And so he slowly rode along, very meditative.
And here the author must beg it to be remembered that Mr. Slope was not in all things a bad man. His motives, like those of most men, were mixed, and though his conduct was generally very different from that which we would wish to praise, it was actuated perhaps as often as that of the majority of the world by a desire to do his duty. He believed in the religion which he taught, harsh, unpalatable, uncharitable as that religion was. He believed those whom he wished to get under his hoof, the Grantlys and Gwynnes of the church, to be the enemies of that religion. He believed himself to be a pillar of strength, destined to do great things, and with that subtle, selfish, ambiguous sophistry to which the minds of all men are so subject, he had taught himself to think that in doing much for the promotion of his own interests, he was doing much also for the promotion of religion. But Mr. Slope had never been an immoral man. Indeed, he had resisted temptations to immorality with a strength of purpose that was creditable to him. He had early in life devoted himself to works which were not compatible with the ordinary pleasures of youth, and he had abandoned such pleasures not without a struggle. It must therefore be conceived that he did not admit to himself that he warmly admired the beauty of a married woman without heart-felt stings of conscience; and to pacify that conscience he had to teach himself that the nature of his admiration was innocent.
And thus he rode along meditative and ill at ease. His conscience had not a word to say against his choosing the widow and her fortune. That he looked upon as a godly work rather than otherwise; as a deed which, if carried through, would redound to his credit as a Christian. On that side lay no future remorse, no conduct which he might probably have to forget, no inward stings. If it should turn out to be really the fact that Mrs. Bold had twelve hundred a year at her own disposal, Mr. Slope would rather look upon it as a duty which he owed his religion to make himself the master of the wife and the money; as a duty too, in which some amount of self-sacrifice would be necessary. He would have to give up his friendship with the signora, his resistance to Mr. Harding, his antipathy—no, he found on mature self-examination that he could not bring himself to give up his antipathy to Dr. Grantly. He would marry the lady as the enemy of her brother-in-law if such an arrangement suited her; if not, she must look elsewhere for a husband.
It was with such resolve as this that he reached Barchester. He would at once ascertain what the truth might be as to the lady’s wealth, and having done this he would be ruled by circumstances in his conduct respecting the hospital. If he found that he could turn round and secure the place for Mr. Harding without much self-sacrifice, he would do so; but if not, he would woo the daughter in opposition to the father. But in no case would he succumb to the archdeacon.
He saw his horse taken round to the stable, and immediately went forth to commence his inquiries. To give Mr. Slope his due, he was not a man who ever let much grass grow under his feet.
Poor Eleanor! She was doomed to be the intended victim of more schemes than one.
About the time that Mr. Slope was visiting the vicar of Puddingdale, a discussion took place respecting her charms and wealth at Dr. Stanhope’s house in the close. There had been morning callers there, and people had told some truth and also some falsehood respecting the property which John Bold had left behind him. By degrees the visitors went, and as the doctor went with them, and as the doctor’s wife had not made her appearance, Charlotte Stanhope and her brother were left together. He was sitting idly at the table, scrawling caricatures of Barchester notables, then yawning, then turning over a book or two, and evidently at a loss how to kill his time without much labour.
“You haven’t done much, Bertie, about getting any orders,” said his sister.
“Orders!” said he; “who on earth is there at Barchester to give one orders? Who among the people here could possibly think it worth his while to have his head done into marble?”
“Then you mean to give up your profession,” said she.
“No, I don’t,” said he, going on with some absurd portrait of the bishop. “Look at that, Lotte; isn’t it the little man all over, apron and all? I’d go on with my profession at once, as you call it, if the governor would set me up with a studio in London; but as to sculpture at Barchester—I suppose half the people here don’t know what a torso means.”
“The governor will not give you a shilling to start you in London,” said Lotte. “Indeed, he can’t give you what would be sufficient, for he has not got it. But you might start yourself very well, if you pleased.”
“How the deuce am I to do it?” said he.
“To tell you the truth, Bertie, you’ll never make a penny by any profession.”
“That’s what I often think myself,” said he, not in the least offended. “Some men have a great gift of making money, but they can’t spend it. Others can’t put two shillings together, but they have a great talent for all sorts of outlay. I begin to think that my genius is wholly in the latter line.”
“How do you mean to live then?” asked the sister.
“I suppose I must regard myself as a young raven, and look for heavenly manna; besides, we have all got something when the governor goes.”
“Yes—you’ll have enough to supply yourself with gloves and boots; that is, if the Jews have not got the possession of it all. I believe they have the most of it already. I wonder, Bertie, at your indifference; that you, with your talents and personal advantages, should never try to settle yourself in life. I look forward with dread to the time when the governor must go. Mother, and Madeline, and I—we shall be poor enough, but you will have absolutely nothing.”
“Sufficient for the day is the evil thereof,” said Bertie.
“Will you take my advice?” said his sister.
“Cela dépend,” said the brother.
“Will you marry a wife with money?”
“At any rate,” said he, “I won’t marry one without; wives with money a’nt so easy to get nowadays; the parsons pick them all up.”
“And a parson will pick up the wife I mean for you, if you do not look quickly about it; the wife I mean is Mrs. Bold.”
“Whew-w-w-w!” whistled Bertie, “a widow!”
“She is very beautiful,” said Charlotte.
“With a son and heir all ready to my hand,” said Bertie.
“A baby that will very likely die,” said Charlotte.
“I don’t see that,” said Bertie. “But however, he may live for me—I don’t wish to kill him; only, it must be owned that a ready-made family is a drawback.”
“There is only one after all,” pleaded Charlotte.
“And that a very little one, as the maid-servant said,” rejoined Bertie.
“Beggars mustn’t be choosers, Bertie; you can’t have everything.”
“God knows I am not unreasonable,” said he, “nor yet opinionated, and if you’ll arrange it all for me, Lotte, I’ll marry the lady. Only mark this: the money must be sure, and the income at my own disposal, at any rate for the lady’s life.”
Charlotte was explaining to her brother that he must make love for himself if he meant to carry on the matter, and was encouraging him to do so by warm eulogiums on Eleanor’s beauty, when the signora was brought into the drawing-room. When at home, and subject to the gaze of none but her own family, she allowed herself to be dragged about by two persons, and her two bearers now deposited her on her sofa. She was not quite so grand in her apparel as she had been at the bishop’s party, but yet she was dressed with much care, and though there was a look of care and pain about her eyes, she was, even by daylight, extremely beautiful.
“Well, Madeline, so I’m going to be married,” Bertie began as soon as the servants had withdrawn.
“There’s no other foolish thing left that you haven’t done,” said Madeline, “and therefore you are quite right to try that.”
“Oh, you think it’s a foolish thing, do you?” said he. “There’s Lotte advising me to
marry by all means. But on such a subject your opinion ought to be the best; you have experience to guide you.”
“Yes, I have,” said Madeline with a sort of harsh sadness in her tone, which seemed to say—”What is it to you if I am sad? I have never asked your sympathy.”
Bertie was sorry when he saw that she was hurt by what he said, and he came and squatted on the floor close before her face to make his peace with her.
“Come, Mad, I was only joking; you know that. But in sober earnest, Lotte is advising me to marry. She wants me to marry this Mrs. Bold. She’s a widow with lots of tin, a fine baby, a beautiful complexion, and the George and Dragon hotel up in the High Street. By Jove, Lotte, if I marry her, I’ll keep the public-house myself—it’s just the life to suit me.”
“What,” said Madeline, “that vapid, swarthy creature in the widow’s cap, who looked as though her clothes had been stuck on her back with a pitchfork!” The signora never allowed any woman to be beautiful.
“Instead of being vapid,” said Lotte, “I call her a very lovely woman. She was by far the loveliest woman in the rooms the other night; that is, excepting you, Madeline.”
Even the compliment did not soften the asperity of the maimed beauty. “Every woman is charming according to Lotte,” she said; “I never knew an eye with so little true appreciation. In the first place, what woman on earth could look well in such a thing as that she had on her head.”
“Of course she wears a widow’s cap, but she’ll put that off when Bertie marries her.”
“I don’t see any of course in it,” said Madeline. “The death of twenty husbands should not make me undergo such a penance. It is as much a relic of paganism as the sacrifice of a Hindu woman at the burning of her husband’s body. If not so bloody, it is quite as barbarous, and quite as useless.”
“But you don’t blame her for that,” said Bertie. “She does it because it’s the custom of the country. People would think ill of her if she didn’t do it.”
“Exactly,” said Madeline. “She is just one of those English nonentities who would tie her head up in a bag for three months every summer, if her mother and her grandmother had tied up their heads before her. It would never occur to her to think whether there was any use in submitting to such a nuisance.”
“It’s very hard in a country like England, for a young woman to set herself in opposition to prejudices of that sort,” said the prudent Charlotte.
“What you mean is that it’s very hard for a fool not to be a fool,” said Madeline.
Bertie Stanhope had been so much knocked about the world from his earliest years that he had not retained much respect for the gravity of English customs; but even to his mind an idea presented itself that, perhaps in a wife, true British prejudice would not in the long run be less agreeable than Anglo-Italian freedom from restraint. He did not exactly say so, but he expressed the idea in another way.
“I fancy,” said he, “that if I were to die, and then walk, I should think that my widow looked better in one of those caps than any other kind of head-dress.”
“Yes—and you’d fancy also that she could do nothing better than shut herself up and cry for you, or else burn herself. But she would think differently. She’d probably wear one of those horrid she-helmets, because she’d want the courage not to do so; but she’d wear it with a heart longing for the time when she might be allowed to throw it off. I hate such shallow false pretences. For my part I would let the world say what it pleased, and show no grief if I felt none—and perhaps not, if I did.”
“But wearing a widow’s cap won’t lessen her fortune,” said Charlotte.
“Or increase it,” said Madeline. “Then why on earth does she do it?”
“But Lotte’s object is to make her put it off,” said Bertie.
“If it be true that she has got twelve hundred a year quite at her own disposal, and she be not utterly vulgar in her manners, I would advise you to marry her. I dare say she’s to be had for the asking: and as you are not going to marry her for love, it doesn’t much matter whether she is good-looking or not. As to your really marrying a woman for love, I don’t believe you are fool enough for that.”
“Oh, Madeline!” exclaimed her sister.
“And oh, Charlotte!” said the other.
“You don’t mean to say that no man can love a woman unless he be a fool?”
“I mean very much the same thing—that any man who is willing to sacrifice his interest to get possession of a pretty face is a fool. Pretty faces are to be had cheaper than that. I hate your mawkish sentimentality, Lotte. You know as well as I do in what way husbands and wives generally live together; you know how far the warmth of conjugal affection can withstand the trial of a bad dinner, of a rainy day, or of the least privation which poverty brings with it; you know what freedom a man claims for himself, what slavery he would exact from his wife if he could! And you know also how wives generally obey. Marriage means tyranny on one side and deceit on the other. I say that a man is a fool to sacrifice his interests for such a bargain. A woman, too generally, has no other way of living.”
“But Bertie has no other way of living,” said Charlotte.
“Then, in God’s name, let him marry Mrs. Bold,” said Madeline. And so it was settled between them.
But let the gentle-hearted reader be under no apprehension whatsoever. It is not destined that Eleanor shall marry Mr. Slope or Bertie Stanhope. And here, perhaps, it may be allowed to the novelist to explain his views on a very important point in the art of telling tales. He ventures to reprobate that system which goes so far to violate all proper confidence between the author and his readers by maintaining nearly to the end of the third volume a mystery as to the fate of their favourite personage. Nay, more, and worse than this, is too frequently done. Have not often the profoundest efforts of genius been used to baffle the aspirations of the reader, to raise false hopes and false fears, and to give rise to expectations which are never to be realized? Are not promises all but made of delightful horrors, in lieu of which the writer produces nothing but most commonplace realities in his final chapter? And is there not a species of deceit in this to which the honesty of the present age should lend no countenance?
And what can be the worth of that solicitude which a peep into the third volume can utterly dissipate? What the value of those literary charms which are absolutely destroyed by their enjoyment? When we have once learnt what was that picture before which was hung Mrs. Ratcliffe’s solemn curtain, we feel no further interest about either the frame or the veil. They are to us merely a receptacle for old bones, an inappropriate coffin, which we would wish to have decently buried out of our sight.
And then, how grievous a thing it is to have the pleasure of your novel destroyed by the ill-considered triumph of a previous reader. “Oh, you needn’t be alarmed for Augusta; of course she accepts Gustavus in the end.” “How very ill-natured you are, Susan,” says Kitty with tears in her eyes: “I don’t care a bit about it now.” Dear Kitty, if you will read my book, you may defy the ill-nature of your sister. There shall be no secret that she can tell you. Nay, take the third volume if you please—learn from the last pages all the results of our troubled story, and the story shall have lost none of its interest, if indeed there be any interest in it to lose.
Our doctrine is that the author and the reader should move along together in full confidence with each other. Let the personages of the drama undergo ever so complete a comedy of errors among themselves, but let the spectator never mistake the Syracusan for the Ephesian; otherwise he is one of the dupes, and the part of a dupe is never dignified.
I would not for the value of this chapter have it believed by a single reader that my Eleanor could bring herself to marry Mr. Slope, or that she should be sacrificed to a Bertie Stanhope. But among the good folk of Barchester many believed both the one and the other.
CHAPTER 16
Baby Worship
“Diddle, diddle, diddle, diddle, dum, dum, dum,”
said or sung Eleanor Bold.
“Diddle, diddle, diddle, diddle, dum, dum, dum,” continued Mary Bold, taking up the second part in this concerted piece.
The only audience at the concert was the baby, who however gave such vociferous applause that the performers, presuming it to amount to an encore, commenced again.
“Diddle, diddle, diddle, diddle, dum, dum, dum: hasn’t he got lovely legs?” said the rapturous mother.
“H’m ‘m ‘m ‘m ‘m,” simmered Mary, burying her lips in the little fellow’s fat neck, by way of kissing him.
“H’m ‘m ‘m ‘m ‘m,” simmered the mamma, burying her lips also in his fat, round, short legs. “He’s a dawty little bold darling, so he is; and he has the nicest little pink legs in all the world, so he has;” and the simmering and the kissing went on over again, and as though the ladies were very hungry and determined to eat him.
“Well, then, he’s his own mother’s own darling: well, he shall—oh, oh—Mary, Mary—did you ever see? What am I to do? My naughty, naughty, naughty, naughty little Johnny.” All these energetic exclamations were elicited by the delight of the mother in finding that her son was strong enough, and mischievous enough, to pull all her hair out from under her cap. “He’s been and pulled down all Mamma’s hair, and he’s the naughtiest, naughtiest, naughtiest little man that ever, ever, ever, ever, ever—”
A regular service of baby worship was going on. Mary Bold was sitting on a low easy-chair, with the boy in her lap, and Eleanor was kneeling before the object of her idolatry. As she tried to cover up the little fellow’s face with her long, glossy, dark brown locks, and permitted him to pull them hither and thither as he would, she looked very beautiful in spite of the widow’s cap which she still wore. There was a quiet, enduring, grateful sweetness about her face which grew so strongly upon those who knew her, as to make the great praise of her beauty which came from her old friends appear marvellously exaggerated to those who were only slightly acquainted with her. Her loveliness was like that of many landscapes, which require to be often seen to be fully enjoyed. There was a depth of dark clear brightness in her eyes which was lost upon a quick observer, a character about her mouth which only showed itself to those with whom she familiarly conversed, a glorious form of head the perfect symmetry of which required the eye of an artist for its appreciation. She had none of that dazzling brilliancy, of that voluptuous Rubens beauty, of that pearly whiteness, and those vermilion tints, which immediately entranced with the power of a basilisk men who came within reach of Madeline Neroni. It was all but impossible to resist the signora, but no one was called upon for any resistance towards Eleanor. You might begin to talk to her as though she were your sister, and it would not be till your head was on your pillow that the truth and intensity of her beauty would flash upon you, that the sweetness of her voice would come upon your ear. A sudden half-hour with the Neroni was like falling into a pit, an evening spent with Eleanor like an unexpected ramble in some quiet fields of asphodel.
The Chronicles of Barsetshire Page 36