“It startled me, though, when I saw the whole crowding hell-pack, and I ordered them to go pretty sharply. I was angry—and somewhat alarmed, too. But they merely grimaced and slavered, with that slow, twisting movement of their lips that is like a voiceless gibbering, and then they closed in on Marta, just as I represented them doing in that accursed group of sculpture. Only there were scores of them, instead of merely seven.
“I can’t describe how it happened, but all at once their foul talons had reached the girl; they were pawing her, were pulling at her hands, her arms, her body. She screamed—and I hope I’ll never hear another scream so full of black agony and soul-unhinging fright. Then I knew that she had yielded to them—either from choice, or from excess of terror—and knew that they were taking her away.
“For a moment, the studio wasn’t there at all; only a long, gray, oozing plain, beneath skies where the fumes of hell were writhing like a million ghostly and distorted dragons. Marta was sinking into that ooze, and the Things were all about her, gathering in fresh hundreds from every side, fighting each other for place, sinking with her like bloated, misshapen fen-creatures into their native slime. Then everything vanished, and I was standing here in the studio, all alone with these damned sculptures.”
He paused for a little, and stared with dreary, desolate eyes at the floor. Then:
“It was awful, Philip, and I’ll never forgive myself for having anything to do with those monsters. I must have been a little mad, but I’ve always had a strong ambition to create some real stuff in the field of the grotesque and visionary and macabre. I don’t suppose you ever suspected, back in my stodgy phase, that I had a veritable appetence for such things. I wanted to do in sculpture what Poe and Lovecraft and Baudelaire have done in literature, what Rops and Goya did in pictorial art.
“That was what led me into the occult, when I realized my limitations. I knew that I had to see the dwellers of the invisible worlds before I could depict them. I wanted to do it. I longed for this power of vision and representation more than anything else. And then, all at once, I found that I had the power of summoning the unseen… .
“There was no magic involved, in the usual sense of the word—no spells and circles, no pentacles and burning gums from old sorcery books. At bottom, it was just will-power, I guess—a will to divine the satanic, to summon the innumerable malignities and grotesqueries that people other planes than ours, or mingle unperceived with humanity.
“You’ve no idea what I have beheld, Philip. These statues of mine—these devils, vampires, lamias, satyrs—were all done from life, or, at least, from recent memory. The originals are what the occultists would call elementals, I suppose. There are endless worlds, contiguous to our own, or co-existing with it, that such beings inhabit. All the creations of myth and fantasy, all the familiar spirits that sorcerers have evoked, are resident in these worlds.
“I made myself their master; I levied upon them at will. Then, from a dimension that must be a little lower than all others, a little nearer the ultimate nadir of hell, I called the innominate beings who posed for this new figure-piece.
“I don’t know what they are, but I have surmised a good deal. They are hateful as the worms of the Pit, they are malevolent as harpies, they drool with a poisonous hunger not to be named or imagined. But I believed that they were powerless to do anything outside their own sphere, and I’ve always laughed at them when they tried to entice me—even though that snakish mental pull of theirs was rather creepy at times. It was as if soft, invisible, gelatinous arms were trying to drag you down from the firm shore into a bottomless bog.
“They are hunters—I am sure of that—the hunters from Beyond. God knows what they will do to Marta, now that they have her at their mercy. That vast, viscid, miasma-haunted place to which they took her is awful beyond the imagining of a Satan. Perhaps, even there, they couldn’t harm her body. But bodies aren’t what they want; it isn’t for human flesh that they grope with those ghoulish claws, and gape and slaver with those gangrenous mouths. The brain itself, and the soul, too, is their food: they are the creatures who prey on the minds of madmen and madwomen, who devour the disembodied spirits that have fallen from the cycles of incarnation, have gone down beyond the possibility of rebirth.
“To think of Marta in their power—it is worse than hell or madness. Marta loved me, and I loved her, too, though I didn’t have the sense to realize it, wrapped as I was in my dark, baleful ambition and impious egotism. She was afraid for me, and I believe she surrendered voluntarily to the Things. She must have thought that they would leave me alone if they secured another victim in my place.”
He ceased, and began to pace idly and feverishly about. I saw that his hollow eyes were alight with torment, as if the mechanical telling of his horrible story had in some manner served to requicken his crushed mind. Utterly and starkly appalled by his hideous revelations, I could say nothing, but could only stand and watch his torture-twisted face.
Incredibly, his expression changed, with a wild, startled look that was instantly transfigured into joy. Turning to follow his gaze, I saw that Marta was standing in the center of the room. She was nude, except for a Spanish shawl that she must have worn while posing. Her face was bloodless as the marble of a tomb, and her eyes were wide and blank, as if she had been drained of all life, of all thought or emotion or memory, as if even the knowledge of horror had been taken away from her. It was the face of the living dead, the soulless mask of ultimate idiocy; and the joy faded from Cyprian’s eyes as he stepped toward her.
He took her in his arms, he spoke to her with a desperate, loving tenderness, with cajoling and caressing words. She made no answer, however, no movement of recognition or awareness, but stared beyond him with her blank eyes, to which the daylight and the darkness, the void air and her lover’s face, would henceforward be the same. He and I both knew, in that instant, that she would never again respond to any human voice, or to human love or terror; that she was like an empty cerement, retaining the outward form of that which the worms have eaten in their mausolean darkness. Of the noisome pits wherein she had been, of that boundless realm and its pullulating phantoms, she could tell us nothing; her agony had ended with the terrible mercy of complete forgetfulness.
Like one who confronts the Gorgon, I was frozen by her wide and sightless gaze. Then, behind her, where stood an array of carven Satans and lamias, the room seemed to recede, the walls and floors dissolved in a seething, unfathomable gulf, amid whose pestilential vapors the statues were mingled in momentary and loathsome ambiguity with the ravening faces, the hunger-contorted forms that swirled toward us from their ultradimensional limbo like a devil-laden hurricane from Malebolge. Outlined against that boiling, measureless caldron of malignant storm, Marta stood like an image of glacial death and silence in the arms of Cyprian. Then, once more, after a little, the abhorrent vision faded, leaving only the diabolic statuary.
I think that I alone had beheld it; that Cyprian had seen nothing but the dead face of Marta. He drew her close, he repeated his hopeless words of tenderness and cajolery. Then, suddenly, he released her with a vehement sob of despair. Turning away, while she stood and still looked on with unseeing eyes, be snatched a heavy sculptor’s mallet from the table on which it was lying, and proceeded to smash with furious blows the newly modeled group of gargoyles, till nothing was left but the figure of the terror-maddened girl, crouching above a mass of cloddish fragments and formless, half-dried clay.
THE CURSE OF YIG
Zealia Brown Bishop
In 1925 I went into Oklahoma looking for snake lore, and I came out with a fear of snakes that will last me the rest of my life. I admit it is foolish, since there are natural explanations for everything I saw and heard, but it masters me none the less. If the old story had been all there was to it, I would not have been so badly shaken. My work as an American Indian ethnologist has hardened me to all kinds of extravagant legendry, and I know that simple white people can beat the redski
ns at their own game when it comes to fanciful inventions. But I can’t forget what I saw with my own eyes at the insane asylum in Guthrie.
I called at that asylum because a few of the oldest settlers told me I would find something important there. Neither Indians nor white men would discuss the snake-god legends I had come to trace. The oil-boom newcomers, of course, knew nothing of such matters, and the red men and old pioneers were plainly frightened when I spoke of them. Not more than six or seven people mentioned the asylum, and those who did were careful to talk in whispers. But the whisperers said that Dr. McNeill could show me a very terrible relic and tell me all I wanted to know. He could explain why Yig, the half-human father of serpents, is a shunned and feared object in central Oklahoma, and why old settlers shiver at the secret Indian orgies which make the autumn days and nights hideous with the ceaseless beating of tomtoms in lonely places.
It was with the scent of a hound on the trail that I went to Guthrie, for I had spent many years collecting data on the evolution of serpent-worship among the Indians. I had always felt, from well-defined undertones of legend and archeology, that great Quetzalcoatl—benign snake-god of the Mexicans—had had an older and darker prototype; and dining recent months I had well-nigh proved it in a series of researches stretching from Guatemala to the Oklahoma plains. But everything was tantalizing and incomplete, for above the border the cult of the snake was hedged about by fear and furtiveness.
Now it appeared that a new and copious source of data was about to dawn, and I sought the head of the asylum with an eagerness I did not try to cloak. Doctor McNeill was a small clean-shaven man of somewhat advanced years, and I saw at once from his speech and manner that he was a scholar of no mean attainments in many branches outside his profession. Grave and doubtful when I first made known my errand, his face grew thoughtful as he carefully scanned my credentials and the letter of introduction which a kindly old ex-Indian agent had given me.
“So you’ve been studying the Yig-legend, eh?” he reflected sententiously. “I know that many of our Oklahoma ethnologists have tried to connect it with Quetzalcoatl, but I don’t think any of them have traced the intermediate steps so well. You’ve done remarkable work for a man as young as you seem to be, and you certainly deserve all the data we can give.
“I don’t suppose old Major Moore or any of the others told you what it is I have here. They don’t like to talk about it, and neither do I. It is very tragic and very horrible, but that is all. I refuse to consider it anything supernatural. There’s a story about it that I’ll tell you after you see it—a devilish sad story, but one that I won’t call magic. It merely shows the potency that belief has over some people. I’ll admit there are times when I feel a shiver that’s more than physical, but in daylight I set all that down to nerves. I’m not a young fellow any more, alas!
“To come to the point, the thing I have is what you might call a victim of Yig’s curse—a physically living victim. We don’t let the bulk of the nurses see it, although most of them know it’s here. There are just two steady old chaps whom I let feed it and clean out its quarters—used to be three, but good old Stevens passed on a few years ago. I suppose I’ll have to break in a new group pretty soon; for the thing does not seem to age or change much, and we old boys can’t last forever. Maybe the ethics of the near future will let us give it a merciless release, but it’s hard to tell.
“Did you see that single ground-glass basement window over in the east wing when you came up the drive? That’s where it is. I’ll take you there myself now. You needn’t make any comment. Just look through the movable panel in the door and thank God the light isn’t any stronger. Then I’ll tell you the story—or as much as I’ve been able to piece together.”
We walked downstairs very quietly, and did not talk as we threaded the corridors of the seemingly deserted basement. Doctor McNeill unlocked a gray-painted steel door, but it was only a bulkhead leading to a further stretch of hallway. At length he paused before a door marked B 116, opened a small observation panel which he could use only by standing on tiptoe, and pounded several times upon the painted metal, as if to arouse the occupant, whatever it might be.
A faint stench came from the aperture as the doctor unclosed, it and I fancied his pounding elicited a kind of low, hissing response. Finally he motioned me to replace him at the peephole, and I did so with a causeless and increasing tremor. The barred, ground-glass window, close to the earth outside, admitted only a feeble and uncertain pallor; and I had to look into the malodorous den for several seconds before I could see what was crawling and wriggling about on the straw-covered floor, emitting every now and then a weak and vacuous hiss. Then the shadowed outlines began to take shape, and I perceived that the squirming entity bore some remote resemblance to a human form laid flat on its belly. I clutched at the door-handle for support as I tried to keep from fainting.
The moving object was almost of human size, and entirely ’ devoid of clothing. It was absolutely hairless, and its tawny-looking back seemed subtly squamous in the dim, ghoulish light.
Around the shoulders it was rather speckled and brownish, and the head was very curiously flat. As it looked up to hiss at me I saw that the beady little black eyes were damnably anthropoid, but I could not bear to study them long. They fastened themselves on me with a horrible persistence, so that I closed the panel gaspingly and left the creature to wriggle about unseen in its matted straw and spectral twilight. I must have reeled a bit, for I saw that the doctor was gently holding my arm as he guided me away. I was stuttering over and over again: “B-but for God’s sake, what is it?”
Doctor McNeill told me tl^e story in his private office as I sprawled opposite him in an easy-chair. The gold and crimson of late afternoon changed to the violet of early dusk, but still I sat awed and motionless. I resented every ring of the telephone and every whir of the buzzer, and I could have cursed the nurses and internes whose knocks now and then summoned the doctor briefly to the outer office. Night came, and I was glad my host switched on all the lights. Scientist though I was, my zeal for research was half forgotten amid such breathless ecstasies of fright as a small boy might feel when whispered witch-tales go the rounds of the chimney-corner.
It seems that Yig, the snake-god of the central plains tribes —presumably the primal source of the more southerly Quetzalcoatl or Kukulcan—was an odd, half-anthropomorphic devil of highly arbitrary and capricious nature. He was not wholly evil, and was usually quite well disposed toward those who gave proper respect to him and his children, the serpents; but in the autumn he became abnormally ravenous and had to be driven away by means of suitable rites. That was why the tom-toms in the Pawnee, Wichita, and Caddo country pounded ceaselessly week in and week out in August, September, and October; and why the medicine-men made strange noises with rattles and whistles curiously like those of the Aztecs and Mayas.
Yig’s chief trait was a relentless devotion to his children— a devotion so great that the redskins almost feared to protect themselves from the venomous rattlesnakes which thronged the region. Frightful clandestine tales hinted of his vengeance upon mortals who flouted him or wreaked harm upon his wriggling progeny; his chosen method being to turn his victim, after suitable tortures, to a spotted snake.
In the old days of the Indian Territory, the doctor went on, there was not quite so much secrecy about Yig. The plains tribes, less cautious than the desert nomads and Pueblos, talked quite freely of their legends and autumn ceremonies with the first Indian agents, and let considerable of the lore spread out through the neighboring regions of white settlement. The great fear came in the land-rush days of eighty-nine, when some extraordinary incidents had been rumored, and the rumors sustained, by what seemed to be hideously tangible proofs. Indians said that the new white men did not know how to get on with Yig, and afterward the settlers came to take that theory at face value. Now no old-timer in middle Oklahoma, white or red, could be induced to breathe a word about the snake-god except in vague
hints. Yet after all, the doctor added with almost needless emphasis, the only truly authenticated horror had been a thing of pitiful tragedy rather than of bewitchment. It was all very material and cruel—even that last phase which had caused so much dispute.
Doctor McNeill paused and cleared his throat before getting down to his special story, and I felt a tingling sensation as when a theatre curtain rises. The thing had begun when Walker Davis and his wife Audrey left Arkansas to settle in the newly opened public lands in the spring of 1889, and the end had come in the country of the Wichitas—north of the Wichita River, in what is at present Caddo County^ There is a small village called Binger there now, and the railway goes through; but otherwise the place is less changed than other parts of Oklahoma. It is still a section of farms and ranches—quite productive in these days—since the great oil-fields do not come very close.
Walker and Audrey had come from Franklin County in the Ozarks with a canvas-topped wagon, two mules, an ancient and useless dog called Wolf, and all their household goods. They were typical hill-folk, youngish and perhaps a little more ambitious than most, and looked forward to a life of better returns for their hard work than they had had in Arkansas. Both were lean, raw-boned specimens; the man tall, sandy, and gray-eyed, and the woman short and rather dark, with a black straightness of hair suggesting a slight Indian admixture.
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