As Theodor Adorno and Max Horkheimer pointed out, by the mid-twentieth century at the latest this mechanization includes culture, such that we now have, and are parts of, a “culture industry.” Not just in the sense that cultural objects (blockbuster films based on science-fiction stories, for example) are produced industrially and packaged as if for unthinking consumption. But also in the sense that we, too, are ‘produced’ industrially: we are prepared by blockbuster films—not to mention breakfast cereals and deodorant ads—to become better consumers, so that we can play our little role in keeping the machines churning out cheap bits of plastic . . . and turning us into the carbon-based equivalent.
As Dick sees it, then, when we look at an artificial object or technological product, it looks back, and that uncannily mirrored gaze makes clear that we human beings, we seemingly natural beings, have come to share in the object’s artificiality: we, too, have been made artificial, unnaturally and ironically turned into a technology by the very technology we first brought into being. With artificial objects serving in this way as unwelcome inversions—dopplegangers—for ourselves, Dick disorients our sense of ‘human being’ and of ‘individual identity’ to develop and encourage a trenchant criticism of the role of technology in society. He does not criticize our use of machines so much as, instead, our unwitting willingness to be used by them.
And ‘willingness’, or will, is precisely the issue: Dick makes us wonder whether our apparent capacity for individual thought and action, for acts of will, for free will, is indeed ours . . . or whether it has rather been objectified, technologized, made into a ‘product’ of a system that precedes our conscious thought and, so, may operate without our informed consent. Such a system may have its own purposes in ‘mind’ and not our best interests at heart. Like the mindless gun, have we been made in the service of a system whose purpose is not derailed if we are given artificial memories and allowed the illusions of intelligence and will?
As Dick’s range and skills as a writer developed, and as he began to work in longer forms than the short story, he was able to develop these and similar ideas deeply and very vividly elsewhere. “We Can Remember It for You Wholesale,” Do Androids Dream of Electric Sheep?, The Man in the High Castle, and Ubik, among others, all richly fictionalize these ideas. These and other, later works develop further Dick’s interest in artifacts as paradoxically disindividualizing or even dehumanizing mementoes or reminders: really, as false ‘reminders’, given their capacity to cause the seemingly real ‘recall’ of events that are fictional or otherwise counterfactual.
This particular interest brings Dick’s thinking into productive dialogue with that of many other philosophers. For example Walter Benjamin, who feared that new technologies of ‘mechanical reproduction’, including photography, would result in destruction of historical meaning—what he called “aura”—as culture turns from valuing objects to consuming their mere images. Or Hannah Arendt, who wondered, in The Human Condition, whether the launch of Sputnik, as well as the bombings of Hiroshima and Nagasaki, signal a renewed and inadvisable desire to escape our ‘earthliness’—“the very quintessence of the human condition”—by technological means. Or Martin Heidegger, who explored ‘technology’ as more than physical objects and devices, but also including social structures and controls as well as other necessary mediations of, and constraints on, human behavior.
In this connection, finally, Dick may be brought into dialogue with Plato as well. Both asked how one would live the best life, and both asserted that the unexamined life is not worth living. As “The Gun” shows, Dick, already in 1952, had formed the outline of one of the most distinctive parts of his answer: the best life cannot be in a culture beset—as he clearly saw it—by mindless and undesirable mechanizations and militarizations of humanity. In Dick’s hands science fiction becomes a fast-moving vehicle for a kind of philosophical thought-experiment, imagining a world that could come to pass . . . so as to ask whether in fact, in all the ways that would matter, it already has.
The Master’s Own Voice
34
Beyond Lies the Wub
PHILIP K. DICK
They had almost finished with the loading. Outside stood the Optus, his arms folded, his face sunk in gloom. Captain Franco walked leisurely down the gangplank, grinning.
“What’s the matter?” he said. “You’re getting paid for all this.”
The Optus said nothing. He turned away, collecting his robes. The Captain put his boot on the hem of the robe.
“Just a minute. Don’t go off. I’m not finished.”
“Oh?” The Optus turned with dignity. “I am going back to the village.” He looked toward the animals and birds being driven up the gangplank into the spaceship. “I must organize new hunts.”
Franco lit a cigarette. “Why not? You people can go out into the veldt and track it all down again. But when we run out halfway between Mars and Earth—”
The Optus went off, wordless. Franco joined the first mate at the bottom of the gangplank.
“How’s it coming?” he said. He looked at his watch. “We got a good bargain here.”
The mate glanced at him sourly. “How do you explain that?”
“What’s the matter with you? We need it more than they do.”
“I’ll see you later, Captain.” The mate threaded his way up the plank, between the long-legged Martian go-birds, into the ship. Franco watched him disappear. He was just starting up after him, up the plank toward the port, when he saw it.
“My God!” He stood staring, his hands on his hips. Peterson was walking along the path, his face red, leading it by a string.
“I’m sorry, Captain,” he said, tugging at the string. Franco walked toward him.
“What is it?”
The wub stood sagging, its great body settling slowly. It was sitting down, its eyes half shut. A few flies buzzed about its flank, and it switched its tail.
It sat. There was silence.
“It’s a wub,” Peterson said. “I got it from a native for fifty cents. He said it was a very unusual animal. Very respected.”
“This?” Franco poked the great sloping side of the wub. “It’s a pig! A huge dirty pig!”
“Yes sir, it’s a pig. The natives call it a wub.”
“A huge pig. It must weigh four hundred pounds.” Franco grabbed a tuft of the rough hair. The wub gasped. Its eyes opened, small and moist. Then its great mouth twitched.
A tear rolled down the wub’s cheek and splashed on the floor.
“Maybe it’s good to eat,” Peterson said nervously.
“We’ll soon find out,” Franco said.
The wub survived the take-off, sound asleep in the hold of the ship. When they were out in space and everything was running smoothly, Captain Franco bade his men fetch the wub upstairs so that he might perceive what manner of beast it was.
The wub grunted and wheezed, squeezing up the passageway.
“Come on,” Jones grated, pulling at the rope. The wub twisted, rubbing its skin off on the smooth chrome walls. It burst into the ante-room, tumbling down in a heap. The men leaped up.
“Good Lord,” French said. “What is it?”
“Peterson says it’s a wub,” Jones said. “It belongs to him.” He kicked at the wub. The wub stood up unsteadily, panting.
“What’s the matter with it?” French came over. “Is it going to be sick?”
They watched. The wub rolled its eyes mournfully. It gazed around at the men.
“I think it’s thirsty,” Peterson said. He went to get some water. French shook his head.
“No wonder we had so much trouble taking off. I had to reset all my ballast calculations.”
Peterson came back with the water. The wub began to lap gratefully, splashing the men.
Captain Franco appeared at the door.
“Let’s have a look at it.” He advanced, squinting critically. “You got this for fifty cents?”
“Yes, sir,” Peterson sai
d. “It eats almost anything. I fed it on grain and it liked that. And then potatoes, and mash, and scraps from the table, and milk. It seems to enjoy eating. After it eats it lies down and goes to sleep.”
“I see,” Captain Franco said. “Now, as to its taste. That’s the real question. I doubt if there’s much point in fattening it up any more. It seems fat enough to me already. Where’s the cook? I want him here. I want to find out—”
The wub stopped lapping and looked up at the Captain.
“Really, Captain,” the wub said. “I suggest we talk of other matters.”
The room was silent.
“What was that?” Franco said. “Just now.”
“The wub, sir,” Peterson said. “It spoke.”
They all looked at the wub.
“What did it say? What did it say?”
“It suggested we talk about other things.”
Franco walked toward the wub. He went all around it, examining it from every side. Then he came back over and stood with the men.
“I wonder if there’s a native inside it,” he said thoughtfully. “Maybe we should open it up and have a look.”
“Oh, goodness!” the wub cried. “Is that all you people can think of, killing and cutting?”
Franco clenched his fists. “Come out of there! Whoever you are, come out!”
Nothing stirred. The men stood together, their faces blank, staring at the wub. The wub swished its tail. It belched suddenly.
“I beg your pardon,” the wub said.
“I don’t think there’s anyone in there,” Jones said in a low voice. They all looked at each other.
The cook came in.
“You wanted me, Captain?” he said. “What’s this thing?”
“This is a wub,” Franco said. “It’s to be eaten. Will you measure it and figure out—”
“I think we should have a talk,” the wub said. “I’d like to discuss this with you, Captain, if I might. I can see that you and I do not agree on some basic issues.”
The Captain took a long time to answer. The wub waited good-naturedly, licking the water from its jowls.
“Come into my office,” the Captain said at last. He turned and walked out of the room. The wub rose and padded after him. The men watched it go out. They heard it climbing the stairs.
“I wonder what the outcome will be,” the cook said. “Well, I’ll be in the kitchen. Let me know as soon as you hear.”
“Sure,” Jones said. “Sure.”
The wub eased itself down in the corner with a sigh. “You must forgive me,” it said. “I’m afraid I’m addicted to various forms of relaxation. When one is as large as I—”
The Captain nodded impatiently. He sat down at his desk and folded his hands.
“All right,” he said. “Let’s get started. You’re a wub? Is that correct?”
The wub shrugged. “I suppose so. That’s what they call us, the natives, I mean. We have our own term.”
“And you speak English? You’ve been in contact with Earthmen before?”
“No.”
“Then how do you do it?”
“Speak English? Am I speaking English? I’m not conscious of speaking anything in particular. I examined your mind—”
“My mind?”
“I studied the contents, especially the semantic warehouse, as I refer to it—”
“I see,” the Captain said. “Telepathy. Of course.”
“We are a very old race,” the wub said. “Very old and very ponderous. It is difficult for us to move around. You can appreciate that anything so slow and heavy would be at the mercy of more agile forms of life. There was no use in our relying on physical defenses. How could we win? Too heavy to run, too soft to fight, too good-natured to hunt for game—”
“How do you live?”
“Plants. Vegetables. We can eat almost anything. We’re very catholic. Tolerant, eclectic, catholic. We live and let live. That’s how we’ve gotten along.”
The wub eyed the Captain.
“And that’s why I so violently objected to this business about having me boiled. I could see the image in your mind—most of me in the frozen food locker, some of me in the kettle, a bit for your pet cat—”
“So you read minds?” the Captain said. “How interesting. Anything else? I mean, what else can you do along those lines?”
“A few odds and ends,” the wub said absently, staring around the room. “A nice apartment you have here, Captain. You keep it quite neat. I respect life-forms that are tidy. Some Martian birds are quite tidy. They throw things out of their nests and sweep them—”
“Indeed.” The Captain nodded. “But to get back to the problem—”
“Quite so. You spoke of dining on me. The taste, I am told, is good. A little fatty, but tender. But how can any lasting contact be established between your people and mine if you resort to such barbaric attitudes? Eat me? Rather you should discuss questions with me, philosophy, the arts—”
The Captain stood up. “Philosophy. It might interest you to know that we will be hard put to find something to eat for the next month. An unfortunate spoilage—”
“I know.” The wub nodded. “But wouldn’t it be more in accord with your principles of democracy if we all drew straws, or something along that line? After all, democracy is to protect the minority from just such infringements. Now, if each of us casts one vote—”
The Captain walked to the door.
“Nuts to you,” he said. He opened the door. He opened his mouth.
He stood frozen, his mouth wide, his eyes staring, his fingers still on the knob.
The wub watched him. Presently it padded out of the room, edging past the Captain. It went down the hall, deep in meditation.
The room was quiet.
“So you see,” the wub said, “we have a common myth. Your mind contains many familiar myth symbols. Ishtar, Odysseus—”
Peterson sat silently, staring at the floor. He shifted in his chair.
“Go on,” he said. “Please go on.”
“I find in your Odysseus a figure common to the mythology of most self-conscious races. As I interpret it, Odysseus wanders as an individual, aware of himself as such. This is the idea of separation, of separation from family and country. The process of individuation.”
“But Odysseus returns to his home.” Peterson looked out the port window, at the stars, endless stars, burning intently in the empty universe. “Finally he goes home.”
“As must all creatures. The moment of separation is a temporary period, a brief journey of the soul. It begins, it ends. The wanderer returns to land and race. . . .”
The door opened. The wub stopped, turning its great head.
Captain Franco came into the room, the men behind him. They hesitated at the door.
“Are you all right?” French said.
“Do you mean me?” Peterson said, surprised. “Why me?”
Franco lowered his gun. “Come over here,” he said to Peterson. “Get up and come here.”
There was silence.
“Go ahead,” the wub said. “It doesn’t matter.”
Peterson stood up. “What for?”
“It’s an order.”
Peterson walked to the door. French caught his arm.
“What’s going on?” Peterson wrenched loose. “What’s the matter with you?”
Captain Franco moved toward the wub. The wub looked up from where it lay in the corner, pressed against the wall.
“It is interesting,” the wub said, “that you are obsessed with the idea of eating me. I wonder why.”
“Get up,” Franco said.
“If you wish.” The wub rose, grunting. “Be patient. It is difficult for me.” It stood, gasping, its tongue lolling foolishly.
“Shoot it now,” French said.
“For God’s sake!” Peterson exclaimed. Jones turned to him quickly, his eyes gray with fear.
“You didn’t see him—like a statue, standing there, his mou
th open. If we hadn’t come down, he’d still be there.”
“Who? The Captain?” Peterson stared around. “But he’s all right now.”
They looked at the wub, standing in the middle of the room, its great chest rising and falling.
“Come on,” Franco said. “Out of the way.”
The men pulled aside toward the door.
“You are quite afraid, aren’t you?” the wub said. “Have I done anything to you? I am against the idea of hurting. All I have done is try to protect myself. Can you expect me to rush eagerly to my death? I am a sensible being like yourselves. I was curious to see your ship, learn about you. I suggested to the native—”
The gun jerked.
“See,” Franco said. “I thought so.”
The wub settled down, panting. It put its paw out, pulling its tail around it.
“It is very warm,” the wub said. “I understand that we are close to the jets. Atomic power. You have done many wonderful things with it—technically. Apparently, your scientific hierarchy is not equipped to solve moral, ethical—”
Franco turned to the men, crowding behind him, wide-eyed, silent.
“I’ll do it. You can watch.”
French nodded. “Try to hit the brain. It’s no good for eating. Don’t hit the chest. If the rib cage shatters, we’ll have to pick bones out.”
“Listen,” Peterson said, licking his lips. “Has it done anything? What harm has it done? I’m asking you. And anyhow, it’s still mine. You have no right to shoot it. It doesn’t belong to you.”
Franco raised his gun.
“I’m going out,” Jones said, his face white and sick. “I don’t want to see it.”
“Me, too,” French said. The men straggled out, murmuring. Peterson lingered at the door.
“It was talking to me about myths,” he said. “It wouldn’t hurt anyone.”
He went outside.
Philip K. Dick and Philosophy Page 35