Why We Elect Narcissists and Sociopaths- And How We Can Stop!

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Why We Elect Narcissists and Sociopaths- And How We Can Stop! Page 7

by Bill Eddy


  ever before, our media outlets now largely focus on personalities and

  what they say about each other and do to each other. Which personal-

  ities? Those who can best grab our attention. Those who show extreme

  charm and confidence. And those who consistently hold our interest

  with mood swings, unpredictable behavior, and a preoccupation with

  blaming others. Sound familiar?

  Our modern high- emotion media outlets highlight—and crave—high-

  conflict personalities. And, remember, on the preconscious level, so do

  we. To ensure our survival, our brains are wired to focus on conflict,

  crisis, chaos, and fear over everything else. As a result, we naturally pay

  more attention to simple stories of heroes and villains, potential threats

  and attacks, victories and defeats. These are the very stories that HCPs

  consistently feed us—casting themselves as the heroes.

  4 DRAMA DAY AND NIGHT With our modern digital technology, we can

  watch movies and TV shows on demand at any time of day or night—

  even during work hours—and for as many hours as we want. We can also

  play video games for hours. Adults now spend an average of eleven hours

  in front of screens every day.66 Yes, part of that may be for work.

  But much of what we consume via our screens is fantasy drama—

  made- up stories of heroes and villains, Grand Theft Auto video games,

  world war games, evil monsters, and marvelous superheroes. And the

  theme of much of this drama is adversarial conflict resolution. There’s

  a terrible crisis! There’s an evil villain! And there’s an incredible super-

  hero who will beat the crap out of our opponents! Basically, more feel-

  ing, less thinking.

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  40 Part I: How Narcissists and Sociopaths Get Elected

  5 IT’S VERY PERSONAL Today’s media outlets allow individual politicians

  to communicate with us directly in a very intimate, personal way. They

  can speak to us in our living room or bedroom, their faces filling the

  screen and their voices surrounding us with compelling words. And as

  we’ve seen, narcissists and sociopaths are supremely skilled at intimate

  seduction—figuring out what we want to hear, and then telling us exactly

  what we want to hear—and then manipulation. They can sense our vul-

  nerabilities and strike fear in our hearts or tell us how special we are.

  Usually they do both.

  In the 1930s, Adolf Hitler spoke to many millions of Germans in their

  own homes by radio on a regular basis. In the 1950s, Joseph McCarthy

  reached into most American homes that had TV with broadcasts of his

  hearings on Communists in our government (although he never found a

  single one). In the 2016 United States presidential election and through-

  out the first two years of his presidency, Donald Trump tweeted almost

  every day. Those tweets not only got retweeted but repeated by most

  major news media, partly because they were from the world’s most pow-

  erful human being, partly because they were so bizarre and emotionally

  exciting, and partly because they helped each media outlet grow market

  share. It appears that with each new invention of a method of intimate

  mass communication, the public initially gives it extra power and signif-

  icance—until we discover how easily it can be used to manipulate us and

  start to set limits on its power.

  6 YET IT’S ALSO VERY VIRAL The speed at which today’s face and voice

  media can send emotional messages is astonishing. Facebook, YouTube,

  Twitter, and other social media platforms have developed an incredi-

  ble capacity to spread political messages—true and false—ricocheting

  around the globe. A major study showed that false emotional news

  spreads farther and faster.

  False news reached more people than the truth; the top 1% of false news

  cascades diffused to between 1000 and 100,000 people, whereas the truth

  rarely diffused to more than 1000 people. Falsehood also diffused faster

  than the truth. The degree of novelty and the emotional reactions of recip-

  ients may be responsible for the differences observed.67

  One of the biggest issues in the 2016 US presidential election was whether

  foreign governments—notably Russia—had assisted in manipulating

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  voters into believing false news. National correspondents have com-

  mented that “Without Facebook, Donald Trump probably wouldn’t

  be president. . . . The platform was an essential vector for Russian

  disinformation.68

  In the Philippines, fake news spread on social media is credited with

  contributing to the election of Rodrigo Duterte.

  [T]he internet in the Philippines of Mr. Duterte has become an outlet for

  threats and deceit. . . . Facebook [is] the source of almost all internet news

  in the Philippines. It’s a losing battle—false news is so rooted in the Philip-

  pines that one Facebook executive has called it “patient zero” in the global

  misinformation epidemic.69

  7 IMPAIRED ABILITY TO THINK It’s not just the information promoted by

  today’s media, but it’s the process of watching as well. As Marshall

  McLuhan used to say, “the medium is the message. ”70 Here’s how our

  screens impact us:

  Screens are insatiable. At a cognitive level, they are voracious vampires

  for your attention, and as soon as you look at one, you are basically toast.

  There are studies that bear this out. One, by a team led by Adrian Ward,

  a marketing professor at the University of Texas’ business school, found

  that the mere presence of a smartphone within glancing distance can sig-

  nificantly reduce your cognitive capacity.71 (Emphasis added)

  All of these trends have made today’s high- conflict politicians far more

  emotionally powerful than any HCP Wannabe King in the past. Emotional

  warfare is now the name of the game in modern politics. And it all operates

  beneath our logical radar, intimately passed on to thousands and millions of

  people at a time, 24 hours a day, 7 days a week.

  Welcome to the Future and the Past

  Because of the rise of high- emotion media, many of us have started to view

  the world in highly emotional terms: primarily as a dangerous, adversarial

  place in which we desperately need heroes to protect us from many villains.

  Just like in the old days.

  Yet this is mostly untrue. Overall, today our lives are less dangerous than

  ever before (with some notable exceptions). In general, most of us expe-

  rience less war, less poverty, and generally live longer and healthier lives

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  42 Part I: How Narcissists and Sociopaths Get Elected

  than in any earlier era.72 It just feels more dangerous and frightening. Why?

  Because of our high- emotion media over the past thirty years and because of

  the Wannabe Kings who use it to frighten and manipulate us.

  Consumers of negative news, not surprisingly, become glum: a recent litera-

  ture review cited “misperception of risk, anxiety, lower mood levels, learned


  helplessness, contempt and hostility towards others, desensitization, and in

  some cases, . . . complete avoidance of the news.” And they become fatalis-

  tic, saying things like “Why should I vote? It’s not gonna help . . . ”73

  And when we feel this frightened, this fear creates an ideal opening for

  HCPs to step forward, build followings, and grab power. Remember, as I said

  in Chapter 3, when people feel anxious, they are more likely to absorb other

  people’s emotions—especially high- conflict emotions.

  In addition, the constant negativity in the media changes people’s politi-

  cal mood to embrace more extreme solutions:

  For decades, journalism’s steady focus on problems and seemingly incur-

  able pathologies was preparing the soil that allowed Trump’s seeds of

  discontent and despair to take root. . . . One consequence is that many

  Americans today have difficulty imagining, valuing or even believing in

  the promise of incremental change, which leads to a greater appetite for

  revolutionary, smash- the- machine change.74

  Our Political Culture of Blame

  Our current political culture of blame also began in the 1990s. For the fifty

  years before that, Americans (and people throughout much of the free

  world) had a shared enemy—a frightening, powerful, and bitter enemy. That

  enemy was the Soviet Union (or the USSR). For most of those five decades,

  the US and the USSR had thousands of nuclear missiles aimed directly at

  each other.

  Then, in 1989, the Berlin Wall came down and the Soviet Union collapsed

  over the next couple years. It literally ceased to exist. In its place were many

  independent, but generally weak, nations. Suddenly, the nuclear threat from all

  of the former Soviet countries decreased dramatically. Just as suddenly, among

  Americans, the decades of justifiable fear, anger, and blame had no target.

  Then a strange thing started to happen. Americans began turning inward

  to find new enemies to blame and fear—and they discovered them at home

  and next door.

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  As a result, national politics began changing as well. Year by year, espe-

  cially on the national level, our elected officials became less and less colle-

  gial, and more and more rancorous and obstructive. Instead of having lunch

  together in the Senate Dining Room, Democrats and Republicans declared

  the opposing party their sworn enemy. They stopped spending as much

  time together, both personally and politically. Adversarial thinking replaced

  the compromise and collaboration of the past, even including the Ronald

  Reagan and Tip O’Neill era of cooperation in the 1980s.

  Some credit Newt Gingrich, a congressman from South Carolina who

  eventually became Speaker of the House, for changing the tone.

  By 1988, Gingrich’s plan to conquer Congress via sabotage was well under

  way. . . . Gingrich encouraged them to go after their enemies with catchy,

  alliterative nicknames—“Daffy Dukakis,” “the loony left”—and schooled

  them in the art of partisan blood sport. Through GOPAC, he sent out

  cassette tapes and memos to Republican candidates across the country

  who wanted to “speak like Newt,” providing them with carefully honed

  attack lines and creating, quite literally, a new vocabulary for a genera-

  tion of conservatives. One memo, titled “Language: A Key Mechanism

  of Control,” included a list of recommended words to use in describing

  Democrats: sick, pathetic, lie, anti- flag, traitors, radical, corrupt.75

  Now, on the national level at least, though often at other levels as well,

  it’s largely about fundraising for the next election. It’s also, of course, about

  winning—defeating the enemy in the opposing party. So, as a politician,

  you’d better be a fighter. Politics has again become a job for which HCPs are

  especially well qualified.

  The Media and Politics

  In 1979, C- SPAN began providing live television coverage of congressional

  proceedings, as well as many other forms of political programming. Two

  years later, Judge Joseph Wapner and Court TV transformed our view of

  the legal system as well. What had been private decision- making quickly

  became emotional public entertainment. Newt Gingrich was one of the first

  to make good use of it.

  He recognized an opportunity in the newly installed C-span cameras, and

  began delivering tirades against Democrats to an empty chamber, know-

  ing that his remarks would be beamed to viewers across the country. . . .

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  44 Part I: How Narcissists and Sociopaths Get Elected

  The goal was to reframe the boring policy debates in Washington as a

  national battle between good and evil, white hats versus black—a fight

  for the very soul of America. Through this prism, any news story could be

  turned into a wedge.76

  Another big change came a few years later: the end of the fairness doctrine.

  This had been instituted by the Federal Communications Commission (FCC)

  in 1949 to require radio and television stations to provide a balance of polit-

  ical opinions. This meant that their programs on politics were required to

  include opposing opinions on whatever topic was under discussion.

  The rule also required broadcasters to alert anyone who was subject to

  a personal attack in their programming and to give them an opportunity to

  respond. In addition, it required any broadcasters who endorsed political

  candidates to invite other candidates to speak.

  The FCC began to reconsider this rule in the mid-80s and stopped

  enforcing it in 1987. (The rule was officially scrapped in 2011.) This meant

  that by the 1990s, any radio or TV station (or network) could state its own

  point of view as strongly and as repeatedly as it wished—and that it had no

  obligation to ever provide its audience with any other viewpoint.77

  This change resulted in the explosion of political talk radio in the late 80s

  and early 90s. Then, in 1996, this naturally led to the creation and rise of the

  cable news channels Fox News and MSNBC—and, of course, to many other

  equally partisan media outlets.

  During the past three decades, many of these outlets have spread an us-

  against- them view of the world. Welcome back to the simplified world of

  heroes and villains.

  No one better understood how to encourage this us- against- them men-

  tality, or how to use it to grab and hold people’s attention, than Roger Ailes,

  the founder of Fox News. As Gabriel Sherman noted in his book The Loudest

  Voice in the Room,

  Ailes remade both American politics and media. More than anyone of

  his generation, he helped transform politics into mass entertainment—

  monetizing the politics while making entertainment a potent organizing

  force. . . . Through Fox, Ailes helped polarize the American electorate,

  drawing sharp, with- us- or- against- us lines, demonizing foes, preaching

  against compromise.78

  Ailes also made news sexy. He understood and proved that television—

  including po
litically oriented television—is built on good drama and plenty

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  of blame. And well- funded political divisions, when turned into personal

  attacks and the public exposure of private lives, can provide plenty of both,

  especially when a sex scandal is involved. The Fox Network made a name for

  itself with its coverage of the Bill Clinton sex scandal and impeachment of

  the 1990s.79

  By 2002, Fox was the number one cable news network. Its audience soon

  grew to more than twice that of CNN and MSNBC. It has held this lead for

  most of the last two decades.80

  Cultural Leaders

  Soon, other TV networks—and other media outlets in general—decided that

  they needed to adopt some of Fox News’s aggressive style. During the Obama

  administration, The New York Times’s managing editor, Jill Abramson, said,

  “The narrative was being hijacked by Fox. Fox had taken over a thought- leader

  role in the national press corps.” She acknowledged that the Times’s reporting

  style would need to become slightly more like Fox’s in the future.81

  Roger Ailes became a cultural leader without even being in political office.

  “Political conflict has never been more compelling than on Ailes’s Fox

  News. . . . Though marketed as an antidote to the epistemic closure of

  the mainstream media, Fox News is as closed off as the media world it

  proposes to balance—Ailes’s audience seldom watches anything else.82

  (Emphasis added)

  This is a good time to introduce the concept of emotional repetition in

  isolation. Most people realize that when we are exposed to emotional infor-

  mation repeatedly, it is easily absorbed without thinking. TV advertising is

  based on this principle. But when it comes to politics and cultural issues,

  people have traditionally been exposed to many sources of information, in

  their neighborhoods, their workplaces, and city or regional newspapers.

  As newspapers are vanishing and cable TV is all pervasive (as well as

  Facebook and other social media), the risks of getting political informa-

  tion from only one source is significant—and dangerous, as the examples in

  Part II demonstrate.

  On Fox News, the tedious personages of workaday politics are reborn as

  heroes and villains with triumphs and reverses—never- ending story lines.

 

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