching. The wood, the real and imagined wood—both before and after she had entered it with Penny—had always been simultaneously a source of attraction and a source of discomfort, shading into terror. The light in woods was more golden and more darkly shadowed than any light on city terraces, including the glare of bombardment. The gold and the shadows were intertwined, a promise of liveliness. What they had seen had been shapeless and stinking, but the wood persisted.
So without speaking to herself a sentence in her head—“I shall go there”—Primrose decided by settling her stomach, setting her knees, and slightly clenching her fists, that she would go there. And she went straight there, full of warm food, arriving as the morning brightened with the first bus-load of tourists, and giving them the slip, to take the path they had once taken, across the lawn and through the wicket-gate.
The wood was much the same, but denser and more inviting in its new greenness. Primrose’s body decide
d to set off in a rather different direction from the one the little girls had taken. New bracken was uncoiling with snaky force. Yesterday’s rain still glittered on limp new hazel leaves and threads of gossamer. Small feathered throats above her, and in the depths beyond, whistled and trilled with enchanting territorial aggression and male self-assertion, which were to Primrose simply the chorus. She heard a cackle and saw a flash of the loveliest flesh-pink, in feathers, and a blue gleam. She was not good at identifying birds. She could do “a robin”—one hopped from branch to branch—“a black bird” which shone like jet, and “a tit” which did acrobatics, soft, blue and yellow, a tiny scrap of fierce life. She went steadily on, always distracted by shines and gleams in her eye-corner. She found a mossy bank, on which she found posies of primroses, which she recognised and took vaguely, in the warmth of her heart labouring in her chest, as a good sign, a personal sign. She picked a few, stroked their pale petals, buried her nose in them, smelled the thin, clear honey-smell of them, spring honey without the buzz of summer. She was better at flowers than birds, because there had been Flower Fairies in the school bookshelves when she was little, with the flowers painted accurately, wood-sorrel and stitchwort, pimpernel and honeysuckle, flowers she had never seen, accompanied by truly pretty human creatures, all children, from babies to girls and boys, clothed in the blues and golds, russets and purples of the flowers and fruits, walking, dancing, delicate material imaginings of the essential lives of plants. And now as she wandered on, she saw and recognised them, windflower and bryony, self-heal and dead-nettle, and had—despite where she was—a lovely lapping sense of invisible—just invisible life swarming in the leaves and along the twigs, despite where she was, despite what she had not forgotten having seen there. She closed her eyes a fraction. The sunlight flickered and flickered. She saw glitter and spangling everywhere. She saw drifts of intense blue, further in, and between the tree-trunks, with the light running over them.