Valo snorted. “Can you see as far as White Peak yet?”
“On a clear day, yes,” Kit said. “I was up here two—”
A heavy sliding sound and a scream. Kit whirled to see one of the workers on her back, one of the shear-leg’s timbers across her chest. Loreh Tanner, a local. Kit ran the few steps to Loreh and dropped beside her. One man, the man who had been working with her, said, “It slipped—oh, Loreh, please hang on,” but Kit could see already that it was futile. She was pinned against the pillar, chest flattened, one shoulder visibly dislocated, unconscious, breathing labored. Foam bloomed from her lips, black in the lantern’s bad light.
Kit took her cold hand. “It’s all right, Loreh. It’s all right.” It was a lie and in any case she could not hear him, but the others would. “Get Hall,” one of the workers said and Kit nodded: Hall was a surgeon. And then, “And get Obal, someone. Get her husband.” Footsteps ran down the stairs and were lost into the hiss of rain just beginning and someone’s crying and Loreh’s wet breathing.
Kit glanced up. His chest heaving, Valo stood staring. Kit said to him, “Help find Hall,” and when the boy did not move he repeated it, his voice sharper. Valo said nothing, did not stop looking at Loreh until he spun and ran down the stairs. Kit heard shouting far below as the first messenger ran toward the town.
Loreh took a last shuddering breath and died.
Kit looked at the others around Loreh’s body. The man holding Loreh’s other hand pressed his face against it crying helplessly. The two other workers left here knelt at her feet, a man and a woman, huddled close though they were not a couple. “Tell me,” he said.
“I tried to stop it from hitting her,” the woman said. She cradled one arm: obviously broken though she did not seem to have noticed. “But it just kept falling.”
“She was tired. She must have gotten careless,” the man said, and the broken-armed woman said, “I don’t want to think about that sound.”
Words fell from them like blood from a cut. This was what they needed right now, to speak and to be heard. So he listened, and when the others came, Loreh’s husband Obal, white-lipped and angry-eyed, the surgeon Hall, and six other workers, Kit listened to them as well, and gradually moved them down through the pillar and back toward the warm lights and comfort of Farside.
Kit had lost people before and it was always like this. There would be tears tonight, and anger at him and at his bridge, anger at fate for permitting this. There would be sadness and nightmares. And there would be lovemaking and the holding close of children and friends and dogs—affirmations of life in the cold wet night.
* * *
His tutor at University had said, during one of her frequent digressions from materials and the principles of architecture, “Things will go wrong.”
It was winter, but in spite of the falling snow they walked slowly to the coffee house, as Skossa looked for purchase for her cane. She continued, “On long projects, you’ll forget that you’re not one of them. But if there’s an accident? You’re slapped in the face with it. Whatever you’re feeling? Doesn’t matter. Guilty, grieving, alone, worried about the schedule. None of it. What matters is their feelings. So listen to them. Respect what they’re going through.”
She paused then, tapped her cane against the ground thoughtfully. “No, I lie. It does matter but you will have to find your own strength, your own resources elsewhere.”
“Friends?” Kit said doubtfully. He knew already that he wanted a career like his father’s. He would not be in the same place for more than a few years at a time.
“Yes, friends.” Snow collected on Skossa’s hair but she didn’t seem to notice. “Kit, I worry about you. You’re good with people, I’ve seen it. You like them. But there’s a limit for you.” He opened his mouth to protest but she held up her hand to silence him. “I know. You do care. But inside the framework of a project. Right now it’s your studies. Later it’ll be roads and bridges. But people around you—their lives go on outside the framework. They’re not just tools to your hand, even likable tools. Your life should go on, too. You should have more than roads to live for. Because if something does go wrong, you’ll need what you’re feeling to matter, to someone somewhere, anyway.”
* * *
Kit walked through Farside toward The Bitch. Most people were home or in one of the taverns by now, a village turned inward; but he heard footsteps running behind him. He turned quickly. It was not unknown for people reeling from a loss to strike at whatever they blamed, and sometimes it was a person.
It was Valo. Though his fists were balled, Kit could tell immediately that he was angry but that he was not looking for a fight. For a moment Kit wished he didn’t need to listen, that he could just go back to his rooms and sleep for a thousand hours, but there was a stricken look in Valo’s eyes: Valo, who looked so much like Rasali. He hoped that Rasali and Loreh hadn’t been close.
Kit said gently, “Why aren’t you inside? It’s cold.” As he said it, he realized suddenly that it was cold. The rain had settled into a steady cold flood.
“I will. I was, I mean, but I came out because I thought maybe I could find you, because—” The boy was shivering.
“Where are your friends? Let’s get you inside. It’ll be better there.”
“No,” he said. “I have to know first. It’s like this always? If I do this, build things, it’ll happen for me? Someone will die?”
“It might. It probably will, eventually.”
Valo said an unexpected thing: “I see. It’s just that she had just gotten married.”
The blood on Loreh’s lips, the wet sound of her crushed chest as she took her last breaths— “Yes,” Kit said. “She had.”
“I just . . . I had to know if I need to ready for this. I guess I’ll find out.”
“I hope you don’t have to.” The rain was getting heavier. “You should be inside, Valo.”
Valo nodded. “Rasali—I wish she were here. She could help maybe. You should go in too. You’re shivering.”
Kit watched him go. Valo had not invited him to accompany him back into the light and the warmth. He knew better than to expect that, but for a moment he had permitted himself to hope otherwise.
Kit slipped through the stables and through the back door at The Bitch. Wisdon Innkeep, hands full of mugs for the taproom, saw him and nodded, face unsmiling but not hostile. That was good, Kit thought, as good as it would get tonight.
He entered his room and shut the door, leaned his back to it as if to hold the world out. Someone had already been in his room. A lamp had been lit against the darkness, a fire laid, and bread and cheese and a tankard of ale set by the window to stay cool. He began to cry.
* * *
The news went across the river by signal flags. No one worked on the bridge the next day or the day after that. Kit did all the right things, letting his grief and guilt overwhelm him only when he was alone, huddled in front of the fire in his room.
The third day, Rasali arrived from Nearside with a boat filled with crates of northland herbs on their way east. Kit was sitting in The Bitch’s taproom, listening. People were coping, starting to look forward again. They should be able to get back to it soon, the next clear day. He would offer them something that would be an immediate, visible accomplishment, something different, perhaps guidelining the ramp.
He didn’t see Rasali come into the taproom, only felt her hand on his shoulder and heard her voice in his ear. “Come with me,” she murmured.
He looked up puzzled, as though she were a stranger. “Rasali Ferry, why are you here?”
She said only, “Come for a walk, Kit.”
It was raining but he accompanied her anyway, pulling a scarf over his head when the first cold drops hit his face.
She said nothing as they splashed through Farside. She was leading him someplace but he didn’t care where, grateful not to have to be the decisive one, the strong one. After a time she opened a door and led him through it into a sma
ll room filled with light and warmth.
“My house,” she said. “And Valo’s. He’s still at the boatyard. Sit.”
She pointed and Kit dropped onto the settle beside the fire. Rasali swiveled a pot hanging from a bracket out of the fire and ladled something into a mug. She handed it to him and sat. “So. Drink.”
It was spiced porter and the warmth eased the tightness in his chest. “Thank you.”
“Talk.”
“This is such a loss for you all, I know,” he said. “Did you know Loreh well?”
She shook her head. “This is not for me, this is for you. Tell me.”
“I’m fine,” he said, and when she didn’t say anything, he repeated with a flicker of anger: “I’m fine, Rasali. I can handle this.”
“Probably you can,” Rasali said. “But you’re not fine. She died and it was your bridge she died for. You don’t feel responsible? I don’t believe it.”
“Of course I feel responsible,” he snapped.
The fire cast gold light across her broad cheekbones when she turned her face to him, but she said nothing, only looked at him and waited.
“She’s not the first,” Kit said, surprising himself. “The first project I had sole charge of, a toll gate. Such a little project, such a silly little project to lose someone on. The wood frame for the passageway collapsed before we got the keystone in. The whole arch came down. Someone got killed.” It had been a very young man, slim and tall with a limp. He was raising his little sister. She hadn’t been more than ten. Running loose in the fields around the site, she had missed the collapse, the boy’s death. Dafuen? Naus? He couldn’t remember his name. And the girl—what had her name been? I should remember. I owe that much to them.
“Every time I lose someone,” he said at last, “I remember the others. There’ve been twelve in seventeen years. Not so many, considering. Building’s dangerous. My record’s better than most.”
“But it doesn’t matter, does it?” she said. “You still feel you killed each one of them, as surely as if you’d thrown them off a bridge yourself.”
“It’s my responsibility. The first one, Duar—” that had been his name; there it was. The name loosened something in Kit. His face warmed: tears, hot tears running down his face.
“It’s all right,” she said. She held him until he stopped crying.
“How did you know?” he said finally.
“I am the eldest surviving member of the Ferry family,” she said. “My father died. My mother. My aunt died seven years ago. And then I watched my brother leave to cross the mist, three years ago now. It was a perfect day, calm and sunny, but he never made it. He went instead of me because the river felt wrong to me that day. It could have been me. It should have, maybe. So I understand.”
She stretched a little. “Not that most people don’t. If Petro Housewright sends his daughter to select timber in the mountains and she doesn’t come back—eaten by wolves, struck by lightning, I don’t know—is Petro to blame? It’s probably the wolves or the lightning. Maybe it’s the daughter, if she did something stupid. And it is Petro, a little; she wouldn’t have been there at all if he hadn’t sent her. And it’s her mother for being fearless and teaching that to her daughter, and Thom Green for wanting a new room to his house. Everyone except maybe the wolves feels responsible. This path leads nowhere. Loreh would have died sooner or later.” Rasali added softly, “We all do.”
“Can you accept death so readily?” he asked. “Yours even?”
She leaned back, her face suddenly weary. “What else can I do, Kit? Someone must ferry and I am better suited than most—and by more than my blood. I love the mist, its currents and the smell of it and the power in my body as I push us all through. Petro’s daughter Cilar—she did not want to die when the wolves came, I’m sure, but she loved selecting timber.”
“If it comes for you?” he said. “Would you be so sanguine then?”
She laughed and the pensiveness was gone. “No indeed. I will curse the stars and go down fighting. But it will still have been a wonderful thing, to cross the mist.”
* * *
At University, Kit’s relationships had all been casual. There were lectures that everyone attended, and he lived near streets and pubs crowded with students; but the physical students had a tradition of keeping to themselves that was rooted in the personal preferences of their predecessors and in their own. The only people who worked harder than the engineers were the ale-makers, the University joke went. Kit and the other physical students talked and drank and roomed and slept together.
In his third year, he met Domhu Canna at the arcade where he bought vellums and paper: a small woman with a heart-shaped face and hair in black clouds that she kept somewhat confined by gray ribbons. She was a philosophical student from a city two thousand miles to the east, on the coast.
He was fascinated. Her mind was abrupt and fish-quick and made connections he didn’t understand. To her, everything was a metaphor, a symbol for something else. People, she said, could be better understood by comparing their lives to animals, to the seasons, to the structure of certain lyrical poems, to a gambling game.
This was another form of pattern-making, he saw. Perhaps people were like teamed oxen to be led, or like metals to be smelted and shaped to one’s purpose, or like the stones for a dry-laid wall, which had to be carefully selected for shape and strength, sorted, and placed. This last suited him best. What held them together was not external mortar but their own weight and the planning and patience of the drystone builder. But it was an inadequate metaphor. People were this, but they were all the other things as well.
He never understood what Domhu found attractive in him. They never talked about regularizing their relationship. When her studies were done halfway through his final year, she returned to her city to help found a new university, and in any case her people did not enter into term marriages. They separated amicably and with a sense of loss on his part at least, but it did not occur to him until years later that things might have been different.
* * *
The winter was rainy but there were days they could work and they did. By spring, there had been other deaths unrelated to the bridge on both banks: a woman who died in childbirth, a child who had never breathed properly in his short life, two fishers lost when they capsized, several who died for the various reasons that old or sick people died.
Over the spring and summer they finished the anchorages, featureless masses of blocks and mortar anchored to the bedrock. They were buried so that only a few courses of stone showed above the ground. The anchoring bolts were each tall as a man, hidden behind the portals through which the chains would pass.
The Farside pillar was finished by midwinter of the third year, well before the Nearside tower. Jenner and Teniant Planner had perfected a signal system that allowed detailed technical information to pass between the banks, and Kit took full advantage of it. Documents traveled each time a ferry crossed. Rasali made thirty-eight trips. Though he spent much of his time with Kit, Valo made nineteen. Kit did not cross the mist at all unless the flags told him he must.
It was early spring and Kit was in Farside when the signals went up: Message. Imperial seal. He went to Rasali at once.
“I can’t go,” she said. “I just got here yesterday. The Big Ones—”
“I have to get across and Valo’s at Nearside. There’s news from the capital.”
“News has always waited before.”
“No it hasn’t. News waited restlessly, pacing along the levee until we could pick it up.”
“Use the flags,” she said impatiently.
“The seals can’t be broken by anyone but me or Jenner. He’s over here. I’m sorry,” he said, thinking of her brother, dead four years before.
“If you die no one can read it,” she said, but they left just after dusk anyway. “If we must go, better then than earlier or later.”
He met her at the upper dock at dusk. The sky was streaked with b
right bands of green and gold, clouds catching the last of the sun so that they glowed but radiated no light. The current down the river was steady. The mist between the levees was already in shadow, smooth dunes twenty feet high.
Rasali waited silently, coiling and uncoiling a rope in her hands. Beside her stood two women, a man, and a dog: dealers in spices returning from the plantations of Gloth, the dog whining and restless. Kit was burdened with document cases filled with vellum and paper rolled tightly and wrapped in oilcloth. Rasali seated the merchants and their dog in the ferry’s bow, their forty crates of cinnamon and nutmeg amidships, Kit in the back near her. In silence she untied and pushed away from the dock.
She stood at the stern, braced against the scull. For a moment he could pretend that this was water they moved on and he half expected to hear sloshing, but the big paddle made no noise. It was so quiet that he could hear her breath, the dog’s nervous panting in front, and his own pulse, too fast. Then the Crossing slid up the long smooth slope of a dune and there was no possibility that this could be anything but mist.
He heard a soft sighing, like air entering a once-sealed room. It was hard to see so far, but the lingering light showed him mist heaving on the face of a neighboring dune, like a bubble coming to the surface of mud. The dome grew and then burst. There was a gasp from one of the women. A shape rolled away, too dark for Kit to see more than its length.
“What—” he said in wonder.
“Fish,” Rasali breathed to Kit. “Not small ones. They are biting tonight. We should not have come.”
It was night now. The first tiny moon appeared, followed by stars. Rasali oared gently through the dunes, face turned to the sky. At first he thought she was praying but she was navigating. There were more fish now: each time the sighing sound, the dark shape half seen. He heard someone singing, the voice carrying somehow, from far behind.
“The fishers,” Rasali said. “They will stay close to the levees tonight. I wish. . . .”
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