• • •
Ikey's immediate destination in Birmingham was not, as might normally have been the case, one of the more notorious flash-houses nor thieves' kitchens where he might be expected to take up temporary residence, but to a stabling property on the outskirts of the city.
This large, unprepossessing building of rough-hewn stone had all the appearances of a farmhouse. It was set on the road to the village of Coleshill, with stables on the ground level for several horses and above it two additional storeys, which a visitor might naturally suppose was the owner's residence. However, in this instance, the large building was much, much more than a simple farmhouse and might even have been called a kind of factory, a paper and ink factory to give this most improper and anonymous business a proper name.
The property belonged to Silas Browne Esq., outwardly a respected horse dealer but to those in the know, one of the greatest forgers of soft in the land. He was a man of great ingenuity and reputation known to all who dealt in a serious manner in good forged banknotes throughout England and continental Europe.
Birmingham was the chief centre of the production of good hard, this being the name for counterfeit coin. Since it had always been a place where fine jewellery, watches and military medals were made, it was easy enough for Birmingham craftsmen to turn to this illicit trade. The same was not necessarily true for the forging of banknotes, and had it not been for the remarkable talents of Silas Browne and his wife Maggie the Colour, the city might not have become a recognised centre for banknote forgery.
While the city supported a great many clandestine coining workshops it contained only a handful of talented engravers. These mostly derived from men who had been decorators of gold and silver plate. Though these few very skilled men together gave it an acknowledged presence in banknotes and forged letters of credit, and even some work on share certificates, their efforts were no greater than other major English cities.
Etching was an exacting task and a superior engraver might take a year or more to perfect the plates required for a single banknote, so that these men needed to be financed and carefully safeguarded by those who profited most from their skills. Silas Browne and Maggie the Colour were known to employ the very best engravers. But to the engraver's skill they added two ingredients which gave Birmingham an advantage in the forged banknote trade. The house to which Ikey now hurriedly set out was used for making this paper and ink.
Silas Browne, though seeming a ponderous and somewhat befuddled man, made the best counterfeit paper in England and his wife, Maggie the Colour, the best inks. This combination, together with the fact that Silas financed most of the more skilled engravers and so came into possession of the best engraved plates, made them very wealthy. It was claimed they had a share in every forgery printing operation in Birmingham and, as well, sold ink to Manchester printers and even to some of the better London operators.
Maggie the Colour was the daughter of a Manchester dyemaker and possessed a talent for mixing inks and dyes and an eye for subtle colour, shading and gradations, which was truly remarkable. She was known to use mostly local tinctures, some from plants and herbs she collected in the surrounding countryside, the juice of mulberry and pomegranate imported from Spain, as well as tannins from various types of wood. These she mixed with the exotic pigments and dyes available on the English market, but which came from India, China and from Dutch Batavia used by the silk makers in Macclesfield and the cotton spinners of Manchester. Any forger worthy of his name would use no other ink, the powdered galls mixed with camphor supplied by Maggie the Colour were so good that even the officials at the Bank of England could find no major fault with her product.
Given the very best engraver's plates, expertly prepared paper, perfect ink matching and superior printing, the work done by Silas Browne and Maggie the Colour was among the finest in England. But it fell short of perfection because the paper used for bills simply could not be reproduced, and the plates used for banknotes above the ten pound denomination were thought to be too complicated for a single engraver, and could never hope to deceive even the most casual banker's eye.
Abraham Van Esselyn's forged plates were near to being the exception. They were the very finest of their kind available, perhaps in the entire world of forgery, so perfect that they might have been prepared by the Bank of England's own engravers. These plates, now about to be offered by Ikey to Silas Browne, were the work of a single man of undoubted genius and moreover, each was perfect to the point of almost any magnification. This made them of the greatest possible value to a team like Browne and his wife, Maggie, though, of course, it was not concerning these alone that Ikey had come to see them.
Ikey, having walked for almost an hour, came at last to the end of the city's sprawling slums, and soon found himself in more open ground where cottages rested separately, some with small gardens to the front or back. Ikey disliked space of any sort and his eyes darted hither and thither. He shied away from a barking dog, and jumped wildly at the sudden crow of a cockerel or the hissing of a goose. Some of the lanes along which he passed contained hedges on either side which provided some concealment, though nature's walls of hawthorn thicket did very little for Ikey's peace of mind. Strange things went click and buzz and chirp within them, and none of these noises equated to the myriad sounds to which Ikey's highly particular ear was tuned.
It was coming up mid-morning when he finally reached the open field in the centre of which stood the house of Silas Browne. Ikey was in a state of high nervous tension. The daylight hour, though some snow had started to fall, coupled with the open terrain through which he had been forced to travel on this final part of his journey, had brought him very close to complete panic. He was hungry but so single-minded in his mission that he hadn't even thought to enter a chop house for a meal. Now he stopped and rested at the gate leading into the field and, removing his neckcloth, wiped the nervous perspiration from his brow and the back of his neck.
The large treeless field appeared to be flat and, but for a dozen or so horses grazing about it, completely empty. Ikey expected that the moment he entered the gate someone would appear from the house to meet him. In fact, this is what he hoped might happen before he'd intruded too far into the large field, and so was unable to retreat back to the gate should a savage hound, designated for this very purpose, be set upon him. An envoy sent from the house would give him an opportunity to explain his reason for coming, and to send ahead of him a sample of his credentials for perusal by the redoubtable Silas Browne and his wife.
Ikey entered the field, his eyes darting everywhere, forwards and backwards and to either side. To his dismay no one came from the distant house and he was forced to move ever closer to it. Therefore it came as a fearful surprise to him when his hat was tipped over his eyes from behind, and a voice declared.
'Don't turn around, sir!'
Ikey, despite the fright he'd received, was of course an expert on young boys, and this voice was no more than ten or eleven years of age. This didn't do a great deal for his confidence, however, as street children of this age were as tough as grown men. Besides, they were sometimes larger than himself. He removed his hat and replaced it squarely back on his head.
'A penny for a word then, my dear,' Ikey said slowly, digging into his coat to find a copper coin which he held between finger and thumb and proffered behind his back.
His unseen assailant snatched the coin from Ikey's hand.
'Where does you think you're goin' then?' the boy enquired.
'Silas Browne! I begs to see Mr Silas Browne. That is, with your permission o' course, your very esteemed permission, my dear.'
'Mr Silas Browne, is it? 'Ow does you know such a name, then?'
'Business! We is in the exact line o' business. Mr Browne is what you might call a colleague, though, I'll freely admit, I 'aven't exactly 'ad the pleasure of 'is personal acquaintance.' Ikey shrugged his shoulders. 'You see, we share what you might call a vocation. Yes, that's it, precisely an
d nicely and most specifically put, my dear, an exact and precise and similar vocation!'
'Oh, a voca…' the voice gave up trying to pronounce the word, 'and what line o' business does you share, then?'
Ikey was surprised at the sharpness of the boy. He'd come across similar boys before, but these were few enough to be an exception. Most street lads this age were already dulled from gin and the lack of proper nourishment, and would not have the wit to become involved in a conversation the likes of which the two of them were now conducting. This one would have made an excellent addition to his Methodist Academy of Light Fingers.
Now that he'd properly gathered his wits Ikey was impressed at the boy's sudden appearance behind him, seemingly rising out of nowhere. Ikey's eyes missed very little and even though he was unfamiliar with open terrain and the lack of shadow in daylight to reveal the bumps and undulations in the grassy field, it was no simple task to deceive him. The boy who crept up could not have followed him for any distance, for Ikey was in the constant habit of glancing over his shoulder. He must have walked right past the boy without seeing him, and this Ikey found both admirable and very disconcerting.
'The copper business… copper plates that is.' Ikey paused, 'Also, you could say, also the paper and inks business. I can say no more, from this moment me lips is sealed and can only be opened by Mr Silas Browne 'imself!'
'Does you 'ave an affy davy to say who you is, then?'
'Affidavit?' Ikey held an additional penny behind his back, wiggling it invitingly, but the boy did not take it this time. 'Most certainly and o' course absolutely right and correct to ask, my dear! An affy davy you shall 'ave, right away and immediately, for 'ow would your master know the manner o' person who 'as come so far and taken so many risks to talk with 'im? 'Ow indeed? All the way from London, that is, with barely a wink o' sleep and not a morsel o' nourishment from sunrise to sunset. I asks you, 'ow is 'e to know the 'umiliations and vicissitudes inflicted or the extreme importance o' the mission? Quite right of you to ask, quite right and proper.'
'Your affy davy,' the boy repeated bluntly, seemingly unimpressed by Ikey's verbosity and still not taking the proffered coin. 'Give't me, sir, or you get nowt more from us!'
Ikey carried no personal identification whatsoever, and even if he had papers to prove himself, he would not have willingly let them into the boy's hands, especially without having first seen his face. He was on the run, and young likely lads like this one schooled in the rookeries learned early the value of informing, of keeping their eyes peeled for the opportunity of a little crude blackmail.
The engraved plates he carried concealed in the lining of his coat would be instantly recognised as masterpieces by any competent forger and a glimpse at one of them, Ikey knew, would be likely to have Silas Browne scurrying out to meet him, his voice a bluster of apology and his hands all apatter. But if he let the boy have only one plate as a proof of his integrity, and if his master should choose not to see him nor to return it, the single engraved plate in the right hands was still worth a considerable fortune.
'I shall give you a piece o' paper, a small piece o' paper you must promise to take to your master, to Mister Silas Browne 'imself and to no other. Do you understand, my dear?'
'It'll cost,' the boy added cheekily.
Ikey sighed and retrieving the copper coin he held it once more behind his back.
'A sprat! Cost you a sprat or nowt 'appens.'
'Sixpence!' Ikey howled, though he did so more for the form of it than anything else. The boy was good, very, very good and he wished he could have him under his tuition. The boy reminded Ikey of the young Bob Marley, same cheek and quickness of mind. He smiled to himself, for he knew he could now trust him to take the paper directly to Silas Browne. Ikey returned the copper coin to his dumby and found a silver sixpence which he handed backwards to the boy.
'This paper what I want you to take to Mr Silas Browne, it is concealed upon me person. I shall need to stoop down to reach it and to cut open the 'emline o' me coat to remove it. I 'ave a small razor to do so, but my dear, do not be in the least alarmed, we, that's yours truly, is not at all a creature o' violence and disputation.'
'Don't turn about now!' the boy said threateningly, trying to put a deeper tone into his voice.
'No need, absolutely no need! No need in the least, you have my guarantee upon that, my dear.'
Ikey reached for the cut-throat razor in his pocket and opening it he stooped down and cut quickly at the line of the hem, though above the hidden plates, and only a cut wide enough to ease one of the plates sideways through the slit. He untied the twine and removed the wrapping from around the engraving. With the razor he sliced a small triangular corner from the square of paper, which he handed backwards to the boy.
'Take the paper to Mr Silas Browne, my dear, it's me affy davy.'
Ikey waited.
'Hey, mister, 't ain't say nowt onnit!' the boy exclaimed. 'It be blank paper what's got nowt writ onnit!'
Ikey chuckled. 'On the contrary, my dear, it speaks most eloquent to those what knows 'ow to read its message.'
There was silence behind him and Ikey imagined the confusion the boy was feeling. Seeking to put the lad out of his agony, he added, 'It's invisible like, but to such as Mr Silas Browne Esquire who knows the trick o' reading it, it's a magical paper.' Ikey spread his hands. 'Trust me, my dear.'
'You'll stay 'ere, see! You'll not be doing nowt 'til I returns!' The boy added threateningly, 'There's dogs, big bastids what can be let loose and sent after you in a twinklin', you'll not get t'gate before they's torn you t' bits!'
'Not a muscle, my dear, not a single twitch, not a cat's whisker, not a scintilla o' movement until you gets back. Quiet as a mouse, silent as a ferret in a chicken coop, that's yours truly, Ikey Solomon, late of London Town. Tell your master there's more, much more where that come from, 'eaps and 'eaps more! 'E'll be most pleased, most pleased indeed to know that.'
The boy ran past Ikey and towards the house, laughing, not caring now whether Ikey saw him. He carried a long stick which he waved in the air. He was tiny, small enough even for Ikey to box his ears or place a sharp-toed boot into his scrawny little arse.
The boy, at first delighted to have made sevenpence so easily, grew anxious at his own reception as he drew nearer to the house. Silas Browne and the half dozen men and boys who worked with him stood waiting at the head of the ladder for him to climb into the room above. The lad, afraid he might lose the paper, held it between his lips as he climbed the ladder.
'Wotcha got then, Josh lad?' Silas Browne asked as the boy stepped from the ladder into the room.
Together with the others he'd stood watching from the windows at Ikey's original approach. They'd seen the boy Joshua, who'd been earlier sent on an errand, waylay Ikey from behind, before they could send an adult out to accost the stranger. Josh, though only ten years old, was known to be bright enough to make a judgement, yet young enough not to arouse any suspicion if the stranger was thought to be from the law. Silas knew that if the lad decided the man was up to no good he would drop his stick on the ground and then pick it up again. Whereupon he'd send one of the other lads down and set the dogs after the intruder to see him off their land.
One of the men pulled the ladder up after the lad had climbed clear and closed the trap door behind him, bolting it firmly back into place. The boy Joshua looked somewhat sheepish at the greeting given by his master and, removing the tiny slip of paper from between his lips, handed it to Silas Browne.
'Tain't much, sir, but 'e sayed it was magical like, that you'd understand immediate like?' The boy, a most concerned expression upon his face, looked up at Silas Browne. 'Did I do wrong, sir?'
Silas Browne took the paper and rubbed it for a moment between his forefinger and thumb, whereupon he jerked back in surprise.
'No, lad, methinks you done good!'
He moved immediately to the window, where he held the paper up to the light.
'Ja
ysus!' he exclaimed.
'E says there's more, lot's more where't come from, Mr Browne, sir,' Josh shouted across the room, much relieved at this reception.
'Bring sponge, lad… a wet sponge!' Silas Browne shouted at one of the boys nearest to him. '
'Urry!'
In a few moments the boy returned and handed Silas Browne a damp sponge. Placing the scrap of paper again against the window glass, Silas wiped carefully over it several times. Then he lifted it from the window with the edge of his thumbnail and called for a pair of tweezers. Holding the paper at one corner with the tweezers, he walked over to a hearth where several cast-iron pots of blacking plopped slowly on the open coals. He held the pincers and paper to the heat of the embers, and the tiny scrap of damp paper took only moments to dry. Silas Browne returned to the window and held the paper once again to the light.
'Jaysus, Mary and Joseph!' he shouted, '
'Tain't possible, watermark's stayed! Bloody watermark's stayed put right 'ere on paper! Quick! Call Maggie!'
Another young lad dashed off while the rest of the men gathered around, astonished to see that the faked Bank of England watermark had remained undamaged, as though it was woven within the very substance of the paper.
'What's 'is name, Josh?' Silas demanded. 'Ikey… Ikey Sausageman, sir…' Josh looked uncertain. 'Sonomins, summit like that, sir.'
'Ikey Solomons! Jaysus Christ!' Silas pointed to one of the men. 'Go with the lad, Jim, bring 'im along, 'e be famous like in London!' He looked around impatiently. 'Where's bloody Maggie?'
The Potato Factory Page 17