Philippa Gregory 3-Book Tudor Collection 2

Home > Literature > Philippa Gregory 3-Book Tudor Collection 2 > Page 57
Philippa Gregory 3-Book Tudor Collection 2 Page 57

by Philippa Gregory


  ‘No! Never. I knew at once that I wanted to be with you. I have been trying to get a letter to you. I have been trying to reach you. I swear it, Daniel. I have thought of nothing and no-one but you, ever since I left.’

  ‘Have you come back to be my wife?’ he asked simply.

  I nodded. At this most important moment I found I lost all my fluency. I could not speak. I could not argue my case, I could not persuade him in any one of my many languages. I could not even whisper. I just nodded emphatically, and Danny on my hip, his arms around my neck, gave a gurgle of laughter and nodded too, copying me.

  I had hoped Daniel would be glad and snatch me up into his arms, but he was sombre. ‘I will take you back,’ he said solemnly. ‘And I will not question you, and we will say no more about this time apart. You will never have a word of reproach from me, I swear it; and I will bring this boy up as my son.’

  For a moment, I did not understand what he meant, and then I gasped. ‘Daniel, he is your son! This is your son by your woman. This is her son. We were running from the French horsemen and she fell, she gave him to me as she went down. I am sorry, Daniel. She died at once. And this is your boy, I passed him off as mine. He is my boy now. He is my boy too.’

  ‘He is mine?’ he asked wonderingly. He looked at the child for the first time and saw, as anyone would have to see, the dark eyes which were his own, and the brave little smile.

  ‘He is mine too,’ I said jealously. ‘He knows that he is my boy.’

  Daniel gave a little half-laugh, almost a sob, and put his arms out. Danny reached for his father and went confidingly to him, put his plump little arms around his neck, looked him in the face and leaned back so he could scrutinise him. Then he thumped his little fist on his own chest and said, by way of introduction: ‘Dan’l.’

  Daniel nodded, and pointed to his own chest. ‘Father,’ he said. Danny’s little half-moon eyebrows raised in interest.

  ‘Your father,’ Daniel said.

  He took my hand and tucked it firmly under his arm, as he held his son tightly with the other. He walked to the dispatching officer and gave his name and was ticked off their list. Then together we walked towards the open portcullis.

  ‘Where are we going?’ I asked, although I did not care. As long as I was with him and Danny, we could go anywhere in the world, be it flat or round, be it the centre of the heavens or wildly circling around the sun.

  ‘We are going to make a home,’ he said firmly. ‘For you and me and Daniel. We are going to live as the People, you are going to be my wife, and his mother, and one of the Children of Israel.’

  ‘I agree,’ I said, surprising him again.

  He stopped in his tracks. ‘You agree?’ he repeated comically.

  I nodded.

  ‘And Daniel is to be brought up as one of the People?’ he confirmed.

  I nodded. ‘He is one already,’ I said. ‘I had him circumcised. You must instruct him, and when he is older he will learn from my father’s Hebrew Bible.’

  He drew a breath. ‘Hannah, in all my dreams, I did not dream of this.’

  I pressed against his side. ‘Daniel, I did not know what I wanted when I was a girl. And then I was a fool in every sense of the word. And now that I am a woman grown, I know that I love you and I want this son of yours, and our other children who will come. I have seen a woman break her heart for love: my Queen Mary. I have seen another break her soul to avoid it: my Princess Elizabeth. I don’t want to be Mary or Elizabeth, I want to be me: Hannah Carpenter.’

  ‘And we shall live somewhere that we can follow our beliefs without danger,’ he insisted.

  ‘Yes,’ I said, ‘in the England that Elizabeth will make.’

  Author’s Note

  The characters of Hannah and her family are invented, but there were Jewish families concealing their faith in London as elsewhere in Europe, throughout this period. I am indebted to Cecil Roth’s moving history and to the broadcaster and film-maker Naomi Gryn for giving me a small insight into these courageous lives. Most of the other characters in this novel are real, created by me in this fiction to match the historical record as I understand it. Below is a list of some of my sources, and for the history of Calais I am also indebted to the French historian Georges Fauquet who was generous with his time and his knowledge.

  Billington, Sandra, A Social History of the Fool, 1984

  Braggard, Philippe, Termote, Johan, Williams, John (ed), Walking the Walls, Historic Town Defences in Kent, Côte d’Opale and West Flanders, Kent County Council, 1999

  Brigden, Susan, New Worlds, Lost Worlds, The rule of the Tudors 1485–1603, 2000

  Cressy, David, Birth, Marriage and Death, Ritual, Religions and the Life Cycle in Tudor and Stuart England, 1977

  Darby, H.C., A New Historical Geography of England before 1600, 1976

  Doran, John, A History of Court Fools, 1858

  Fontaine, Raymond, Calais, ville d’histoire et de tourisme, Syndicat d’initiative de France, (P.d.C.) 2002

  Green, Dominic, The Double Life of Doctor Lopez, 2003

  Guy, John, Tudor England, 1988

  Haynes, Alan, Sex in Elizabethan England, 1997

  Hibbert, Christopher, The Virgin Queen, 1992

  Lenoir, Laurent, Á la decouverté des anciennes fortifications de Calais, Nord Patrimonie Editions, 2002

  Loades, David, The Tudor Court, 1986

  Marshall, Peter, The Philosopher’s Stone, A quest for the secrets of alchemy, 2001

  Neale, J.E., Queen Elizabeth, 1934

  Plowden, Alison, Elizabeth: Marriage with my Kingdom, 1999

  Plowden, Alison, The Young Elizabeth, 1999

  Plowden, Alison, Tudor Queens and Commoners, 1998

  Ridley, Jasper, Elizabeth I, 1987

  Roth, Cecil, A History of the Marranos, The Jewish Publication Society of America, Philadelphia, USA, 1932

  Somerset, Anne, Elizabeth I, 1997

  Starkey, David, Elizabeth, 2001

  Turner, Robert, Elizabethan Magic. The art and the Magus, 1989

  Weir, Alison, Children of England, 1997

  Weir, Alison, Elizabeth the Queen, 1999

  Welsford, Enid, The Fool: His social and literary history, 1935

  Woolley, Benjamin, The Queen’s Conjuror, 2001

  Yates, Frances, The Occult Philosophy in the Elizabethan Age, 1979

  PHILIPPA GREGORY

  THE VIRGIN’S LOVER

  Dedication

  For Anthony

  Contents

  Cover

  Title Page

  Dedication

  Autumn 1558

  One Year Earlier: Summer 1557

  Winter 1558

  Summer 1558

  Autumn 1558

  Winter 1558–59

  Spring 1559

  Summer 1559

  Autumn 1559

  Winter 1559–60

  Spring 1560

  Summer 1560

  Author’s Note

  Autumn 1558

  All the bells in Norfolk were ringing for Elizabeth, pounding the peal into Amy’s head, first the treble bell screaming out like a mad woman, and then the whole agonising, jangling sob till the great bell boomed a warning that the whole discordant carillon was about to shriek out again. She pulled the pillow over her head to shut out the sound, and yet still it went on, until the rooks abandoned their nests and went streaming into the skies, tossing and turning in the wind like a banner of ill omen, and the bats left the belfry like a plume of black smoke as if to say that the world was upside down now, and day should be forever night.

  Amy did not need to ask what the racket was for; she already knew. At last, poor sick Queen Mary had died, and Princess Elizabeth was the uncontested heir. Praise be. Everyone in England should rejoice. The Protestant princess had come to the throne and would be England’s queen. All over the country people would be ringing bells for joy, striking kegs of ale, dancing in the streets, and throwing open prison doors. The English had their Elizabeth
at last, and the fear-filled days of Mary Tudor could be forgotten. Everyone in England was celebrating.

  Everyone but Amy.

  The peals, pounding Amy into wakefulness, did not bring her to joy. Amy, alone in all of England, did not celebrate Elizabeth’s upward leap to the throne. The chimes did not even sound on key to her. They sounded like the beat of jealousy, the scream of rage, the sobbing shout of a deserted woman.

  ‘God strike her dead,’ she swore into her pillow as her head rang with the pound of Elizabeth’s bells. ‘God strike her down in her youth and her pride and her beauty. God blast her looks, and thin her hair, and rot her teeth, and let her die lonely and alone. Lonely and alone, like me.’

  Amy had no word from her absent husband: she did not expect one. Another day went by and then it was a week. Amy guessed that he would have ridden at breakneck pace to Hatfield Palace from London at the first news that Queen Mary was dead. He would have been the first, as he had planned, the very first to kneel before the princess and tell her she was queen.

  Amy guessed that Elizabeth would already have a speech prepared, some practised pose to strike, and for his part Robert would already have his reward in mind. Perhaps even now he was celebrating his own rise to greatness as the princess celebrated hers. Amy, walking down to the river to fetch in the cows for milking because the lad was sick and they were short-handed at Stanfield Hall, her family’s farm, stopped to stare at the brown leaves unravelling from an oak tree and whirling like a snowstorm; southwest to Hatfield where her husband had blown, like the wind itself, to Elizabeth.

  She knew that she should be glad that a queen had come to the throne who would favour him. She knew she should be glad for her family, whose wealth and position would rise with Robert’s. She knew that she should be glad to be Lady Dudley once more: restored to her lands, given a place at court, perhaps even made a countess.

  But she was not. She would rather have had him at her side as an attainted traitor, with her in the drudgery of the day and in the warm silence of the night; anything rather than ennobled as the handsome favourite at another woman’s court. She knew from this that she was a jealous wife; and jealousy was a sin in the eyes of God.

  She put her head down and trudged on to the meadows where the cows grazed on the thin grass, churning up sepia earth and flints beneath their clumsy hooves.

  — How could we end up like this? — she whispered to the stormy sky piling up a brooding castle of clouds over Norfolk. — Since I love him so much, and since he loves me? Since there is no-one for us but each other? How could he leave me to struggle here, and dash off to her? How could it start so well, in such wealth and glory as it did, and end in hardship and loneliness like this? —

  One Year Earlier: Summer 1557

  In his dream he saw once again the rough floorboards of the empty room, the sandstone mantelpiece over the big fireplace with their names carved into it, and the leaded window, set high in the stone wall. By dragging the big refectory table over to the window, climbing up, and craning their necks to look downward, the five young men could see the green below where their father came slowly out to the scaffold and mounted the steps.

  He was accompanied by a priest of the newly restored Roman Catholic church, he had repented of his sins and recanted his principles. He had begged for forgiveness and slavishly apologised. He had thrown away all fidelity for the chance of forgiveness, and by the anxious turning of his head as he searched the faces of the small crowd, he was hoping for the arrival of his pardon at this late, this theatrical moment.

  He had every reason to hope. The new monarch was a Tudor and the Tudors knew the power of appearances. She was devout, and surely would not reject a contrite heart. But more than anything else; she was a woman, a soft-hearted, thick-headed woman. She would never have the courage to take the decision to execute such a great man, she would never have the stamina to hold to her decision.

  — Stand up, Father, — Robert urged him silently. — The pardon must come at any moment; don’t lower yourself by looking for it. —

  The door behind Robert opened, and a gaoler came in and laughed raucously to see the five young men up at the window, shading their eyes against the brilliant midsummer sun. ‘Don’t jump,’ he said. ‘Don’t rob the axeman, bonny lads. It’ll be you five next, and the pretty maid.’

  ‘I will remember you for this, after our pardons have come, and we are released,’ Robert promised him, and turned his attention back to the green. The gaoler checked the thick bars on the window and saw that the men had nothing that could break the glass, and then went out, still chuckling, and locked the door.

  Below on the scaffold, the priest stepped up to the condemned man, and read him prayers from his Latin bible. Robert noticed how the wind caught the rich vestments and made them billow like the sails of an invading Armada. Abruptly, the priest finished, held up a crucifix for the man to kiss, and stepped back.

  Robert found he was suddenly cold, chilled to ice by the glass of the window where he was resting his forehead and the palms of his hands, as if the warmth of his body was bleeding out of him, sucked out by the scene below. On the scaffold, his father knelt humbly before the block. The axeman stepped forward and tied the blindfold over his eyes, he spoke to him. The prisoner turned his bound head to reply. Then, dreadfully, it seemed as if that movement had disoriented him. He had taken his hands from the executioner’s block, and he could not find it again. He started to feel for it, hands outstretched. The executioner had turned to pick up his axe, and when he turned back, his prisoner was near to falling, scrabbling about.

  Alarmed, the hooded executioner shouted at the struggling prisoner, and the prisoner plucked at the bandage over his eyes, calling that he was not ready, that he could not find the block, that the axe must wait for him.

  ‘Be still!’ Robert hollered, hammering against the thick glass of the window. ‘Father, be still! For God’s sake, be still!’

  ‘Not yet!’ cried the little figure on the green to the axeman behind him. ‘I can’t find the block! I am not ready! I am not prepared! Not yet! Not yet!’

  He was crawling in the straw, one hand outstretched before him, trying to find the block, the other hand plucking at the tight bandage over his head. ‘Don’t touch me! She will pardon me! I’m not ready!’ he screamed, and was still screaming, as the axeman swung his blade and the axe thudded into the exposed neck. A gout of blood spurted upward, and the man was thrown to one side with the blow.

  ‘Father!’ Robert shouted. ‘My father!’

  The blood was pumping from the wound but the man still scrabbled like a dying pig in the straw, still trying to get to his feet with boots that could get no purchase, still searching blindly for the block, with hands that were growing numb. The executioner, cursing his own inaccuracy, raised the great axe again.

  ‘Father!’ Robert cried out in agony as the axe came down. ‘Father!’

  ‘Robert? My lord?’ A hand was gently shaking him. He opened his eyes and there was Amy before him, her brown hair plaited for sleep, her brown eyes wide, solidly real in the candlelight of the bedroom.

  ‘Good God! What a nightmare! What a dream. God keep me from it. God keep me from it!’

  ‘Was it the same dream?’ she asked. ‘The dream of your father’s death?’

  He could not even bear that she should mention it. ‘Just a dream,’ he said shortly, trying to recover his wits. ‘Just a terrible dream.’

  ‘But the same dream?’ she persisted.

  He shrugged. ‘It’s hardly surprising that it should come back to me. Do we have some ale?’

  Amy threw back the covers and rose from the bed, pulling her nightgown around her shoulders. But she was not to be diverted.

  ‘It’s an omen,’ she said flatly, as she poured him a mug of ale. ‘Shall I heat this up?’

  ‘I’ll take it cold,’ he said.

  She passed him the mug and he drank it down, feeling his night sweat cooling on his naked back,
ashamed of his own terror.

  ‘It’s a warning,’ she said.

  He tried to find a careless smile, but the horror of his father’s death, and all the failure and sadness that had ridden at his heels since that black day, was too much for him. ‘Don’t,’ he said simply.

  ‘You should not go tomorrow.’

  Robert took a draught of ale, burying his face in the mug to avoid her accusing gaze.

  ‘A bad dream like that is a warning. You should not sail with King Philip.’

  ‘We’ve been through this a thousand times. You know I have to go.’

  ‘Not now! Not after you dreamed of your father’s death. What else could it mean but a warning to you: not to overreach yourself? He died a traitor’s death after trying to put his son on the throne of England. Now you ride out in your pride once more.’

  He tried to smile. ‘Not much pride,’ he said. ‘All I have is my horse and my brother. I could not even raise my own battalion.’

  ‘Your father himself is warning you from beyond the grave.’

  Wearily, he shook his head. ‘Amy, this is too painful. Don’t cite him to me. You don’t know what he was like. He would have wanted me to restore the Dudleys. He would never have discouraged me in anything I wanted to do. He always wanted us to rise. Be a good wife to me, Amy-love. Don’t you discourage me – he would not.’

  ‘You be a good husband,’ she retorted. ‘And don’t leave me. Where am I to go when you have sailed for the Netherlands? What is to become of me?’

  ‘You will go to the Philipses, at Chichester, as we agreed,’ he said steadily. ‘And if the campaign goes on, and I don’t come home soon – you will go home, to your stepmother’s at Stanfield Hall.’

  ‘I want to go home to my own house at Syderstone,’ she said. ‘I want us to make a house together. I want to live with you as your wife.’

 

‹ Prev