Delphi Collected Works of Hugh Walpole (Illustrated)

Home > Other > Delphi Collected Works of Hugh Walpole (Illustrated) > Page 119
Delphi Collected Works of Hugh Walpole (Illustrated) Page 119

by Hugh Walpole


  The house was silent again — the storm had died down — and then the dog that had been sleeping suddenly raised its head and barked. Somewhere in the distance a door was banged to, and then Peter heard a voice, a tremendous voice, singing.

  There were heavy steps along the passage, then the kitchen door was banged open and Stephen stood in the doorway. Stephen’s shirt was open at the neck, his hair waved wildly over his forehead, he stood, enormous, with his legs apart, his eyes shining, blood coming from a cut in his cheek, and in one of his hands was a thick cudgel. Standing there in the doorway, he might have been some ancient Hercules, some mighty Achilles.

  He saw Peter, recognised him, but continued a kind of triumphal hymn that he was singing.

  “Ho, Master Peter, I’ve beat him! I’ve battered his bloody carcass! I came along and I looked in at the winder and I saw ’im a ill-treatin’ of ‘er.

  “I left the winder, I broke the glass, I was down upon ’im, the dirty ‘ound, and” — (chorus)— “I’ve battered ’is bloody carcass! Praise be the Lord, I got ’im one between the eyes—”

  “Praise be, I ‘it him square in the jaw and the blood came a-pourin’ out of his mouth and down ’e went, and —

  (Chorus) “I’ve battered ’is bloody carcass —

  “There she was, cryin’ in the corner of the room, my lovely girl, and there ’e was, blast ’is bones, with ’is ‘and on her lovely ‘air, and —

  (Chorus) “I’ve battered ’is bloody carcass.

  “I got ’im one on the neck and I got ’im one between ’is lovely eyes and I got ’im one on ’is lovely nose, and ’e went down straight afore me, and —

  (Chorus) “I’ve battered ’is bloody carcass!”

  Peter knew that it must be Mr. Samuel Burstead to whom Stephen was referring, and he too, as he listened, was suddenly filled with a sense of glory and exultation. Here after all was a way out of all trouble, all this half-seen, half-imagined terror of the past weeks. Here too was an end to all Stephen’s morbid condition, sitting alone by himself, drinking, seeing no one — now that he’d got Burstead between the eyes life would be a vigorous, decent thing once more.

  Stephen stopped his hymn and came and put his arm round Peter’s neck. “Well, boy, to think of you coming round this evening. All these months I’ve been sittin’ ’ere thinking of you — but I’ve been in a nasty, black state, Master Peter, doing nothing but just brood. And the devils got thicker and thicker about me and I was just going off my head thinking of my girl in the ‘ands of that beast up along. At last to-night I suddenly says, ‘Stephen, my fine feller, you’ve ‘ad enough of this,’ I says. ‘You go up and ‘ave a good knock at ’im,’ I says, ‘and to-morrer marnin’ you just go off to another bit o’ country and start doin’ something different.’ Up I got and I caught hold of this stick here and out up along I walked. Sure enough there ’e was, through the winder, bullyin’ her and she crying. So I just jumped through the winder and was up on to ’im. Lord, you should ‘ave seen ’im jump.

  “‘Fair fight, Sam Burstead,’ I says.

  “‘Yer bloody pirate!’ says ’e.

  “‘Pirate, is it?’ says I, landing him one — and at that first feel of my ‘and along o’ ’is cheek all these devils that I’ve been sufferin’ from just turned tail and fled.

  “Lord, I give it ’im! Lord, I give it ’im!

  “He’s living, I reckon, but that’s about all ’e is doing. And then, without a word to ‘er, I come away, and here I am, a free man ... and to-morrer marning I go out to tramp the world a bit — and to come back one day when she wants me.”

  And then in Peter there suddenly leapt to life a sense of battle, of glorious combat and conflict.

  As he stood there in the bare kitchen — he and Stephen there under the light of the jumping candle — with the rain beating on the panes, the trees of the wood bending to the wind, he was seized, exalted, transformed with a sense of the vigour, the adventure, the surprising energy of life.

  “Stephen! Stephen!” he cried. “It’s glorious! By God! I wish I’d been there!”

  Stephen caught him by the arm and held him. The old dog came from under the table and wagged his tail.

  “Bless my soul,” said Stephen, looking at him, “all these weeks I’ve been forgetting him. I’ve been in a kind of dream, boy — a kind o’ dream. Why didn’t I ‘it ’im before? Lord, why didn’t I ‘it ’im before!”

  Peter at the word thought of his mother.

  “Yes,” he thought, with clenched teeth, “I’ll go for them!”

  CHAPTER VIII

  PETER AND HIS MOTHER

  I

  He had returned over the heavy fields, singing to a round-faced moon. In the morning, when he woke after a night of glorious fantastic dreams, and saw the sun beating very brightly across his carpet and birds singing beyond his window, he felt still that same exultation.

  It seemed to him, as he sat on his bed, with the sun striking his face, that last night he had been brought into touch with a vigour that challenged all the mists and vapours by which he had felt himself surrounded. That was the way that now he would face them.

  Looking back afterwards, he was to see that that evening with Stephen flung him on to all the events that so rapidly followed.

  Moreover, above all the sensation of the evening there was also a triumphant recognition of the fact that Stephen had now been restored to him. He might never see him again, but they were friends once more, he could not be lonely now as he had been....

  And then, coming out of the town into the dark street and the starlight, he thought that he recognised a square form walking before him. He puzzled his brain to recall the connection and then, as he passed Zachary Tan’s shop, the figure turned in and showed, for a moment, his face.

  It was that strange man from London, Mr. Emilio Zanti....

  II

  It seemed to Peter that now at Scaw House the sense of expectation that had been with them all during the last weeks was charged with suspense — at supper that night his aunt burst suddenly into tears and left the room. Shortly afterwards his father also, without a word, got up from the table and went upstairs....

  Peter was left alone with his grandfather. The old man, sunk beneath his pile of cushions, his brown skinny hand clenching and unclenching above the rugs, was muttering to himself. In Peter himself, as he stood there by the fire, looking down on the old man, there was tremendous pity. He had never felt so tenderly towards his grandfather before; it was, perhaps, because he had himself grown up all in a day. Last night had proved that one was grown up indeed, although one was but seventeen. But it proved to him still more that the time had come for him to deal with the situation all about him, to discover the thing that was occupying them all so deeply.

  Peter bent down to the cushions.

  “Grandfather, what’s the matter with the house?”

  He could hear, faintly, beneath the rugs something about “hell” and “fire” and “poor old man.”

  “Grandfather, what’s the matter with the house?” but still only “Poor old man ... poor old man ... nobody loves him ... nobody loves him ... to hell with the lot of ’em ... let ’em grizzle in hell fire ... oh! such nasty pains for a poor old man.”

  “Grandfather, what’s the matter with the house?”

  The old brown hand suddenly stopped clenching and unclenching, and out from the cushions the old brown head with its few hairs and its parchment face poked like a withered jack-in-the-box.

  “Hullo, boy, you here?”

  “Grandfather, what’s the matter with the house?”

  The old man’s fingers, sharp like pins, drew Peter close to him.

  “Boy, I’m terribly frightened. I’ve been having such dreams. I thought I was dead — in a coffin....”

  But Peter whispered in his ear:

  “Grandfather — tell me — what’s the matter with every one here?”

  The old man’s eyes were suddenly sharp, like ne
edles.

  “Ah, he wants to know that, does he? He’s found out something at last, has he? I know what they were about. They’ve been at it in here, boy, too. Oh, yes! for weeks and weeks — killing your mother, that’s what my son’s been doing ... frightening her to death.... He’s cruel, my son. I had the Devil once, and now he’s got hold of me and that’s why I’m here. Mind you, boy,” and the old man’s ringers clutched him very tightly— “if you don’t get the better of the Devil you’ll be just like me one of these days. So’ll he be, my son, one day. Just like me — and then it’ll be your turn, my boy. Oh, they Westcotts!... Oh! my pains! Oh! my pains!... Oh! I’m a poor old man! — poor old man!”

  His head sunk beneath the cushions again and his muttering died away like a kettle when the lid has been put on to it.

  Peter had been kneeling so as to catch his grandfather’s words. Now he drew himself up and with frowning brows faced the room. Had he but known it he was at that moment exactly like his father.

  He went slowly up to his attic.

  His little book-case had gained in the last two years — there were now three of Henry Galleon’s novels there. Bobby had given him one, “Henry Lessingham,” shining bravely in its red and gold; he had bought another, “The Downs,” second hand, and it was rather tattered and well thumbed. Another, “The Roads,” was a shilling paper copy. He had read these three again and again until he knew them by heart, almost word by word. He took down “Henry Lessingham” now and opened it at a page that was turned down. It is Book III, chapter VI, and there is this passage:

  But, concerning the Traveller who would enter the House of

  Courage there are many lands that must be passed on the road

  before he rest there. There is, first, the Land of Lacking All

  Things — that is hard to cross. There is, Secondly, the Land of

  Having All Things. There is the Traveller’s Fortitude most hardly

  tested. There is, Thirdly, The Land of Losing All Those Things

  that One Hath Possessed. That is a hard country indeed for the

  memory of the pleasantness of those earlier joys redoubleth the

  agony of lacking them. But at the end there is a Land of ice and

  snow that few travellers have compassed, and that is the Land of

  Knowing What One Hath Missed.... The Bird was in the hand and one

  let it go ... that is the hardest agony of all the journey ... but

  if these lands be encountered and surpassed then doth the Traveller

  at length possess his soul and is master of it ... this is the

  Meaning and Purpose of Life.

  Peter read on through those pages where Lessingham, having found these words in some old book, takes courage after his many misadventures and starts again life — an old man, seventy years of age, but full of hope ... and then there is his wonderful death in the Plague City, closing it all like a Triumph.

  The night had come down upon the house. Over the moor some twinkling light broke the black darkness and his candle blew in the wind. Everything was very still and as he clutched his book in his hand he knew that he was frightened. His grandfather’s words had filled him with terror. He felt not only that his father was cruel and had been torturing his mother for many years because he loved to hurt, but he felt also that it was something in the blood, and that it would come upon him also, in later years, and that he might not be able to beat it down. He could understand definite things when they were tangible before his eyes but here was something that one could not catch hold of, something....

  After all, he was very young — But he remembered, with bated breath, times at school when he had suddenly wanted to twist arms, to break things, to hurt, when suddenly a fierce hot pleasure had come upon him, when a boy had had his leg broken at football.

  Dropping the book, shuddering, he fell upon his knees and prayed to what God he knew not.... “Then doth the Traveller at length possess his soul and is master of it ... this is the meaning and purpose of life.”

  At last he rose from his knees, physically tired, as though it had been some physical struggle. But he was quiet again ... the terror had left him, but he knew now with what beasts he had got to wrestle....

  At supper that night he watched his father. Curiously, after his struggle of the afternoon, all terror had left him and he felt as though he was of his father’s age and strength.

  In the middle of the meal he spoke:

  “How is mother to-night, father?”

  He had never asked about his mother before, but his voice was quite even and steady. His aunt dropped her knife clattering on to her plate.

  His father answered him:

  “Why do you wish to know?”

  “It is natural, isn’t it? I am afraid that she is not so well.”

  “She is as well as can be expected.”

  They said no more, but once his father suddenly looked at him, as though he had noticed some new note in his voice.

  III

  On the next afternoon his father went into Truro. A doctor came occasionally to the house — a little man like a beaver — but Peter felt that he was under his father’s hand and he despised him.

  It was a clear Autumn afternoon with a scent of burning leaves in the air and heavy massive white clouds were piled in ramparts beyond the brown hills. It was so still a day that the sea seemed to be murmuring just beyond the garden-wall. The house was very silent; Mrs. Trussit was in the housekeeper’s room, his grandfather was sleeping in the dining-room. The voices of some children laughing in the road came to him so clearly that it seemed to Peter impossible that his father ... and, at that, he knew instantly that his chance had come. He must see his mother now — there might not be another opportunity for many weeks.

  He left his room and stood at the head of the stairs listening. There was no sound.

  He stole down very softly and then waited again at the end of the long passage. The ticking of the grandfather clock in the hall drove him down the passage. He listened again outside his mother’s door — there was no sound from within and very slowly he turned the handle.

  As the door opened his senses were invaded by that air of medicine and flowers that he had remembered as a very small boy — he seemed to be surrounded by it and great white vases on the mantelpiece filled his eyes, and the white curtains at the window blew in the breeze of the opening door.

  His aunt was sitting, with her eternal sewing, by the fire and she rose as he entered. She gave a little startled cry, like a twittering bird, as she saw that it was he and she came towards him with her hand out. He did not look at the bed at all, but bent his eyes gravely upon his aunt.

  “Please, aunt — you must leave us — I want to speak to my mother.”

  “No — Peter — how could you? I daren’t — I mustn’t — your father — your mother is asleep,” and then, from behind them, there came a very soft voice —

  “No — let us be alone — please, Jessie.”

  Peter did not, even then, turn round to the bed, but fixed his eyes on his aunt.

  “The doctor—” she gasped, and then, with frightened eyes, she picked up her sewing and crept out.

  Then he turned round and faced the bed, and was suddenly smitten with great shyness at the sight of that white, tired face, and the black hair about the pillow.

  “Well, mother,” he said, stupidly.

  But she smiled back at him, and although her voice was very small and faint, she spoke cheerfully and as though this were an ordinary event.

  “Well, you’ve come to see me at last, Peter,” she said.

  “I mustn’t stay long,” he answered, gruffly, as he moved awkwardly towards the bed.

  “Bring your chair close up to the bed — so — like that. You have never come to sit in here before. Peter, do you know that?”

  “Yes, mother.” He turned his eyes away and looked on to the floor.

  “You have come in before because you have been tol
d to. To-day you were not told — why did you come?”

  “I don’t know.... Father’s in Truro.”

  “Yes, I know.” He thought he caught, for an instant, a strange note in her voice. “But he will not be back yet.”

  There was a pause — a vast golden cloud hung like some mountain boulder beyond the window and some of its golden light seemed to steal over the white room.

  “Is it bad for you talking to me?” at last he said, gruffly, “ought I to go away?”

  Suddenly she clutched his strong brown hand with her thin wasted fingers, with so convulsive a grasp that his heart began to beat furiously.

  “No — don’t go — not until it is time for your father to come back. Isn’t it strange that after all these years this is the first time that we should have a talk. Oh! so many times I’ve wanted you to come — and when you did come — when you were very little — you were always so frightened that you would not let me touch you—”

  “They frightened me....”

  “Yes — I know — but now, at last, we’ve got a little time together — and we must talk — quickly. I want you to tell me everything — everything — everything.... First, let me look at you....”

  She took his head between her pale, slender hands and looked at him. “Oh, you are like him! — your father — wonderfully like.” She lay back on the pillows with a little sigh. “You are very strong.”

  “Yes, I am going to be strong for you now. I am going to look after you. They shan’t keep us apart any more.”

  “Oh, Peter, dear,” she shook her head almost gaily at him. “It’s too late.”

  “Too late?”

  “Yes, I’m dying — at last it’s come, after all these years when I’ve wanted it so much. But now I’m not sorry — now that we’ve had this talk — at last. Oh! Peter dear, I’ve wanted you so dreadfully and I was never strong enough to say that you must come ... and they said that you were noisy and it would be bad for me. But I believe if you had come earlier I might have lived.”

 

‹ Prev