Sunshine Sketches of a Little Town

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Sunshine Sketches of a Little Town Page 6

by Stephen Leacock


  For all I know, this Cuban stuff may have been sent from Morgan himself. Some of the people in Mariposa said yes, others said no. There was no certainty.

  Anyway, they were fair and straight, this Cuban crowd that wrote to Jeff. They offered him to come right in and be one of themselves. If a man’s got the brains, you may as well recognize it straight away. Just as well write him to be a director now as wait and hesitate till he forces his way into it.

  Anyhow, they didn’t hesitate, these Cuban people that wrote to Jeff from Cuba—or from a post-office-box in New York—it’s all the same thing, because Cuba being so near to New York the mail is all distributed from there. I suppose in some financial circles they might have been slower, wanted guarantees of some sort, and so on, but these Cubans, you know, have got a sort of Spanish warmth of heart that you don’t see in business men in America, and that touches you. No, they asked no guarantee. Just send the money—whether by express order or by bank draft or cheque, they left that entirely to oneself, as a matter between Cuban gentlemen.

  And they were quite frank about their enterprise—bananas and tobacco in the plantation district reclaimed from the insurrectos. You could see it all there in the pictures—tobacco plants and the insurrectos—everything. They made no rash promises, just admitted straight out that the enterprise might realise 400 per cent. or might conceivably make less. There was no hint of more.

  So within a month, everybody in Mariposa knew that Jeff Thorpe was “in Cuban lands” and would probably clean up half a million by New Year’s. You couldn’t have failed to know it. All round the little shop there were pictures of banana groves and the harbour of Habana, and Cubans in white suits and scarlet sashes, smoking cigarettes in the sun and too ignorant to know that you can make four hundred per cent. by planting a banana tree. I liked it about Jeff that he didn’t stop shaving. He went on just the same. Even when Johnson, the livery stable man, came in with five hundred dollars and asked him to see if the Cuban Board of Directors would let him put it in, Jeff laid it in the drawer and then shaved him for five cents, in the same old way. Of course, he must have felt proud when, a few days later, he got a letter from the Cuban people, from New York, accepting the money straight off without a single question, and without knowing anything more of Johnson except that he was a friend of Jeff’s. They wrote most handsomely. Any friends of Jeff’s were friends of Cuba. All money they might send would be treated just as Jeff’s would be treated.

  One reason, perhaps, why Jeff didn’t give up shaving was because it allowed him to talk about Cuba. You see, everybody knew in Mariposa that Jeff Thorpe had sold out of Cobalts and had gone into Cuban Renovated Lands—and that spread round him a kind of halo of wealth and mystery and outlandishness—oh, something Spanish. Perhaps you’ve felt it about people that you know. Anyhow, they asked him about the climate, and yellow fever and what the negroes were like and all that sort of thing.

  “This Cubey, it appears is an island,” Jeff would explain. Of course, everybody knows how easily islands lend themselves to making money,—“and for fruit, they say it comes up so fast you can’t stop it.” And then he would pass into details about the Hash-enders and the resurrectos and technical things like that till it was thought a wonder how he could know it. Still, it was realized that a man with money has got to know these things. Look at Morgan and Rockefeller and all the men that make a pile. They know just as much as Jeff did about the countries where they make it. It stands to reason.

  Did I say that Jeff shaved in the same old way? Not quite. There was something even dreamier about it now, and a sort of new element in the way Jeff fell out of his monotone into lapses of thought that I, for one, misunderstood. I thought that perhaps getting so much money,—well, you know the way it acts on people in the larger cities. It seemed to spoil one’s idea of Jeff that copper and asbestos and banana lands should form the goal of his thought when, if he knew it, the little shop and the sunlight of Mariposa was so much better.

  In fact, I had perhaps borne him a grudge for what seemed to me his perpetual interest in the great capitalists. He always had some item out of the paper about them.

  “I see where this here Carnegie has give fifty thousand dollars for one of them observatories,” he would say.

  And another day he would pause in the course of shaving, and almost whisper: “Did you ever see this Rockefeller?”

  It was only by a sort of accident that I came to know that there was another side to Jefferson’s speculation that no one in Mariposa ever knew, or will ever know now. I knew it because I went in to see Jeff in his house one night. The house,—I think I said it,—stood out behind the barber shop. You went out of the back door of the shop, and through a grass plot with petunias beside it, and the house stood at the end. You could see the light of the lamp behind the blind, and through the screen door as you came along. And it was here that Jefferson used to sit in the evenings when the shop got empty.

  There was a round table that The Woman used to lay for supper, and after supper there used to be a chequered cloth on it and a lamp with a shade. And beside it Jeff would sit, with his spectacles on and the paper spread out, reading about Carnegie and Rockefeller. Near him, but away from the table, was The Woman doing needlework, and Myra, when she wasn’t working in the Telephone Exchange, was there too with her elbows on the table reading Marie Corelli—only now, of course, after the fortune, she was reading the prospectuses of Dramatic Schools.

  So this night,—I don’t know just what it was in the paper that caused it,—Jeff laid down what he was reading and started to talk about Carnegie.

  “This Carnegie, I bet you, would be worth,” said Jeff, closing up his eyes in calculation, “as much as perhaps two million dollars, if you was to sell him up. And this Rockefeller and this Morgan, either of them, to sell them up clean, would be worth another couple of million—”

  I may say in parentheses that it was a favourite method in Mariposa if you wanted to get at the real worth of a man, to imagine him clean sold up, put up for auction, as it were. It was the only way to test him.

  “And now look at ’em,” Jeff went on. “They make their money and what do they do with it? They give it away. And who do they give it to? Why, to those as don’t want it, every time. They give it to these professors and to this research and that, and do the poor get any of it? Not a cent and never will.”

  “I tell you, boys,” continued Jeff (there were no boys present, but in Mariposa all really important speeches are addressed to an imaginary audience of boys)—“I tell you, if I was to make a million out of this Cubey, I’d give it straight to the poor, yes, sir—divide it up into a hundred lots of a thousand dollars each and give it to the people that hadn’t nothing.”

  So always after that I knew just what those bananas were being grown for.

  Indeed, after that, though Jefferson never spoke of his intentions directly, he said a number of things that seemed to bear on them. He asked me, for instance, one day, how many blind people it would take to fill one of these blind homes and how a feller could get ahold of them. And at another time he asked whether if a feller advertised for some of these incurables a feller could get enough of them to make a showing. I know for a fact that he got Nivens, the lawyer, to draw up a document that was to give an acre of banana land in Cuba to every idiot in Missinaba county.

  But still,—what’s the use of talking of what Jeff meant to do? Nobody knows or cares about it now.

  The end of it was bound to come. Even in Mariposa some of the people must have thought so. Else how was it that Henry Mullins made such a fuss about selling a draft for forty thousand on New York? And why was it that Mr. Smith wouldn’t pay Billy, the desk clerk, his back wages when he wanted to put it into Cuba?

  Oh yes; some of them must have seen it. And yet when it came it seemed so quiet,—ever so quiet,—not a bit like the Northern Star mine and the oyster supper and the Mariposa band. It is strange how quiet these things look, the other way round.r />
  You remember the Cuban Land frauds in New York—and Porforio Gomez shooting the detective, and him and Maximo Morez getting clear away with two hundred thousand? No, of course you don’t; why, even in the city papers it only filled an inch or two of type, and anyway the names were hard to remember. That was Jeff’s money—part of it. Mullins got the telegram, from a broker or someone, and he showed it to Jeff just as he was going up the street with an estate agent to look at a big empty lot on the hill behind the town—the very place for these incurables.

  And Jeff went back to the shop so quiet—have you ever seen an animal that is stricken through, how quiet it seems to move?

  Well, that’s how he walked.

  And since that, though it’s quite a little while ago, the shop’s open till eleven every night now, and Jeff is shaving away to pay back that five hundred that Johnson, the livery man, sent to the Cubans, and—

  Pathetic? tut! tut! You don’t know Mariposa. Jeff has to work pretty late, but that’s nothing—nothing at all, if you’ve worked hard all your lifetime. And Myra is back at the Telephone Exchange—they were glad enough to get her, and she says now that if there’s one thing she hates, it’s the stage, and she can’t see how the actresses put up with it.

  Anyway, things are not so bad. You see it was just at this time that Mr. Smith’s caff opened, and Mr. Smith came to Jeff’s Woman and said he wanted seven dozen eggs a day, and wanted them handy, and so the hens are back, and more of them, and they exult so every morning over the eggs they lay that if you wanted to talk of Rockefeller in the barber shop you couldn’t hear his name for the cackling.

  THREE

  THE MARINE EXCURSIONS OF THE KNIGHTS OF PYTHIAS

  Half-past six on a July morning! The Mariposa Belle is at the wharf, decked in flags, with steam up ready to start.

  Excursion day!

  Half-past six on a July morning, and Lake Wissanotti lying in the sun as calm as glass. The opal colours of the morning light are shot from the surface of the water.

  Out on the lake the last thin threads of the mist are clearing away like flecks of cotton wool.

  The long call of the loon echoes over the lake. The air is cool and fresh. There is in it all the new life of the land of the silent pine and the moving waters. Lake Wissanotti in the morning sunlight! Don’t talk to me of the Italian lakes, or the Tyrol or the Swiss Alps. Take them away. Move them somewhere else. I don’t want them.

  Excursion Day, at half-past six of a summer morning! With the boat all decked in flags and all the people in Mariposa on the wharf, and the band in peaked caps with big cornets tied to their bodies ready to play at any minute! I say! Don’t tell me about the Carnival of Venice and the Delhi Durbar. Don’t! I wouldn’t look at them. I’d shut my eyes! For light and colour give me every time an excursion out of Mariposa down the lake to the Indian’s Island out of sight in the morning mist. Talk of your Papal Zouaves and your Buckingham Palace Guard! I want to see the Mariposa band in uniform and the Mariposa Knights of Pythias with their aprons and their insignia and their picnic baskets and their five-cent cigars!

  Half-past six in the morning, and all the crowd on the wharf and the boat due to leave in half an hour. Notice it!—in half an hour. Already she’s whistled twice (at six, and at six fifteen), and at any minute now, Christie Johnson will step into the pilot house and pull the string for the warning whistle that the boat will leave in half an hour. So keep ready. Don’t think of running back to Smith’s Hotel for the sandwiches. Don’t be fool enough to try to go up to the Greek Store, next to Netley’s, and buy fruit. You’ll be left behind for sure if you do. Never mind the sandwiches and the fruit! Anyway, here comes Mr. Smith himself with a huge basket of provender that would feed a factory. There must be sandwiches in that. I think I can hear them clinking. And behind Mr. Smith is the German waiter from the caff with another basket—indubitably lager beer; and behind him, the bar-tender of the hotel, carrying nothing, as far as one can see. But of course if you know Mariposa you will understand that why he looks so nonchalant and empty-handed is because he has two bottles of rye whiskey under his linen duster. You know, I think, the peculiar walk of a man with two bottles of whiskey in the inside pockets of a linen coat. In Mariposa, you see, to bring beer to an excursion is quite in keeping with public opinion. But, whiskey,—well, one has to be a little careful.

  Do I say that Mr. Smith is here? Why, everybody’s here. There’s Hussell the editor of the Newspacket, wearing a blue ribbon on his coat, for the Mariposa Knights of Pythias are, by their constitution, dedicated to temperance; and there’s Henry Mullins, the manager of the Exchange Bank, also a Knight of Pythias, with a small flask of Pogram’s Special in his hip pocket as a sort of amendment to the constitution. And there’s Dean Drone, the Chaplain of the Order, with a fishing-rod (you never saw such green bass as lie among the rocks at Indian’s Island), and with a trolling line in case of maskinonge, and a landing net in case of pickerel, and with his eldest daughter, Lilian Drone, in case of young men. There never was such a fisherman as the Rev. Rupert Drone.

  PERHAPS I OUGHT TO EXPLAIN that when I speak of the excursion as being of the Knights of Pythias, the thing must not be understood in any narrow sense. In Mariposa practically everybody belongs to the Knights of Pythias just as they do to everything else. That’s the great thing about the town and that’s what makes it so different from the city. Everybody is in everything.

  You should see them on the seventeenth of March, for example, when everybody wears a green ribbon and they’re all laughing and glad—you know what the Celtic nature is—and talking about Home Rule.

  On St. Andrew’s Day every man in town wears a thistle and shakes hands with everybody else, and you see the fine old Scotch honesty beaming out of their eyes.

  And on St. George’s Day!—well, there’s no heartiness like the good old English spirit, after all; why shouldn’t a man feel glad that he’s an Englishman?

  Then on the Fourth of July there are stars and stripes flying over half the stores in town, and suddenly all the men are seen to smoke cigars, and to know all about Roosevelt and Bryan and the Philippine Islands. Then you learn for the first time that Jeff Thorpe’s people came from Massachusetts and that his uncle fought at Bunker Hill (it must have been Bunker Hill,—anyway Jefferson will swear it was in Dakota all right enough); and you find that George Duff has a married sister in Rochester and that her husband is all right; in fact, George was down there as recently as eight years ago. Oh, it’s the most American town imaginable is Mariposa,—on the Fourth of July.

  But wait, just wait, if you feel anxious about the solidity of the British connection, till the twelfth of the month, when everybody is wearing an orange streamer in his coat and the Orangemen (every man in town) walk in the big procession. Allegiance! Well, perhaps you remember the address they gave to the Prince of Wales on the platform of the Mariposa station as he went through on his tour to the west. I think that pretty well settled that question.

  So you will easily understand that of course everybody belongs to the Knights of Pythias and the Masons and Oddfellows, just as they all belong to the Snow Shoe Club and the Girls’ Friendly Society.

  And meanwhile the whistle of the steamer has blown again for a quarter to seven:—loud and long this time, for any one not here now is late for certain; unless he should happen to come down in the last fifteen minutes.

  What a crowd upon the wharf and how they pile on to the steamer! It’s a wonder that the boat can hold them all. But that’s just the marvellous thing about the Mariposa Belle.

  I don’t know,—I have never known,—where the steamers like the Mariposa Belle come from. Whether they are built by Harland and Wolff of Belfast, or whether, on the other hand, they are not built by Harland and Wolff of Belfast, is more than one would like to say offhand.

  The Mariposa Belle always seems to me to have some of those strange properties that distinguish Mariposa itself. I mean, her size seems to vary so. If you see h
er there in the winter, frozen in the ice beside the wharf with a snowdrift against the windows of the pilot house, she looks a pathetic little thing the size of a butternut. But in the summer time, especially after you’ve been in Mariposa for a month or two, and have paddled alongside of her in a canoe, she gets larger and taller, and with a great sweep of black sides, till you see no difference between the Mariposa Belle and the Lusitania. Each one is a big steamer and that’s all you can say.

  Nor do her measurements help you much. She draws about eighteen inches forward, and more than that,—at least half an inch more, astern, and when she’s loaded down with an excursion crowd she draws a good two inches more. And above the water,—why, look at all the decks on her! There’s the deck you walk on to, from the wharf, all shut in, with windows along it, and the after cabin with the long table, and above that the deck with all the chairs piled upon it, and the deck in front where the band stand round in a circle, and the pilot house is higher than that, and above the pilot house is the board with the gold name and the flag pole and the steel ropes and the flags; and fixed in somewhere on the different levels is the lunch counter where they sell the sandwiches, and the engine room, and down below the deck level, beneath the water line, is the place where the crew sleep. What with steps and stairs and passages and piles of cordwood for the engine,—oh no, I guess Harland and Wolff didn’t build her. They couldn’t have.

  Yet even with a huge boat like the Mariposa Belle, it would be impossible for her to carry all of the crowd that you see in the boat and on the wharf. In reality, the crowd is made up of two classes,—all of the people in Mariposa who are going on the excursion and all those who are not. Some come for the one reason and some for the other.

 

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