by Ellis Peters
“I’m glad to see you so far restored. The tales they told of you were twenty years too soon. But I’m sorry for your loss. I hope it may yet be recovered.”
“Faith, so do I,” said Walter sourly. “You tell me that rogue you have in sanctuary has no part of it on him, and while you hold him fast within there he can hardly unearth and make off with it. For it must be somewhere, and I trust the sheriff’s men here to find it.”
“You’re very certain of your man, then?” Hugh had got him to the point where he had taken his valuables and gone to stow them away in the shop, and there he had suddenly grown less communicative. “But he had already been expelled some time earlier, as I understand it, and no one has yet testified to seeing him lurking around your house after that.”
Walter cast a glance at his mother, whose ancient ears were pricked and her faded but sharp eyes alert. “Ah, but he could well have stayed in hiding, all the same. What was there to prevent it in the dark of the night?”
“So he could,” agreed Hugh unhelpfully, “but there’s no man so far claims he did. Unless you’ve recalled something no one else knows? Did you see anything of him after he was thrown out?”
Walter shifted uneasily, looked ready to blurt out a whole indictment, and thought better of it in Juliana’s hearing. Brother Cadfael took pity on him.
“It might be well,” he said guilelessly, “to take a look at the place where this assault was made. Master Walter will show us his workshop, I am sure.”
Walter rose to it thankfully, and ushered them away with alacrity, along the passage and in again at the door of his shop. The street door was fast, the day being Sunday, and he closed the other door carefully behind them, and drew breath in relief.
“Not that I’ve anything to conceal from you, my lord, but I’d as lief my mother should not have more to worry her than she has already.” Plausible cover, at any rate, for the awe of her in which he still went. “For this is where the thing happened, and you see from this door how the coffer lies in the opposite corner. And there was I, with the key in the lock and the lid laid back against the wall, wide open, and my candle here on the shelf close by. The light shining straight down into the coffer—you see?—and what was within in plain view. And suddenly I hear a sound behind me, and there’s this minstrel, this Liliwin, creeping in at the door.”
“Threateningly?” asked Hugh, straight-faced. If he did not wink at Cadfael, his eyebrow was eloquent. “Armed with a cudgel?”
“No,” admitted Walter, “rather humbly, to all appearance. But then I’d heard him and turned. He was barely into the doorway, he could have dropped his weapon outside when he saw I was ware of him.”
“But you did not hear it fall? Nor see any sign of such?”
“No, that I own.”
“Then what had he to say to you?”
“He begged me to do him right, for he said he had been cheated of two thirds of his promised fee. He said it was hard on a poor man to be so blamed and docked of his money, and pleaded with me to make it good as promised.”
“And did you?” asked Hugh.
“I tell you honestly, my lord, I could not say he had been hardly used, considering the worth of the pitcher, but I did think him a poor, sad creature who had to live, whatever the rights or wrongs of it. And I gave him another penny—good silver, minted in this town. But not a word of this to Dame Juliana, if you’ll be so good. She’ll have to know, now it’s all come back to me, that he dared creep in and ask, but no need for her to know I gave him anything. She would be affronted, seeing she had denied him.”
“Your thought for her does you credit,” said Hugh gravely. “What then? He took your bounty and slunk out?”
“He did. But I wager he has not told you anything of this begging visit. A poor return I got for the favour!” Walter was sourly vengeful still.
“You mistake, for he has. He has told us this very same tale that you now tell. And confided to the abbey’s keeping, while he remains there, the two silver pence which is all he has on him. Tell me, had you closed the lid of the coffer as soon as you found yourself observed?”
“I did!” said Walter fervently. “And quickly! But he had seen. I never gave him another thought at the time but—see here, my lord, how it follows! As soon as he was gone, or I thought he was gone, I opened the coffer again, and was bending over it laying Margery’s dowry away, when I was clouted hard from behind, and that’s the last I knew till I opened an eye in my own bed, hours later. If it was two minutes after that fellow crept out of the door, when someone laid me flat, it was not a moment more. So who else could it be?”
“But you did not actually see who struck you?” Hugh pressed. “Not so much as a glimpse? No shadow cast, to give him a shape or size? No sense of a bulk heaving up behind you?”
“Never a chance.” Walter might be vindictive, but he was honest. “See, I was stooping over the coffer when it seemed the wall fell on me, and I pitched asprawl, head-down into the box, clean out of the world. I heard nothing and saw nothing, not even a shadow, no—the last thing I recall was the candle flickering, but what is there in that? No, depend on it, that rogue had seen what I had in my store before I clapped down the lid. Was he going tamely away with his penny, with all that money there to take? Not he! Nor hide nor hair of any other did I see in here that night. You may be certain of it, the jongleur is your man.”
*
“And it may still be so,” admitted Hugh, parting from Cadfael on the bridge some twenty minutes later. “Enough to tempt any poor wretch with but two coins to rub together. Whether he had any such thought in his head before the candle shone on our friend’s hoard or no. Equally, I grant the lad may not even have realised what lay beneath his hand, or seen anything but his own need and the thin chance of getting a kinder reception from the goldsmith than from that ferocious mother of his. He may have crept away thanking God for his penny and never a thought of wrong. Or he may have picked up a stone or a stave and turned back.”
*
At about that same time, in the street outside Saint Mary’s church, which was the common ground for exchanging civilities and observing fashions on a fine Sunday morning after Mass, Daniel and Margery Aurifaber in their ceremonial progression, intercepted by alternate well-wishers and commiserators—wedding and robbery being equally relished subjects of comment and speculation in Shrewsbury-came face to face with Master Ailwin Corde, the wool-merchant, and his wife, Cecily, and halted by general consent to pass the time of day as befitted friends and neighbours.
This Mistress Cecily looked more like a daughter to the merchant, or even a granddaughter, than a wife. She was twenty-three years old to his sixty, and though small and slender of stature, was so opulent in colouring, curvature and gait, and everything that could engage the eye, that she managed to loom large as a goddess and dominate whatever scene she graced with her presence. And her elderly husband took pleasure in decking her out with sumptuous fabrics and fashions the gem he should rather have shrouded in secretive, plain linens. A gilt net gathered on her head its weight of auburn hair, and a great ornament of enamel and gemstones jutted before her, calling attention to a resplendent bosom.
Faced with this richness, Margery faded, and knew that she faded. Her smile became fixed and false as a mask, and her voice tended to sharpen like a singer forced off-key. She tightened her clasp on Daniel’s arm, but it was like trying to hold a fish that slid through her fingers without even being aware of restraint.
Master Corde enquired solicitously after Walter’s health, was relieved to hear that he was making a good recovery, was sad, nonetheless, to know that so far nothing had been found of all that had been so vilely stolen. He sent his condolences, while thanking God for life and health spared. His wife echoed all that he said, modest eyes lowered, and voice like distant wood-doves.
Daniel, his eyes wandering more often to Mistress Cecily’s milk-and-roses face than to the old man’s flabby and self-satisfied countenance, issued
a hearty invitation to Master Corde to bring his wife and take a meal with the goldsmith as soon as might be, and cheer him by his company. The wool-merchant thanked him, and wished it no less, but must put off the pleasure for a week or more, though he sent his sympathetic greetings and promised his prayers.
“You don’t know,” confided Mistress Cecily, advancing a small hand to touch Margery’s arm, “how fortunate you are in having a husband whose trade is rooted fast at home. This man of mine is for ever running off with his mules and his wagon and his men, either west into Wales or east into England, over business with these fleeces and cloths of his, and I’m left lonely days at a time. Now tomorrow early he’s off again, if you please, as far as Oxford, and I shall lack him for three or four days.”
Twice she had raised her creamy eyelids during this complaint, once ruefully at her husband, and once, with a miraculously fleeting effect which should have eluded Margery, but did not, at Daniel, eyes blindingly bright in the one flash that shot from them, but instantly veiled and serene.
“Now, now, sweet,” said the wool-merchant indulgently, “you know how I shall hurry back to you.”
“And how long it will take,” she retorted, pouting. “Three or four nights solitary. And you’d better bring me something nice to sweeten me for it when you return.”
As she knew he would. He never came back from any journey but he brought her a gift to keep her sweet. He had bought her, but there was enough of cold sense in him, below his doting, to know that he had to buy her over and over again if he wanted to keep her. The day he acknowledged it, and examined the implications, she might well go in fear for her slender throat, for he was an arrogant and possessive man.
“You say very truly, madam!” said Margery, stiff-lipped. “I do know, indeed, how fortunate I am.”
Only too well! But every man’s fortune, and every woman’s too, can be changed given a little thought, perseverance and cunning.
*
Liliwin had spent his day in so unexpected and pleasant a fashion that for an hour and more at a time he had forgotten the threat hanging over him. As soon as High Mass was over, the precentor had hustled him briskly away to the corner of the cloister where he had already begun to pick apart, with a surgeon’s delicacy and ruthlessness, the fractured shards of the rebec. Slow, devoted work that demanded every particle of the pupil’s attention, if he was to assist at a resurrection. And excellent therapy against the very idea of death.
“We shall put together what is here broken,” said Brother Anselm, intent and happy, “for an avowal on our pan. No matter if the product, when achieved, turns out to be flawed, yet it shall speak again. If it speaks with a stammering voice, then we shall make another, as one generation follows its progenitor and takes up the former music. There is no absolute loss. Hand me here that sheet of vellum, son, and mark in what order I lay these fragments down.” Mere splinters, a few of them, but he set them carefully in the shape they should take when restored. “Do you believe you will play again upon this instrument?”
“Yes,” said Liliwin, fascinated, “I do believe.”
“That’s well, for faith is necessary. Without faith nothing is accomplished.” He mentioned this rare tool as he would have mentioned any other among those laid out to his hand. He set aside the fretted bridge. “Good workmanship, and old. This rebec had more than one master before it came to you. It will not take kindly to silence.”
Neither did he. His brisk, gentle voice flowed like a placid stream while he worked, and its music lulled like the purling of water. And when he had picked apart and set out in order all the fragments of the rebec, and placed the vellum that held them in a safe corner, covered with a linen cloth, to await full light next day, he confronted Liliwin at once with his own small portative organ, and demanded he should try his hand with that. He had no need to demonstrate its use, Liliwin had seen one played, but never yet had the chance to test it out for himself.
He essayed the fingering nimbly enough at his first attempt, but concentrated so totally on the tune he was playing that he forgot to work the little bellows with his left hand, and the air ran out with a sigh into silence. He caught himself up with a startled laugh, and tried again, too vigorously, his playing hand slow on the keys. At the third try he had it. He played with it, entranced, picked out air after air, getting the feel of it, balancing hand against hand, growing ambitious, attempting embellishments. Five fingers can do only so much.
Brother Anselm presented to him a curious, figured array of signs upon vellum, matched by written symbols which he knew to be words. He could not read them, since he could not read in any tongue. To him this meant nothing more than a pleasing pattern, such as a woman might draw for her embroidery.
“You never learned this mystery? Yet I think you would pick it up readily. This is music, set down so that the eye, no less than the ear, may master it. See here, this line of neums here! Give me the organ.”
He took it and played a long line of melody. “That—what you have heard—that is written down here. Listen again!” And again he plucked it jubilantly forth. “There, now sing me that!”
Liliwin flung up his head and paid him back the phrase.
“Now, follow me still… answer as I go.”
It was an intoxication, line after line of music to copy and toss back. Within minutes Liliwin had begun to embellish, to vary, to return a higher echo that chorded with the original.
“I could make of you a singer,” said Brother Anselm, sitting back in high content.
“I am a singer,” said Liliwin. He had never before understood fully how proud he was of being able to say so.
“I do believe it. Your music and mine go different ways, but both of them are made up of these same small signs here, and the sounds they stand for. If you stay a little, I shall teach you how to read them,” promised Anselm, pleased with his pupil. “Now, take this, practise some song of your own with it, and then sing it to me.”
Liliwin reviewed his songs, and was somewhat abashed to discover how many of them must be suppressed here as lewd and offensive. But not all were so. He had a favourite, concerned with the first revelation of young love, and recalling it now, he recalled Rannilt, as poor as himself, as unconsidered, in her smoky kitchen and coarse gown, with her cloud of black hair and pale, oval face lit by radiant eyes. He fingered out the tune, feeling his way, his left hand now deft and certain on the bellows. He played and sang it, and grew so intent upon the singing that he scarcely noticed how busily Brother Anselm was penning signs upon his parchment.
“Will you believe,” said Anselm, delightedly proffering the leaf, “that what you have just sung to me is written down here? Ah, not the words, but the air. This I will explain to you hereafter, you shall learn both how to inscribe and how to decypher. That’s a very pleasant tune you have there. It could be used for the ground of a Mass. Well, now, that’s enough for now, I must go and prepare for Vespers. Let be until tomorrow.”
Liliwin set the organetto tenderly back on its shelf, and went out, dazed, into the early evening. A limpid, pale-blue day was drifting away into a deeper blue twilight. He felt drained and gentle and fulfilled, like the day itself, silently and hopefully alive. He thought of his battered wooden juggling rings and balls, tucked away under his folded brychans in the church porch. They represented another of his skills, which, if not practised, would rust and be damaged. He was so far buoyed up by his day that he went to fetch them, and carried them away hopefully into the garden, which opened out level below level to the pease-fields that ran down to the Meole brook. There was no one there at this hour, work was over for the day. He untied the cloth, took out the six wooden balls and the rings after them, and began to spin them from hand to hand, testing his wrists and the quickness of his eye.
He was still stiff from bruises and fumbled at first, but after a while the old ease began to return to him, and his pleasure in accomplishment. This might be a very humble skill, but it was still an achieveme
nt, and his, and he cherished it. Encouraged, he put the balls and rings away, and began to try out the suppleness of his thin, wiry body, twisting himself into grotesque knots. That cost him some pain from muscles trampled and beaten, but he persisted, determined not to give up. Finally he turned cartwheels all along the headland across the top of the pease-fields, coiled himself into a ring and rolled down the slope to the banks of the brook, and made his way up again, the slope being gentle enough, in a series of somersaults.
Arrived again at the level where the vegetable gardens and the enclosed herbarium began, he uncurled himself, flushed and pleased, to find himself gazing up at a couple of yards distance into the scandalised countenance of a sour-faced brother almost as meagre as himself. He stared, abashed, into eyes rounded and ferocious with outrage.
“Is this how you reverence this holy enclave?” demanded Brother Jerome, genuinely incensed. “Is such foolery and lightmindedness fit for our abbey? And have you, fellow, so little gratitude for the shelter afforded you here? You do not deserve sanctuary, if you value it so lightly. How dared you so affront God’s enclosure?”
Liliwin shrank and stammered, out of breath and abased to the ground. “I meant no offence. I am grateful, I do hold the abbey in reverence. I only wanted to see if I could still master my craft. It is my living, I must practise it! Pardon if I’ve done wrong!” He was easily intimidated, here where he was in debt, and in doubt how to comport himself in a strange world. All his brief gaiety, all the pleasure of the music, ebbed out of him. He got to his feet almost clumsily, who had been so lissome only moments ago, and stood trembling, shoulders bowed and eyes lowered.