by S T Joshi
The creature was awake. This was evidenced by the convulsive manner in which the bed-clothes were moved in its efforts to escape. There was something truly terrible in beholding, as it were, those secondhand indications of the terrible writhings and agonized struggles for liberty which themselves were invisible.
Hammond and myself had racked our brains during the long night to discover some means by which we might realize the shape and general appearance of the Enigma. As well as we could make out by passing our hands over the creature’s form, its outlines and lineaments were human. There was a mouth; a round, smooth head without hair; a nose, which, however, was little elevated above the cheeks; and its hands and feet felt like those of a boy. At first we thought of placing the being on a smooth surface and tracing its outline with chalk, as shoemakers trace the outline of the foot. This plan was given up as being of no value. Such an outline would give not the slightest idea of its conformation.
A happy thought struck me. We could take a cast of it in plaster of Paris. This would give us the solid figure, and satisfy all our wishes. But how to do it? The movements of the creature would disturb the setting of the plastic covering, and distort the mould. Another thought. Why not give it chloroform? It had respiratory organs,—that was evident by its breathing. Once reduced to a state of insensibility, we could do with it what we would. Doctor X——— was sent for; and after the worthy physician had recovered from the first shock of amazement, he proceeded to administer the chloroform. In three minutes afterward we were enabled to remove the fetters from the creature’s body, and a modeller was busily engaged in covering the invisible form with the moist clay. In five minutes more we had a mould, and before evening a rough fac-simile of the Mystery. It was shaped like a man,—distorted, uncouth, and horrible, but still a man. It was small, not over four feet and some inches in height, and its limbs revealed a muscular development that was unparalleled. Its face surpassed in hideousness anything I had ever seen. Gustave Doré, or Callot, or Tony Johannot, never conceived anything so horrible. There is a face in one of the latter’s illustrations to Un Voyage où il vous plaira, which somewhat approaches the countenance of this creature, but does not equal it. It was the physiognomy of what I should fancy a ghoul might be. It looked as if it was capable of feeding on human flesh.
Having satisfied our curiosity, and bound every one in the house to secrecy, it became a question what was to be done with our Enigma? It was impossible that we should keep such a horror in our house; it was equally impossible that such an awful being should be let loose upon the world. I confess that I would have gladly voted for the creature’s destruction. But who would shoulder the responsibility? Who would undertake the execution of this horrible semblance of a human being? Day after day this question was deliberated gravely. The boarders all left the house. Mrs. Moffat was in despair, and threatened Hammond and myself with all sorts of legal penalties if we did not remove the Horror. Our answer was, “We will go if you like, but we decline taking this creature with us. Remove it yourself if you please. It appeared in your house. On you the responsibility rests.” To this there was, of course, no answer. Mrs. Moffat could not obtain for love or money a person who would even approach the Mystery.
The most singular part of the affair was that we were entirely ignorant of what the creature habitually fed on. Everything in the way of nutriment that we could think of was placed before it, but was never touched. It was awful to stand by, day after day, and see the clothes toss, and hear the hard breathing, and know that it was starving.
Ten, twelve days, a fortnight passed, and it still lived. The pulsations of the heart, however, were daily growing fainter, and had now nearly ceased. It was evident that the creature was dying for want of sustenance. While this terrible life-struggle was going on, I felt miserable. I could not sleep. Horrible as the creature was, it was pitiful to think of the pangs it was suffering.
At last it died. Hammond and I found it cold and stiff one morning in the bed. The heart had ceased to beat, the lungs to inspire. We hastened to bury it in the garden. It was a strange funeral, the dropping of that viewless corpse into the damp hole. The cast of its form I gave to Doctor X———, who keeps it in his museum in Tenth Street.
As I am on the eve of a long journey from which I may not return, I have drawn up this narrative of an event the most singular that has ever come to my knowledge.
AMBROSE BIERCE
Ambrose Gwinnett Bierce was born in Meigs County, Ohio, in 1842. His family later moved to Indiana. At the outbreak of the Civil War in 1861, Bierce immediately volunteered; he served for nearly the entire conflict, suffering a serious head wound in 1864. After the war, Bierce went to San Francisco, where he eventually became a journalist, serving as a columnist for the San Francisco News Letter (1867–72). After a stay in England (1872–75), where he wrote prolifically for British magazines, he returned to San Francisco, writing for the Argonaut (1877–79), the Wasp (1881–86), and, most famously, for the young William Randolph Hearst’s San Francisco Examiner (1887–1906). Bierce became one of the most feared journalists of his day, his biting, satirical columns skewering many contemporary notable figures.
Bierce’s writing of short stories was sporadic, but his tales of the Civil War were gathered in Tales of Soldiers and Civilians (1891; revised as In the Midst of Life, 1898), while his supernatural tales were collected in Can Such Things Be? (1893). Such tales as “Chickamauga” (1889) and “An Occurrence at Owl Creek Bridge” (1890) are classics of Civil War literature, while “The Middle Toe of the Right Foot” (1890) and “The Moonlit Road” (1907) give Bierce an unassailable rank in supernatural fiction. Bierce attained greater celebrity for his Cynic’s Word Book (1906), revised as The Devil’s Dictionary (1911). He edited his own Collected Works (1909–12) in twelve volumes. Bierce vanished in Mexico in early 1914; he is believed to have died in one of the battles of the Mexican Civil War.
“The Death of Halpin Frayser” (first published in the Wave, December 19, 1891), is Bierce’s most celebrated horror tale. Although narrated in a highly fragmented manner, it can be pieced together to reveal a hideous series of events: Halpin Frayser, moving to California, had married his mother, Catherine, living under the name Larue. Frayser later kills her, but, overwrought by his actions, loses his memory of these events. Catherine’s reanimated corpse then exacts revenge upon him by killing him over her own grave in a California cemetery.
THE DEATH OF HALPIN FRAYSER
I
For by death is wrought greater change than hath been shown. Whereas in general the spirit that removed cometh back upon occasion, and is sometimes seen of those in flesh (appearing in the form of the body it bore) yet it hath happened that the veritable body without the spirit hath walked. And it is attested of those encountering who have lived to speak thereon that a lich so raised up hath no natural affection, nor remembrance thereof, but only hate. Also, it is known that some spirits which in life were benign become by death evil altogether.
—Hali.
ne dark night in midsummer a man waking from a dreamless sleep in a forest lifted his head from the earth, and staring a few moments into the blackness, said: “Catherine Larue.” He said nothing more; no reason was known to him why he should have said so much.
The man was Halpin Frayser. He lived in St. Helena, but where he lives now is uncertain, for he is dead. One who practices sleeping in the woods with nothing under him but the dry leaves and the damp earth, and nothing over him but the branches from which the leaves have fallen and the sky from which the earth has fallen, cannot hope for great longevity, and Frayser had already attained the age of thirty-two. There are persons in this world, millions of persons, and far and away the best persons, who regard that as a very advanced age. They are the children. To those who view the voyage of life from the port of departure the bark that has accomplished any considerable distance appears already in close approach to the farther shore. However, it is not certain that Halpin Frayser came to
his death by exposure.
He had been all day in the hills west of the Napa Valley, looking for doves and such small game as was in season. Late in the afternoon it had come on to be cloudy, and he had lost his bearings; and although he had only to go always downhill—everywhere the way to safety when one is lost—the absence of trails had so impeded him that he was overtaken by night while still in the forest. Unable in the darkness to penetrate the thickets of manzanita and other undergrowth, utterly bewildered and overcome with fatigue, he had lain down near the root of a large madroño and fallen into a dreamless sleep. It was hours later, in the very middle of the night, that one of God’s mysterious messengers, gliding ahead of the incalculable host of his companions sweeping westward with the dawn line, pronounced the awakening word in the ear of the sleeper, who sat upright and spoke, he knew not why, a name, he knew not whose.
Halpin Frayser was not much of a philosopher, nor a scientist. The circumstance that, waking from a deep sleep at night in the midst of a forest, he had spoken aloud a name that he had not in memory and hardly had in mind did not arouse an enlightened curiosity to investigate the phenomenon. He thought it odd, and with a little perfunctory shiver, as if in deference to a seasonal presumption that the night was chill, he lay down again and went to sleep. But his sleep was no longer dreamless.
He thought he was walking along a dusty road that showed white in the gathering darkness of a summer night. Whence and whither it led, and why he traveled it, he did not know, though all seemed simple and natural, as is the way in dreams; for in the Land Beyond the Bed surprises cease from troubling and the judgment is at rest. Soon he came to a parting of the ways; leading from the highway was a road less traveled, having the appearance, indeed, of having been long abandoned, because, he thought, it led to something evil; yet he turned into it without hesitation, impelled by some imperious necessity.
As he pressed forward he became conscious that his way was haunted by invisible existences whom he could not definitely figure to his mind. From among the trees on either side he caught broken and incoherent whispers in a strange tongue which yet he partly understood. They seemed to him fragmentary utterances of a monstrous conspiracy against his body and soul.
It was now long after nightfall, yet the interminable forest through which he journeyed was lit with a wan glimmer having no point of diffusion, for in its mysterious lumination nothing cast a shadow. A shallow pool in the guttered depression of an old wheel rut, as from a recent rain, met his eye with a crimson gleam. He stooped and plunged his hand into it. It stained his fingers; it was blood! Blood, he then observed, was about him everywhere. The weeds growing rankly by the roadside showed it in blots and splashes on their big, broad leaves. Patches of dry dust between the wheelways were pitted and spattered as with a red rain. Deifiling the trunks of the trees were broad maculations of crimson, and blood dripped like dew from their foliage.
All this he observed with a terror which seemed not incompatible with the fulfillment of a natural expectation. It seemed to him that it was all in expiation of some crime which, though conscious of his guilt, he could not rightly remember. To the menaces and mysteries of his surroundings the consciousness was an added horror. Vainly he sought by tracing life backward in memory, to reproduce the moment of his sin; scenes and incidents came crowding tumultuously into his mind, one picture effacing another, or commingling with it in confusion and obscurity, but nowhere could he catch a glimpse of what he sought. The failure augmented his terror; he felt as one who has murdered in the dark, not knowing whom or why. So frightful was the situation—the mysterious light burned with so silent and awful a menace; the noxious plants, the trees that by common consent are invested with a melancholy or baleful character, so openly in his sight conspired against his peace; from overhead and all about came so audible and startling whispers and the sighs of creatures so obviously not of earth—that he could endure it no longer, and with a great effort to break some malign spell that bound his faculties to silence and inaction, he shouted with the full strength of his lungs! His voice broken, it seemed, into an infinite multitude of unfamiliar sounds, went babbling and stammering away into the distant reaches of the forest, died into silence, and all was as before. But he had made a beginning at resistance and was encouraged. He said:
“I will not submit unheard. There may be powers that are not malignant traveling this accursed road. I shall leave them a record and an appeal. I shall relate my wrongs, the persecutions that I endure—I, a helpless mortal, a penitent, an unoffending poet!” Halpin Frayser was a poet only as he was a penitent: in his dream.
Taking from his clothing a small red-leather pocketbook, one-half of which was leaved for memoranda, he discovered that he was without a pencil. He broke a twig from a bush, dipped it into a pool of blood and wrote rapidly. He had hardly touched the paper with the point of his twig when a low, wild peal of laughter broke out at a measureless distance away, and growing ever louder, seemed approaching ever nearer; a soulless, heartless, and unjoyous laugh, like that of the loon, solitary by the lakeside at midnight; a laugh which culminated in an unearthly shout close at hand, then died away by slow gradations, as if the accursed being that uttered it had withdrawn over the verge of the world whence it had come. But the man felt that this was not so—that it was near by and had not moved.
A strange sensation began slowly to take possession of his body and his mind. He could not have said which, if any, of his senses was affected; he felt it rather as a consciousness—a mysterious mental assurance of some overpowering presence—some supernatural malevolence different in kind from the invisible existences that swarmed about him, and superior to them in power. He knew that it had uttered that hideous laugh. And now it seemed to be approaching him; from what direction he did not know—dared not conjecture. All his former fears were forgotten or merged in the gigantic terror that now held him in thrall. Apart from that, he had but one thought: to complete his written appeal to the benign powers who, traversing the haunted wood, might some time rescue him if he should be denied the blessing of annihilation. He wrote with terrible rapidity, the twig in his fingers rilling blood without renewal; but in the middle of a sentence his hands denied their service to his will, his arms fell to his sides, the book to the earth; and powerless to move or cry out, he found himself staring into the sharply drawn face and blank, dead eyes of his own mother, standing white and silent in the garments of the grave!
II
In his youth Halpin Frayser had lived with his parents in Nashville, Tennessee. The Fraysers were well-to-do, having a good position in such society as had survived the wreck wrought by civil war. Their children had the social and educational opportunities of their time and place, and had responded to good associations and instruction with agreeable manners and cultivated minds. Halpin being the youngest and not over robust was perhaps a trifle “spoiled.” He had the double disadvantage of a mother’s assiduity and a father’s neglect. Frayser père was what no Southern man of means is not—a politician. His country, or rather his section and State, made demands upon his time and attention so exacting that to those of his family he was compelled to turn an ear partly deafened by the thunder of the political captains and the shouting, his own included.
Young Halpin was of a dreamy, indolent and rather romantic turn, somewhat more addicted to literature than law, the profession to which he was bred. Among those of his relations who professed the modern faith of heredity it was well understood that in him the character of the late Myron Bayne, a maternal great-grandfather, had revisited the glimpses of the moon—by which orb Bayne had in his lifetime been sufficiently affected to be a poet of no small Colonial distinction. If not specially observed, it was observable that while a Frayser who was not the proud possessor of a sumptuous copy of the ancestral “poetical works” (printed at the family expense, and long ago withdrawn from an inhospitable market) was a rare Frayser indeed, there was an illogical indisposition to honor the great deceased in the
person of his spiritual successor. Halpin was pretty generally deprecated as an intellectual black sheep who was likely at any moment to disgrace the flock by bleating in meter. The Tennessee Fraysers were a practical folk—not practical in the popular sense of devotion to sordid pursuits, but having a robust contempt for any qualities unfitting a man for the wholesome vocation of politics.
In justice to young Halpin it should be said that while in him were pretty faithfully reproduced most of the mental and moral characteristics ascribed by history and family tradition to the famous Colonial bard, his succession to the gift and faculty divine was purely inferential. Not only had he never been known to court the muse, but in truth he could not have written correctly a line of verse to save himself from the Killer of the Wise. Still, there was no knowing when the dormant faculty might wake and smite the lyre.
In the meantime the young man was rather a loose fish, anyhow. Between him and his mother was the most perfect sympathy, for secretly the lady was herself a devout disciple of the late and great Myron Bayne, though with the tact so generally and justly admired in her sex (despite the hardy calumniators who insist that it is essentially the same thing as cunning) she had always taken care to conceal her weakness from all eyes but those of him who shared it. Their common guilt in respect of that was an added tie between them. If in Halpin’s youth his mother had “spoiled” him, he had assuredly done his part toward being spoiled. As he grew to such manhood as is attainable by a Southerner who does not care which way elections go the attachment between him and his beautiful mother—whom from early childhood he had called Katy—became yearly stronger and more tender. In these two romantic natures was manifest in a signal way that neglected phenomenon, the dominance of the sexual element in all the relations of life, strengthening, softening, and beautifying even those of consanguinity. The two were nearly inseparable, and by strangers observing their manner were not infrequently mistaken for lovers.