by Various
Jarcke seemed embarrassed by the town. She made no attempt at introductions, stopping only long enough to fetch another coil of rope from one of the shanties, and as they walked between the wings, down through the neck spines—a forest of greenish gold spikes burnished by the lowering sun—she explained how the townsfolk grubbed a livelihood from Griaule. Herbs gathered on his back were valued as medicine and charms, as were the peels of dead skin; the artifacts left by previous Hangtown generations were of some worth to various collectors.
"Then there's scale hunters," she said with disgust. "Henry Sichi from Port Chantay'll pay good money for pieces of scale, and though it's bad luck to do it, some'll have a go at chippin' off the loose 'uns." She walked a few paces in silence. "But there's others who've got better reasons for livin' here."
The frontal spike above Griaule's eyes was whorled at the base like a narwhal's horn and curved back toward the wings. Jarcke attached the ropes to eyebolts drilled into
the spike, tied one about her waist, the other about Meric's; she cautioned him to wait, and rappelled off the side. In a moment she called for him to come down. Once again he grew dizzy as he descended; he glimpsed a clawed foot far below, mossy fangs jutting from an impossibly long jaw; and then he began to spin and bash against the scales. Jarcke gathered him in and helped him sit on the lip of the socket.
"Damn!" she said, stamping her foot.
A three-foot-long section of the adjoining scale shifted slowly away. Peering close, Meric saw that while in texture and hue it was indistinguishable from the scale, there was a hairline division between it and the surface. Jarcke, her face twisted in disgust, continued to harry the thing until it moved out of reach.
"Call 'em flakes," she said when he asked what it was. "Some kind of insect. Got a long tube that they pokes down between the scales and sucks blood. See there?" She pointed off to where a flock of birds was wheeling close to Griaule's side; a chip of pale gold broke loose and went tumbling down to the valley. "Birds pry 'em off, let 'em bust open, and eats the innards." She hunkered down beside him and after a moment asked, "You really think you can do it?"
"What? You mean kill the dragon?"
She nodded.
"Certainly," he said, and then added, lying, "I've spent years devising the method."
"If all the paint's goin' to be atop his head, how're you goin' to get it to where the paintin's done?"
"That's no problem. We'll pipe it to wherever it's needed."
She nodded again. "You're a clever fellow," she said; and when Meric, pleased, made as if to thank her for the compliment, she cut in and said, "Don't mean nothin' by it. Bein' clever ain't an accomplishment. It's just somethin' you come by, like bein' tall." She turned away, ending the conversation.
Meric was weary of being awestruck, but even so he could not help marveling at the eye. By his estimate it was seventy feet long and fifty feet high, and it was shuttered by
an opaque membrane that was unusually clear of algae and lichen, glistening, with vague glints of color visible behind it. As the westering sun reddened and sank between two distant hills, the membrane began to quiver and then split open down the center. With the ponderous slowness of a theater curtain opening, the halves slid apart to reveal the glowing humor. Terrified by the idea that Griaule could see him, Meric sprang to his feet, but Jarcke restrained him.
"Stay still and watch," she said.
He had no choice—the eye was mesmerizing. The pupil was slit and featureless black, but the humor . . . he had never seen such fiery blues and crimsons and golds. What had looked to be vague glints, odd refractions of the sunset, he now realized were photic reactions of some sort. Fairy rings of light developed deep within the eye, expanded into spoked shapes, flooded the humor, and faded—only to be replaced by another and another. He felt the pressure of Griaule's vision, his ancient mind, pouring through him, and as if in response to this pressure, memories bubbled up in his thoughts. Particularly sharp ones. The way a bowlful of brush water had looked after freezing over during a winter's night—a delicate, fractured flower of murky yellow. An archipelago of orange peels that his girl had left strewn across the floor of the studio. Sketching atop Jokenam Hill one sunrise, the snowcapped roofs of Regensburg below pitched at all angles like broken paving stones, and silver shafts of the sun striking down through a leaden overcast. It was as if these things were being drawn forth for his inspection. Then they were washed away by what also seemed a memory, though at the same time it was wholly unfamiliar. Essentially it was a landscape of light, and he was plunging through it, up and up. Prisms and lattices of iridescent fire bloomed around him, and everything was a roaring fall into brightness, and finally he was clear into its white furnace heart, his own heart swelling with the joy of his strength and dominion.
It was dusk before Meric realized the eye had closed. His mouth hung open, his eyes ached from straining to see, and
his tongue was glued to his palate. Jarcke sat motionless, buried in shadow.
"Th . . ." He had to swallow to clear his throat of mucus. "This is the reason you live here, isn't it?"
"Part of the reason," she said. "I can see things comin' way up here. Things to watch out for, things to study on."
She stood and walked to the lip of the socket and spat off the edge; the valley stretched out gray and unreal behind her, the folds of the hills barely visible in the gathering dusk.
"I seen you comin'," she said.
A week later, after much exploration, much talk, they went down into Teocinte. The town was a shambles—shattered windows, slogans painted on the walls, glass and torn banners and spoiled food littering the streets—as if there had been both a celebration and a battle. Which there had. The city fathers met with Meric in the town hall and informed him that his plan had been approved. They presented him a chest containing five hundred ounces of silver and said that the entire resources of the community were at his disposal. They offered a wagon and a team to transport him and the chest to Regensburg and asked if any of the preliminary work could be begun during his absence.
Meric hefted one of the silver bars. In its cold gleam he saw the object of his desire—two, perhaps three years of freedom, of doing the work he wanted and not having to accept commissions. But all that had been confused. He glanced at Jarcke; she was staring out the window, leaving it to him. He set the bar back in the chest and shut the lid.
"You'll have to send someone else," he said. And then, as the city fathers looked at each other askance, he laughed and laughed at how easily he had discarded all his dreams and expectations.
It had been eleven years since I had been to the valley, twelve since work had begun on the painting, and I was appalled by the changes that had taken place. Many of the hills were scraped brown and treeless, and there was
a general dearth of wildlife. Griaule, of course, was most changed. Scaffolding hung from his back; artisans, suspended by webworks of ropes, crawled over his side; and all the scales to be worked had either been painted or primed. The tower rising to his eye was swarmed by laborers, and at night the calciners and vats atop his head belched flame into the sky, making it seem there was a mill town in the heavens. At his feet was a brawling shantytown populated by prostitutes, workers, gamblers, ne'er-do-wells of every sort, and soldiers: the burdensome cost of the project had encouraged the city fathers of Teocinte to form a regular militia, which regularly plundered the adjoining states and had posted occupation forces to some areas. Herds of frightened animals milled in the slaughtering pens, waiting to be rendered into oils and pigments. Wagons filled with ores and vegetable products rattled in the streets. I myself had brought a cargo of madder roots from which a rose tint would be derived.
It was not easy to arrange a meeting with Cattanay. While he did none of the actual painting, he was always busy in his office consulting with engineers and artisans, or involved in some other part of the logistical process. When at last I did meet him, I found he had changed as drastical
ly as Griaule. His hair had gone gray, deep lines scored his features, and his right shoulder had a peculiar bulge at its midpoint—the product of a fall. He was amused by the fact that I wanted to buy the painting, to collect the scales after Griaule's death, and I do not believe he took me at all seriously. But the woman Jarcke, his constant companion, informed him that I was a responsible businessman, that I had already bought the bones, the teeth, even the dirt beneath Griaule's belly (this I eventually sold as having magical properties).
"Well," said Cattanay, "I suppose someone has to own them."
He led me outside, and we stood looking at the painting.
"You'll keep them together?" he asked.
I said, "Yes."
"If you'll put that in writing," he said, "then they're yours."
Having expected to haggle long and hard over the price, I was flabbergasted; but I was even more flabbergasted by what he said next.
"Do you think it's any good?" he asked.
Cattanay did not consider the painting to be the work of his imagination; he felt he was simply illuminating the shapes that appeared on Griaule's side and was convinced that once the paint was applied, new shapes were produced beneath it, causing him to make constant changes. He saw himself as an artisan more than a creative artist. But to put his question into perspective, people were beginning to flock from all over the world and marvel at the painting. Some claimed they saw intimations of the future in its gleaming surface; others underwent transfiguring experiences; still others—artists themselves—attempted to capture something of the work on canvas, hopeful of establishing reputations merely by being competent copyists of Cattanay's art. The painting was nonrepresentational in character, essentially a wash of pale gold spread across the dragon's side; but buried beneath the laminated surface were a myriad tints of iridescent color that, as the sun passed through the heavens and the light bloomed and faded, solidified into innumerable forms and figures that seemed to flow back and forth. I will not try to categorize these forms, because there was no end to them; they were as varied as the conditions under which they were viewed. But I will say that on the morning I met with Cattanay, I—who was the soul of the practical man, without a visionary bone in my body felt as though I were being whirled away into the painting, up through geometries of light, latticeworks of rainbow color that built the way the edges of a cloud build, past orbs, spirals, wheels of flame. . . .
-FROM THIS BUSINESS OF GRIAULE
BY HENRI SIOCHI
II
There had been several women in Meric's life since he arrived in the valley; most had been attracted by his growing fame and his association with the mystery of the dragon, and most had left him for the same reasons, feeling daunted and unappreciated. But Lise was different in two respects. First, because she loved Meric truly and well; and second, because she was married—albeit unhappily—to a man named Pardiel, the foreman of the calciner crew. She did not love him as she did Meric, yet she respected him and felt obliged to consider carefully before ending the relationship. Meric had never known such an introspective soul. She was twelve years younger than he, tall and lovely, with sun-streaked hair and brown eyes that went dark and seemed to turn inward whenever she was pensive. She was in the habit of analyzing everything that affected her, drawing back from her emotions and inspecting them as if they were a clutch of strange insects she had discovered crawling on her skirt. Though her penchant for self-examination kept her from him, Meric viewed it as a kind of baffling virtue. He had the classic malady and could find no fault with her. For almost a year they were as happy as could be expected; they talked long hours and walked together, and on those occasions when Pardiel worked double shifts and was forced to bed down by his furnaces, they spent the nights making love in the cavernous spaces beneath the dragon's wing.
It was still reckoned an evil place. Something far worse than skizzers or flakes was rumored to live there, and the ravages of this creature were blamed for every disappearance, even that of the most malcontented laborer. But Meric did not give credence to the rumors. He half believed Griaule had chosen him to be his executioner and that the dragon would never let him be harmed; and besides, it was the only place where they could be assured of privacy.
A crude stair led under the wing, handholds and steps hacked from the scales—doubtless the work of scale hunt-
ers. It was a treacherous passage, six hundred feet above the valley floor; but Lise and Meric were secured by ropes, and over the months, driven by the urgency of passion, they adapted to it. Their favorite spot lay fifty feet in (Lise would go no farther; she was afraid even if he was not), near a waterfall that trickled over the leathery folds, causing them to glisten with a mineral brilliance. It was eerily beautiful, a haunted gallery. Peels of dead skin hung down from the shadows like torn veils of ectoplasm; ferns sprouted from the vanes, which were thicker than cathedral columns; swallows curved through the black air. Sometimes, lying with her hidden by a tuck of the wing, Meric would think the beating of their hearts was what really animated the place, that the instant they left, the water ceased flowing and the swallows vanished. He had an unshakable faith in the transforming power of their affections, and one morning as they dressed, preparing to return to Hangtown, he asked her to leave with him.
"To another part of the valley?" She laughed sadly. "What good would that do? Pardiel would follow us."
"No," he said. "To another country. Anywhere far from here."
"We can't," she said, kicking at the wing. "Not until Griaule dies. Have you forgotten?"
"We haven't tried."
"Others have."
"But we'd be strong enough. I know it!"
"You're a romantic," she said gloomily, and stared out over the slope of Griaule's back at the valley. Sunrise had washed the hills to crimson, and even the tips of the wings were glowing a dull red.
"Of course I'm a romantic!" He stood, angry. "What the hell's wrong with that?"
She sighed with exasperation. "You wouldn't leave your work," she said. "And if we did leave, what work would you do? Would . . ."
"Why must everything be a problem in advance!" he shouted. "I'll tattoo elephants! I'll paint murals on the
chests of giants, I'll illuminate whales! Who else is better qualified?"
She smiled, and his anger evaporated.
"I didn't mean it that way," she said. "I just wondered if you could be satisfied with anything else."
She reached out her hand to be pulled up, and he drew her into an embrace. As he held her, inhaling the scent of vanilla water from her hair, he saw a diminutive figure silhouetted against the backdrop of the valley. It did not seem real—a black homunculus—and even when it began to come forward, growing larger and larger, it looked less a man than a magical keyhole opening in a crimson-set hillside. But Meric knew from the man's rolling walk and the hulking set of his shoulders that it was Pardiel; he was carrying a long-handled hook, one of those used by artisans to maneuver along the scales.
Meric tensed, and Lise looked back to see what had alarmed him. "Oh, my God!" she said, moving out of the embrace.
Pardiel stopped a dozen feet away. He said nothing. His face was in shadow, and the hook swung lazily from his hand. Lise took a step toward him, then stepped back and stood in front of Meric as if to shield him. Seeing this, Pardiel let out an inarticulate yell and charged, slashing with the hook. Meric pushed Lise aside and ducked. He caught a brimstone whiff of the calciners as Pardiel rushed past and went sprawling, tripped by some irregularity in the scale. Deathly afraid, knowing he was no match for the foreman, Meric seized Lise's hand and ran deeper under the wing. He hoped Pardiel would be too frightened to follow, leery of the creature that was rumored to live there; but he was not. He came after them at a measured pace, tapping the hook against his leg.
Higher on Griaule's back, the wing was dimpled downward by hundreds of bulges, and this created a maze of small chambers and tunnels so low that they had to crouch to pass alon
g them. The sound of their breathing and the scrape of their feet were amplified by the enclosed spaces, and Meric could no longer hear Pardiel. He had never been
this deep before. He had thought it would be pitch-dark; but the lichen and algae adhering to the wing were luminescent and patterned every surface, even the scales beneath them, with whorls of blue and green fire that shed a sickly radiance. It was as if they were giants crawling through a universe whose starry matter had not yet congealed into galaxies and nebulas. In the wan light, Lise' s face—turned back to him now and again—was teary and frantic; and then, as she straightened, passing into still another chamber, she drew in breath with a shriek.
At first Meric thought Pardiel had somehow managed to get ahead of them; but on entering he saw that the cause of her fright was a man propped in a sitting position against the far wall. He looked mummified. Wisps of brittle hair poked up from his scalp, the shapes of his bones were visible through his skin, and his eyes were empty holes. Between his legs was a scatter of dust where his genitals had been. Meric pushed Lise toward the next tunnel, but she resisted and pointed at the man.
"His eyes," she said, horror-struck.
Though the eyes were mostly a negative black, Meric now realized they were shot through by opalescent flickers. He felt compelled to kneel beside the man—it was a sudden, motiveless urge that gripped him, bent him to its will, and released him a second later. As he rested his hand on the scale, he brushed a massive ring that was lying beneath the shrunken fingers. Its stone was black, shot through by flickers identical to those within the eyes, and incised with the letter S. He found his gaze was deflected away from both the stone and the eyes, as if they contained charges repellent to the senses. He touched the man's withered arm; the flesh was rock-hard, petrified. But alive. From that brief touch he gained an impression of the man's life, of gazing for centuries at the same patch of unearthly fire, of a mind gone beyond mere madness into a perverse rapture, a meditation upon some foul principle. He snatched back his hand in revulsion.