Fan Art

by Tregay, Sarah

  UNCORRECTED E-PROOF—NOT FOR SALE

  HarperCollins Publishers

  ..................................................................

  Advance Reader’s e-proof

  courtesy of HarperCollins Publishers

  This is an advance reader’s e-proof made from digital files of the uncorrected proofs. Readers are reminded that changes may be made prior to publication, including to the type, design, layout, or content, that are not reflected in this e-proof, and that this e-pub may not reflect the final edition. Any material to be quoted or excerpted in a review should be checked against the final published edition. Dates, prices, and manufacturing details are subject to change or cancellation without notice.

  UNCORRECTED E-PROOF—NOT FOR SALE

  HarperCollins Publishers

  ..................................................................

  UNCORRECTED E-PROOF—NOT FOR SALE

  HarperCollins Publishers

  ..................................................................

  DEDICATION

  For art geeks everywhere

  Contents

  Cover

  Disclaimer

  Title

  Dedication

  One

  Two

  Three

  Four

  Five

  Six

  Seven

  Eight

  Nine

  Ten

  Eleven

  Twelve

  Thirteen

  Fourteen

  Fifteen

  Sixteen

  Seventeen

  Eighteen

  Nineteen

  Twenty

  Twenty-One

  Twenty-Two

  Twenty-Three

  Twenty-Four

  Twenty-Five

  Twenty-Six

  Twenty-Seven

  Twenty-Eight

  Twenty-Nine

  Thirty

  Thirty-One

  Thirty-Two

  Thirty-Three

  Thirty-Four

  Thirty-Five

  Thirty-Six

  Thirty-Seven

  Thirty-Eight

  Thirty-Nine

  Forty

  Forty-One

  Forty-Two

  Forty-Three

  Forty-Four

  Forty-Five

  Forty-Six

  Forty-Seven

  Forty-Eight

  About the Author

  Also by Sarah Tregay

  Copyright

  About the Publisher

  UNCORRECTED E-PROOF—NOT FOR SALE

  HarperCollins Publishers

  ..................................................................

  ONE

  “Nah,” I say about the brunette at the next table. “Isn’t she more your type?” But the truth is, even though Mason’s my best friend, I don’t know his type. He doesn’t date—he says it’s just asking for drama.

  His lip twitches upward as if he’s suppressing the urge to laugh. “What about Juliet Polmanski?” he asks, trudging through the not-very-long list of girls who don’t have dates for prom.

  I groan. Juliet is extremely shy—so shy I’ve never heard her say anything but “sorry” and “excuse me.” Prom with Juliet would be one long awkward silence.

  Mason pops a ketchup-covered fry in his mouth and scans the cafeteria for another subject while he chews. “I know!” he says. “Lia Marcus. You both do Gumshoe so you could talk about literary magazine stuff.”

  “I heard she was going to ask Michael Schoenberger,” I say, stealing two fries from Mason’s plate.

  “Jamie, every girl without a date is asking the Schnozbooger.”

  “Huh?” I ask. Michael Schoenberger isn’t exactly cute—he’s got this, well, huge schnoz. And, for as big as his nose is, he’s always breathing through his mouth like he has a cold.

  “He’s safe,” Mason explains. “Safer than asking some guy you have a crush on, right?” He grins, showing me a row of almost-but-not-quite-straight teeth.

  “Wait.” I hold up a finger. “What?”

  “Come on, Jamie,” Mason says. “Everyone thinks Michael’s gay.”

  “Gay?” I echo. Whoa. We are not talking about this. Mason and I don’t talk about gay.

  Mason shrugs as if it’s no big deal. He picks up the last fry and points it at me. “Michael has a date. I have a date. You, my friend, still need a date.”

  “You have a date?” I ask. “Since when?”

  “Since I asked Bahti Rajagopolan in physics.”

  “Huh?”

  “You’re the one who wants to go to prom,” he says as if breaking his streak of all studying and no girlfriends was my fault. “So I’m going.”

  “Thanks, but I still need find someone to go with.” I drop my head into my hands.

  “We don’t have to go,” Mason whispers. “We could do something else.”

  I look up.

  “Like what?”

  “I dunno,” he says. “Go to McCall. Stay in Frank’s condo.”

  “We never have any fun there,” I say. Frank is my stepfather. He’s taken us to McCall a few times—male bonding and all that—complete with hikes in the woods, canoeing on the lake, and once, fishing. It’s boring. We’d have a much better time at prom.

  “Without Frank,” Mason says, and glances down the length of our table to where our friends Brodie and Kellen are sitting.

  Now I get it—my stepdad’s condo without my stepdad. That’s an improvement.

  “Maybe invite some of the guys?” he adds, looking hopeful.

  “You kidding me?” I ask, knowing our friends. “It’d turn into a total kegger. My parents would flip—” I stop because the spark in Mason’s eyes dims as I speak. “We should go to prom. I mean, Bahti’s counting on you.”

  “Yeah, probably,” he says. “She’s cute. Right?”

  “Mmhmm,” I say in a noncommittal way. Because none of my memorized hot-girl comments really apply to the third runner-up for valedictorian, Bahti Rajagopolan. She’s Malaysian, with high cheekbones, big brown eyes, and a light-up-the-room smile.

  The bell rings, and Mason gives me a questioning look as if to say, And?

  “Yeah, cute,” I say. “Great smile.”

  Mason stands, looking relieved. “You think?”

  I nod enthusiastically.

  “I love you, man.” Mason whacks me a good one on the shoulder.

  I laugh, picking up my tray. He’s not serious. We say it all the time—and not just us. All the guys say it.

  It began during my sophomore year, when the goalie of the varsity soccer team died. His name was Jordan Polmanski. He was a senior. I didn’t know him and I hardly knew his sister, Juliet, even though she was in my grade.

  He died in a car wreck on Freezeout Hill, a long, boring section of highway that’s icy from Halloween to Easter. That’s when it happened. Easter. Driving home from his aunt and uncle’s house, Jordan rolled his pickup off into the sagebrush. And didn’t survive.

  I didn’t go to his funeral. I didn’t have to. It was on the five-o’clock news, and even though I wanted to change the channel, I couldn’t. Someone from my school died. Died. So I watched as teary face after teary face—male and female—told the camera “I loved him, man.”

  That’s when Jordan’s friends started saying, “I love you, man” to one another. They were seniors, varsity athletes, popular with steady girlfriends—so no one dared make fun of them. But then other guys started saying it too—juniors and sophomores like me, mostly because we wanted to be like the cool seniors, but also because it felt right. Sure, we weren’t serious—but we were taking back our right to say we care about our friends. After years of tormenting each other about
being wusses, pussies, or fags, collectively we said, “Screw it!” We told ourselves it was okay to love our friends—in a teasing, mocking way, of course.

  And we owe it all to Jordan Polmanski.

  “Hey,” Eden says as I slide into my seat next to hers at a table in the art room. She and I are pretty much friends—we’ve been sitting together all year—but we don’t do stuff outside of school. “You decide on your self-portrait medium yet?”

  “Pencil.”

  “Pencil? Ms. Maude said no to Photoshop?”

  I nod. “It has to be done in a tactile medium.”

  “I’m doing pen and ink,” Eden says. “And Chuck Close.”

  The assignment was to choose a medium and an artist for inspiration, then draw or paint a self-portrait. And it’s supposed to reveal something about you. At first I thought I wanted to choose a graphic designer for inspiration, but Paul Rand’s poster for the film No Way Out was a little too obvious. And I just couldn’t picture myself on a Toulouse-Lautrec poster. So I was going to do a Norman Rockwell triple self-portrait, until I found this Belgian designer, Maxime Quoilin, who merges two photographs into one, so you see the person’s profile and the front of their face at the same time. I’m pretty sure I’ll be able to BS my way through what this reveals about me—that there are two sides of me or something.

  Eden gets out her pad of tracing paper. She pulls a sketch from between the pages and puts it on the table between us. It’s a picture of her, without her glasses, taped over a piece of graph paper, the little squares showing through. Her eyes look huge.

  “No glasses?” I ask.

  “I hate my glasses,” she says, and tucks a strand of strawberry-blond hair behind her ear.

  “So your self-portrait is revealing this fact?”

  “No.” She sighs as if I’m stupid. “The grid reveals all the little pieces of me—that I am complex and multifaceted.”

  I suppress the urge to laugh. That’s exactly the type of thing Ms. Maude would fall for. I take out my sketches and the photos of myself that I was working from. They’re awful.

  Eden turns one sketch right side up. “Very Picasso.”

  “I’m not doing Picasso,” I say, even though sometimes I feel a little like his paintings—arms, legs, and thoughts all at weird angles to one another and not quite fitting into the picture frame.

  “Maybe you should,” she says, and giggles.

  “Very funny,” I say, because I’m not about to reveal all my feelings for some art class assignment.

  After school I plop my stuff on a desk in Dr. Taylor’s classroom for the Gumshoe meeting. I say hi to Lia, Holland, and DeMarco while I get out my laptop.

  Michael nods at me, smiles.

  I think of what Mason said about him at lunch and smile back. Michael may not be model material, but he’s not Frankenstein.

  Michael inhales a noisy breath and begins the meeting. “As you all know, the deadline for submissions is Friday—so Jamie will have time to do the layout—but between now and then, we need to encourage people to send stuff in.”

  “Our video is running on the announcements for the rest of the week,” DeMarco says, his tall frame slouched low in his chair. He’s one of those black kids everyone thinks should play basketball just because he has to duck through doorframes, only he chose the literary mag and band over sports. Maybe it’s because he and Holland were flirting with each other back in September when he signed up. Now they’re an item. The only junior on staff, he will inherit the literary magazine next year.

  “And I’ve got new posters,” I say, passing them around. They’re green and have an illustration of a detective tiptoeing around a column of type that reads, Don’t let the Gumshoe deadline sneak up on you. Submit your art and writing by Friday.

  When I’m finished, Lia pats a ragged stack of papers on her desk. “We’ve got stuff,” she says. “But it’s not gonna win any prizes.”

  Gumshoe won an excellence award last year, the only student literary magazine from Idaho to place. But last year people were excited about it because it had just been resurrected—a victim of budget cuts from a decade ago. This year Gumshoe is old news.

  Lia starts sorting the pile into art, poetry, and short prose. Since I’m the graphic designer, I get the art. I peer at what’s going into my pile: manga drawing, two landscapes, and a still life of an apple, peacock feathers, and a skateboard—the crap piled up in the art room. Ugh.

  Lia adds another one, a realistic nude. It’s good, drawn on bark-colored paper in Conté crayon with highlights sketched in white over the model’s cheekbones, but I pretend not to see the obvious—that the model is male. And naked. I wonder if it was someone’s self-portrait for Ms. Maude’s assignment and decide the lack of clothing reveals a lot about a person. Literally.

  By the end of the meeting the others have decided on five new poems, two flash fiction stories, and two drawings for me to add to the Adobe InDesign layout on my laptop. Lia says she’ll email me the pieces that were submitted online and type up the one handwritten poem. I tell her I can do it and slide the poem between the keyboard and the screen of my computer. I put the nude and a landscape into my folder as the others start to pack up their things.

  I’m halfway to the door when Michael says, “Hey, Jamie.”

  I turn around. “Yeah?”

  “You going to prom?”

  I open my mouth. No words come out. Is he asking me to prom?

  “I take that as a no?” Michael guesses.

  “No—Yes.” What am I saying? “I was thinking about going. It’ll be fun. You know, dancing . . .” I babble.

  When I manage to stop the tumble of words, Michael says, “Awesome.”

  I wait for more. For a question. For some idea of what this conversation is about. “Yeah.”

  “You want to share a limo with me and Lia? Holland and DeMarco are in.”

  I parse the equation and figure out that he isn’t asking me on a date. Lia is his date. “Sure. Yeah. A limo.”

  “Cool. Let Mason know.” Michael cuffs my shoulder.

  There’s no zap of romantic connection, no gentleness, no lingering touch. It’s simply friendly. And not at all gay. “Yeah, I will. Thanks.”

  “And you got that hard-copy submission, right?”

  I tap my laptop. “Yeah.”

  “Thanks for typing it up,” he says, and turns in the direction of his locker. I head to the music wing to pick up my trumpet, letting out a breath I didn’t know I was holding.

  Crossing Jordan

  by Juliet Polmanski

  This stretch of nothing highway

  just past the roar and cheer of the racetrack

  is as quiet as a cemetery

  and dotted with white crosses.

  I drive as slow as a funeral procession

  looking for mine,

  my brother’s,

  my hero’s.

  I pull onto the shoulder,

  step out into the silence

  to untangle the tumbleweed

  from my faded silk flowers.

  With a Sharpie,

  I darken the letters of his name—

  Jordan, like the river of tears

  flowing into the dead sea.

  I’m done with asking why,

  and pray only that he knows

  I love him. Loved him.

  More than silk flowers

  can ever say.

  UNCORRECTED E-PROOF—NOT FOR SALE

  HarperCollins Publishers

  ..................................................................

  TWO

  “Hey, Mom,” I call as I shut the front door behind me. I let my backpack fall to the floor and kick off my sneakers.

  “Hi, honey,” my mom says from the kitchen, her voice as chirpy as the beep of the microwave. “How was school?”

  I don’t have time to answer before my two-year-old twin sisters assault my knees.

  “Jamie, Jamie,” Elisabeth greets
me, hugging one knee.

  Ann Marie doesn’t bother with words; she just shrieks and tugs on my jeans.

  I try to move, but Elisabeth is doing a good job as an anchor. I peel her from my leg and carry her into the kitchen, following an excited Ann Marie. Ann Marie shows me her doll—who is taking a bath in the spaghetti pot.

  “School was school,” I tell my mom. “And we finally got some decent art for Gumshoe.”

  “About time,” she says, and holds up a box of frozen chicken nuggets. “How many?”

  “Six,” I answer, although I don’t particularly care for processed chicken bits.

  “’Icken,” Elisabeth says.

  “Yeah,” I tell her. I couldn’t agree more. This is my mom’s idea of cooking: chicken nuggets, tater tots, pork ’n’ beans, mac ’n’ cheese—anything with an ’n’ instead of a real word. It’s been this way since she went back to work and Frank started working out of state.

  He’s home for the moment, which makes my mom happy—she has her husband back—and nervous—because if he’s here, he isn’t working. And if he isn’t working, he isn’t getting paid.

  I pick up the spaghetti pot and my laptop, and take the girls into their room, leaving Mom with a few minutes of peace while she heats up dinner. I play dolls with Ann Marie while Elisabeth packs a toy purse with plastic pork chops and alphabet blocks. I don’t know if she’s ever seen a real pork chop, so maybe it all makes sense to her.

  Settling in to watch them, I sit on the floor and lean back against their toy chest. I open InDesign and scroll through the pages until I find a blank one. Reading Juliet’s poem, I type it in. Then I proofread my version against hers to check that I’ve copied it exactly. Unfortunately, I have. It’s about Jordan, and it leaves a little ache in my heart.