Praise for
The Girl of the Sea of Cortez
from ocean experts who have been inspired by the life and work of Peter Benchley
“The Girl of the Sea of Cortez is my favorite Peter Benchley novel. It’s a high-spirited adventure story that speaks to my personal love of the ocean and all its fascinating creatures. The story takes you under the sea to experience the spectacular, but it also shares the threats facing our seas. While this book was written thirty years ago, Peter was prescient about man’s complex relationship to the sea. This captivating story is even more relevant today than ever.”
—GREGORY S. STONE, PHD, executive vice president and chief scientist for oceans, Conservation International
“I had a once-in-a-lifetime experience filming in the Sea of Cortez with Peter Benchley. My extraordinary turn at nursing a giant manta ray’s wounds, and its tender response to my actions, had a profound impact on Peter and me. The Girl of the Sea of Cortez is a vivid tale of discovery that captures the beauty of the sea (and her creatures) and a passion to care for it. The story of Paloma’s wild ride on the manta reminds me anew of why my husband and I have committed our lives to producing underwater films and photography. It goes without saying that this Benchley novel has a special place in my heart.”
—MICHELE HALL, ocean filmmaker and photographer
“Readers not yet acquainted with Peter Benchley’s book The Girl of the Sea of Cortez will be rewarded with what I call ‘a good read,’ like all of his prolific page-turners. This exhilarating story was inspired by a real experience Benchley and I shared when we came upon a particularly large manta ray—more than twenty feet wide—while filming in the Sea of Cortez. I photographed that manta from every conceivable angle for the three amazing days that it permitted us such rare and splendid contact. The chance rapport with this gentle giant awakened in Peter a deep need to protect the sea’s great creatures. The author dedicated more than thirty years of his too-short life to ocean conservation.”
—STAN WATERMAN, pioneer underwater film producer and photographer
The Girl of the Sea of Cortez is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
2013 Ballantine Books eBook Edition
Copyright © 1982 by Winifred W. Benchley
Excerpt from Shark Trouble by Peter Benchley copyright © 2002 by
Winifred W. Benchley
Commentary on the bonus material copyright © 2013 by Winifred W. Benchley
All rights reserved.
Published in the United States by Ballantine Books, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.
BALLANTINE and the HOUSE colophon are registered trademarks of Random House, Inc.
PETER BENCHLEY is a registered trademark.
Originally published in hardcover in the United States by Doubleday Books, an imprint of The Knopf Doubleday Publishing Group, a division of Random House, Inc., in 1982.
Title-page and chapter-opener illustrations by Wyland. Reprinted by permission.
“The Million Dollar Mantas” by Douglas Seifert (Geographical magazine, March 2013) is reprinted by permission of Geographical magazine.
eISBN: 978-0-345-54415-5
www.ballantinebooks.com
Cover design: Flamur Tonuzi
Cover image (manta): © Douglas David Seifert
v3.1
CONTENTS
Cover
Title Page
Copyright
The Girl of the Sea of Cortez
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
BONUS CONTENT
Note from Wendy Benchley About the Writing of Peter Benchley’s Favorite Novel
Excerpt from Peter Benchley’s Book Shark Trouble Describing the American Sportsman Expedition in the Sea of Cortez and His Extraordinary Encounter with the Manta Ray
Photos by Underwater Cinematographer Howard Hull of Peter Benchley Riding the Manta Ray in the Sea of Cortez
Geographical Magazine Article “The Million Dollar Mantas,” Written by Photojournalist Douglas David Seifert
Photos of Manta Rays in the Wild by Douglas David Seifert
Acknowledgments
Dedication
Other Books by This Author
About the Author
The Girl of the Sea of Cortez
The girl lay on the surface of the sea, looking into the water through a mask, and was afraid.
She was surprised to feel fear—a true, deep fear that bordered on panic—for not in years had anything in the sea frightened her.
But then, never in her life had she been actively, aggressively menaced by an animal. Creatures had snapped at her, and some had circled her, hungry and curious, but always a show of strength and confidence had sent them on their way in search of more appropriate prey.
But this animal did not seem to want to bite her, or eat her. It looked to her as if it wanted simply to hurt her, to stab her.
It had appeared with magical speed. One moment the girl was gazing into an empty blue haze; the next, she was staring at a sharp and pointed bill of bone that quivered three feet from her chest. The bill swooped back to a broadened base, and ended in two clam-size black eyes as cold as night.
Unlike the other billfish, this one had no fin on its back. It had instead a dorsal sail covering most of its backbone, which could lie flat against the back and be almost invisible, or stand in proud display.
Or, when the fish was agitated, as now, the sail pulsed up and down, up and down, as the head of a serpent hypnotizes a rodent.
The fish’s tail was like a honed scythe. It twitched once, a shudder passed along the body, and the bill jerked quickly, startling the girl.
She did not know what to do, how to behave. Backing away was no answer: This was not territorial aggression, for this was not a territorial animal. It cruised the deep water of the open sea; it knew no home.
To move suddenly at it was no answer: The fish was supremely confident of its superiority over her—in speed and strength and agility—or it would not have approached her. She could not hope to shoo it away.
And to stay where she was seemed to be no answer: Apparently, she was somehow irritating the fish, for it shook its head, and its spear sliced the water and she felt its force against her chest.
Its long, slim pectoral fins dropped; its back hunched; its tail twitched. Its entire body was a cocked spring, ready, at the release of an inner trigger, to impale her on its bill.
Why?
It could not be pure malice, for her father had taught her that malice did not exist in animals. Animals could be hungry, angry, frightened, hurt, sick, defensive, protective, jealous, careless, or playful—and in any of those states could become vicious or violent—but not malevolent.
What, then? What did it want?
Again the head shook, and the spear slit the water.
She wondered if she could make it to her boat before the fish attacked. She fluttered her fingers and toes, hoping to propel herself backward, inch by inch, closer to her boat.
But how far away was the boat?
She turned her head a half-turn, flicked her eyes over her shoulder, saw the boat, and turned immediately back to face t
he fish.
It was gone.
She had felt nothing, heard nothing, and now all she could see was the endless blue.
There was no electricity on the island, and kerosene lamps burned with a thick, greasy smoke that made some people sick, so the old man and the girl chose to sit in a room illuminated only by the light that leaked around the edges of the covered windows. The old man kept the room dark intentionally, had put cloths over the windows, because the slashing rays of the late-afternoon sun colored the room with contrasts so sharp that they pained his eyes and confused him. He had cataracts in both eyes, and sudden bursts of bright light felt like little explosions in his brain.
The old man’s name was Francisco, but everyone called him Viejo, Old Man, even the children who might have called him Grandfather or a pet name, because Viejo was an honor, a title as significant as Excellency or General. To attain old age was a true achievement.
The girl’s name was Paloma—Dove—after the morning bird that cooed a prelude to the cock’s crow. She was sixteen.
“I don’t understand, Viejo,” she said. “Nothing like that has ever happened to me before.”
“You had never met a bad animal before. Now you have. It had to happen, eventually.”
“Forgive me, but …” She hesitated. “Papa always told me there was no such thing as a bad animal.”
“Your father Jobim was a … a curious man.” Viejo sought gentle words to describe his son-in-law, rather than those that came quickly to mind. “Of course there are bad animals, just as there are bad people. I am only grateful that the sailfish you met today was not truly bad, or he would have run you through. That happens. Once, many years before you were born …”
To forestall the reminiscence, Paloma said, “I don’t see why God would create a bad animal. It doesn’t make sense.”
Viejo pressed his lips together, which Paloma recognized as a sign of pique. He was a fine storyteller, and it was one of the few pleasures that life still permitted him.
“Who says you must understand everything?” Viejo said. “For a human being to try to fathom all of God’s works is a waste of time.”
Paloma tried to retreat. “I didn’t mean …”
“What is, is. And one of the things that is, is that there are good things and bad things.” He paused. “They tell me you have been interfering with the fishermen again.”
“No! I only …”
“They say you shout and make a fool of yourself.”
“They can think what they please. All I did was ask Jo and Indio and the others why they can’t be more careful. They catch everything; they bring back fish they have no use for. They don’t kill just for food. That I could understand. The way they fish, someday there will be nothing left.”
“No. The sea is forever. And you must learn that man will hunt what he wishes for whatever reason he wishes. His judgments are his own. For example, it has been judged that some animals are good alive and dead, like the bonito and the tuna and the grouper. Alive, they feed other animals; dead, they feed people and still more animals, useful animals. Some animals are bad, like the sea snake and the stonefish and the scorpion. All they do is cause pain and death.
“And then there are animals both good and bad, like barracuda—which one day feeds a man handsomely and the next day poisons him—and like sharks. Sharks bring us food and money, true, but now and again they kill people.”
“What about an angelfish?” Paloma asked. “What could be good or bad about an angelfish? Or a pufferfish? Indio caught a pufferfish the other day, and you’d think he had caught a marlin. Why? We don’t sell them. We don’t eat them.”
“The fishermen make their living from the sea,” said Viejo, “and so they must become one with the sea and all its creatures. Sometimes, the only way to come to know a creature is to catch and kill it.”
Because Paloma did not want to distress or offend her grandfather, she did not argue further: His truths were unshakable. So, all she said was, “Well, I hope nothing ever wants to get to know me that well.”
Outside Paloma looked to the western sky. The sun hovered over the horizon, as if about to be sucked beneath the shiny gray water.
She hurried to her rock, a narrow shelf of stone that jutted out over the western tip of the island. She came here at this time every day, and she loved both the place and the time of day, for this was where she felt at peace, close to nature, to life.
There were a few clouds overhead, and the setting sun painted them pink, but the horizon was cloudless, a blade beneath the red fireball that was slowly sliding downward and seeming to squash oblong.
Tonight might be a night for the green flash, she thought, and she steadied her chin in her hands and forced herself not to blink as she fastened her eyes on the vanishing sun. You almost never saw the green flash: The evening had to be clear and almost chilly; no waves of heat could be shimmering up from the water; the horizon had to be sharp and without even a wisp of cloud. And, of course, you had to be there and alert, and you couldn’t blink, because the green flash lasted only that tiny bit of a second as the last infinitesimal rim of sun dipped below the horizon. Many times she had missed it by blinking, and in all her life she had seen it only twice—the first time the evening long ago when her father had led her by the hand and shown her this special place.
The bottom of the sun touched the horizon, and Paloma half expected to hear a hiss as the water quenched the fire, or see a cloud of steam explode from the sea. But smoothly and without a sound, it slipped faster and faster out of the sky.
Paloma held her breath and opened her eyes as wide as she could. The last of the sun dropped away and then, as Paloma was beginning to think there would be no green flash tonight, there it was—a shining pinprick of brilliant green, gone so fast that it became a memory at almost the same instant it registered as a sight.
Paloma watched the sky for a moment more, enjoying the changes that happened with such speed only at the beginning and end of the day. The yellow light was fading, following the sun to other parts of the world. The sky overhead was darkening quickly and soon was speckled with stars, and only the faintest splash of pink still touched the clouds.
Paloma felt suddenly calm and happy. Seeing the green flash was supposed to be an omen of good fortune, and though she didn’t really believe in omens, surely it was better to have seen it than not to have seen it.
She rose to her knees and was about to leave the rock when a flicker of movement made her look back at the water. What she saw made her stop and stare and catch her breath again.
Rising clear of the water, outlined against the lapis sky, twisting in a spasm of pure pleasure, was an enormous marlin. Its saber blade sliced through the air, its sickle tail arched upward, and then, in graceful slow motion, the huge body slammed down upon the water.
It was a full second before Paloma heard the heavy, resonant boom, and by then all that remained as testimony to the acrobatics was a spreading ring of ripples on the sea.
That, Paloma thought, was definitely something special. Maybe nature is telling me I should believe in omens.
With a feeling of privilege, of being witness to nature reveling in itself, Paloma started for home. As she walked along the path, she looked down and saw her brother, Jo, and his two friends approaching the dock in their skiff.
Paloma could see from the top of the hill that they had had a good day. The bow of their boat was heaped high with fish, a kaleidoscope of glistening colors in the fading light. And Paloma could see, even from where she stood, that they had taken fish indiscriminately: Whatever they could catch they had killed. There were angelfish and rockfish, bonitos and jacks, pufferfish and stingrays, and even one of the rare and strange and furtive creatures called guitar sharks—harmless and, to fishermen, useless. Those fish that would not take a hook had been harpooned. Those that had eluded the harpoon had been netted.
As Paloma watched, Jo shut off the outboard motor and guided the wallowing skif
f toward the dock, while his mates culled the piles of dead fish with their fingers, throwing overboard those that were not worth selling.
When Paloma had first seen them do this, she had erupted in fury, screaming at Jo, demanding to know why, if they intended to throw back the fish, they didn’t do so as soon as they caught them, when the fish still had a chance to live.
If Jo had been startled at her anger, he had nevertheless been forthright in his response. “Early in the day, before we know the size of the catch, any fish is a good fish. By the end of the day, if the catch has been rich we can afford to keep only the good ones. So then we throw the bad ones back.”
Paloma had tried to argue, but Jo had walked away, saying that was the way things had always been, and that was the way they would remain.
Now, she watched as the one called Indio picked up a small fish by its eye sockets and waved it at the other mate, Manolo. Though she was still a distance from them and the twilight was deepening, she could tell them apart by the color of their hair. Indio always wore a hat on the boat, so his hair had remained black. Manolo kept his head cool by pouring salt water on it, so his hair had been bleached to a light brown, just as Paloma’s own long auburn hair had been bleached nearly blond by salt and sun. Indio said something now and threw the fish at Manolo, who picked up another fish by its tail and whacked Indio on the head with it.
Yowling and cursing, the fishermen flung fish at one another. Most missed their targets and landed in the water, to float there belly up.
To Paloma, striding down the hill, the fight was nauseating, the waste obscene. It offended something deep inside her to see dead animals treated as if they had never been live beings.
She bent over and picked up a rock and called out, “Hey!” The three in the skiff looked up. “If you have to throw things at each other, throw these.” And she cocked her arm and threw the rock as hard as she could, hoping it would strike the skiff and knock a hole in it. But the rock flew wide and plopped in the water, and Jo responded by laughing and ticking his thumbnail off his front teeth and pointing at her—the coarsest, most insulting, and most contemptuous gesture he could make.
The Girl of the Sea of Cortez: A Novel Page 1