The Inspector frowned. "Why aren't they afraid to name him?"
"Presumably because he's given them permission to shop him if they're caught. Look, he must know how easy it would be for us to track him down. If Miss Lascelles hadn't proffered the information, all I had to do was ask the headmistress for the tarmac firm and take it from there. I think his MO goes something like this: target a girl who's young enough and cosseted enough to warrant her parents' protection, win her over, then use some sort of threat to make sure she accuses herself along with him when she's caught. That way he's as sure as he can be that charges won't be brought and, if they are, he'll take her down with him. Perhaps his threat is as simple as that."
The Inspector was doubtful. "He can't make much out of it. How long before the parents notice what's going on?"
"You'd be amazed. One of the girls was borrowing her mother's credit card for months before the father queried the amount his wife was spending. It was a jointly held card, the balance was paid off automatically out of the current account, and neither of them noticed that it had increased by upwards of five hundred pounds a month. Or if they did, they assumed the other partner's expenditure was behind it. It's a different world, Charlie. Both parents working and earning a good screw, and enough money sloshing around in the coffers to obscure their daughter's thieving. Once they started looking into it, of course, they discovered she'd sold bits of silver, jewellery that her mother never wore, some valuable first editions of her father's and a five-hundred-pound camera that her father thought he'd left on a train. I'd say Hughes is doing very nicely out of it, particularly if he's running more than one of them at the same time."
"Good grief! How much has Ruth Lascelles stolen then?"
Cooper took a piece of paper from his pocket. "She made a list of what she could remember. That's it." He put it on the desk. "Same pattern as the other girl. Jewellery that her grandmother had forgotten about. Silver-backed hairbrushes from the spare room that were never used. China ornaments and bowls that were kept in cupboards because Mrs. Gillespie didn't like them, and some first editions out of the library. She said Hughes told her the sort of thing to look for. Valuable bits and pieces that wouldn't be missed."
"What about money?"
"Twenty pounds from her grandmother's handbag, fifty pounds from the bedside table and, a few weeks later, five hundred out of the old lady's account. Went to the bank as cool as cucumber with a forged cheque and a letter purporting to come from Mathilda, instructing them to hand over the loot. According to her, Mrs. Gillespie never even noticed. But she did, of course, because she mentioned the fifty-pound theft to Jack Blakeney and, when I tackled her bank this morning, they told me she had queried the five-hundred-pound withdrawal on her statement, and they advised her that Ruth had drawn it out on her instructions." He scratched his jaw. "According to them, she agreed that it was her mistake and took no further action."
"What date was that?"
Cooper consulted his notes again. "The cheque was cashed during the last week in October, Ruth's half-term in other words, and Mrs. Gillespie rang the bank as soon as she got the statement, which was the first week in November."
"Not long before she died then, and after she'd made up her mind to change the will. It's a bugger that one. I can't get the hang of it at all." He thought for a moment. "When did Ruth steal the fifty pounds?"
"At the beginning of September before she went back to school. She had some idea apparently of buying Hughes off. She said: 'I thought he'd leave me alone if I gave him some money.' "
"Dear God!" said Charlie dismally. "There's one born every minute. Did you ask her if Hughes put pressure on her to cash the five hundred at half-term?"
"I did. Her answer was: 'No, no, no. I stole it because I wanted to,' and then she turned the waterworks on again." He looked very rueful. "I've left the ball in Dr. Blakeney's court. I had a word with her on the phone this morning, gave her the gist of what Hughes has been up to and asked her to try and find out why none of the girls will turn QE against him. She may get somewhere but I'm not counting on it."
"What about the mother? Would Ruth talk to her?"
Cooper shook his head. "First, you'd have to get her to talk to Ruth. It's unnatural, if you ask me. I stopped off last night to tell her the Blakeneys had taken her daughter in and she looked at me as if I'd just climbed out of a sewer. The only thing she was interested in was whether I thought Ruth's expulsion meant she'd killed her grandmother. I said, no, that as far as I knew there were no statistics linking truancy and promiscuous sex to murder, but there were a great number linking them to poor parenting. So she told me to eff off." He chuckled happily at the memory.
Charlie Jones grunted his amusement. "I'm more interested in friend Hughes at the moment, so let's break this down into manageable proportions. Have Bournemouth tried getting the three families together so that the girls gain strength from numbers?"
"Twice. No go either time. The parents have taken legal advice and no one's talking."
Charlie pursed his lips in thought. "It's been done before, you know. George Joseph Smith did it a hundred years ago. Wrote glowing references for pretty servant girls, then found them placements in wealthy households. Within weeks of starting work they would steal valuables from their employers and take them faithfully to George to convert into ready cash. He was another one with an extraordinary pulling-power over women."
"George Smith?" said Cooper in surprise. "I thought he did away with women. Wasn't he the brides-in-the-bath murderer?"
"That's him. Started drowning wives when he discovered how easy it was to get them to make wills in his favour upon marriage. Interesting, isn't it, in view of the way Mrs. Gillespie died." He was silent for a moment. "I read a book about Smith not so long ago. The author described him as a professional and a literal lady-killer. I wonder if the same thing applies to Hughes." He rapped a tattoo on his desk-top with his knuckles. "Let's pull him in for questioning."
"How? Do I take an arrest warrant?"
Charlie reached for his phone. "No. I'll get Bournemouth to pick him up tomorrow morning and hold him on ice till you and I get there."
"Tomorrow's Sunday, Charlie."
"Then with any luck he'll have a hangover. I want to see his expression when I tell him we have reason to believe he murdered Mrs. Gillespie."
Cooper was sceptical. "Have we? The landlord's statement won't stand close scrutiny, not if his wife's claiming he was confused."
A wolfish grin spread across the Inspector's features, and the sad Pekinese became a Dobermann. "But we know he was there that afternoon because Ruth told us he was, and I'm inclined to be a little creative with the rest. He was using Mrs. Gillespie's granddaughter to extort money. He has a history of ruthless exploitation of women, and he's probably feeding a habit because his outgoings far exceed his income. If they didn't, he wouldn't have to live in squats. I'd say his psychological profile runs something like this: a dangerously unstable, psychopathic addict, whose hatred of women has undergone a dramatic change recently and taken him from their brutal manipulation to their destruction. He will be the product of a broken home and inadequate education, and boyhood fear of his father will govern most of his actions."
Cooper looked even more sceptical. "You've been reading too many books, Charlie."
Jones allowed himself a laugh. "But Hughes doesn't know that, does he? So let's try and dent his charisma a little and see if we can't stop him using other people's little girls to do his dirty work."
"I'm trying to solve a murder," said Cooper in protest. "That's what I want answers on."
"But you've still to convince me it was a murder, old son."
Ruth crept stealthily down the stairs and stood to one side of the studio doorway, watching Jack's reflection in her tiny hand mirror. Not that she could see him very well. He was sitting with his back to the window, working on a portrait but, because the easel was placed directly between him and the door, the canvas obscured all
but his legs. From the bedroom window she had watched Sarah leave the house two hours ago, so she knew they were alone. Would Jack notice when she slipped past the doorway? She waited for ten minutes in panicky indecision, too afraid to take a step.
"If you want something to eat," he murmured finally into the silence, "then I suggest you try the kitchen. If you want someone to talk to, then I suggest you come in here, and if you're looking for something to steal, then I suggest you take Sarah's engagement ring which belonged to my grandmother and was valued at two thousand pounds four years ago. You'll find it in the left-hand drawer of her dressing-table." He leaned to one side so that she could see his face in her mirror. "You might as well show yourself. I'm not going to eat you." He nodded curtly as she came round the doorjamb. "Sarah gave me strict instructions to be sympathetic, patient and helpful. I'll do my best, but I warn you in advance I can't stand people who sniff into handkerchiefs and creep about on tiptoe."
Ruth's cheeks lost what little colour they had left. "Do you think it would be all right if I made myself a cup of coffee?" She looked very unattractive, damp hair clinging to her scalp, face puffy and blotched with crying. "I don't want to be a nuisance."
Jack returned to his painting so that she wouldn't see the flash of irritation in his eyes. Self-pity in others invariably brought out the worst in him. "As long as you make me one, too. Black and no sugar, please. The coffee's by the kettle, sugar's in the tin marked 'sugar,' milk's in the fridge and lunch is in the oven. It will be ready in half an hour so, unless you're starving, my advice is to skip breakfast and wait for that."
"Will Dr. Blakeney be here for lunch?"
"I doubt it, Polly Graham's gone into labour and as Sarah agreed to a home-birth, she could be there for hours."
Ruth hovered for a moment, then turned to go to the kitchen, only to change her mind again. "Has my mother phoned?" she blurted out.
"Did you expect her to?"
"I thought-" She fell silent.
"Well, try thinking about making me a cup of coffee instead. If you hadn't mentioned it, I probably wouldn't have wanted one, but as you have, I do. So get your skates on, woman. This is not a hotel and I'm not in the best of moods after being relegated to the spare room."
She fled down the corridor to the kitchen and, when she returned five minutes later with a tray and two cups, her hands were shaking so much that the cups chattered against each other like terrified teeth. Jack appeared not to notice but took the tray and placed it on a table in the window. "Sit," he instructed, pointing to a hard-backed chair and swinging his stool round to face her. "Now, is it me you're frightened of, the boyfriend, men in general, Sarah not coming home for lunch, the police, or are you worried about what's going to happen to you?"
She shrank away from him as if he'd struck her.
"Me then." He moved the stool back a yard to give her more room. "Why are you afraid of me, Ruth?"
Her hands fluttered in her lap. "I'm-you-" Her eyes widened in terror. "I'm not."
"You feel completely secure and at ease in my presence?"
"Yes," she whispered.
"You have an odd way of showing it." He reached for his coffee cup. "How old were you when your father died?"
"I was a baby."
"Since which time you've lived with your mother and your grandmother and, latterly, a bevy of women at boarding school." He took a sip of coffee. "Am I right that this Hughes character is the first boyfriend you've ever had?"
She nodded.
"So he's your only experience of men?"
She stared at her hands.
"Yes or no?" he demanded, the words whipping out impatiently.
"Yes," she whispered again.
"Then you obviously require lessons on the male of the species. There are only three things to remember. One: most men need to be told what to do by women. Even sex improves when women take the trouble to point the man in the right direction. Two: compared with women, most men are inadequate. They are less perceptive, have little or no intuition, are poorer judges of character and, therefore, more vulnerable to criticism. They find aggression immensely intimidating because they're not supposed to and, in short, are by far the more sensitive of the two sexes. Three: any man who does not conform to this pattern should be avoided. He will be a swaggering, uneducated brute whose intellect will be so small that the only way he can give himself a modicum of authority is by demeaning anyone who's foolish enough to put up with him, and, finally, he will lack the one thing that all decent men have in abundance, namely a deep and abiding admiration for women." He picked up her coffee cup and held it under her nose so that she had to take it. "Now I don't pretend to be a paragon, but I'm certainly not a brute, and between you, me and the gatepost, I am extremely fond of my irascible wife. I accept that what I did was open to interpretation, but you can take it from me that I went to Cedar House for one reason only and that was simply to paint your mother. The temptation to capture two generations of one family was irresistible." He eyed her speculatively. Almost as irresistible, he was thinking, as the temptation to capture the third generation. "And if my much-put-upon wife hadn't chosen that precise moment to expel me, well," he shrugged, "I wouldn't have had to freeze on. your mother's summer-house floor. Does all that set your mind at rest or are you going to go on quaking like a great jelly every time you see me?"
She stared at him with stricken eyes. She was beautiful after all, he thought, but it was a tragic beauty. Like her mother's. Like Mathilda's.
"I'm pregnant," she said finally, exhausted tears seeping on to her cheeks.
There was a moment of silence.
"I thought-I hoped-my mother-" She dashed at her eyes with a sodden tissue. "I don't know what-I ought to go-I shouldn't have told you."
Somewhere in the recesses of his heart, Jack blushed for himself. Was the self-pity of a child under intolerable stress so despicable that he had to savage it? He reached across and took her hand, drawing her off the chair and into his arms, holding her tight and stroking her hair as her father would have done had he lived. He let her weep for a long time before he spoke. "Your grandmother once said to me that mankind was doomed unless he learnt to communicate. She was a wise old lady. We talk a lot but we rarely communicate." He eased her off his chest and held her at arm's length so that he could look at her. "I'm glad you told me. I feel rather privileged that you felt you could. Most people would have waited until Sarah came home."
"I was going-"
He stopped her with a chuckle and released her back on to her chair. "Let me hang on to my illusions. Let me believe just once that someone thought I could be as easy to confide in as Sarah. It's not true, of course. There is no one in the world who can listen as well as my wife, or who can impart such sound advice. She'll look after you, I promise."
Ruth blew her nose. "She'll be angry with me."
"Do you think so?"
"You said she's irascible."
"She is. It's not so frightening. You just keep your head down till the saucepans stop flying."
She dabbed frantically at her eyes. "Saucepans? Does she-"
"No," he said firmly. "It was a figure of speech. Sarah's a nice person. She brings home wounded pigeons, splints their wings, and watches them die in slow and terrible agony with an expression of enormous sympathy on her face. It's one of the things they teach them at medical school."
She looked alarmed. "That's awful."
"It was a joke," he said ruefully. "Sarah is the most sensible doctor I know. She will help you reach a decision about what you want to do and then take it from there. She won't force you to have the baby, and she won't force you not to have it."
The tears welled again. "I don't want it." She clenched her hands in her lap. "Is that wrong, do you think?"
"No," he said honestly. "If I were in your shoes, I wouldn't want it either."
"But I made it. It was my fault."
"It takes two to make babies, Ruth, and I can't see your boyfriend sh
owing much enthusiasm when it's fully-fledged and bawling its head off. It's your choice, not his. Sperm comes two-a-penny and most of it gets washed down the sink. Wombs and their foetuses come extremely expensive. Sarah's right when she says it's a life sentence."
"But isn't it alive? Won't I be murdering it?"
He was a man. How could he begin to understand the agony that women suffered because a biological accident has given them power over life and death? He could only be honest with her. "I don't know, but I'd say it's only alive at the moment because you're alive. It has no existence as an individual in its own right."
"But it could have-if I let it."
"Of course. But on that basis every egg that any woman produces and every sperm that any man produces has the potential for life, and no one accuses young men of being murderers every time they spill their seed on the ground behind the bike sheds. I think for each of us our own life has priority over the potential life that exists inside us. I don't for a moment pretend that it's an easy decision, or even a black and white one, but I do believe that you are more important at this moment than a life that can only come into being if you are prepared to pay for it, emotionally, physically, socially and financially. And you'll bear that cost alone, Ruth, because the likelihood of Hughes paying anything is virtually nil."
"He'll say it isn't his anyway."
Jack nodded. "Some men do, I'm afraid. It's so easy for them. It's not their body that's been caught."
She hid her face in her hands. "You don't understand." She wrapped her arms around her head. To protect herself? To hide herself? "It might be one of the others'. You see I had to-he made me-Oh, God-I wish-" She didn't go on, only curled herself into a tight ball and sobbed.
Scold's Bridle Page 17