History Is All You Left Me

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History Is All You Left Me Page 1

by Adam Silvera




  Also by Adam Silvera

  More Happy Than Not

  Copyright © 2017 by Adam Silvera

  This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any

  resemblance to actual persons, living or dead, businesses, companies, events,

  or locales is entirely coincidental.

  All rights reserved.

  Published in the United States by Soho Teen

  an imprint of Soho Press, Inc.

  853 Broadway

  New York, NY 10003

  Library of Congress Cataloging-in-Publication Data

  Silvera, Adam, 1990–

  History is all you left me / Adam Silvera.

  ISBN 978-1-61695-692-9

  eISBN 978-1-61695-693-6

  International paperback edition

  ISBN 978-1-61695-838-1

  1. Love—Fiction. 2. Grief—Fiction. 3. Obsessive-compulsive

  disorder—Fiction. 4. Gays—Fiction.

  PZ7.1.S54 Hi 2017 [Fic]—dc23 2016020598

  Interior design by Janine Agro, Soho Press, Inc.

  Printed in the United States of America

  10 9 8 7 6 5 4 3 2 1

  For those with history stuck in their heads and hearts.

  Shout-outs to Daniel Ehrenhaft, who discovered me, and Meredith Barnes, who helps everyone find me. Best tag team ever.

  TODAY

  Monday, November 20th, 2016

  You’re still alive in alternate universes, Theo, but I live in the real world, where this morning you’re having an open-casket funeral. I know you’re out there, listening. And you should know I’m really pissed because you swore you would never die and yet here we are. It hurts even more because this isn’t the first promise you’ve broken.

  I’ll break down the details of this promise again. You made it last August. Trust me when I say I’m not talking down to you as I recall this memory, and many others, in great detail. I doubt it’ll even surprise you since we always joked about how your brain worked in funny ways. You knew enough meaningless trivia to fill notebooks, but you occasionally slipped on the bigger things, like my birthday this year (May 17th, not the 18th), and you never kept your night classes straight even though I got you a cool planner with zombies on the cover (which you-know-who probably forced you to throw out). I just want you to remember things the way I do. And if bringing up the past annoys you now—as I know it did when you left New York for California—know that I’m sorry, but please don’t be mad at me for reliving all of it. History is all you left me.

  We made promises to each other on the day I broke up with you so you could do your thing out there in Santa Monica without me holding you back. Some of those promises took bad turns but weren’t broken, like how I said I’d never hate you even though you gave me enough reasons to, or how you never stopped being my friend even when your boyfriend asked you to. But on the day we were walking to the post office with Wade to ship your boxes to California, you walked backward into the street and almost got hit by a car. I saw our endgame—to find our way back to each other when the time was right, no matter what—disappear, and I made you promise to always take care of yourself and never die.

  “Fine. I’ll never die,” you said as you hugged me.

  If there was a promise you were allowed to break, it wasn’t that one, and now I’m forced to approach your casket in one hour to say goodbye to you.

  Except it’s not going to be goodbye.

  I’ll always have you here listening. But being face-to-face with you for the first time since July and for the last time ever is going to be impossible, especially given the unwanted company of your boyfriend.

  Let’s leave his name out of my mouth as long as possible this morning, okay? If I’m going to have any chance of getting through today, tomorrow, and all the days that follow, I think I need to go back to the start, where we were two boys bonding over jigsaw puzzles and falling in love.

  It’s what comes after you fell out of love with me that it all goes wrong. It’s what comes after we broke up that’s making me so nervous. Now you can see me, wherever you are. I know you’re there, and I know you’re watching me, tuned in to my life to piece everything together yourself. It’s not just the shameful things I’ve done that are driving me crazy, Theo. It’s because I know I’m not done yet.

  HISTORY

  Sunday, June 8th, 2014

  I’m making history today.

  Time is moving faster than this L train, but it’s all good since I’m sitting to the left of Theo McIntyre. I’ve known him since middle school, when he caught my eye at recess. He waved me over and said, “Help me out, Griffin. I’m rebuilding Pompeii.” A puzzle of Pompeii made up of one hundred pieces, obviously. I knew nothing of Pompeii at the time; I thought Mount Vesuvius was the hidden lair of some comic book overlord. Theo’s hands had entranced me, sorting the puzzle pieces into groups according to shades before beginning, separating the granite roads from the demolished, ash-coated structures. I helped with the sky, getting the clouds all wrong. We didn’t get very far with the puzzle that day, but we’ve been tight ever since.

  Today’s outing takes us from Manhattan to Brooklyn to see if the lost treasures in some flea market are as overpriced as everyone says they are. No matter where we are, Brooklyn or Manhattan, a schoolyard or Pompeii, I’ve planned on changing the game up on Theo on this even-numbered day. I just hope he’s down to keep playing.

  “At least we have the place to ourselves,” I say.

  It’s almost suspicious how empty the subway car is. But I’m not questioning it. I’m too busy dreaming up what it would be like to always share this space and any other space with this know-it-all who loves cartography, puzzles, video animation, and finding out what makes humans tick. On a crowded train, Theo and I usually squeeze together when we sit, our hips and arms pressed against one another’s, and it’s a lot like hugging him except I don’t have to let go as quickly. It sucks that Theo sits directly across from me now, but at least I get the very awesome view. Blue eyes that find wonder in everything (including train ads for teeth whitening), blond hair that darkens when it’s wet, the Game of Thrones T-shirt I got him for his birthday back in February.

  “It’s a lot harder to people-watch without people,” Theo says. His eyes lock on me. “There’s you, I guess.”

  “I’m sure there will be some interesting people at the flea market. Like hipsters.”

  “Hipsters are characters, not people,” Theo says.

  “Don’t hipster-shame. Some of them have real feelings underneath their beanie hats and vintage flannels.”

  Theo stands and does a bullshit pull-up on the rail; his brain gets him top marks, but his muscles can’t carry him as high. He gives up and hops back and forth between the train benches like some underground trapeze artist. I wish he would somersault to my side and stay put. He holds on to the railing and stretches his leg to the opposite bench, and his shirt rises a little so I peek at his exposed skin peripherally while keeping my focus on Theo’s grin. It might be my last day to do so.

  The train rocks to a stop and we get off, finally.

  Manhattan is home and all, so Theo never bad-mouths it, but I know he wishes more of its walls were stained with graffiti like they are here in Brooklyn, bright in the summer sun. Theo points out his favorites on the way to the flea market: a little boy in black and white walking across colorful block letters spelling out DREAM; an empty mirror demanding to find the fairest of them all in a crazy neat cursive that
rivals Theo’s perfect handwriting; an airplane circling Neptune, which is just fantastical enough that it doesn’t give me flying anxiety; knights seated around Earth, like it’s their round table. Neither of us have any idea what it’s supposed to mean, but it’s pretty damn cool.

  It’s a long, hot walk to the flea market, located by the East River. Theo spots a refreshment truck, and we spend five bucks each on cups of frozen lemonade, except there isn’t enough of the sugary slush left so we’re forced to chew ice to survive the heat.

  Theo stops at a table with Star Wars goods. His face scrunches up when he turns to me. “Seventy dollars for that toy lightsaber?”

  Theo’s inside voice sucks. It’s a problem.

  The forty-something vendor looks up. “It’s a recalled saber,” she says flatly. “It’s rare and I should be charging more.” Her shirt reads princess leia is not the damsel in distress you’re looking for.

  Theo returns her glare with an easy smile. “Did someone pull an Obi-Wan and cut someone’s arm off?”

  My knowledge on all things Star Wars is pretty limited, and the same goes for Theo’s knowledge on all things Harry Potter. He’s the only sixteen-year-old human I know who isn’t caught up on everyone’s favorite boy wizard. One night we argued for a solid hour over who would win in a duel between Lord Voldemort and Darth Vader. I’m surprised we’re still friends.

  “The battery hatch snaps off easily and children can’t seem to keep them out of their damn mouths,” the woman says. She isn’t talking to Theo anymore. She’s talking to an equally unhappy dude her age who can’t figure out an R2-D2 alarm clock.

  “Okay, then.” Theo salutes her, and we walk away.

  We stroll for a few minutes. (Six, to be exact.) “Are we done here?” I ask. It’s hot, and I’m melting, and we’ve definitely seen that some of the treasures are way pricier than they legally should be.

  “Hell no, we’re not done,” Theo says. “We can’t leave empty-handed.”

  “So buy something.”

  “Why don’t you buy me something?”

  “You don’t need that lightsaber.”

  “No, stupid, buy me something else.”

  “It’s safe to assume you’re buying me something too, right?”

  “Seems fair,” Theo says. He taps his dangerous watch. It is actually for-real dangerous, as in it’s not safe to wear. I’m not even sure how or why it got made, because its sharp sundial hands have scratched unsuspecting people’s bodies—mine included—enough times that he should throw it in a fireplace and kill it dead and then sue the manufacturer. He wears it anyway because it’s different. “Let’s meet at the entrance in twenty minutes. Ready?”

  “Go.”

  Theo dashes away, nearly crashing into a bearded man with a little girl sitting on his shoulders. He is out of sight in seconds. I check the time on my phone—4:18, even minute—and I speed in the opposite direction, into an airy labyrinth full of people’s relics for sale. I run past crates of old sneakers, crooked rows of smudged mirrors like a filthy funhouse, poles with floral pashminas that billow from a hidden fan, and buckets of seashells sold in tandem with paintbrushes.

  The seashells are kind of cool, I guess, but they don’t really scream “Theo!”

  A minute or so later, I hit a grid of the market that does speak Theo’s language. A dream catcher with a willow hoop dyed his favorite shade of green. An entire table of tiny ships inside bottles. He was recently reading up on their intricacies in the hopes of making one himself, except I know he wants his bottle to have a spaceship inside because he always has to put his Theo twist on things.

  I still have all the time in the world—if the world only had twelve minutes to offer, at least. It’s too bad he’s not more of a fantasy fan, because the letter openers here are pretty boss and I’m sort of hoping he’s found this table already and will surprise me with one, preferably the one designed like a sword sheath or this one with the bone handle. It’s okay because I have all the time in the world . . . Actually, right now, no I don’t, because according to my phone, I only have nine minutes, an odd number that’s getting me really anxious, so I scratch my palm while running again. I somehow return to a world of more misses. Theo has no current use for breakfast-friendly pots and pans since he’s pretty happy eating bowls of cereal with orange juice, and he definitely doesn’t need gardening tools unless they come with instructions on how he can grow more video games and computer apps for free.

  Then I hit the jackpot.

  Puzzles.

  I glance at my phone again: six minutes left. I’m no longer anxious; I’m excited. I know from being over at Theo’s enough that he doesn’t own any of these: a steampunk barn house gliding away on wings built of scraps from a satellite; Santa’s sleigh being pulled by dolphins underwater (I don’t want to know what’s in those wrapped gifts, but I’d also love to hear Theo’s guesses); a 3-D puzzle of a soccer ball, and the 3-D part is cool, but the sports part is less cool. I’m not sure where Theo stands on 3-D puzzles, but this doesn’t seem like the one “to kick it off”—ha.

  Boom, got it. The fourth one in the row on the table: Doomed Pirate Ship. The pirates are being thrown overboard by stormy weather and a raging sea; some try to climb back up, while another hangs from the plank. I know Theo will create a kick-ass story behind this one. The vendor drops the puzzle in a brown plastic bag and even though it costs nine bucks, I just shove a ten into her hands and jet back.

  Theo is waiting by the exit, pressed against the wall to hide away in the shade, like a vampire who stayed out too late—too early? I don’t blame him. We’re both sweating. He looks at his sundial watch. “Two minutes to spare! Let’s get the hell out of here before we go up in flames, or, worse, you get sunburn.”

  On the way back to the subway, the only clue I have of his gift is a box. It’s a perfect cube. I have zero guesses as to what it is. Underground we’re hidden from the sun, but the mugginess of a crowded platform is unbearable in its own way, like we’ve set up camp at the top of a volcano and zipped our tent shut. We somehow survive the six-minute wait, and once the train opens its doors, we race to the corner bench and sit before a couple of college-age-looking guys can take the seats for themselves. The air conditioner is on full blast, and I feel more like myself.

  “Presents?” Theo asks, pointing at my bag with finger guns.

  “You finished shopping first, so you go first,” I say, inching my leg a little closer to his so our knees might accidentally touch.

  “I’m not sure what kind of logic that is, but okay,” Theo says.

  He gives me the little box and whatever is inside doesn’t weigh that much and slides back and forth as I toss it from hand to hand. I open it and pull out an ornament of none other than Ron Weasley, Harry Potter’s best friend.

  “What do you think?” Theo asks. “I know he’s your favorite character, so you probably already have this, but I thought this one was cool, especially since he’s got that seen-better-days roughness going on.”

  I nod. It’s true: this Ron Weasley figurine is a little beat-up, the paint chipped on his red hair and black robe. But he’s not my favorite character. It’s an easy mistake because Ron is my favorite in the trio—sorry Harry, sorry Hermione—and it’s not as if they make ornaments for characters that were only alive and important in one book. But Cedric Diggory is my absolute favorite character in the series, in any book, really. When Cedric died at the end of the Triwizard Tournament, I cried for way longer than I’ve ever admitted to anyone. Cedric’s death is no doubt my most painful loss ever. But it’s okay, it’s not like I know for sure who Theo’s favorite Star Wars character is. I want to say Yoda, but that sounds stupid, even to me. It’s the thought that counts.

  “This is awesome,” I say. “And I don’t own it already, so thanks.” I wonder if the previous owner got over the series and pawned this little guy for fif
ty cents or something. One man’s loss and all that, I guess. “Okay. Your turn.” I’m missing the emptiness of the train we rode out, hyperalert that there are nameless spectators watching us exchange gifts and drawing their own conclusions about how we must be dating. It sucks that they’re wrong. It double sucks that there’s a chance Theo may be too scared to even be my friend after today.

  Theo slides the puzzle out of the bag and his eyes widen. “Hell yes. Eight hundred pieces. You have to put this together with me.”

  “What’s the story behind it?”

  Theo studies it for a moment. “It’s about the impending zombie-pirate apocalypse, obviously.”

  “Obviously. Tell me, how did the pirates get hit with the virus before anyone else?”

  “The zombie virus has always existed, but the scientists knew it was best to keep it as far away from land as possible. They knew humans by nature are stupid and bored and would do something like unleash hell on the world if it meant not having to go to their dead-end jobs on Monday morning. Scientists contained the virus on an island—I’m redacting the name because I can’t trust you with this secret, Griff—and they didn’t account for the raging storm you see here destroying the island and releasing the virus until it became airborne, hitting the traveling pirates first. Well, infecting the parrot of Captain Hoyt-Sumner first, who carried the virus onto The Pillaging Mary.”

  Only then do I lose it and smile. “How the hell are you coming up with these names?”

  “I didn’t make it up, it’s in all the textbooks. Read up on your future’s history,” Theo says.

  “What’s the parrot’s name?”

  “Fulton, but everyone calls her Rot Feathers after she makes all the pirates undead. They later renamed the ship The Bloodcurdling Crawler, which feels appropriate.”

  I really want to spend an hour inside his head, climbing all the different whirling clockwork gears.

 

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