The stars on the lake seemed to leap like grasshoppers, silver upon the blackness, as he spun past. Then there was the long climb home.
“See, mother!” he said, as he threw her the berries and leaves on to the table.
“H’m!” she said, glancing at them, then away again. She sat reading, alone, as she always did.
“Aren’t they pretty?”
“Yes.”
He knew she was cross with him. After a few minutes he said:
“Edgar and Miriam are coming to tea to-morrow.”
She did not answer.
“You don’t mind?”
Still she did not answer.
“Do you?” he asked.
“You know whether I mind or not.”
“I don’t see why you should. I have plenty of meals there.”
“You do.”
“Then why do you begrudge them tea?”
“I begrudge whom tea?”
“What are you so horrid for?”
“Oh, say no more! You’ve asked her to tea, it’s quite sufficient. She’ll come.”
He was very angry with his mother. He knew it was merely Miriam she objected to. He flung off his boots and went to bed.
Paul went to meet his friends the next afternoon. He was glad to see them coming. They arrived home at about four o’clock. Everywhere was clean and still for Sunday afternoon. Mrs. Morel sat in her black dress and black apron. She rose to meet the visitors. With Edgar she was cordial, but with Miriam cold and rather grudging. Yet Paul thought the girl looked so nice in her brown cashmere frock.
He helped his mother to get the tea ready. Miriam would have gladly proffered, but was afraid. He was rather proud of his home. There was about it now, he thought, a certain distinction. The chairs were only wooden, and the sofa was old. But the hearthrug and cushions were cosy; the pictures were prints in good taste; there was a simplicity in everything, and plenty of books. He was never ashamed in the least of his home, nor was Miriam of hers, because both were what they should be, and warm. And then he was proud of the table; the china was pretty, the cloth was fine. It did not matter that the spoons were not silver nor the knives ivory-handled; everything looked nice. Mrs. Morel had managed wonderfully while her children were growing up, so that nothing was out of place.
Miriam talked books a little. That was her unfailing topic. But Mrs. Morel was not cordial, and turned soon to Edgar.
At first Edgar and Miriam used to go into Mrs. Morel’s pew. Morel never went to chapel, preferring the public-house. Mrs. Morel, like a little champion, sat at the head of her pew, Paul at the other end; and at first Miriam sat next to him. Then the chapel was like home. It was a pretty place, with dark pews and slim, elegant pillars, and flowers. And the same people had sat in the same places ever since he was a boy. It was wonderfully sweet and soothing to sit there for an hour and a half, next to Miriam, and near to his mother, uniting his two loves under the spell of the place of worship. Then he felt warm and happy and religious at once. And after chapel he walked home with Miriam, whilst Mrs. Morel spent the rest of the evening with her old friend, Mrs. Burns. He was keenly alive on his walks on Sunday nights with Edgar and Miriam. He never went past the pits at night, by the lighted lamp-house, the tall black head-stocks and lines of trucks, past the fans spinning slowly like shadows, without the feeling of Miriam returning to him, keen and almost unbearable.
She did not very long occupy the Morels’ pew. Her father took one for themselves once more. It was under the little gallery, opposite the Morels’. When Paul and his mother came in the chapel the Leivers’s pew was always empty. He was anxious for fear she would not come: it was so far, and there were so many rainy Sundays. Then, often very late indeed, she came in, with her long stride, her head bowed, her face hidden under her hat of dark green velvet. Her face, as she sat opposite, was always in shadow. But it gave him a very keen feeling, as if all his soul stirred within him, to see her there. It was not the same glow, happiness, and pride, that he felt in having his mother in charge: something more wonderful, less human, and tinged to intensity by a pain, as if there were something he could not get to.
At this time he was beginning to question the orthodox creed. He was twenty-one, and she was twenty. She was beginning to dread the spring: he became so wild, and hurt her so much. All the way he went cruelly smashing her beliefs. Edgar enjoyed it. He was by nature critical and rather dispassionate. But Miriam suffered exquisite pain, as, with an intellect like a knife, the man she loved examined her religion in which she lived and moved and had her being.4 But he did not spare her. He was cruel. And when they went alone he was even more fierce, as if he would kill her soul. He bled her beliefs till she almost lost consciousness.
“She exults—she exults as she carries him off from me,” Mrs. Morel cried in her heart when Paul had gone. “She’s not like an ordinary woman, who can leave me my share in him. She wants to absorb him. She wants to draw him out and absorb him till there is nothing left of him, even for himself He will never be a man on his own feet—she will suck him up.” So the mother sat, and battled and brooded bitterly.
And he, coming home from his walks with Miriam, was wild with torture. He walked biting his lips and with clenched fists, going at a great rate. Then, brought up against a stile, he stood for some minutes, and did not move. There was a great hollow of darkness fronting him, and on the black up-slopes patches of tiny lights, and in the lowest trough of the night, a flare of the pit. It was all weird and dreadful. Why was he torn so, almost bewildered, and unable to move? Why did his mother sit at home and suffer? He knew she suffered badly. But why should she? And why did he hate Miriam, and feel so cruel towards her, at the thought of his mother. If Miriam caused his mother suffering, then he hated her—and he easily hated her. Why did she make him feel as if he were uncertain of himself, insecure, an indefinite thing, as if he had not sufficient sheathing to prevent the night and the space breaking into him? How he hated her! And then, what a rush of tenderness and humility !
Suddenly he plunged on again, running home. His mother saw on him the marks of some agony, and she said nothing. But he had to make her talk to him. Then she was angry with him for going so far with Miriam.
“Why don’t you like her, mother?” he cried in despair.
“I don’t know, my boy,” she replied piteously. “I’m sure I’ve tried to like her. I’ve tried and tried, but I can‘t—I can’t!”
And he felt dreary and hopeless between the two.
Spring was the worst time. He was changeable, and intense and cruel. So he decided to stay away from her. Then came the hours when he knew Miriam was expecting him. His mother watched him growing restless. He could not go on with his work. He could do nothing. It was as if something were drawing his soul out towards Willey Farm. Then he put on his hat and went, saying nothing. And his mother knew he was gone. And as soon as he was on the way he sighed with relief. And when he was with her he was cruel again.
One day in March he lay on the bank of Nethermere, with Miriam sitting beside him. It was a glistening, white-and-blue day. Big clouds, so brilliant, went by overhead, while shadows stole along on the water. The clear spaces in the sky were of clean, cold blue. Paul lay on his back in the old grass, looking up. He could not bear to look at Miriam. She seemed to want him, and he resisted. He resisted all the time. He wanted now to give her passion and tenderness, and he could not. He felt that she wanted the soul out of his body, and not him. All his strength and energy she drew into herself through some channel which united them. She did not want to meet him, so that there were two of them, man and woman together. She wanted to draw all of him into her. It urged him to an intensity like madness, which fascinated him, as drug-taking might.
He was discussing Michael Angelo.dm It felt to her as if she were fingering the very quivering tissue, the very protoplasm of life, as she heard him. It gave her deepest satisfaction. And in the end it frightened her. There he lay in the white intensity of his
search, and his voice gradually filled her with fear, so level it was, almost inhuman, as if in a trance.
“Don’t talk any more,” she pleaded softly, laying her hand on his forehead.
He lay quite still, almost unable to move. His body was somewhere discarded.
“Why not? Are you tired?”
“Yes, and it wears you out.”
He laughed shortly, realising.
“Yet you always make me like it,” he said.
“I don’t wish to,” she said, very low.
“Not when you’ve gone too far, and you feel you can’t bear it. But your unconscious self always asks it of me. And I suppose I want it.”
He went on, in his dead fashion:
“If only you could want me, and not want what I can reel off for you!”
“I!” she cried bitterly—“I! Why, when would you let me take you?”
“Then it’s my fault,” he said, and, gathering himself together, he got up and began to talk trivialities. He felt insubstantial. In a vague way he hated her for it. And he knew he was as much to blame himself. This, however, did not prevent his hating her.
One evening about this time he had walked along the home road with her. They stood by the pasture leading down to the wood, unable to part. As the stars came out the clouds closed. They had glimpses of their own constellation, Orion, towards the west.5 His jewels glimmered for a moment, his dog ran low, struggling with difficulty through the spume of cloud.
Orion was for them chief in significance among the constellations. They had gazed at him in their strange, surcharged hours of feeling, until they seemed themselves to live in every one of his stars. This evening Paul had been moody and perverse. Orion had seemed just an ordinary constellation to him. He had fought against his glamour and fascination. Miriam was watching her lover’s mood carefully. But he said nothing that gave him away, till the moment came to part, when he stood frowning gloomily at the gathered clouds, behind which the great constellation must be striding still.
There was to be a little party at his house the next day, at which she was to attend.
“I shan’t come and meet you,” he said.
“Oh, very well; it’s not very nice out,” she replied slowly.
“It’s not that—only they don’t like me to. They say I care more for you than for them. And you understand, don’t you? You know it’s only friendship.”
Miriam was astonished and hurt for him. It had cost him an effort. She left him, wanting to spare him any further humiliation. A fine rain blew in her face as she walked along the road. She was hurt deep down; and she despised him for being blown about by any wind of authority. And in her heart of hearts, unconsciously, she felt that he was trying to get away from her. This she would never have acknowledged. She pitied him.
At this time Paul became an important factor in Jordan’s warehouse. Mr. Pappleworth left to set up a business of his own, and Paul remained with Mr. Jordan as Spiral overseer. His wages were to be raised to thirty shillings at the year-end, if things went well.
Still on Friday night Miriam often came down for her French lesson. Paul did not go so frequently to Willey Farm, and she grieved at the thought of her education’s coming to end; moreover, they both loved to be together, in spite of discords. So they read Balzac, and did compositions, and felt highly cultured.6
Friday night was reckoning night for the miners. Morel “reckoned” —shared up the money of the stall—either in the New Inn at Bretty or in his own house, according as his fellow-butties wished. Barker had turned a non-drinker, so now the men reckoned at Morel’s house.
Annie, who had been teaching away, was at home again. She was still a tomboy; and she was engaged to be married. Paul was studying design.
Morel was always in good spirits on Friday evening, unless the week’s earnings were small. He bustled immediately after his dinner, prepared to get washed. It was decorum for the women to absent themselves while the men reckoned. Women were not supposed to spy into such a masculine privacy as the butties’ reckoning, nor were they to know the exact amount of the week’s earnings. So, whilst her father was spluttering in the scullery, Annie went out to spend an hour with a neighbour. Mrs. Morel attended to her baking.
“Shut that doo-er!” bawled Morel furiously.
Annie banged it behind her, and was gone.
“If tha oppens it again while I’m weshin’ me, I’ll ma’e thy jaw rattle,” he threatened from the midst of his soap-suds. Paul and the mother frowned to hear him.
Presently he came running out of the scullery, with the soapy water dripping from him, dithering with cold.
“Oh, my sirs!” he said. “Wheer’s my towel?”
It was hung on a chair to warm before the fire, otherwise he would have bullied and blustered. He squatted on his heels before the hot baking-fire to dry himself.
“F-ff-f!” he went, pretending to shudder with cold.
“Goodness, man, don’t be such a kid!” said Mrs. Morel. “It’s not cold.”
“Thee strip thysen stark nak’d to wesh thy flesh i’ that scullery,” said the miner, as he rubbed his hair; “nowt b‘r a ice-’ouse!”
“And I shouldn’t make that fuss,” replied his wife.
“No, tha’d drop down stiff, as dead as a door-knob, wi’ thy neshdn sides.”
“Why is a door-knob deader than anything else?” asked Paul, curious.
“Eh, I dunno; that’s what they say,” replied his father. “But there’s that much draught i’ yon scullery, as it blows through your ribs like through a five-barred gate.”
“It would have some difficulty in blowing through yours,” said Mrs. Morel.
Morel looked down ruefully at his sides.
“Me!” he exclaimed. “I’m nowt b’r a skinned rabbit. My bones fair juts out on me.”
“I should like to know where,” retorted his wife.
“Iv’ry-wheer! I’m nobbut a sack o’ faggots.”do
Mrs. Morel laughed. He had still a wonderfully young body, muscular, without any fat. His skin was smooth and clear. It might have been the body of a man of twenty-eight, except that there were, perhaps, too many blue scars, like tattoo-marks, where the coal-dust remained under the skin, and that his chest was too hairy. But he put his hand on his side ruefully. It was his fixed belief that, because he did not get fat, he was as thin as a starved rat.
Paul looked at his father’s thick, brownish hands all scarred, with broken nails, rubbing the fine smoothness of his sides, and the incongruity struck him. It seemed strange they were the same flesh.
“I suppose,” he said to his father, “you had a good figure once.”
“Eh!” exclaimed the miner, glancing round, startled and timid, like a child.
“He had,” exclaimed Mrs. Morel, “if he didn’t hurtledp himself up as if he was trying to get in the smallest space he could.”
“Me!” exclaimed Morel—“me a good figure! I wor niver much more n’r a skeleton.”
“Man!” cried his wife, “don’t be such a pulamiter!”dq
“‘Strewth!”dr he said. “Tha’s niver knowed me but what I looked as if I wor goin’ off in a rapid decline.”
She sat and laughed.
“You’ve had a constitution like iron,” she said; “and never a man had a better start, if it was body that counted. You should have seen him as a young man,” she cried suddenly to Paul, drawing herself up to imitate her husband’s once handsome bearing.
Morel watched her shyly. He saw again the passion she had had for him. It blazed upon her for a moment. He was shy, rather scared, and humble. Yet again he felt his old glow. And then immediately he felt the ruin he had made during these years. He wanted to bustle about, to run away from it.
“Gi’e my back a bit of a wesh,” he asked her.
His wife brought a well-soaped flannel and clapped it on his shoulders. He gave a jump.
“Eh, tha mucky little ‘ussy!” he cried. “Cowdds as death!”
; “You ought to have been a salamander,” she laughed, washing his back. It was very rarely she would do anything so personal for him. The children did those things.
“The next world won’t be half hot enough for you,” she added.
“No,” he said; “tha’lt see as it’s draughty for me.”
But she had finished. She wiped him in a desultory fashion, and went upstairs, returning immediately with his shifting-trousers.dt When he was dried he struggled into his shirt. Then, ruddy and shiny, with hair on end, and his flannelette shirt hanging over his pit-trousers, he stood warming the garments he was going to put on. He turned them, he pulled them inside out, he scorched them.
“Goodness, man!” cried Mrs. Morel, “get dressed!”
“Should thee like to clap thysen into britchesdu as cowd as a tub o’ water?” he said.
At last he took off his pit-trousers and donned decent black. He did all this on the hearth-rug, as he would have done if Annie and her familiar friends had been present.
Mrs. Morel turned the bread in the oven. Then from the red earthenware panchion of dough that stood in a corner she took another handful of paste, worked it to the proper shape, and dropped it into a tin. As she was doing so Barker knocked and entered. He was a quiet, compact little man, who looked as if he would go through a stone wall. His black hair was cropped short, his head was bony. Like most miners, he was pale, but healthy and taut.
“Evenin’, missis,” he nodded to Mrs. Morel, and he seated himself with a sigh.
“Good-evening,” she replied cordially.
“Tha’s made thy heels crack,” said Morel.
“I dunno as I have,” said Barker.
He sat, as the men always did in Morel’s kitchen, effacing himself rather.
“How’s missis?” she asked of him.
He had told her some time back:
Sons and Lovers (Barnes & Noble Classics Series) Page 26