I’d needed every last speck of my heightened night vision to make it to the top of Spruce Tree Mesa before dawn.
The mesa had hardly changed since I last saw it. Coyote Rock still bayed at the moon, the old pueblo city stood patiently waiting for its people to return … and the Great Kiva was merely ten footsteps ahead of me.
I checked the horizon; dawn was just moments away.
I raced into the kiva.
The four great spruce trees still held up the heavy roof. But the rock garden, the mandala of tiny skeletons and stones, no longer guarded the amber coyote pedestal in the centre of the floor and the wall mural with its weird mushroom cloud was gone. The kiva was completely empty except for the little stone coyote, still offering its empty paws to the cosmos.
I placed Isabella’s Cross in the little coyote’s paws.
It seemed to nestle there, as though the stone had been polished smooth to fit the curves of the golden ankh.
Then I ripped open Coyote Jack’s letter, unable to wait a second longer. What had Jack written? And why?
I frowned. There was one page of writing enfolding yet another letter …
The instruction written on the front of the second letter told me to open it at Coyote Rock, but only after I’d read the first page and done as instructed.
I stuffed the second letter in my pocket and began to read the page. It was addressed to the anonymous beneficiary of Rodrigo Juan de Vivar’s codicil. It directed me to clean the oval top section of Isabella’s Cross with the dust found at the feet of the stone coyote. But … it sternly warned me not to look at what would be revealed there. It said, ‘It is not your time yet.’
Not my time yet … for what?
Then I was to place the cross in the coyote’s paws.
I’d always thought the painted part of the cross — or rather the ankh — looked weird. Certainly not anywhere near as old as the ankh itself. The oval over the top of the cross bar was painted with floating angelic figures. It looked more Roman than anything else. Was it possibly an add-on by Emperor Theodosius?
Dawn’s rose-coloured light streamed into the kiva; I had to hurry.
I grabbed the ankh, scooped up a handful of dirt and began rubbing it into the painted oval.
A shining surface was being slowly revealed.
The golden ankh was simply a holder for a mirror.
I scrubbed, trying not to look, but caught sight of a great golden light looking back at me …
It hurt my eyes.
I wanted to look but Coyote Jack’s instructions had been stern. Do not under any circumstances look directly at the surface.
The mirror fully revealed, I replaced the ankh in the coyote’s paws.
I heard a sound behind me … footsteps.
I raced over to the doorway and hid.
The spitting image of the Big Swede strode through the door. He was a huge block of a man with massive shoulders, winter-sky-grey eyes and greying butter-yellow hair. It had to be the Big Swede’s descendant, Steven Blix. I heard no more footsteps and hoped he was alone.
Steven Blix walked forwards, straight to the coyote statue, as though in a trance. He picked up the golden ankh and gazed deeply at his own reflection.
The sun’s brilliant rays streamed into the kiva, illuminating his features.
Blix’s broad face became drawn with anger — as though he could see his worst enemy grinning back at him. Then it became pale with fear — as though his own personal hell beckoned from behind the mirror …
Then I watched in wonder as the dawn rays enveloped him in a rosy-gold nimbus of light.
The anger and fear drained from his winter-sky-grey eyes as though washed away by the golden light.
But still Blix gazed into the mirrored ankh.
Now his features became relaxed … smoother, peaceful. He stood taller, stronger. Blix seemed to be rejuvenating before my eyes. Growing into the man he was meant to be …
Then I knew the sale would not go through. Big Sun Canyon would be safe.
I slipped out the kiva door and up to Coyote Rock. Dawn was arching its rosy back into a brilliant blue sky. I stood between the massive paws and ripped open Coyote Jack’s last letter.
And gasped in disbelief …
My dear wild girl,
I told you I never give up. Did you really doubt me?
You humans, you sons and daughters of the Earth, play with forces you are not yet wise enough to understand. That is why I am here.
You were eons in your cradle, my sleeping gods and goddesses, and the cosmos awaits your awakening with bated breath. When will you realise you are without limits … boundless? You are Life itself.
My dear, the talents you developed in your journey to this dawn have come from inside you. I just gave you a reason to notice them.
You humans are infants with the power of gods and I am here to trip you up when you are about to do something irrevocably foolish. So I warn you that the Sun’s heart’s blood must stay in the flesh of her daughter — the Earth! Like infants, you are blind to all but your own petty desires and hates — and this blindness could destroy you.
To grow up and into your destiny, you must face yourselves without illusion. My role is to trick you into looking in the mirror. The mirror shines through your masks, your fears, your delusions to reveal the divinity that dwells inside you … and inside all sentient beings.
Unfortunately, my dear, until your kind learns that love is the only way, humanity will continue to travel the hard road. In the end we are all one, and one being’s pain echoes through us all.
But this wisdom will come … and with it great wonders.
Remember, my dear wild girl, what I told you so long ago in the Great Kiva — the childhood scar that encages your heart will heal one day soon. If you just keep searching the remedy will find you.
Now my duty here is almost done. The Earth is awakening from her slumber. Soon you will meet her … so be prepared.
Until then, my boundless child — I wish you luck,
Coyote
A bright light flashed into my eyes, blinding me for a moment.
I turned to see a glint from behind the old pueblo city. There a man stood, holding a mirror to catch the sun’s dawning rays. He wore nothing but blue jeans. There was a round yellow birthmark on his tanned muscular chest.
But it couldn’t be …
He raised a hand, the mirror flashed once more.
I waved back.
And he was gone.
ACKNOWLEDGEMENTS
My heartfelt thanks to …
The wonderful San Francisco City Guides, a volunteer organisation that provides free walking tours, and especially Rob Spoor.
The park rangers who lovingly conveyed the truths and mysteries of their wards at: Bandelier, Chaco Canyon and Aztec Ruins in New Mexico; Mesa Verde in Colorado; and the Grand Canyon in Arizona. And especially G.B. Cornucopia at Chaco Canyon for sharing his knowledge of the Ancestral Puebloan culture.
The Native American custodians of Monument Valley, Bandelier, Chaco Canyon, Aztec Ruins, Mesa Verde and the Grand Canyon.
Rowena Lindquist and Marianne de Pierres for their generous support.
Pauline Fuller, my Tai Chi and Chinese sword teacher, for her wisdom.
Janet Roberts, Abigail Nathan and Andrea Johansen for their insightful comments, and Owen Roberts, the ex-Flying Doctor, for his expertise.
The wonderful team at Voyager and everyone else at HarperCollins. Particularly the hard-working account managers who go out and sell the books, Darren Holt for such a gorgeous cover, and Kate Burnitt for all her efforts in bringing this book to fruition.
Stephanie Smith, former Associate Publisher — Voyager, a brilliant editor and a delight to know.
Richard Caladine, my love and fellow adventurer.
About the Author
Rhonda Roberts was a lecturer at the University of Wollongong for eleven years, specialising in the formation of knowledge systems in di
fferent cultures and historical periods, in particular Japan, Australia and the USA.
She is very interested in martial arts and trained in Aikido for four years in Japan and Australia. She now learns Tai Chi, Qigong and Chinese sword.
Rhonda lives in the Illawarra with her husband and two dogs and swims in the ocean every day that she can.
www.rhondarobertsauthor.com
Other Books by Rhonda Roberts
KANNON DUPREE
TIMESTALKER
Gladiatrix (1)
Hoodwink (2)
Coyote (3)
Copyright
HarperVoyager
An imprint of HarperCollinsPublishers
First published in Australia in 2012
This edition published in 2012
by HarperCollinsPublishers Australia Pty Limited
ABN 36 009 913 517
harpercollins.com.au
Copyright © Rhonda Roberts 2012
The right of Rhonda Roberts to be identified as the author of this work has been asserted by her under the Copyright Amendment (Moral Rights) Act 2000.
This work is copyright. Apart from any use as permitted under the Copyright Act 1968, no part may be reproduced, copied, scanned, stored in a retrieval system, recorded, or transmitted, in any form or by any means, without the prior written permission of the publisher.
HarperCollinsPublishers
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National Library of Australia Cataloguing-in-Publication data:
Roberts, Rhonda.
Coyote / Rhonda Roberts.
ISBN: 978 0 7322 8857 0 (pbk.)
ISBN: 978 1 74309 621 5 (epub)
Roberts, Rhonda. Kannon Dupree timestalker; 3.
A823.4
Cover design by Darren Holt, HarperCollins Design Studio
Cover images: Man by Ryan McVay / Getty Images; all other images by shutterstock.com
Maps by Richard Caladine
Coyote Page 45