Copyright © 2016 by Wong Souk Yee
All rights reserved
Published in Singapore by Epigram Books
www.epigrambooks.sg
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise without written permission of the publisher.
ISBN 978-981-4757-34-8 (paperback)
ISBN 978-981-4757-35-5 (ebook)
Names: Wong, Souk Yee.
Title: Death of a Perm Sec / Wong Souk Yee.
Description: First edition. | Singapore: Epigram Books, [2016]
Identifiers: OCN 940642538 | ISBN 978-981-4757-34-8 (paperback)
Subjects: LCSH: Homicide investigation—Fiction. | Singapore—Officials and
employees—Fiction. | Singapore—Politics and government—1965-1990—Fiction.
Classification: LCC PR9570.S53 | DDC S823—dc23
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
First Edition: April 2016
In memory of my dearest friend, Jane Leong.
ONE
WHITE FROTH BUBBLES from the mouth of Chow Sze Teck. The air- conditioner is still running and the room is dark. Slumped over the mahogany desk in his study, the permanent secretary of the Ministry of Housing is, as always, immaculately dressed. He used to say, “You never know who’s going to turn up at the door.” His gold-plated hibiscus pin fastens the batik tie to his crisp white shirt. His sparse white hair is combed back with no parting, held stiffly by Brylcreem. His pasty skin is more criss-crossed than his 65 years should expect. Next to the body, a toppled whisky glass has spilt a little of its contents onto a framed family portrait. Mr Chow’s slippered feet brush the Persian rug.
Except for an overturned table lamp that has crashed on to the marble floor, every piece of furniture in the study gleams. Only the tassels of the Persian rug have been slightly ruffled, and the maroon leather chair pushed away from the desk towards a closed window.
In the dining room downstairs, a bay window is open. The warm afternoon breeze teases the lace curtain into a whirling sail. It drifts out to the garden, as if reaching for the hibiscus, curling their weary petals after hours of flowering.
TWO
LOOKING LIKE A cross between London’s Big Ben and the Mao Zedong mausoleum, the grey shoebox Parliament House, with its fat columns, strains to inspire awe and respect. What it lacks in elegance, Parliament House attempts to compensate for with robust debate.
Such as today, when the lone opposition member of Parliament, Hoo Liem Choh, urges the prime minister to set up an inquiry into alleged corruption at the Ministry of Housing. Hoo is everything Wee is not. Wee has patrician blood coursing through his veins, read law at Cambridge and suffers no fools. Hoo’s parents once ran a fishball noodle stall in a Toa Payoh wet market; the young Hoo attended Chinese-medium neighbourhood schools before pursuing a useless course in Chinese studies at Nanyang University. In his five years as the sole aberration in a one-party parliament, Hoo has borne the brunt of the prime minister’s wrath, which erupts each time he is disobeyed. Like a pit bull terrier, Edward Wee is good to have as your friend but terrible as your enemy. On the other hand, Hoo remains stoic when his parliamentary colleagues sling epithets such as “Chinese helicopter” (a slur started by army recruits who laughed at those from Chinese-medium schools who pronounced “Chinese-educated” to sound like “Chinese helicopter”) and “mangy mongrel” in his face to score points with their political master. Having polished the art of agreeing with their boss to the extent that they have lost the will and skill to argue issues, the elected representatives of the people have resorted to clichés and name-calling. And Hoo’s goldfish eyes, straggly goatee and slightly hanging lower lip further lend him to ridicule by the other 69 Honourable Members. This period will live in some of the members’ memoirs as the Golden Era of Wit.
Still, Hoo takes his role as the solo dissenter in an otherwise convivial House very seriously. The problem is that Edward Wee is a man with no time to waste on tedious deliberation. Especially when Hoo launches into his Mandarin-infused English, or Manglish, speech: “This is a very serious case ah, of the permanent secretary of the housing ministry accused of receiving kickback of millions of dollar from building contractors. Mr Speaker, sir, it is very important that the housing ministry is transparent and accountable. The ministry’s financial statements and tender documents have to stand up to public scrutiny. If the present allegations are…eh, true, then it would be a very sad—”
Shaking his head at the new depths of human ignorance, Edward Wee interjects, “The member for Kampong Bahru should not be too generous with taxpayers’ money by calling for the formation of a commission of inquiry every time someone brings charges against the government. The CPIB is currently conducting a thorough, no-holds-barred interrogation of the staff at the Ministry of Housing. The director of the board will report directly to me.”
“Mr Speaker, sir, as this is a very serious case, it is very necessary that an independent body be set up to find out what is going on ah, for the public has a right to know.”
“The Honourable member for Kampong Bahru is suggesting that the CPIB is not an independent body!” a backbencher hollers. “The CPIB has contributed to the stability of our country many more times than the slippery opposition in this House. I think Mr Hoo owes the CPIB an apology for his ill-conceived claim.”
His fellow MPs shout in unison, “Apologise, apologise!”
Taking a leaf from the books on ancient Chinese court intrigue, Hoo persists. “Mr Speaker, sir, I myself…am a great admirer of the CPIB for its good work in the commercial sector. But to get one government department to investigate the affairs of another is like asking a eunuch to tell on an imperial concubine.”
“He is insinuating that the CPIB is impotent. I think the member for Kampong Bahru is confused as to who the eunuch is in this House.” The minister for home affairs laughs at what he thinks is his cleverness, which leads to the merriment of his chums, who chorus, “Eunuch!”
“The minister should learn more about Chinese history and not take me literally. With due respect to the CPIB and the prime minister’s office, I think it is very important to form a commission consisting of people who are not beholden to anyone within the government. For justice must not only be done—”
“Enough!” Edward Wee glowers at Hoo for sniping at a vital institution of the country, an act close to patricide. However, it’s not clear if, by “institution,” the prime minister is thinking of himself or the anti-corruption board.
His carefully cultivated Cambridge accent lapses into something closer to the local intonation as he continues, “This House has heard enough of Mr Hoo’s fabulous gibberish. He is out of order. I’m telling him that the CPIB will come out with a definitive report on the case concerning the housing ministry in a week’s time. The perpetrators will be charged in a court of law.”
“Mr Speaker, sir, I believe I still have the floor—”
“This House rules that the member for Kampong Bahru is out of order,” the Speaker proclaims.
On that note, the lonely voice of the opposition dissipates into the steam of hot impatience. A veil of embarrassment enshrouds the grey shoebox that hunches next to its grand cousins down St. Andrew’s Road, the green-domed Supreme Court and the colonnaded City Hall. Fronting these two pillars of the country’s democratic structures, the Padang bakes in the late afternoon sun. Its freshly mown lawn hasn’t yet bee
n assaulted by hockey sticks as it’s still too scalding. Better to sip an iced lemon tea or chilled Tiger beer at the bar of the Singapore Cricket Club at the edge of the manicured lawn, like the lawyers and bankers from the nearby CBD.
THREE
MRS CHOW IS the first to discover her husband’s body after she returns home from dinner with her younger daughter, Hoong. Fighting down panic and confusion, she rings Hoong, clutching the phone so hard her hand cramps. She rattles off a string of Cantonese and makes a noise that does not sound human. When Hoong makes out what has happened, she calls for an ambulance.
At the East Shore Hospital, Mrs Chow’s four children trade accusations for not having spent more time looking after their father when the investigation started. Yang, the younger son, has the weakest excuse for failing in his duty, since he lives with their parents and is not gainfully employed. He was at a pub drinking himself blind when his father collapsed onto that mahogany desk. He sips his black coffee from the hospital vending machine in silence as his brother, Ming, the lawyer, admonishes him. Yang remembers leaving the house before his father returned from work yesterday, like every other day. He got home at around midnight and learned from the maid that his father was in hospital. He wishes that the plastic cup he is holding contained something friendlier than the chemical-tasting brew. He puts his free hand in his pocket and turns absently to the door.
Ming grabs his arm, as if trying to shake him out of his stupor. “Where you going?”
“Just stretching my legs,” he mumbles.
Mrs Chow weeps quietly, seated on a chair welded to several others lining a wall outside the operating theatre. By her side, Hoong stares vacantly at the opposite wall. The older daughter, Ling, walks away to the stairwell at the end of the hallway. Under a ‘No Smoking’ sign, she lights up a cigarette. She takes a deep drag, holds it then exhales the smoke in a single long gust. After a few more drags, she crushes the butt against the wall till the tobacco leaves scatter over the floor.
At 1.15am, two doctors emerge from the emergency theatre. One says he will inform the police, while the other breaks the news to the family that Chow Sze Teck had a massive heart attack and his heart had stopped beating by the time he arrived at the hospital. They have not been able to revive him.
“The morphine blood level is 1.48 milligrams per litre, almost three times a lethal dose. Alcohol and diazepam, what most people call Valium, were also found in the bloodstream. The patient would have become unconscious almost immediately and died without much pain.”
Breaking her silence for the first time that night, Ling asks in a thin, choking voice, “Why would Father take all those drugs?”
“What I’m saying is we have found those prescription drugs and alcohol in the patient’s blood system in quantities that are more than sufficient to cause his death. As to why the patient took those drugs, that is for the police to find out. My colleague, Dr Hussein, is informing the police now. We will give them and your family a full medical examination report on the cause of death.”
“Just like that. Cause of death: drug overdose.” Yang attempts a tone of irony but the jerkiness of sorrow gets in the way.
Ling steps forward and speaks right into the doctor’s face. “We demand a full investigation into the death of our father. Get all your doctors and pathologists and forensic experts and—” She drops her head and walks towards the stairwell again. Ming rams his fist on the concrete wall. Hoong helps their mother back into a chair, holding her as she sobs. The doctor keeps his eyes on the disinfectant-scrubbed floor, apologises for not being able to do more and leaves.
*
A stone’s throw from Parliament House and City Hall, now designated as “heritage”, the Sheares Bridge rises like a pouting child of the 1980s. An awesome viaduct on state-of-the-art buttresses, the bridge flies over the mouth of the Singapore River, enabling commuters to the eastern suburbs to bypass the congestion of the city.
A golden mile of residential palaces and California-style condominiums facing the South China Sea, the East Coast is an anomaly in a land-scarce island where four in five persons live in high-rise flats. A tourist in a taxi travelling from Changi Airport to his or her hotel on Orchard Road via the East Coast over Sheares Bridge, through the heritage district, would be forgiven for thinking that Singapore is well and truly a garden city. The breezy stretch of land has, over the years, been invaded by the seriously rich, raiders of the stock market and top-ranking civil servants.
Such as the late permanent secretary of the Ministry of Housing. His champagne pink mansion resembles a Pop Art museum and is studded with French windows that lead out to a hibiscus garden. Past the dried-up grotto in the foyer, a long aquarium divides the large living area from the dining room, and breathes life into a house with little smell of human habitation. The aquamarine light from the fish tank and the red Japanese carp shimmer in the unlit room. A curved marble staircase, straight out of a 1960s Hollywood movie set, sweeps up towards five bedrooms and a study. On the landing, early morning light shines on an oil painting of the patriarch of the house dressed in the full regalia of a Malay sultan, with heavily decorated epaulettes. The yellow silk sash draped across his flabby body is stretched taut. His eyes look into the far horizon, across the Straits of Johor into the mist of an era past.
After several hours at the hospital, the Chows return to their mansion, abuzz with activity and visitors even though it is only daybreak. The fish in the aquarium go into a frenzy, partly due to the maid’s overzealous feeding. For the first time in many years, Chow Sze Teck’s sons and daughters are together again in the house he built for them. To avert any unaccustomed passions catching them by surprise, they discuss the funeral arrangements. But not knowing when they can retrieve the body from the hospital, and for that matter, not knowing why it happened at all, intensifies the state of chaos.
Until the investigation, the patriarch had been to Ling a mere fuzzy outline of an ageing man existing in her subconscious. On his deathbed in the hospital, Ling noticed for the first time the deep lines etched into her father’s face by the business of living and worrying. The bags below his eyes bulged so much he looked as if he had two pairs of eyes, now forever closed. She wonders if her father had died hating her, loving her or had simply been indifferent. What sort of daughter had she been to her father? Had she brought him more heartache and trouble than joy? She shuts her mind to those sentimentalities and fixes it on the funeral arrangements.
“I think we should have a short, quiet wake at Mount Vernon Crematorium. No sermons, no eulogies, no feasting, no candles, no incense, no music and no chanting,” she says.
“And what are the guests supposed to do then?” declares Ming. He says that such a sendoff would not afford recognition to their father’s 30 years of contribution to the country.
“What about a quiet and dignified funeral at St Andrew’s Cathedral?” says Hoong. That would provide a more exalted site for dignitaries such as the prime minister and the minister for finance (who happens to be her father-in-law) to say a few words about their late father.
Yang suggests a quiet and dignified three-day wake with good food and fine wine at the Palace Casket, since their father loved his Burgundy and a good chat. Not convinced himself that it is a sound suggestion, he gives his siblings an apologetic smile and heads to the bar. He opens a bottle of Shiraz. As he swirls the liquid, he imagines he sees his older brother’s acrimonious look in the reflection on the glass.
The discussion is cut short when five men from the Criminal Investigation Department arrive in two cars. Their usual brashness is cloaked under exaggerated civility, seemingly out of respect for the deceased and his public office. Outside the high gate at the end of the sprawling garden, they produce police badges and request permission to conduct a search. Ming unlocks the wrought iron gate and requests they park their cars in the driveway, so as not to alarm the neighbours unnecessarily.
As his men comb other rooms, the deputy superintendent
of police invites Mrs Chow to the study and gently questions her on the condition and position of the body and furniture in the study as she found them. Despite Hoong and Ming by her side prompting her, Mrs Chow is an eager but ultimately useless witness. For in her moment of terror, the cold room, the sharp odour of vomit, her husband’s ashen face and his stiffening body conspired to immobilise her. In all the trials of her 63 years, this has been the most shattering and cruel. She can only remember dashing down the stairs for the telephone, even though the study has another phone for the permanent secretary’s official use. She could not bring herself to enter the study again while waiting for her children and the ambulance. When her legs could carry her again, she woke the Filipina maid sleeping in a small room next to the kitchen.
The DSP thanks Mrs Chow for her help and looks around the study.
Downstairs, in the kitchen, Ling watches an officer ask the maid if she has moved anything in the house since last night.
“No, sir. Except I swept the broken glass in the study, sir,” Mary-Joan answers confidently, rolling her Rs. Mary-Joan is a college graduate from Manila.
“What broken glass?”
“The table lamp fell to the floor and smashed, sir.”
“When was the last time you saw Mr Chow?”
“Yesterday afternoon, sir.”
“What time yesterday?”
She tilts her head slightly. “About four o’clock, I think.”
“Did he say anything to you?”
“I told him ma’am and Yang were out, and I asked him if he wanted dinner and he said ‘no’. Then he went upstairs and I did not see him again.”
“Did you hear or notice anything upstairs, or did anyone come to see him after that?”
“I came back to the kitchen, finished the cleaning and went to my room. I didn’t hear anything until ma’am came home and woke me up.”
The officer thanks her with a smile. As an afterthought, he gives her his calling card and tells her to ring him if she remembers anything else.
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