Ferocity

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by Stephen Laws


  The gun was empty.

  Now Tully was on a roller coaster with his big brother, Vic. That was why everything was shaking and rattling—

  Shake, rattle and roll, Vic used to sing.

  Vic had promised him a new leg, and that was okay. It had been mean of Pasco and Crip to let the fishes take his eyes, but what the hell—he had his suitcase here and theirs were back at the farmhouse, if the devils would let them have them.

  But then the gnashing, flailing teeth that weren’t really real found the suitcase next to him. It blew apart as the not-real teeth tore it to shreds, and white powder exploded all around him.

  “No!” screamed Tully.

  The white powder filled the air like a bizarre snowstorm, swirling and whipping away out into the night as if it had never existed. But Tully didn’t want that white powder; he just wanted the money that it could bring. He grabbed for it wildly as it evaporated into the air, screaming.

  “I just want the money! I just want the money!”

  Then the teeth turned to jaws and knives—

  They found his other leg and his groin.

  And suddenly they were real.

  Very, very real.

  Cath willed Drew on, unable to look past the shattered windshield of the cab, just wanting to put an end to the nightmare—as the high, thin screaming voice came up from below; bringing with it all the horror and terror of what had happened so long ago on that New York street—with blood everywhere on that rain- washed sidewalk, and so much blood since.

  Cath lunged forward, pounding her hands on the dash.

  “You can’t have it! Do you hear me? You can’t have it—so just go!”

  Cath clapped her hands over Rynne’s ears when the screaming rose in insane agony above the sounds of the thresher and the storm. The harvester lurched again, the thresher rending and devouring, engine roaring.

  “Just go!”

  When the engine stalled—the thresher now jammed with wrecked metal and upholstery—the screaming had stopped.

  Drew slumped forward across the wheel, his head down.

  When both he and Cath began to weep, Rynne put a hand on each head.

  As the harvester rocked on its suspension in the storm wind, it felt like another caressing hand.

  FIFTY THREE

  Drew and Cath walked back to the farmhouse as the sun rose above the valley. Rynne watched them from the open doorway.

  Behind them, Faye had been covered with a sheet from the back of the Land Rover—and they had stood holding each other for a long time as Cath gave vent to her grief.

  The storm had gone, and the farmhouse looked as if a bomb had hit it; with its shattered windows and cracked brickwork. Splintered fences, uprooted bushes and trees, and the remains of disintegrated outbuildings and henhouses littered the farm and dirt track. The feed shed had lost its tied-down roof completely, which had disappeared somewhere into the valley. Most of the livestock had survived, but there was not a single hen in sight. The wreckage of the kitchen blind flapped loose over a glittering pile of broken glass, as if it were beckoning to them.

  They did not look back to where the combine harvester stood silently with its half-digested prey, scattered metal and engine parts all around it.

  Rynne turned—as if hearing something—and ran back into the house.

  “I wish I’d never found them,” Drew said as they walked.

  Cath knew what he meant.

  “If I could, I’d take that dead one in there—take it out somewhere in the valley, and bury it. Never let anyone see it.”

  Cath pulled him close. “Get rid of the evidence?”

  “In more ways than one.”

  “The police will have their hands full with this one.”

  “Now we’re going to have people all over the place looking for them.”

  “Not if we can help it.”

  “I like the sound of that word—we.”

  Rynne was suddenly in the doorway, just as they were about to enter.

  “Mum!”

  “Oh my God . . .”

  Cath and Drew froze.

  “Look what I’ve found.”

  Rynne was holding a bundle in her hands. Something that she had wrapped in a rug taken from the kitchen floor. Something with sleek black fur and two flashes of white over its eyes.

  “Oh my God,” echoed Drew. “The cub.”

  “Be careful, darling.” Cath reached out, remembering the slashed boot and jeans and what this small creature was capable of doing. She pulled her hand back again when it hissed a warning.

  “It was hiding next to the dead one. I wrapped it up and it didn’t even scratch me because it’s a lucky cat.”

  “Give it to me, Rynne,” Drew said gently. “Very carefully . . .”

  Something behind them growled.

  It was a rumbling, guttural sound of contained power that was only too familiar.

  The cub hissed a reply as Cath and Drew turned.

  The She Cat was standing not twenty feet from them.

  Sleek and black and powerful. The fur on its shoulder had been burned. It opened its jaws to growl again, a steam of breath rising in the chill and bright morning air, the sun seeming to spark in those savage but wonderful opal eyes.

  Rynne stepped forward between Cath and Drew—Cath quickly putting a restraining hand on her daughter’s shoulder. The cub hissed at the movement, and the She Cat stepped forward with another rumbling growl, so deep and resonant it seemed to be coming from underground.

  “Don’t move,” said Drew, and flinched when Rynne took another step forward.

  Slowly, she bent down—placed the bundle on the ground and unwrapped the rug.

  The cub pulled free and ran to its mother.

  The She Cat held the Two-Legs in its gaze as the cub twisted and curled around its mother’s forelegs.

  There was power in the early morning air.

  Real and vibrant power.

  The She Cat bent its head, took the cub gently in its jaws and looked back at them again.

  It made a sound then, deep in its throat—like a cough.

  Then the Big Cat was gone—streaking up the dirt track toward the valley side like a living shadow, jet black, beautiful and with incredible fluidity and grace.

  It paused briefly before the wreck of the harvester and the car.

  And then streaked away from it, heading for the long grass.

  Soon it was gone.

  “I’m not going to let anyone find you,” Drew said, when it had disappeared.

  “Neither am I,” said Cath.

  Woman, man and child walked back into the farmhouse.

  Stephen Laws is a full-time novelist, born in Newcastle upon Tyne. He lives and works in his birthplace.

  Also from The Brooligan Press

  THE SEBASTIAN BECKER NOVELS

  Stephen Gallagher

  Chancery lunatics were people of wealth or property whose fortunes were at risk from their madness. Those deemed unfit to manage their affairs had them taken over by lawyers of the Crown, known as the Masters of Lunacy. It was Sebastian’s employer, the Lord Chancellor’s Visitor, who would decide their fate. Though the office was intended to be a benevolent one, many saw him as an enemy to be outwitted or deceived, even to the extent of concealing criminal insanity.

  It was for such cases that the Visitor had engaged Sebastian. His job was to seek out the cunning dissembler, the dangerous madman whose resources might otherwise make him untouchable. Rank and the social order gave such people protection. A former British police detective and one-time Pinkerton man, Sebastian had been engaged to work ‘off the books’ in exposing their misdeeds. His modest salary was paid out of the department’s budget. He remained a shadowy figure, an investigator with no public profile.

  THE KINGDOM OF BONES

  After prizefighter-turned-stage manager Tom Sayers is wrongly accused in the slayings of pauper children, he disappears into a twilight world of music halls and temporary bo
xing booths. While Sayers pursues the elusive actress Louise Porter, the tireless Detective Inspector Sebastian Becker pursues him. This brilliantly macabre mystery begins in the lively parks of Philadelphia in 1903, then winds its way from England’s provincial playhouses and London’s mighty Lyceum Theatre to the high society of a transforming American South—and the alleyways, back stages, and houses of ill repute in between.

  “Vividly set in England and America during the booming industrial era of the late 19th and early 20th centuries, this stylish thriller conjures a perfect demon to symbolize the age and its appetites”

  —New York Times

  THE BEDLAM DETECTIVE

  …finds Becker serving as Special Investigator to the Masters of Lunacy in the case of a man whose travellers’ tales of dinosaurs and monsters are matched by a series of slaughters on his private estate. An inventor and industrialist made rich by his weapons patents, Sir Owain Lancaster is haunted by the tragic outcome of an ill-judged Amazon expedition in which his entire party was killed. When local women are found slain on his land, he claims that the same dark Lost-World forces have followed him home.

  “A rare literary masterpiece for the lovers of historical crime fiction.”

  —MysteryTribune

  THE AUTHENTIC WILLIAM JAMES

  As the Special Investigator to the Lord Chancellor’s Visitor in Lunacy, Sebastian Becker delivers justice to those dangerous madmen whose fortunes might otherwise place them above the law. But in William James he faces a different challenge; to prove a man sane, so that he may hang. Did the reluctant showman really burn down a crowded pavilion with the audience inside? And if not, why is this British sideshow cowboy so determined to shoulder the blame?

  “It's a blinding novel... the acerbic wit, the brilliant dialogue—the sheer spot-on elegance of the writing: the plot turns, the pin sharp beats. Always authoritative and convincing, never showy. Magnificently realised characters in a living breathing world . . . Absolutely stunning”

  —Stephen Volk

  (Ghostwatch, Gothic, Afterlife)

  “Gallagher gives Sebastian Becker another puzzle worthy of his quirky sleuth’s acumen in this outstanding third pre-WW1 mystery”

  —Publishers Weekly starred review

 

 

 


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