"And lead me not into temptation," he said and went back to his keyboard. A journalist who relied heavily on his personal observations, who liked to get his shoes dirty and his shins bruised, whether it was diving for cover in the rubble of a Grozny high-rise during a Russian air attack, tracking Bono to rural Senegalese hospitals with singer Baaba Maal, or getting a polo lesson in Westchester County from one of the visiting young royals, Rook knew the stories were in the experience, not on the Internet. He had a vivid memory and a notes system that delivered him back into the moment every time he pulled the frayed black ribbon of his Moleskine bookmark to part it to a lined page of quotes remembered and details observed.
He worked rapidly from beginning to end of the articles as he wrote, drafting at first-impression speed, leaving gaps and reserving the fine work to be done later when he would move once again from front to back. He made numerous passes like that but always continuously, without any backtracking, for a sense of flow. He wrote as if he were the reader. It was also how he kept his writing from becoming too cute, which is to say, about him not the subject. Rook was a journalist but strove to be a storyteller, one who let his subjects speak for themselves and stayed out of their way as much as possible.
The voice of Cassidy Towne came back to him, and through him she was once again alive in Times New Roman, in all her lively, bitchy, guffawing, honest, vengeful, and righteous self. As Rook chronicled his days and nights with her, what emerged was a woman for whom everything in life, from getting the best cut of Nova to landing an exclusive with an S&M dominatrix who'd brought a congressman to his knees, was a transaction. Her mission in the world was not to be a conduit but a source of power.
A restlessness came over Rook as he neared the end of his rough draft. The discomfort came from knowing how much was not known about the defining event of her life. Sure, he could fill in the gaps in the middle, there was plenty of color for that, but the piece concluded before it reached the real end of the story. His word count swelled; he had enough for a two-parter (note to call the agent), but the bulk of his article, as soundly as it was coming together, felt like a drumroll without the cymbal crash.
Just like Cassidy Towne's book.
He picked up the helicopter's radio controller, but guilt pangs made him set it down beside his laptop and reach for her unfinished manuscript. Moving from his desk to the easy chair beside the small fireplace filled with candles, he flipped through her text again, wondering what he had missed. What crescendo had she been building to?
The storyteller in him felt like he would be cheating to submit an exclusive profile that concluded with a glaring loose end. Questions, however intriguing, were not satisfying to him and wouldn't be to the reader he respected so much, either.
That's when he went old school. He took out a fresh Circa notepad, found a fountain pen that had some ink in it, and started to freestyle. What do I want? To find the ending for my article. No, you don't. Then what? You know. Do I? Yes, you know, you just haven't defined it properly yet. . . .
Every time Rook did this, he thought that if someone found these ramblings in his trash, they would think he was a madman. It was actually a technique he had picked up from a fictional character in one of the Stephen King novels, a writer who, when he needed to sort out a plot, interrogated himself on paper. What seemed like a cool device in a novel got put to use by Rook once, and it worked so well connecting him to his subconscious that he employed it whenever he needed to think through dense terrain. It was like having a writing partner who didn't take a percentage.
. . . You are defining the wrong goal. I know my goal, to name her killer in the damned article. And Esteban Padilla's. And Derek Snow's. You know the killer, it's the Texan. That's a technicality. That's right, you want whoever hired him. Soleil Gray? Maybe. But now that she's dead, too, it's a guess. Unless . . . Unless? Unless I--Unless I can find that last chapter. Congratulations, you just defined your goal. I did? Pay attention. Don't read your notes looking for clues to the killer. Or even the one who hired him. Read them looking for clues to what Cassidy did with the last chapter. What if she hadn't written it yet? Then you're screwed. Thanks. No prob.
As it usually did, his little exercise in dual personality disorder brought him around to something basic and obvious he had overlooked because it had become so familiar. He had been looking for a who, and he needed to shift to a what--and the what was the AWOL chapter. Back at his laptop, Rook opened the Word document of notes he had transcribed from his Moleskine. He scrolled at skim-reading speed looking for something to grab him by the shirt. While he reviewed the notes, he could almost hear Nikki's voice asking him over and over again since they'd reunited, "What is it you have observed about this woman?"
The qualitative things, like her need to control and her compulsion to exercise power, were character traits not to be ignored, but that didn't lead him anywhere specific. So what else did he know about her?
Cassidy slept with a lot of men. He paused to think if he could envision one she seemed to trust enough to hold the critical chapter, and none came to mind. Her neighbors were sources of complaints and feuding, not trust. Her building super was an entertaining character who did good work but was graced with just enough charming larceny that Rook couldn't see her entrusting the chapter to JJ. Rule out Holly, too. Her daughter's kinder feelings after her mother's death didn't seem to have been reciprocated in the last weeks of her life. So that is what he knew about Cassidy Towne and her relationships. They didn't work except transactionally.
On his computer, Rook stopped the scroll on one of the notes, one of the small details of her character he had meant to include but forgotten. The porcelain plaque near the French doors in her office that pretty much summed up her view of relationships. "When life disappoints, there's always the garden."
Rook slowed down his scrolling to read more carefully. He had entered a section of notes of some length because it was about her passion for gardening. If not redeeming, it was at least illuminating. He came across a topic sentence he'd tried out and rejected as too flip after he and Nikki visited Cassidy's belated autopsy and Lauren showed the dirt under the gossip columnist's nails. He had written, "Cassidy Towne died the way she lived, with dirt on her hands." Much as he liked the line, its glibness broke his rule of authorial intrusion.
And yet as a fact instead of as prose, it made him stop and think.
He skimmed ahead to observations he had made about the numerous times he saw her coming and going through those French doors to her garden in the little walled back courtyard. Cassidy would get off a phone call with her editor, and Rook would follow her out there and wait patiently while she deadheaded some of her plants or tested the soil moisture with her fingers. She told him that tiny enclosure was the whole reason she'd chosen that place to live. One evening, when he arrived to accompany her to a Broadway opening party, she greeted him in her cocktail dress holding a clutch purse in one hand and a garden trowel in the other.
Then he stopped again. This time on a quote he planned to use in the article, maybe even in boldface--the one that elegantly tied together her vocation with her avocation. The one when Cassidy said if you are on to something big, "Keep your mouth shut, your eyes open, and your secrets buried."
Rook sat back in his chair and stared at that quote. Then he shook his head, dismissing his thought. He was just about to scroll on when he remembered another quote he had heard recently. From a Detective Nikki Heat. "We follow the leads we have, not the ones we wish we had."
He looked at his watch and got out his cell phone to call Nikki. But then he hesitated, feeling that if this was some fool's errand he was about to undertake, he didn't want to drag her along, especially after the day she had had. He thought about bagging the idea he was hatching altogether. But then he had another notion. He went to his notebook and thumbed back until he found the number he wanted.
"You're lucky you caught me," said JJ. "I was about to go out to the movies."
"Well that's my good luck." Rook took a step closer to Cassidy Towne's front door, hoping the super would pick up his cue and spare the chatter. And if that move was too subtle, he decided to eliminate ambiguity. "So if you'll just open up, I can do my thing and you can make your show."
"You go to the movies these days?"
"A few."
"Know what bugs me?" asked JJ, not making any move toward the carabiner holding all the keys dangling from his belt. "You pay your money getting in, and it's not cheap, am I right? And you sit down to watch a film, and what do people do during the movie? Talk. They talk and talk and talk. Spoils the whole experience."
"I agree," said Rook. "What film are you going to?"
"Jackass in 3D. That is one funny buncha wing nuts, I tell you. And it's in 3D, so you know the laughs are going to be big when those fellas start crashing their shit into light poles and such."
Twenty dollars eventually diverted the super's attention away from social commentary to opening the door. JJ demonstrated how to lock up and left for the cinema. Once inside, Rook locked the door behind him and snapped on lights so he could navigate the clutter in Cassidy Towne's apartment, which was only in a slightly more orderly state of the disarray he had last seen.
He stood in her office long enough to give it one more scan in case there was a clue that spoke now but hadn't had a voice the morning of her murder. Finding none, he stepped to the light switch beside the porcelain plaque, and when he flicked it on, the little courtyard through the French doors became bathed in mellow light.
Holding a flashlight and one of Cassidy's trowels, Rook surveyed the plantings in the terraced rows rising up from the brickwork patio in her cloister. In the subdued lightscape she had created, the colors of the autumn flowers that surrounded him were muted to dark gray tones. Rook switched on his flashlight to illuminate the shadows, shining it around slowly and methodically, passing it over each planter. He wasn't sure what he was looking for. And he certainly wasn't about to turn the whole garden into an archaeological dig. So he employed another Heatism and looked for an odd sock. He didn't know the names of most of what he was looking at, just a few, like pink salvia and New York aster. One variety Cassidy had pointed out to him once was Liatrus, also known as blazing star when it was in the last of its bright summer color. Now it had gone to seed heads and faded to rusty brown.
A quarter hour into his search, Rook brought his light to rest on a chrysanthemum. In his beam its flowers were rich-colored and fall-ish but somehow seemed ordinary for what Cassidy had grown around them. . . . Somewhat of an odd sock. He stepped closer and also noticed that unlike the other flowers and plants, this one was buried in the soil but still in its flowerpot. He clamped the flashlight in his armpit and used the trowel to dig out the pot. He removed it from the soil, tapped the pot on the planter to loosen the packed dirt and roots, and then dumped it all onto the bricks of the patio. It was a large enough pot to hold the curve of a chapter of manuscript, but there was none such inside. To be thorough Rook went back to the cavity left by the pot and poked the bottom of it with the point of the trowel blade, to feel for any stack of buried paper, and found none. But he hit something that felt through the wooden handle like a small rock, which would be unusual given Cassidy's clean, floury soil.
He shined the flashlight into the hole and caught the reflection of a plastic sandwich bag. Rook reached in, pulled it out, and held it in front of his beam. Inside it was a key.
Ten minutes later, after walking every room and closet and examining every cabinet in Cassidy Towne's apartment, he had found no lock that the key fit. Rook sat down at the kitchen table and studied it. It was a small key, not the kind that fits a door lock but the kind that is more suited for padlocks or lockers. It was fairly new, with a crisp edge on its teeth, and embossed into it was a three-digit number: 417.
He took out his iPhone and called Nikki's cell and got voice mail. "Hi, it's Rook. Got a question for you, call me when you can." Then he tried her at the precinct. The desk sergeant picked up. "Detective Heat's busy in interrogation and forwarded her phone. Do you want her voice mail?" Rook said yes and left a similar message.
Cassidy belonged to a gym but he had seen her with her gym bag and noticed the hot pink combination lock clamped on the strap, so scratch that off. The key could belong to a public locker like in a bus station, and Rook thought of how many bus and train terminals with lockers there were in New York City. It was also possible it fit some cubby at the New York Ledger offices, but tonight anyway, he wasn't about to visit there and introduce himself. "Hi, Jameson Rook. I have a key. May I . . . ?"
Then he realized he had seen a key like this before. In 2005 Rook had been on assignment for two months in New Orleans after Katrina and lived in a rented RV. Since he moved around the area so much, he had rented a mailbox at a UPS store, and this was the kind of key they had issued him. Wonderful, he thought, now all I have to do is go to every mail drop in New York and hope to get lucky.
Rook rapped the key on the kitchen table and tried to recall if he had seen Cassidy go to or near a mail drop. He couldn't come up with one and wasn't sure if there was one in this neighborhood. And then he remembered her daughter, Holly. Holly Flanders had said she found out where Rook lived by looking on the waybills for the messenger service her mother used to send him material. He couldn't remember the name of the service, and there was no way to find that needle in the haystack of Cassidy Towne's office.
After he locked up, Rook walked to Columbus to hail a cab down to Tribeca, to see if he still had any of the shipping envelopes he had received from Cassidy. As the cab passed West 55th, he had a brain tug that the place was located somewhere in Hell's Kitchen. He did a Google search of messenger services on his phone, and five minutes later the taxi dropped him outside Efficient Mail and Messenger on Tenth Avenue, a storefront squeezed between an Ethiopian restaurant and a small grocer with hot tables and pizza by the slice. The garbage pileup had gobbled the sidewalk outside, and under Efficient's dingy awning some of the letters were sputtering in the neon window sign, which read, "Checks Cashed -- Copies -- Fax." A little run down, he thought as he went inside, but if the key fits, paradise.
The place smelled of old library and pine disinfectant. A small man in a turban sat on a high stool behind a counter. "You wish to make copy?" Before Rook could say no, the man spoke rapidly in a foreign language to a woman using the sole copy machine. She answered back in a short, angry tone and the man said to Rook, "Be five minute."
"Thanks," said Rook, not wanting to engage or explain. He was already at the wall where the bank of brass mail cubbies ran its length from knee to eyebrow. He scanned them and found number 417.
"You rent mailbox? Monthly special."
"All set." Rook held up the key and inserted it. It went in cleanly, but the lock didn't budge. He waggled it with some force, remembering that the teeth of the key had a freshly cut edge and might need some coaxing. Still nothing. He looked and realized that when the counterman had distracted him he had put the key in 416.
The teeth of the key snagged in 417, then it opened. He got down on one knee to look inside and his heart kicked.
Two minutes later, in another cab to Tribeca, he tried Nikki again. She was still in interrogation. This time Rook didn't leave a message. He slouched back between the seat and back door of the taxi and took the stack of double-spaced, typewritten pages from the envelope. They were curled from having been half-rolled to fit inside the mail cubby, so he flattened them on his thigh and held the paper-clipped packet to the window light to read the chapter title again.
CHAPTER TWENTY
______
FADE OUT
Chapter Eighteen
Nikki Heat was big on hands. Sitting in an interrogation room, what she could observe physically about the person across the table was as important as what that person was saying--or not saying. Facial expressions, of course, were key. So were posture, demeanor (restless, fidgety, calm, che
cked out, and so forth), state of hygiene, and attire. But hands told her a lot. Soleil Gray's hands had been lean and strong from the rigors of her athletic stage dancing. Strong enough, as it turned out, to overpower Mitchell Perkins with such force that people assumed his assailant had been a man. One of the tells Nikki had misjudged when the singer had been sitting at the table with her lawyer just the day before was the cut on her knuckle which the detective had taken to be from the rehearsal hall, not the street mugging.
Now, self-reproach was trying to creep in on Heat, pestering her with the virulent notion that if she had only looked at that hand with a more open view to causes she might have averted a tragedy. She told that idea to have a seat, she'd deal with it later.
Morris Granville's hands were soft and pallid, as if he soaked them daily in bleachy water. He was also a nail biter, although he wasn't doing it in front of her. Swollen domes of irritated skin enveloped the nail stubs at the tip of every finger, and the cuticles that weren't scabbing were raw. She considered those hands and his loner lifestyle and decided to let her projection end right there.
His mind was on Soleil Gray as well, and it wasn't lost on Nikki that her despised moment of fame was the very thing that had brought Morris Granville to her. He had sought out Detective Heat because of her public connection to the now-dead singer, so he could share his moment of special bonding: the night he saw Soleil argue on the sidewalk outside a club with her ex-fiance, Reed Wakefield.
"And you are certain this was the night Reed Wakefield died?" asked Heat. She had been through this with him and asked that same question in different ways over the last half hour, looking for the slipup. Morris Granville was a bona fide celebrity stalker. For this reason the detective was exercising a high degree of caution. His experience could provide an important missing piece of the puzzle, but Heat didn't want to jump for that candy in a weak moment of wishful thinking.
Naked Heat Page 27