I wouldn’t mention these attempts at suicide if one of them hadn’t finally culminated in making Peter Pupkin a hero and solving for him the whole perplexed entanglement of his love affair with Zena Pepperleigh. Incidentally it threw him into the very centre of one of the most impenetrable bank mysteries that ever baffled the ingenuity of some of the finest legal talent that ever adorned one of the most enterprising communities in the country.
It happened one night, as I say, that Pupkin decided to go down into the office of the bank and get his revolver and see if it would blow his brains out. It was the night of the Firemen’s Ball and Zena had danced four times with a visitor from the city, a man who was in the fourth year at the University and who knew everything. It was more than Peter Pupkin could bear. Mallory Tompkins was away that night, and when Pupkin came home he was all alone in the building, except for Gillis, the caretaker, who lived in the extension at the back.
He sat in his room for hours brooding. Two or three times he picked up a book—he remembered afterwards distinctly that it was Kant’s Critique of Pure Reason—and tried to read it, but it seemed meaningless and trivial. Then with a sudden access of resolution he started from his chair and made his way down the stairs and into the office room of the bank, meaning to get a revolver and kill himself on the spot and let them find his body lying on the floor.
It was then far on in the night and the empty building of the bank was as still as death. Pupkin could hear the stairs creak under his feet, and as he went he thought he heard another sound like the opening or closing of a door. But it sounded not like the sharp ordinary noise of a closing door but with a dull muffled noise as if someone had shut the iron door of a safe in a room under the ground. For a moment Pupkin stood and listened with his heart thumping against his ribs. Then he kicked his slippers from his feet and without a sound stole into the office on the ground floor and took the revolver from his teller’s desk. As he gripped it, he listened to the sounds on the back-stairway and in the vaults below.
I should explain that in the Exchange Bank of Mariposa the offices are on the ground floor level with the street. Below this is another floor with low dark rooms paved with flagstones, with unused office desks and with piles of papers stored in boxes. On this floor are the vaults of the bank, and lying in them in the autumn—the grain season—there is anything from fifty to a hundred thousand dollars in currency tied in bundles. There is no other light down there than the dim reflection from the lights out on the street, that lies in patches on the stone floor.
I think as Peter Pupkin stood, revolver in hand, in the office of the bank, he had forgotten all about the maudlin purpose of his first coming. He had forgotten for the moment all about heroes and love affairs, and his whole mind was focussed, sharp and alert, with the intensity of the night-time, on the sounds that he heard in the vault and on the back-stairway of the bank.
Straight away, Pupkin knew what it meant as plainly as if it were written in print. He had forgotten, I say, about being a hero and he only knew that there was sixty thousand dollars in the vault of the bank below, and that he was paid eight hundred dollars a year to look after it.
As Peter Pupkin stood there listening to the sounds in his stockinged feet, his face showed grey as ashes in the light that fell through the window from the street. His heart beat like a hammer against his ribs. But behind its beatings was the blood of four generations of Loyalists, and the robber who would take that sixty thousand dollars from the Mariposa bank must take it over the dead body of Peter Pupkin, teller.
PUPKIN WALKED DOWN the stairs to the lower room, the one below the ground with the bank vault in it, with as fine a step as any of his ancestors showed on parade. And if he had known it, as he came down the stairway in the front of the vault room, there was a man crouched in the shadow of the passage way by the stairs at the back. This man, too, held a revolver in his hand, and, criminal or not, his face was as resolute as Pupkin’s own. As he heard the teller’s step on the stair, he turned and waited in the shadow of the doorway without a sound.
There is no need really to mention all these details. They are only of interest as showing how sometimes a bank teller in a corded smoking jacket and stockinged feet may be turned into such a hero as even the Mariposa girls might dream about.
All of this must have happened at about three o’clock in the night. This much was established afterwards from the evidence of Gillis, the caretaker. When he first heard the sounds he had looked at his watch and noticed that it was half-past two; the watch he knew was three-quarters of an hour slow three days before and had been gaining since. The exact time at which Gillis heard footsteps in the bank and started downstairs, pistol in hand, became a nice point afterwards in the cross-examination.
But one must not anticipate. Pupkin reached the iron door of the bank safe, and knelt in front of it, feeling in the dark to find the fracture of the lock. As he knelt, he heard a sound behind him, and swung round on his knees and saw the bank robber in the half light of the passage way and the glitter of a pistol in his hand. The rest was over in an instant. Pupkin heard a voice that was his own, but that sounded strange and hollow, call out: “Drop that, or I’ll fire!” and then just as he raised his revolver, there came a blinding flash of light before his eyes, and Peter Pupkin, junior teller of the bank, fell forward on the floor and knew no more.
AT THAT POINT, of course, I ought to close down a chapter, or volume, or, at least, strike the reader over the head with a sandbag to force him to stop and think. In common fairness one ought to stop here and count a hundred or get up and walk round a block, or, at any rate, picture to oneself Peter Pupkin lying on the floor of the bank, motionless, his arms distended, the revolver still grasped in his hand. But I must go on.
By half-past seven on the following morning it was known all over Mariposa that Peter Pupkin the junior teller of the Exchange had been shot dead by a bank robber in the vault of the building. It was known also that Gillis, the caretaker, had been shot and killed at the foot of the stairs, and that the robber had made off with fifty thousand dollars in currency; that he had left a trail of blood on the sidewalk and that the men were out tracking him with bloodhounds in the great swamps to the north of the town.
This, I say, and it is important to note it, was what they knew at half-past seven. Of course as each hour went past they learned more and more. At eight o’clock it was known that Pupkin was not dead, but dangerously wounded in the lungs. At eight-thirty it was known that he was not shot in the lungs, but that the ball had traversed the pit of his stomach.
At nine o’clock it was learned that the pit of Pupkin’s stomach was all right, but that the bullet had struck his right ear and carried it away. Finally it was learned that his ear had not exactly been carried away, that is, not precisely removed by the bullet, but that it had grazed Pupkin’s head in such a way that it had stunned him, and if it had been an inch or two more to the left it might have reached his brain. This, of course, was just as good as being killed from the point of view of public interest.
Indeed, by nine o’clock Pupkin could be himself seen on the Main Street with a great bandage sideways on his head, pointing out the traces of the robber. Gillis, the caretaker, too, it was known by eight, had not been killed. He had been shot through the brain, but whether the injury was serious or not was only a matter of conjecture. In fact, by ten o’clock it was understood that the bullet from the robber’s second shot had grazed the side of the caretaker’s head, but as far as could be known his brain was just as before. I should add that the first report about the bloodstains and the swamp and the bloodhounds turned out to be inaccurate. The stains may have been blood, but as they led to the cellar way of Netley’s store they may have also been molasses, though it was argued, to be sure, that the robber might well have poured molasses over the bloodstains from sheer cunning.
It was remembered, too, that there were no bloodhounds in Mariposa, although, mind you, there are any amount of dogs there.<
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So you see that by ten o’clock in the morning the whole affair was settling into the impenetrable mystery which it ever since remained.
Not that there wasn’t evidence enough. There was Pupkin’s own story and Gillis’s story, and the stories of all the people who had heard the shots and seen the robber (some said, the bunch of robbers) go running past (others said, walking past), in the night. Apparently the robber ran up and down half the streets of Mariposa before he vanished.
But the stories of Pupkin and Gillis were plain enough. Pupkin related that he heard sounds in the bank and came downstairs just in time to see the robber crouching in the passage way, and that the robber was a large, hulking, villainous looking man, wearing a heavy coat. Gillis told exactly the same story, having heard the noises at the same time, except that he first described the robber as a small thin fellow (peculiarly villainous looking, however, even in the dark), wearing a short jacket; but on thinking it over, Gillis realized that he had been wrong about the size of the criminal, and that he was even bigger, if anything, than what Mr. Pupkin thought. Gillis had fired at the robber; just at the same moment had Mr. Pupkin.
Beyond that, all was mystery, absolute and impenetrable.
By eleven o’clock the detectives had come up from the city under orders from the head of the bank.
I WISH YOU COULD have seen the two detectives as they moved to and fro in Mariposa—fine looking, stern, impenetrable men that they were. They seemed to take in the whole town by instinct and so quietly. They found their way to Mr. Smith’s Hotel just as quietly as if it wasn’t design at all and stood there at the bar, picking up scraps of conversation—you know the way detectives do it. Occasionally they allowed one or two bystanders—confederates, perhaps,—to buy a drink for them, and you could see from the way they drank it that they were still listening for a clue. If there had been the faintest clue in Smith’s Hotel or in the Mariposa House or in the Continental, those fellows would have been at it like a flash.
To see them moving round the town that day—silent, massive, imperturbable—gave one a great idea of their strange, dangerous calling. They went about the town all day and yet in such a quiet peculiar way that you couldn’t have realized that they were working at all. They ate their dinner together at Smith’s café and took an hour and a half over it to throw people off the scent. Then when they got them off it, they sat and talked with Josh Smith in the back bar to keep them off. Mr. Smith seemed to take to them right away. They were men of his own size, or near it, and anyway hotel men and detectives have a general affinity and share in the same impenetrable silence and in their confidential knowledge of the weaknesses of the public.
Mr. Smith, too, was of great use to the detectives. “Boys,” he said, “I wouldn’t ask too close as to what folks was out late at night: in this town it don’t do.”
When those two great brains finally left for the city on the five-thirty, it was hard to realize that behind each grand, impassible face, a perfect vortex of clues was seething.
But if the detectives were heroes, what was Pupkin? Imagine him with his bandage on his head standing in front of the bank and talking of the midnight robbery with that peculiar false modesty that only heroes are entitled to use.
I don’t know whether you have ever been a hero, but for sheer exhilaration there is nothing like it. And for Mr. Pupkin, who had gone through life thinking himself no good, to be suddenly exalted into the class of Napoleon Bonaparte and John Maynard and the Charge of the Light Brigade—oh, it was wonderful. Because Pupkin was a brave man now and he knew it and acquired with it all the brave man’s modesty. In fact, I believe he was heard to say that he had only done his duty, and that what he did was what any other man would have done: though when somebody else said: “That’s so, when you come to think of it,” Pupkin turned on him that quiet look of the wounded hero, bitterer than words.
And if Pupkin had known that all of the afternoon papers in the city reported him dead, he would have felt more luxurious still.
That afternoon the Mariposa court sat in enquiry,—technically it was summoned in inquest on the dead robber—though they hadn’t found the body—and it was wonderful to see them lining up the witnesses and holding cross-examinations. There is something in the cross-examination of great, criminal lawyers like Nivens, of Mariposa, and in the counter examinations of presiding judges like Pepperleigh that thrills you to the core with the astuteness of it.
They had Henry Mullins, the manager, on the stand for an hour and a half, and the excitement was so breathless that you could have heard a pin drop. Nivens took him on first.
“What is your name?” he said.
“Henry August Mullins.”
“What position do you hold?”
“I am manager of the Exchange Bank.”
“When were you born?”
“December 30, 1869.”
After that, Nivens stood looking quietly at Mullins. You could feel that he was thinking pretty deeply before he shot the next question at him.
“Where did you go to school?”
Mullins answered straight off: “The high school down home,” and Nivens thought again for a while and then asked:
“How many boys were at the school?”
“About sixty.”
“How many masters?”
“About three.”
After that Nivens paused a long while and seemed to be digesting the evidence, but at last an idea seemed to strike him and he said:
“I understand you were not on the bank premises last night. Where were you?”
“Down the lake duck shooting.”
You should have seen the excitement in the court when Mullins said this. The judge leaned forward in his chair and broke in at once.
“Did you get any, Harry?” he asked.
“Yes,” Mullins said, “about six.”
“Where did you get them? What? In the wild rice marsh past the river? You don’t say so! Did you get them on the sit or how?”
All of these questions were fired off at the witness from the court in a single breath. In fact, it was the knowledge that the first ducks of the season had been seen in the Ossawippi marsh that led to the termination of the proceedings before the afternoon was a quarter over. Mullins and George Duff and half the witnesses were off with shotguns as soon as the court was cleared.
I MAY AS WELL state at once that the full story of the robbery of the bank of Mariposa never came to the light. A number of arrests—mostly of vagrants and suspicious characters—were made, but the guilt of the robbery was never brought home to them. One man was arrested twenty miles away, at the other end of Missinaba county, who not only corresponded exactly with the description of the robber, but, in addition to this, had a wooden leg. Vagrants with one leg are always regarded with suspicion in places like Mariposa, and whenever a robbery or a murder happens they are arrested in batches.
It was never even known just how much money was stolen from the bank. Some people said ten thousand dollars, others more. The bank, no doubt for business motives, claimed that the contents of the safe were intact and that the robber had been foiled in his design.
But none of this matters to the exaltation of Mr. Pupkin. Good fortune, like bad, never comes in small instalments. On that wonderful day, every good thing happened to Peter Pupkin at once. The morning saw him a hero. At the sitting of the court, the judge publicly told him that his conduct was fit to rank among the annals of the pioneers of Tecumseh Township, and asked him to his house for supper. At five o’clock he received the telegram of promotion from the head office that raised his salary to a thousand dollars, and made him not only a hero but a marriageable man. At six o’clock he started up to the judge’s house with his resolution nerved to the most momentous step of his life.
His mind was made up.
He would do a thing seldom if ever done in Mariposa. He would propose to Zena Pepperleigh. In Mariposa this kind of step, I say, is seldom taken. The course of love
runs on and on through all its stages of tennis playing and dancing and sleigh riding, till by sheer notoriety of circumstance an understanding is reached. To propose straight out would be thought priggish and affected and is supposed to belong only to people in books.
But Pupkin felt that what ordinary people dare not do, heroes are allowed to attempt. He would propose to Zena, and more than that, he would tell her in a straight, manly way that he was rich and take the consequences.
And he did it.
That night on the piazza, where the hammock hangs in the shadow of the Virginia creeper, he did it. By sheer good luck the judge had gone indoors to the library, and by a piece of rare good fortune Mrs. Pepperleigh had gone indoors to the sewing room, and by a happy trick of coincidence the servant was out and the dog was tied up—in fact, no such chain of circumstances was ever offered in favour of mortal man before.
What Zena said—beyond saying yes—I do not know. I am sure that when Pupkin told her of the money, she bore up as bravely as so fine a girl as Zena would, and when he spoke of diamonds she said she would wear them for his sake.
They were saying these things and other things—ever so many other things—when there was such a roar and a clatter up Oneida Street as you never heard, and there came bounding up to the house one of the most marvellous Limousine touring cars that ever drew up at the home of a judge on a modest salary of three thousand dollars. When it stopped there sprang from it an excited man in a long sealskin coat—worn not for the luxury of it at all but from the sheer chilliness of the autumn evening. And it was, as of course you know, Pupkin’s father. He had seen the news of his son’s death in the evening paper in the city. They drove the car through, so the chauffeur said, in two hours and a quarter, and behind them there was to follow a special trainload of detectives and emergency men, but Pupkin senior had cancelled all that by telegram half way up when he heard that Peter was still living.
Sunshine Sketches of a Little Town Page 15