“Hey, look at that.” It’s Dan. I can feel his spectacles on me. I go down on one knee, back still to them, and let the ball drop out of my hand. I stand up, revealing it to them.
“Quite a shot,” says Dan. “You land there?” He squints through his glasses, scanning the green for something. “It didn’t bounce at all?”
I raise my arm robotically, extend a finger, and trace the ground. The green is immaculate, but I point to a spot anyway. Dan cranes his neck. I walk quickly to the imaginary point and start to work on it with Marco’s green saver as though there’s a divot that needs repairing. I’m tapping on it as Dan walks up to inspect.
“Quite a shot.” Everyone nods solemnly in approval, then slowly moves to his ball, lines up his shot. They miss their long putts. I sink my short one. Birdie. I win.
I tip the white kid fifty, and he introduces himself—Chip. He smiles, tips his cap, and shakes my hand. I give Houston a hundred. He won’t take it. Now it’s my turn to look at him quizzically.
“Nah, it was a pleasure.” He extends a hand. We shake. He looks like a boy now. He is—with his fuzzy mustache and delicate chin. No fat, but little muscle. Too much wonder in his deep brown eyes. I don’t know what to say to this boy, so he repeats, “A pleasure,” not letting go my hand.
After lunch at the club has been ruled out, we leave. Everyone in the car is silent. We turn the wrong way out of the drive, but I swallow the urge to ask where we’re going. Dan turns on the radio—so low—AM murmur through the speakers.
We pass more broken estates, and then the lots begin shrinking. Finally, the road expands to a two-lane secondary highway. We turn into an office park. Dan pulls into a spot.
“Be out in a second,” he says, which, when they all open their doors, I realize was directed at me. He leaves the car running. I sink back in the leather, exhale, and close my eyes. I feel the first few tingles of fatigue-induced nausea in the back of my throat spread to my cheeks. I exhale again. If they’re going to shoot me, now is the time—a bogus carjacking. If I want to live, I should steal the Benz myself. But I’m stuck in the comfort of my seat. The tingles move to my extremities. I’m hungry, too. I see the green. “I cheated.” I almost mouth the words, but I don’t, as though that would make the words real, what I did real, judgeable. I open my eyes, but the image of the trimmed Bermuda grass and its odor linger. I open the window. The preautumn air drifts inside and is corrupted.
“Sorry to keep you.” They’re back and somewhat upbeat. Dan closes his door and turns. “Great morning, really.” He’s pinching a fold of bills. He nods for me to take it.
I take the money. I take all of their money—thick folds of hundred dollar bills. They buckle up. They all seem to possess a new levity, or perhaps an old one. I stack the folds—keep it in my hand. The bills are so crisp and sharp that they seem fake.
“We’re going into town to get lunch,” says Marco, as though it was any other day. “Hungry?”
“No. Thanks,” I mumble.
“Come on,” says Dan, looking at me in the mirror. “Winner has to buy. It’s tradition.” Then, softly, with that nasty little grin. “Besides, you cleaned us out.” They laugh in unison. I wish I’d taken off my golf shirt.
“So, what,” Dan says, still pleased by his humor. “Should I take you to the station now?”
I look at Marco, and he jumps like the seat just seared his ass.
“Shit! Shit!” He looks at me sheepishly. “I’m sorry. I forgot.” He looks away. “We’re staying here. Vacation starts today. I’m sorry. I wasn’t thinking.”
“Mar-cooh,” sings Dan. “What’s up?” He smirks again. Marco tries to nod and gesture a silent apology across the back seat. He goes to touch my arm and stops, then my leg. Then he does nothing.
“So, what’ll it be, Tiger?” asks Dan. They giggle. They’re goofy, as though they shared a big joint back at the office park.
“Lunch? Train?”
“The train, please.”
“Are you sure?” asks Marco—quietly, although they can still hear him.
“Yes, I have to get back.” I think about giving them a reason, but I stop.
“Train it is,” says Dan.
He steers the truck through the small town, which aside from a new peach stucco restaurant, could be the setting for a Rockwell study—low-slung, cedar-shingled shops and narrow streets with sandy shoulders. Parking meters that take nickels.
The station is a whitewashed hut on the inbound side. Its roof extends over the platform and twenty feet on either side. We pull into the lot and stop in front of the door. They say good-bye much the same as they said hello. “A pleasure,” says Dan—convinced that he really feels it was. Buster looks into my face, nodding with knowledge. I give them all quick, firm handshakes. Marco paws at my shoulder as I get out but misses.
I buy my ticket for the twelve-twenty and a noxious Styrofoam cup of coffee, which I swallow in one gulp to keep from tasting it, and go out to the platform. Two teens, dressed like bikers and set for an evening of lying to their parents, join me outside. They take a look, snicker nervously, and whisper to each other. I walk down the platform toward them. It freezes their faces, shuts their mouths. I stop ten feet short of them at the pay phone and pick up the receiver. They try to hold their ground but can’t help but inch away from me and out from under the cover of the roof.
I dump in more of Marco’s change and call my father. When he finally answers, it sounds as though he’s just woken up—gravel voiced and out of it.
“Hello.”
“Dad.”
“Hello?”
“Yeah, Dad.”
“Yes. Is that you?”
“Yes, it’s me.”
“Well, to what do I owe this pleasure?”
“Just seeing how you were.”
“How I were, was, or am?”
“How are you?”
“What?”
“How are you doing?”
“Oh, I’m fine, thank you.” He pauses. “And how are you—you keeping your chin up?”
“Yeah.”
“What’s wrong? You sound down in the mouth.”
“Well, to tell you the truth, I’m kind of having a rough go at it.”
“How’s that?”
“Well, you know, I can’t seem to get much going—money, you know, money. It’s kind of worn me down.”
He doesn’t respond and for a while the silence is comforting, as though my father was considering what I just said. He clears his throat.
“Yeah, are you there?”
“I’m here.”
“How are the kids, good?”
“They’re fine.”
“Good.” Nothing. “Well, it’s great to hear from you.”
“Yeah.”
“Good to hear your voice. It’s been awhile.”
“Yeah.”
“I love you, son.”
“Yeah.” I hang up. The teens have moved away, beyond the span of the overhang, and are looking down the line for the train.
We board separate cars when it comes—the streamlined train with its silver and red engine. My car is empty, but I take a seat facing the rear anyway—sit sideways in it with my back against the window. We pull out. The chubby conductor slowly waddles down the aisle and seems to be oblivious of everything except for my ticket, which he takes and punches in a vacant way. He leaves, and I turn in my seat to face the rear. I take out the list and draw a bracket around the remaining items. I write down my liquid assets and then subtract the expenses. Then I create a sublist, which brings the dollar amount near zero—not even enough for a bus north. I see the fifty I gave Chip, who I realize didn’t speak to me until I gave him money. I let it go in my head, but I grind my teeth and hiss to myself.
I split the cash into four equivalent folds and put them into four individual pockets. I fold the list and put it away, too. I try to sleep on the empty train, but it doesn’t come—not yet. So I look out the window. We cross a str
ange body of water—an inlet at low tide. The exposed rocky bottom splits the remaining water like a cleft. We cut across a slight marshland, then a group of evergreens, and when we come out of the wood, I can see the bay—dark silver and green with pots of white-gold light wavering on it. The dark line of evergreens on the opposite shore gives the illusion of depth, density, but I know that the hidden land behind them was axed long ago—nothing’s land, then ancient life, then beaver, fox, and deer; Shinnecock, or maybe some forgotten tribe, divided, cleared, and subdivided until the scope of the original claim was lost.
If I found Daisy up one of those drives, I wouldn’t ask her to renounce Tom. I wouldn’t make her say she loved me, either. I’d know, for her, the past is gone. Over there, east, across that bay, she has turned off her green light and she has run. With me, across the dark water, trying to dream away my newfound shame.
17
When I come out of the train station at Atlantic and Flatbush, I see the unlit neon sign for a consignment shop. They take everything, so it says, repeated in the double plate-glass windows, and for the best prices in the city. I cross the street and look inside—guitars, amps, a drum set, and an electric piano are on display in one, a half-refrigerator, air conditioner, and stereo in the other. When I push the door open, an electronic chime sounds. The space is wide at the front but tapers sharply to the rear. A glass display case, topped by one-inch-thick plastic runs from the front door to the back of the store, where it becomes a steel door. It comes back to the front along the other side, leaving only a narrow aisle to stand in. On the walls behind the safety glass hang guitars, basses, woodwinds, and brass instruments. Standing at the back is the proprietor. He’s short and slender, pale with neatly cropped gray hair and goatee. He’s wearing a crisp white shirt and paisley bow tie. He smiles pleasantly at me.
“Good afternoon.” His voice is muffled by the shield.
“Good afternoon.” My voice, partially absorbed and reflected by the plastic, rolls back to me distorted.
“My friend,” he gestures at the golf bag. “Is there something you’d like to show me?”
I take the bag off my shoulder and lean it against the counter.
“I can’t do much for you with those.” He waves out to the busy avenue. “Not too many people use those around here.”
“What about tools?”
“Well, that depends on the tools.”
“What about a guitar?”
“Acoustic or electric?”
“Acoustic.”
He wrinkles his face for a moment. “I got guitars.” He half turns to the ones hanging up behind him. He turns back to me, shrugs his shoulders. “I tell you what,” he starts nodding but without the original kindness. “Bring what you got. I’ll see what I can do.”
There’s a man on the stoop. His head is down. He looks like he’s asleep, but I see that he’s deep in thought or concentrating on his cigarette. He’s wearing a Sox hat from the seventies—red top, blue visor. It’s Gavin.
He doesn’t straighten when I open the gate, just cocks his head up—looks at me sideways, squinting.
“Gav?”
He has his coat, battered suede, wrapped about his shoulders like a shawl. He takes a hard drag, burning through a quarter of the cigarette. He exhales, but not enough smoke comes out. He clears his throat politely.
“Hey, pal,” he nods. Keeps his head bobbing for a minute, then slows it and stops. “You’re a hard man to find, brathir.” He eyeballs me again. “Good men usually are.”
“Yeah.” I kick at something that isn’t there. “Sorry.”
“Don’t apologize to me. You’re a man with responsibilities.”
“How you feeling?” I push on it to let him know it’s more than just a platitude.
“Ah, I’m still a little foggy—kind of lost track of where I was. Not sure if I knew from the start, though.” He chuckles. It sounds like he’s starting to brighten, but he won’t show me his face. He stubs his butt out on the step, flips it at the trash can, covers his face with his hands and starts rubbing. He speaks through them.
“What’s your plan, pal?”
“I’ve gotta get cleaned up. Gotta change. Gotta go.”
“Go where?”
“Gotta see a man.”
“Oh, shit.”
“It’s not like that—not that bad, I think.”
“You were at the links today.” He points at the bag without looking. “How was your swing?”
“I got by.”
He thumbs back at the house. “You went with this guy?”
“Yeah.”
“Club?”
“Yeah.”
“Fancy?”
“Pretty much.”
He exhales. “Hanging with a select group. Shit, I can’t keep up.” He presses his face into his hands. “When’s your big meeting?”
“I don’t really have a time. I guess I was just going to show up.”
“Hah,” he breathes without energy.
“I guess I need to get cleaned up.”
“Yeah, yeah, clean’s good.”
“Gav, you all right?”
“Yeah, yeah, I’m fine. I’m just trying to get my head straight, you know? They zapped me pretty good up there this time. I guess I zapped myself pretty good, too. So I’m just trying to get a little acclimated—you know. But I didn’t think it was going to be this bright out. Shit. It looked so much warmer inside.”
“Summer’s over.”
“Indeed.” He lights another cigarette and takes a deep drag. “Look, I don’t want to keep you from your appointments. I just stopped by. Haven’t seen you in an age. Thought I’d see how you were doing. I called your wife to get the number, again, and the address, too. So I had what I thought was a legit reason for calling her. I wouldn’t want to bother her. She sounded worried.”
“About what?”
He laughs. “Me.” He shakes his head. “She kept asking me how I was. I must have sounded odd to her. You didn’t tell her anything, right?”
“No.”
“Right. So I don’t know. I like her, your wife. Always have. English stock or not.” He waits for me to say something—to validate the statement, but anything I could say about either of them, to me, would sound hollow. He nods, “Mmm—hmmm. Well, I just wanted to maybe have a coffee, perhaps catch up, but I see you’re busy.”
“I can do that. I just have to catch a five-fifteen bus.”
“Where you going?”
I kick at the slab again. “Home.”
“What, to see your old man?”
“No.”
He spreads his fingers and peeks out through the gaps. “A bus, huh? Oh, dear,” he closes his fingers again. “Oh yeah, you were going to your party. You can’t miss your own party, I suppose.” He rolls his shoulders, pauses, whispers, “Why Boston?” He shows me one eye, squinted, brow raised. He shudders involuntarily, making the thin coat wave as though there had been a tremor under sea. He turns his head, shakes it slowly a couple of times, and hides his face again. “The five-fifteen to Beantown—well, you tell me when, where.”
“Bus station. Four-thirty.”
“How about the post office? People get bad ideas in their heads hanging around bus stations.”
“Okay.” I climb the stairs and turn back to Gavin. He’s not looking, but I thumb at the door anyway. “You want to come in?” He waves and shakes his head. He stands slowly and creaks to the gate.
“See ya, captain.” He cuts across the street, still keeping his face from me, still stooped, moving slowly. He disappears behind the trees and parked cars on the other side.
I shower, shave, put on the wool suit again, and pack my things. I start to write a letter to Marco about what has happened, what will happen, but it turns into a quick thank-you note—telling him obliquely that I will call him from wherever I land and straighten it all out.
I lay out all my money on the bed according to denominations and count it. It doesn’t loo
k like much spread out, so I put it in one stack. It’s impressive, but when I count it again, it still comes up short—and gone—and I start to add up what they’ll need next month, stop and redivide the pile, put it in separate pockets. I look around the room. Thomas’s bowl is still there, cloudy water. I dump it out, take it with me downstairs to the basement, where I repack my tool box. I leave the bowl down there, put it in the box where Lila was. I haul the box up the stairs, scan the house for anything I may have left and anything that Marco may not miss—books, CDs—no, just change in the bowl. I take the quarters this time. Then I call a car and wait outside.
I go back to Flatbush and sell him everything. He gives me a ticket and four hundred dollars and swears to me through the Lexan that he “holds everything for thirty days.” He slides the ticket to me under the shield, gravely nods, and pinches his mouth in a pucker for added assurance. I walk out into the harsh light and sound of Flatbush—cars and trucks crashing over steel plates, a traffic cop’s shrill whistle, the bang and whirl of the never-ending construction. First they built an ill-planned mall, complete with ghetto-high prices. What are they building here now in Claire’s and the kids’ new neighborhood?
I walk west down Atlantic, cross the street just before the near-defunct jail to the other side, where the soon-to-be-defunct bail bondsmen are. He isn’t there, but there’s a note taped to the door—“Back in fifteen minutes.” It’s a crappy little place, jammed in between a closed bail bondsman and what looks to be a new boutique. There are two metal desks, one covered by manila folders and stacks of paper. The other is mostly filled by a computer approaching obsolescence.
A pack of kids storms down the avenue, trying to upset what little balance there is out here. There are about eight of them—preadolescent, black. They curse, either at each other or at everything else. Kids roaming the summer urban badlands. They’re the kind of pack everyone despises—too old to discipline, too young to openly want to have shot or jailed. And I imagine my children watching them from the window above, wondering about the nature of freedom—the gang’s, their own. I rarely saw kids like this. The cops broke them up. But these kids get a free pass past the jail—their brief reign of terror goes unnoticed by the cops. And I can’t help but think that this is the new shit being pushed on the streets: rage—its instant gratification and momentary power. The latest trend in cost-effective policing—let the little niggers find another way to get themselves killed.
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