by Johnny Satan
credits
DEATH TRIP
EDITED BY JOHNNY SATAN
AN EBOOK
ISBN 978-1-908694-09-6
PUBLISHED BY ELEKTRON EBOOKS
COPYRIGHT 2011 ELEKTRON EBOOKS
www.elektron-ebooks.com
No part of this publication may be reproduced, stored in a database or retrieval system, posted on any internet site, or transmitted, in any form, or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright holders. Any such copyright infringement of this publication may result in civil prosecution
DEATH TRIP
CHARLES MANSON
& THE LOVE AND TERROR CULT
“What a feeling to stab someone! You can’t describe the thrill. You see, everything in life is in and out, in and out, in and out. You can see that in sex, eating, and even killing. In and out, in and out goes the knife.”
—Sadie Mae Glutz
“When she walks through your bedrooms carrying butcher knives you’l know the truth.”
—Squeaky Fromme
“You can’t kill kill.”
—Charles Manson
PART ONE : EXTERMINATING ANGEL
“Always is always forever, As one is one is one. Inside yourself for your father, All is none all is none all is none. It’s time to drop all from behind us, The illusion has been just a dream, The Valley of Death may not find us, Now as then on a sunshine beam. So bring only your perfection, For then life will surely be, No cold no fear no hunger, You can see you can see you can see.”
(“Never Say Never To Always”)
CHAPTER 1.
But the decadence of history is looking for a pawn
To a nightmare of knowledge he opens up the gate
A blinding revelation is served upon his plate
That beneath the greatest love is a hurricane of hate
–“Crucifixion” by Phil Ochs
Three young girls dance down the hal way of the Superior Court Building in Los Angeles, holding hands and singing one of Charlie’s songs. They might be on their way to a birthday party in their short, crisp cotton dresses, but, actual y they are attending a preliminary hearing to a murder trial.
A middle-aged lady in Bel Air wants to “mother” Charlie, and two little girls send a letter to him in jail.
“At first we thought you were guilty. But then we read in the papers about these kids who were stabbed to death in the same way as the Sharon Tate murders. We knew you hadn’t done it because you were in jail at the time. We knew you hadn’t done it anyway when we saw your face in the newspaper.... Love ...”
Charlie gets letters from little girls every day. They come from New Hampshire, Minnesota, Los Angeles. A convicted bank robber who met Charlie in jails writes “The Gospel According to Pawnee Fred, the Thief on the Other Cross,” in which he asks:
“Is Manson Son of Man?”
Thirty miles northwest of the courthouse, seven miles due north of Leonard Nimoy’s Pet Pad in Chatsworth (Supplies – Fish – Domestics – Exotics), a circle of rustic women at the Spahn Movie Ranch weave their own hair into an elaborate rainbow vest for Charlie.
Most of them are early members of Charlie’s three-year-old Family. There’s Lynne Fromme – they call her Squeaky – Sandra Good, Gypsy, Brenda, Sue, Cappy, Jeany.
“We’ve been working on this vest for two years,” says Sandra, “adding things, sewing on patches. It’s for Charlie to wear in court.” And Squeaky adds, “Wouldn’t it be beautiful to have a photograph of Charlie wearing it? And all of us standing around close to him, hugging him like we used to?”
Wouldn’t it be beautiful to have the others standing around too, the rest of the Family, the others imprisoned? Tex Watson and Patti Krenwinkel and Linda Kasabian and, oh yeah, the snitch, Sadie Glutz. Her real name is Susan Atkins, but the Family calls her Sadie Glutz because that’s what Charlie named her.
Meanwhile Charlie sits blissfully in his cell at the Los Angeles County Jail, composing songs, converting fellow inmates to his gospel of love and Christian submission, and occasionally entertaining a disturbing thought: Why haven’t they gotten in touch?
A simple phone call would do it. Surely they’ve received the telegrams, the letters. Surely they realize that he knows, he understands their glorious revelation; that he understands the whole fucking double album.
Everywhere there’s lots of piggies
Living piggy lives
You can see them out for dinner
With their piggy wives
Clutching forks and knives to eat their bacon.
Ten blocks from the new County Jail stands the old County Hall of Justice, a grotesque, brown brick fortress that for decades has guarded the Los Angeles Civic Center from aesthetic inroads. The entire sixth floor belongs to the District Attorney and his staff, a member of which, now alone on his lunch hour, unlocks a file cabinet and withdraws several neatly bound, family-type photo albums.
Slowly he turns each page, studies each snapshot, each personality:
• Sharon Tate, considered one of Hollywood’s prettier, more popular promising young stars, wife of genius film sorcerer Roman Polanski.
After her biggest film, Valley of the Dolls, she retreated to private life to enjoy her first pregnancy. The photographs show her in her eighth month.
• Jay Sebring, the handsome young hair stylist who revolutionized the fashion industry by introducing hair styling to men, convincing them – despite early masculine scoffs – there was something better looking than a shave even if you had to pay ten times the price. He once was Miss Tate’s fiancé.
• Wociech Frykowski, Polanski’s boyhood pal who came to Hollywood with hopes of directing films himself. His luck at this was dismal, and even Polanski later admitted he had little talent. Instead, he began directing home movies inside his head, investing heavily in many forms of exotic dope.
• Abigail Folger, heiress to the Folger’s Coffee millions, an attractive Radcliffe girl considered by neighbors to be the most charming of the Polanskis’ house guests. She met Frykowski in New York and became his lover.
• Steven Parent, an 18-year-old from Los Angeles suburb of El Monte, a friend of Polanski’s caretaker, unknown to the others, a nobody like the rest of us. Had fortune been on his side, he would have so remained.
• Leno La Bianca, owner of a grocery store chain, and his wife, Rosemary, an ordinary couple of the upper middle class, fond of such quiet pleasures as boating, water ski ng, and watching late night television in their pyjamas. They knew nothing of Sharon Tate and her friends, living miles away in different neighborhoods and different worlds.
• Gary Hinman, music teacher, bag-pipe player, and one time friend of Charlie Manson’s. He once, in fact, gave the Manson Family his Toyota, although the circumstances surrounding that gift have since come into question.
The snapshots are homey little numbers, color polaroids taken by staff photographers from the County Coroner’s office and the Los Angeles Police Department. They show all the wounds, the nakedness, the blood. Sometimes the exposure is a little off, but the relevant details are there – shots of the rooms, the bullet holes, the blood on the furniture and floors, the bizarre blood writing on the walls, words like RISE and HELTER SKELTER and PIGGIES.
And shots of the weapons found at the scene – ropes, pilowcases, forks and knives.
After replacing the albums, the D.A. investigator continues eating his lunch and now starts perusing an official looking 34-page document. It is an interview with Miss Mary Brunner, a former member of Manson’s Family, by detectives last December.
Q: Mary did you never see Charlie Manson or Bruce Davis hit Gary Hinman?
A: No.
Q: Do yo
u know how he got the slash on the side of his face that severed his ear?
A: He got it from one of those two, he had to.
Q: Now, after everybody left on Sunday night, did anybody ever go back to the house?
A: Yes.
Q: Who?
A: Bobby.
Q: Was anybody with Bobby?
A: Not that I Know of. He told me about it and he talked like he was alone.
Q: What did Bobby tell you he went back to the house for?
A: He tried to erase that paw print on the wall.
Q: And how many days later did he go back to the house?
A: Two or three days after Sunday, Tuesday or Wednesday.
Q: Allright. Did he describe to you what the house looked like or smelled like or anything like that?
A: He told me it smelled terrible. He could hear the maggots.
Q: Hear the maggots? What?
A: In Gary, eating Gary.
Q: Is there anything else you would like to add about this that we haven’t covered?
A: There isn’t anything else to it.
Los Angeles is the third largest city in America, according to population, but easily the largest according to raw real estate. It is bounded by the Pacific Ocean to the south and southwest, by Ventura County to the west, by the San Gabriel Mountains and fire-prone Angeles National Forest to the north and by scores of cruddy, smoggy little towns and cities to the east.
Its shape resembles some discarded prehistoric prototype for a central nervous system, the brain including the entire San Fernando Valley, the San Gabriel foothills, West Los Angeles, Venice, portions of the Santa Monica Mountains, Hollywood, Hollywood Hills and Highland Park – actually hundreds and hundreds of square miles – with a weird, narrow spinal chord extending from the Civic Centre, through the country’s largest black ghetto, to San Pedro Harbor 25 miles away.
Charles Manson knew his city well. Like many Los Angles residents he learned to drive long distances regularly without giving a second thought. During his two years as a free man in Southern California he frequently “made the rounds,” visiting friends, keeping business appointments, preaching to small groups, giving and taking material possessions.
For some reason, perhaps for no reason, many of the spots where he stopped or stayed are located on the extreme periphery of the brain of Los Angeles. Which at least makes it an easy, scenic drive – Sunday afternoon with the wife and kids. Who knows? Ten years from now these spots may be official points of interest, stations of the cross as it were. Save these handy directions for your personal map to the homes of the stars.
Starting at the Spahn Movie Ranch at the extreme northwestern corner of Los Angles – drive two miles east on Santa Susana Pass Road to Topanga Canyon itself.
It was here that Manson and his Family first lived after arriving from the Haight-Ashbury in late 1967, and it was here that Manson first met Gary Hinman. Hinman’s house is a little further down the road, almost where Topanga Canyon meets the beach at Pacific Coast Highway.
You can’t see into the house now, of course, because the cops boarded it up last July after they found Hinman’s body perforated with stab wounds. They say he was tortured for 48 hours.
On a nearby wall they found the words POLITICAL PIGGIES and a neat little cat’s paw print in blood. Bobby Beausoleil, an electric guitarist (Love, Magickal Powerhouse of Oz), former boyfriend of film-maker Kenneth Anger (and star of his aborted film Lucifer Rising), and member of Manson’s Family, has already been sentenced to death, and Manson and Susan Atkins are awaiting trial in the matter.
After driving on to Pacific Coast Highway, take a left, and after two miles, take another left. Now you’re on Sunset Boulevard, winding through wealthy Pacific Palisades where, for a short time in early 1968, the Manson Family lived with Beach Boy Dennis Wilson.
Wilson doesn’t live there anymore, however; he moved shortly after Manson allegedly threatened him with a bullet.
Keep driving east on Sunset for another eight or ten miles past Brentwood Heights, past Mandeville Canyon, over the san Diego Freeway, past UCLA and Bel Air and Beverly Glen. And when you reach the center of Beverly Hills, turn left on Canon and head north into Benedict Canyon.
Now here you may need a more detailed map because the streets get pretty tricky with all the turns and dead ends. But up in Benedict canyon there’s this little dirt road, Cielo Drive, which dead ends at the old, rambling, hillside house where producer Terry Melcher, Doris Day’s son, used to live. Manson paid several business calls on him there, but the business was never completed before Melcher moved out early last summer.
Neighbors hardly had had a chance to meet the new residents when, on the bright Saturday morning of last August 9th, Mrs. Winifred Chapman, a maid, ran screaming from the house, across the huge grounds and parking lot, through the iron gate and down the road:
“There’s bodies and blood all over the place!” Not a bad description. Police found Steven Parent just inside the gate, shot five times in his white Rambler, the wheels of the car already turned towards the road in a mad attempt to escape.
Wociech Frykowski’s body lay in front of the house, shot and stabbed and stabbed again and again. Twenty yards down the rolling lawn, underneath a fir tree, the found Abigail Folger dead and curled up in a bloody nightgown.
Inside the house Jay Sebring and Sharon Tate lay stabbed to death near the living room couch, connected by a single nylon cord wrapped around their necks and thrown over a rafter. Sebring was also shot and his head covered with a pillowcase. On the front door police found the word PIG written in blood with a towel.
If the gate’s locked, you won’t be able to see the house because it’s set back some from the road. But anyway, that’s where it is.
Now make a U and head back down to Sunset. Continue east for another ten miles, along the famous and more and more plastic Sunset Strip, past the tall, swanky office building monuments to Hollywood flackery, past the decaying radio empires of the Forties, clear to Western Avenue, where you take a left.
A mile north, Western turns right and becomes Los Feliz Boulevard, cutting east through the wealthy, residential Los Feliz District that skirts the foothills of Griffith Park. After about three miles, just before Los Feliz crosses the Golden State Freeway, drive into the winding, hillside streets to your right, where you’ll find Waverly Drive.
In August, 1968, Manson and his Family started visiting Harold True, a UCLA student who lived with some other guys on Waverly. They were all good friends, and the Family just liked to go up there and hang around and smoke dope and sing and shoot the shit. True later moved to Van Nuys, where he presently lives with Phil Kaufman, a former member of the Family who produced Manson’s record.
True’s neighbors, incidentally, were Leno and Rosemary La Bianca who, a year later on the morning of August 10th, were found stabbed – or rather carved – to death inside their home. The words DEATH TO PIGS, HELTER SKELTER and RISE were written, again in blood, on the kitchen walls. And someone had etched WAR on Leno La Bianca’s stomach with a fork.
Anyway, those are just some of the spots Manson liked to visit on his frequent tours of the big city. Cut back to Los Feliz, head north on the Golden State Freeway for 18 miles, cut west across the north end of the Valley on Devonshire Street – another 10 miles – turn right on Topanga Canyon Boulevard, and you’re practically back at the Spahn Ranch.
The whole round trip is eighty miles or so. That may seem like a big distance, but actually, the roads are good and it shouldn’t take longer than two or three hours, especially if you take it on a Sunday afternoon or, say, late at night.
• • •
Perhaps no two recent events have so revealed the cut-rate value of public morality and private life as the killing of Sharon Tate and the arrest of Charles Manson. Many were quick to criticize The Los Angeles Times for publishing bright and early one Sunday morning the grisly (and since recanted) confession of Susan Atkins. Any doubts about Manson
’s power to cloud men’s minds were buried that morning between Dick Tracy and one of the world’s great real estate sections. Sexie Sadie laid it down for all to see.
Critics accused the Times of paying a healthy sum to promoter Larry Schiller, who had obtained the confession from Miss Atkins’ attorneys in return for a cut of the profits. The Times responded publicly with silence, privately with a denial. No money was paid, said the editors. Schiller had sold the story to various European Sunday editions, they said, and an eight-hour time difference allowed the Times to pick it up from one of their European correspondents. In other words, “If we hadn’t run it here, some other paper would have.” (Some paper, in fact many other papers, did run it, of course, with the excuse the Times had done it first.) The Times response sounded like a hype from the start. For one thing their Sunday edition is put to bed, not a mere eight hours before Sunday morning, but late Friday night so their vast, hair-curled, beer-bellied Supermarket weekend readership can get its comics and classified ads a day early. Also, why was Schiller himself seen hanging around the Times offices as the edition rolled off the presses?
It has since come to light that the Times explanation was at least partly correct. No money was paid, that’s true, or at least not much. Because, dig, the Times people didn’t buy the confession, they wrote it. Word for word. Not only the confession but the book that followed, The Killing of Sharon Tate, with “eight pages of photographs,” published by New American Library, a Times-Mirror subsidiary.
In the volume, Schiller gratefully acknowledges “the invaluable aid of two journalists who worked with the author in preparing this book and the original interviews with Susan Atkins.” Those two journalists, it turns out, were Jerry Cohen and Dial Torgerson, both veteran members of the Times re-write crew.
Torgerson wrote the first chapter to the book, and Cohen, an old friend of Schiller’s, wrote the confession and the rest of the book.