by Iain Banks
Inversions
( Culture - 6 )
Iain Banks
Some years ago, rocks and fire fell from the sky and the old Empire fell with them. In the lands released from that crushing hegemony, a new world order is about to emerge. Two people in particular can see all this in a wider context.
In the winter palace, the King's new physician has more enemies than she at first realises. But then she also has more remedies to hand than those who wish her ill can know about.
In another palace across the mountains, in the service of the regicidal Protector General, the chief bodyguard too has his enemies. But his enemies strike more swiftly, and his means of combating them are more traditional.
Both the doctor and the bodyguard have at least one person they care for deeply and who cares for them. None of them, however, can risk saying so.
This is the story of two stories. Spiralling round a central core of secrecy, deceit, love and betrayal — and linked more closely than even those involved can know — each climbs to its own devastating climax.
Inversions is a dazzling work of science fiction from an author writing at the height of his remarkable powers.
Iain M. Banks: Inversions
For Michelle
PROLOGUE
The only sin is selfishness. So said the good Doctor. When she first expressed this opinion I was young enough initially to be puzzled and then to be impressed at what I took to be her profundity.
It was only later, in my middle-age, when she was long gone from us, that I began to suspect that the opposite is just as true. Arguably there is a sense in which selfishness is the only true virtue, and therefore that — as opposites are given to cancelling each other out — selfishness is finally neutral, indeed valueless, outside a supporting moral context. In later years still — my maturity, if you will, or my old age, if you wish — I have with some reluctance again come to respect the Doctor's point of view, and to agree with her, tentatively at least, that selfishness is the root of most evil, if not all.
Of course I always knew what she meant. That it is when we put our own interests before those of others that we are most likely to do wrong, and that there is a commonality of guilt whether the crime is that of a child stealing coins from his mother's purse or an Emperor ordering genocide. With either act, and all those in between, we say: Our gratification matters more to us than whatever distress or anguish may be caused to you and yours by our actions. In other words, that our desire outranks your suffering.
My middle-years objection was that only by acting on our desires, by attempting to bring about what pleases us because it feels agreeable, are we able to create wealth, comfort, happiness and what the good Doctor would have termed in that vague, generalising way of hers "progress'.
Eventually, though, I came to admit to myself that, while my objection might be true, it is insufficiently all-embracing to cancel out the Doctor's assertion entirely, and that while it may sometimes be a virtue, selfishness by its nature is more often a sin, or a direct cause of sin.
We never like to think of ourselves as being wrong, just misunderstood. We never like to think that we are sinning, merely that we are making hard decisions, and acting upon them. Providence is the name of the mystical, divinely inhuman Court before which we wish our actions to be judged, and which we hope will agree with us in our estimation both of our own worth and the culpability or otherwise of our behaviour.
I suspect the good Doctor (you see, I judge her too in naming her so) did not believe in Providence. I was never entirely sure what she did believe in, though I was always quite convinced that she believed in something. Perhaps, despite all she said about selfishness, she believed in herself and nothing else. Perhaps she believed in this Progress that she talked about, or perhaps in some strange way, as a foreigner, she believed in us, in the people she lived with and cared for, in a way that we did not believe in ourselves.
Did she leave us better off or not? I think, undeniably, better. Did she do this through selfishness or selflessness? I believe that in the end it does not matter in the least, except as it might have affected her own peace of mind. That was another thing she taught me. That you are what you do. To Providence — or Progress or the Future or before any other sort of judgment apart from our own conscience — what we have done, not what we have thought, is the result we are judged by.
So, the following is the collected chronicle of our deeds. One part of my tale is presented as something I can vouch for, for I was there. As to the other part, I cannot confirm its veracity. I stumbled across its original version by sheer chance, long after the events described in it had taken place, and while I believe it forms an interesting counterpoint to the story in which I was involved, I present it more as an artistic flourish than as a judgment born of intense study and reflection. Nevertheless, I believe the two tales belong together, and carry more weight united than they could separately. It was, I think there is no doubt, a crucial time. Geographically the crux was divided, but — after all — much was, then. Division was the only order.
I have tried in what I have written here not to judge, yet I confess that I hope the Reader — a sort of partial Providence, perhaps — will do just that, and not think badly of us. I freely admit that a specific of my motive (especially in amending and adding to my earlier self's chronicle, as well as in refining the language and grammar of my co-teller) is to try to make sure that the Reader will not think ill of me, and of course that is a selfish desire. Yet still I would hope that such selfishness might lead to good, for the simple reason that otherwise this chronicle might not exist.
Again, the Reader must decide whether that would have been the more fortunate outcome, or not.
Enough. A young and rather earnest man wishes to address us:
1. THE DOCTOR
Master, it was in the evening of the third day of the southern planting season that the questioner's assistant came for the Doctor to take her to the hidden chamber, where the chief torturer awaited.
I was sitting in the living room of the Doctor's apartments using a pestle and mortar to grind some ingredients for one of the Doctor's potions. Concentrating on this, it took me a moment or two fully to collect my wits when I heard the loud and aggressive knocking at the door, and I upset a small censer on my way to the door. This was the cause both of the delay in opening the door and any curses which Unoure, the questioner's assistant, may have heard. These swear-words were not directed at him, neither was I asleep or even remotely groggy, as I trust my good Master will believe, no matter what the fellow Unoure — a shifty and unreliable person, by all accounts — may say.
The Doctor was in her study, as was usual at that time in the evening. I entered the Doctor's workshop, where she keeps the two great cabinets containing the powders, creams, ointments, draughts and various instruments that are the stock of her trade as well as the pair of tables which support a variety of burners, stoves, retorts and flasks. Occasionally she treats patients in here too, when it becomes her surgery, While the unpleasant-smelling Unoure waited in the living room, wiping his nose on his already filthy sleeve and peering round with the look of one choosing what to steal, I went through the workshop and tapped at the door to the study which also serves as her bedroom.
"Oelph?" the Doctor asked.
"Yes, mistress."
"Come in."
I heard the quiet thud of a heavy book being closed, and smiled to myself.
The Doctor's study was dark and smelled of the sweet istra flower whose leaves she habitually burned in roof-hung censers. I felt my way through the gloom. Of course I know the arrangement of the Doctor's study intimately — better than she might imagine, thanks to the inspired foresight and judicious cunning of my Master — but the
Doctor is prone to leaving chairs, stools and shelf-steps lying where one might walk, and accordingly I had to feel my way across the room to where a small candle flame indicated her presence, sitting at her desk in front of a heavily curtained window. She sat upright in her chair, stretching her back and rubbing her eyes. The hand-thick, fore-arm-square bulk of her journal lay on the desk in front of her. The great book was closed and locked, but even in that cave-darkness I noticed that the little chain on the hasp was swinging to and fro. A pen stood in the ink well, whose cap was open. The Doctor yawned and adjusted the fine chain round her neck which holds the key for the journal.
My Master knows from my many previous reports that I believe the Doctor may be writing an account of her experiences here in Haspide to the people of her homeland in Drezen.
The Doctor obviously wishes to keep her writings secret. However, sometimes she forgets that I am in the room, usually when she has set me the task of tracking down some reference in one of the books in her extravagantly endowed library and I have been silently doing so for some time. From the little that I have been able to glimpse of her writings on such occasions I have determined that when she writes in her journal she does not always use Haspidian or Imperial — though there are passages in both — but sometimes uses an alphabet I have never seen before.
I believe my Master has thought of taking steps to check with other natives of Drezen regarding whether, in such instances, the Doctor writes in Drezeni or not, and to this end I am attempting to commit to memory as much as I can of the Doctor's relevant journal writings whenever I can. On this occasion, however, I was unable to gain a view of the pages she had surely been working on.
It is still my wish to be able to serve my Master better in this regard and I would respectfully again submit that the temporary removal of her journal would allow a skilled locksmith to open the journal without damaging it and a better copy of her secret writings to be taken, so allowing the matter to be settled. This could easily be done when the Doctor is elsewhere in the palace, or better sill, elsewhere in the city, or even when she is taking one of her frequent baths, which tend to be prolonged (it was during one of her baths that I procured for my Master one of the Doctor's scalpels from her medicine bag, which has now been delivered. I would add that I was careful to do this immediately after a visit to the Poor Hospital, so that someone there would be suspected). However, I do of course how to my Master's superior judgment in this regard.
The Doctor frowned at me. "You're shaking," she said. And indeed I was, for the sudden appearance of the torturer's assistant had been undeniably unsettling. The Doctor glanced past me towards the door to the surgery, which I had left open so that Unoure might be able to hear our voices and so perhaps be dissuaded from any mischief he might be contemplating. "Who's that?" she asked.
"Who's what, mistress?" I asked, watching her close the cap of the ink well.
"I heard somebody cough."
"Oh, that is Unoure, the questioner's assistant, mistress. He's come to fetch you."
"To go where?"
"To the hidden chamber. Master Nolieti has sent for you."
She looked at me without speaking for a moment. "The chief torturer," she said evenly, and nodded. "Am I in trouble, Oelph?" she asked, laying one arm across the thick hide cover of her journal, as if looking to provide, or gain, protection.
"Oh no," I told her. "You're to bring your bag. And medicines." I glanced round at the door to the surgery, edged with light from the living room. A cough came from that direction, a cough that sounded like the sort of cough one makes when one wants to remind somebody that one is waiting impatiently. "I think it's urgent," I whispered.
"Hmm. Do you think chief torturer Nolieti has a cold?"
the Doctor asked, rising from her chair and pulling on her long jacket, which had been hanging on the back of the seat.
I helped her on with her black jacket. "No, mistress, I think there is probably somebody being put to the question who is, umm, unwell."
"I see," she said, stamping her feet into her boots and then straightening. I was struck again by the Doctor's physical presence, as I often am. She is tall for a woman, though not exceptionally so, and while for a female she is broad at the shoulder I have seen fish-wives and netwomen who look more powerful. No, what seems most singular about her, I think, is her carriage, the way she, comports herself.
I have been afforded tantalising half-glimpses of her — after one of her many baths — in a thin shift with the light behind her, stepping in a coil of powdered, scented air from one room to another, her arms raised to secure a towel about her long, damp red hair, and I have watched her during grand court occasions when she has worn a formal gown and danced as lightly and delicately — and with as demure an expression — as any expensively tutored season-maiden, and I freely confess that I have found myself drawn to her in a physical sense just as any man (youthful or not) might be to a woman of such healthy and generous good looks. Yet at the same time there is something about her deportment which I and I suspect most other males — find off-putting, and even slightly threatening. A certain immodest forthrightness in her bearing is the cause of this, perhaps, plus the suspicion that while she pays flawless lip service to the facts of life which dictate the accepted and patent pre-eminence of the male, she does so with a sort of unwarranted humour, producing in us males the unsettlingly contrary feeling that she is indulging us.
The Doctor leaned over the desk and opened the curtains and the shutters to the mid-eve Seigen glow. In the faint wash of light from the windows I noticed the small plate of biscuits and cheese at the edge of the Doctor's desk, on the far side of the journal. Her old, battered dagger lay also on the plate, its dull edges smeared with grease.
She picked up the knife, licked its blade and then, after smacking her lips as she gave it a final wipe on her kerchief, slipped the dagger into the top of her right boot. "Come on," she said, "mustn't keep the chief torturer waiting."
"Is this really necessary?" the Doctor asked, looking at the blindfold held in questioner's assistant Unoure's grubby hands. He wore a long butcher's apron of blood-stained hide over his filthy shirt and loose, greasy-looking trousers. The black blindfold had been produced from a long pocket in the leather apron.
Unoure grinned, displaying a miscellany of diseased, discoloured teeth and dark gaps where teeth ought to have been. The Doctor winced. Her own teeth are so even that the first time I saw them I naturally assumed they were a particularly fine false set.
"Rules," Unoure said, looking at the Doctor's chest. She drew her long jacket closed across her shirt. "You're a foreigner," he told her.
The Doctor sighed, glancing at me.
"A foreigner," I told Unoure forcibly, "who holds the King's life in her hands almost every day."
"Doesn't matter," the fellow said, shrugging. He sniffed and went to wipe his nose with the blindfold, then looked at the expression on the Doctor's face and changed his mind, using his sleeve again instead. "That's the orders. Got to hurry," he said, glancing at the doors.
We were at the entrance to the palace's lower levels. The corridor behind us led off from the little-used passage-way beyond the west-wing kitchens and the wine cellars. It was quite dark. A narrow circular light-well overhead cast a dusty sheen of slaty light over us and the tall, rusted metal doors, while a couple of candles burned dimly further down the corridor.
"Very well," the Doctor said. She leaned over a little and made a show of inspecting the blindfold and Unoure's hands. "But I'm not wearing that, and you're not tying it." She turned to me and pulled a fresh kerchief from a pocket in her coat. "Here," she said.
"But-" Unoure said, then jumped as a bell clanged somewhere beyond the flaking brown doors. He turned away, stuffing the blindfold into his apron, cursing.
I tied the scented kerchief across the Doctor's eyes while Unoure unlocked the doors. I carried the Doctor's bag with one hand and with my other hand led her into the corridor beyond
the doors and down the many twisting steps and further doors and passageways to the hidden chamber where Master Nolieti waited. Halfway there, the bell rang again from somewhere ahead of us, and I felt the Doctor jump, and her hand become damp. I confess my own nerves were not entirely settled.
We entered the hidden chamber from a low doorway we each had to stoop under (I placed my hand on the Doctor's head to lower her head. Her hair felt sleek and smooth). The place smelled of something sharp and noxious, and of burned flesh. My breathing seemed to be quite beyond my control, the odours forcing their way into my nostrils and down into my lungs.
The tall, wide space was lit by a motley collection of ancient oil lamps which threw a sickly blue-green glow over a variety of vats, tubs, tables and other instruments and containers — some in human shape — none of which I cared to inspect too closely, though all of them attracted my wide-open eyes like suns attract flowers. Additional light came from a tall brazier positioned underneath a hanging cylindrical chimney. The brazier stood by a chair made from hoops of iron which entirely enclosed a pale, thin and naked man, who appeared to be unconscious. The entire frame of this chair had been swivelled over on an outer cradle so that the man appeared caught in the act of performing a forward somersault, resting on his knees in mid-air, his back parallel with the grid of a broad light-well grille above.
The chief torturer Nolieti stood between this apparatus and a broad workbench covered with various metal bowls, jars and bottles and a collection of instruments that might have originated in the workplaces of a mason, a carpenter, a butcher and a surgeon. Nolieti was shaking his broad, scarred grey head. His rough and sinewy hands were on his hips and his glare was fastened on the withered form of the encaged man. Below the metal contraption enclosing the unfortunate fellow stood a broad square tray of stone with a drain hole at one corner. Dark fluid like blood had splattered there. Long white shapes in the darkness might have been teeth.