As soon as she moved away from the miserable glow admitted by the door cracks, the room was almost pitch black and she could only make out the vaguest forms. Her fingers probed the dark: hunting, feeling. Shelves were cut into the walls of the cellar like catacombs. Jars of all sizes. She pulled one out and shook it. A faint rattle. She unscrewed the lid, and tipped the contents into her hand, and guided her fingertips over it. The object became so instantly and horribly familiar that she let out a yelp. A tooth, long pronged roots still attached. She dropped it to the floor and went to the next jar, rattled it. A faint sloshing inside. The next felt empty, and when she opened it, a small piece of furry paper fell onto her palm. As she felt the patch, her stomach twisted. It was a piece of dried skin, short hairs still attached. Her heart raced faster, and she kept going through the jars. One after another, their contents were equally repulsive and useless to her. Useless, useless, useless!
She felt tears start to salt her eyes, and blinked hard. This was no time for crying. There had to be something. There were four walls, that was clear. One wall was hewn shelves full of jars. One had the stairs. The next was blank. The last was where she herself had hung, and where the mummified black boy still slumped in his cobweb cocoon. This wall was the last one to search.
Hannah put her arms out in front of her and gingerly stepped towards the last wall. Her fingers touched silky threads and jerked back involuntarily. Okay, she thought. That’s him. What’s beside him? Her fingers delicately slid past the wispy strands until they again touched the wall. Nothing, nothing. . cold earth and the mute heads of rocks. Then her fingers slipped into space. Another shelf?
She used both hands to map the hole.
Where the excavated shelves were perhaps twenty centimetres or so high, this was taller; so high that she couldn’t reach its top, and it was at least a metre wide. She put her hand into it, then pulled back sharply. What if there are spiders in there?
Vee’s voice came back at her, at once cheerful and serious: There’ll be spiders in here soon enough, girlie, so get a wriggle on.
Hannah stood on tiptoe and reached into the hole. .
Her fingers touched something hard and flat and cold. Steel. She probed, and her hand closed around a looped iron handle. It was a box.
Or a coffin.
‘Shush,’ she hissed at herself.
She gripped the handle and pulled. The box chuckled unhappily, steel scraping on rock. It was heavy, but it moved. Well, she thought, if it’s a coffin, it’s empty. She pulled more and the end of the box cleared the wall. It still rested flat in its hole. She pulled and took a step backward, then another. How long was this thing? And when should she put up her other hand to stop it overbalancing? But just as she asked herself, the far end of the chest cleared the wall and it fell fast and hard. One sharp metal corner pounded into her cheek, then the box slammed sharply on the damp ground with a booming clang. Hannah lost her grip on it completely and the metal box tottered forward and fell, scraping skin from her shin on its downward arc.
Tears sprang out of her eyes and she bit her lip to stop herself howling at the bright pain.
At least it’s down.
Hannah knelt. She seemed to be hurting everywhere, worst of all her hot-and-cold throbbing shin. She gritted her teeth and made her fingers feel the chest. It had fallen onto its lid. She gripped the cold corners of folded steel and lifted. The chest rolled slowly and, as it did, its lid opened: its catch must have broken loose. Stuff spilled out over her hands and forearms.
Papers. Lots and lots of papers. Small pieces of paper — thousands of small rectangles.
Oh, wow, she realised. This is. .
She picked up a handful and sloshed over to the dull grey light leaking in from the trapdoors. The golden yellow plastic of contemporary fifty-dollar notes. The red paper of old twenties. A grey-green note printed ‘?100’. Hannah blinked. There was a fortune.
But it won’t buy your way out of here, she thought acidly.
She felt her way back over to the chest and started sifting through the money. Please, please, please, she thought, please let there be something in here. Something. . She shovelled the notes aside, feeling, probing, digging. .
Then her fingers closed on a roll of larger sheets. She followed the dry cylinder along its length. The roll’s held together, but with what?
Then a smile appeared on her face.
The roll was tied with a leather thong.
40
Nicholas’s head ached sharply. He’d spat in Quill’s face, and she had slapped him — slapped him hard.
Then she had risen, passing the fire pit and muttering to herself. She bent to the dresser and he heard through the ringing in his ear the clinking of glass and the tick of tin and the shush of things unscrewing. Rain mumbled heavily all the while.
His hatred for her was now as solid as the boards he lay on, as the stones ringing the fire pit. But despite it, he hadn’t come up with anything approximating a half-baked plan, let alone anything that promised a whiff of success. He was her prisoner, and Hannah was shortly to die.
‘I’ll stay if you let Hannah go.’
She kept her back to him. Her silence was terrifying.
‘I said-’
‘You will stay,’ said Quill, cutting him short. ‘And the cuttie will surely go.’
She turned her body and Nicholas saw what she held. A jar. It was open and in its bottom ran a small amount of greyish, once-white fluid. In her other hand, she held a silver cone on a rod. It looked like a candle snuffer; God knows he’d found plenty of those over his years of scrounging. But this metal cone was larger and curved like a horn, writhing with symbols and darkly stained with soot. Quill reached for her belt and, with a motion as swift and practised as a torero with a banderilla, produced the small, wickedly sharp knife. She drew the blade over her thumb and a red ruby of blood sprouted there. She let a thimbleful of thick crimson liquid drop into the silver cone. Her wrinkled oyster of a mouth mumbled words Nicholas couldn’t make out. Then she closed the wound, licked it, and poured the semen from the jar into the crucible. Without hesitating, she set the empty jar aside and held the cone by its stained silver handle over the flames.
Nicholas felt his limbs instantly blaze with pain, as if she were holding not the silver horn but him over the flames. Then, just as suddenly, fall slack and dumb. His heart stopped beating. He felt his breath sigh out of his lungs.
Oh God, she’s killed me!
Then his chest began thumping again, a deliberate, slow-paced tattoo that was dislocated and inhuman. As the blood swept from his heart through his veins, he seemed able to feel its passage. It’s not mine, he thought. It doesn’t feel like my blood any more! It feels like. .
‘Stiff, now,’ said Quill.
Nicholas felt his throat tighten and his arms, legs, chest, harden, every muscle closing like a thousand fists, till his body was straight and rigid as wood. His eyes watered with the pain of exertion, yet his sight remained his. He rolled his eyes.
Quill was watching him from a face that was all shadow bar two bright orbs that shone orange and owlish in the firelight. And she was smiling.
She got to her feet and scuttled over to him. With her neat knife, she sliced the ropes around his wrists and ankles and knees. Again, she was kneeling over his face, but instead of ripe young breasts and a long white throat, poised above him now was wattled grey flesh and rags. Her wet gums shone like the insides of dying clams.
‘Not for long, my pretty man.’
She let a string of spittle fall from her mouth into his, and giggled.
‘Stand.’
His legs swept under him and his arms gracefully pushed. He was on his feet. She watched him for a moment. Her eyes slid down his chest to his groin, and he could see the corner of her mouth grin upwards as she debated if she had time to play. Instead, she put the little knife in his fingers.
‘Take it,’ she said.
As his fingers closed around the
bone handle, Nicholas suddenly understood what he would be forced to do. No! he yelled, but his mouth would not work a word of protest.
‘Follow me,’ said Quill. She pulled a scarf from a peg beside the window and tied it over her white hair, then opened the grey wood door and stepped into the rain.
Nicholas found himself following her, fluid as smoke.
He glided after her on legs that moved of another’s accord, as if transported in a body borrowed.
He followed as she hobbled along the neat, rain-soaked flagstones beside the cottage. He could feel his feet step carefully on the wet path, his breaths ease wet air in and out, his fingers on the cool bone of the knife. . but had no control of any of them. He ordered his feet to stop, but they kept walking; he tried to scream, but his breath continued in and out in a steady rhythm; he tried to throw the knife, but his fingers held it fast. He was going to cut Hannah Gerlic’s throat.
As if hearing the thought, Quill turned to him and stopped. The rain pulled her ashen hair down over her limp skin, and her clothes lumped with sodden heaviness. She lifted her chin. For the first time, he could see without her sortilege past the old flesh and shrinking bone to the woman she had been. She nodded around at the tall, ancient trees.
‘It’s easy. You’ll see.’
A flash of white and pink flickered at the edge of the clearing, and streaked towards them. When it grew closer, Nicholas felt the regular rhythm of his breaths catch. The figure was a child, arm outstretched, heels bouncing on the ground as she was hauled by invisible hands. The girl in the forties’ sundress. As she passed, her wide eyes swung to Nicholas, pleading and resigned. He felt his stomach lurch. The girl screamed silently and flew backwards into the circular grove of trees behind them.
Quill continued her rocking hobble towards the rear of the cottage. She hadn’t seen the ghost.
How does that help me? wondered Nicholas.
She rounded the corner, and he followed close behind. They saw the same sight at once. The flat cellar door lay open on the sodden ground, rain spattering the descending steps.
Quill stared for a long moment, her eyes wide and her jaw tight — then whipped her eyes around to Nicholas. She trembled from head to foot. Anger poured off her in waves. Nicholas felt a thrill of excitement rise through him. Hannah must have escaped! As Quill glared, her mouth opened wide and she let out a screech that was alien and shrill, neither animal nor birdlike, but a sound much older and deeply unsettling.
The ground itself seemed to shimmer darkly. It rippled like the surface of a dark pond disturbed by something great and unseen below. And an insect-like ticking crisped the air under the rain. Nicholas strained, and rolled his eyes to the surrounding forest. The dark wave grew closer and closer until he could see what it was: the ground was alive with spiders. Thousands and thousands of spiders. Tens of thousands. Hundreds of thousands. Some were as small as rice grains, some as large as plates; smooth and hard; bristled and grey. A million round, black eyes collected around the old woman on a sea of shifting, spiny legs and round, swollen abdomens.
Nicholas felt a cold wave of primal terror swirl through his gut and fountain up his back.
The spiders watched Quill, waiting.
She was shaking. Angry. Pale.
And scared, he realised.
Quill looked over the mass of spiders. They coated bushes and her neat hedges. They piled on one another. Poised and listening. Her mouth worked. She glanced at Nicholas, unsure. Her fingers vibrated. Her jowls trembled. Then she spoke.
‘Find the girl,’ she whispered in a voice that sounded more suited to a beak than to human lips. ‘Find her. Kill her. And take her far, far, far!’
The spiders moved. Like a wave receding from the sand back into the sea, the mass drew away off the gardens and the path and the ground and shrank back into the trees.
Quill turned to Nicholas. Her eyes were wet, and not with rain. She stepped up to him. A smile crept onto her face, but it crumbled away. With one hand she wiped the briny spill off his chin. With the other, she gently took the knife from his fingers.
‘My poor man,’ she whispered. ‘Come.’
She started towards the circular grove, and he followed.
He knew what would happen. She was going to kill him instead.
41
Branches tore at Hannah’s face, and the sharp hooks of thick vines raked her wrists and tangled her feet. She was exhausted. Her frantic scramble slowed from a run to a walk. Her leg throbbed where the shotgun pellet had lodged in her calf, and the limb felt like a load she had to carry. The rain had eased, but heavy drops fell like cold pebbles from high, hidden leaves onto her neck and scalp. The paring knife was wet and threatened to slip from her grasp. Her breath came in hurting, inadequate blasts — deep, greedy sucks of air. She knew she had to stop before she stumbled and hurt herself even worse, but the memory of the dead black child in his ancient grey cocoon spurred her on.
The dark was thick, but her hours of peering in the cellar had allowed her pupils to widen to their fullest and she could at least make out the barest outlines of trunks and logs. She saw a fallen tree a few steps ahead, and sank, gasping, onto it, unmindful of the cold that clenched her buttocks as the wet soaked instantly through.
It felt both long hours and mere minutes since she had threaded the leather thong up the gap between the doors, watching it fold and flop over the barrel bolt. The moments she’d spent carefully pulling down on both ends of the thong — slightly more tension on one end than the other — had been the most stressful of her life. Each time the bolt slipped too far under the wet leather and clacked, her heart had hammered as she waited for the door to fling wide and something petrifying to grab her. But, finally, she’d found the balance, and turned the bolt upright, then carefully pulled to the side. . and the bolt arm had cleared its stay.
The burning in her legs was fading at last and her breaths were coming easier. What now? she asked herself. Run home? Tell her parents, tell the police that were surely there? And then what? Lead them back in here? No, they wouldn’t let her out of their sight. Her story was unbelievable. They’d see the pellet wound in her leg, hear that Nicholas shot her. .
They’d come in hunting not Quill, but Nicholas.
And he’ll be dead by then, if he isn’t already.
But he wasn’t. Hannah was sure of it. She could feel it: Nicholas was alive. But for how long?
She wiped the black plastic handle of the paring knife. Miriam was dead. Nicholas was going to die soon. And the old witch was going to get away with it. The spark of dull anger inside her flared.
Unless. .
She took a deep breath, wiped the knife handle, and started back towards the cottage.
Laine sat in the back of the police car listening to the rain on the roof subside from a roar to a light drumming to a sporadic whisper. She glanced back to the other police sedan parked behind, and through the distorting swirls of water could vaguely make out the silhouette of Katharine’s and Suzette’s heads flanking a large male officer’s in the vehicle’s back seat.
Laine turned back to the two officers in the car with her. Both men sat in the front on the other side of a Perspex screen, one drinking tea from a thermos, the other staring glumly into the rain.
‘I think you have to arrest me or let me go,’ she said.
‘Well,’ replied the one with the tea, but then fell silent.
‘We’re just keeping you out of the rain,’ said the other. ‘We’ll know soon.’
To Laine it felt like hours since the officers had summoned her, Suzette and Katharine over as they hurried towards the woods, shovels and forks in hand. Laine had been amazed by Katharine’s quick lie that the three of them were part of a woodlands conservation group. She and Suzette had picked up the mistruth, explaining that a rare dwarf syzygium needed its mulch turned over or it would get root rot. The police had all but let them go when Katharine spoiled it all by answering truthfully when asked for her name.
Clearly, ‘Close’ was on record as associated with the Gerlic children. And so the women had been divested of their makeshift weapons and split into separate cars, where streams of questions kept flowing until the rains drowned them out.
Laine had the temerity to ask several times why the police weren’t out looking for Hannah Gerlic instead of harassing her, to which the thundering rain gave its own answer.
‘I think I need to talk with my solicitor,’ she said finally.
The police officers looked at one another. A car door opened and closed behind them. ‘Wait here.’ The officers opened their own doors and went out into the drizzle.
Laine watched them meet another four officers in a huddle. Arms pointed at the car in which Katharine sat, and fingers gestured towards Laine, towards the sky, towards the woods. Heads nodded. Torches flicked on. Men walked towards the dark tree line.
A minibus pulled up on the verge and a file of shadowed men and women in orange State Emergency Service overalls disembarked.
The front door of Laine’s car opened and a police officer slid back in. He turned to her.
‘Fancy a cup of tea?’
42
The walk from the open cellar door, back past Quill’s cottage, and into the circular grove was as slow and silent as a dream.
Nicholas lifted his eyes to look at the sky. The rain had all but finished, and clouds were easing apart like rotten lace in a stiff wind; behind them, stars blinked cold, faint light. Ahead, a round wall of trees glistened and their wet leaves whispered to one another with sly drip-drips. There were two dozen or so trees in a circle twenty metres wide.
As Quill walked between two trees, she touched fondly the trunk nearest. She didn’t look back at him.
The Darkening Page 36