Enchanted Evenings:The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber

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Enchanted Evenings:The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber Page 54

by Block, Geoffrey


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  ———. The Musical Theatre: A Celebration. London: Collins, 1986.

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  ———. “Some Notes on a Musical.” Imperial Theatre program notes, 1956.

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  ———. “Lady in the Dark”: Biography of a Musical. New York: Oxford University Press, 2007.

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  ———. Not Since Carrie: 40 Years of Broadway Musical Flops. New York: St. Martin’s, 1991.

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  ———. The Hollywood Musical. New York: St. Martin’s, 1981.

  ———. Broadway Babies: The People Who Made the American Musical. New York: Oxford University Press, 1983.

  ———. “‘Show Boat’ Crosses Over.” New Yorker, July 3, 1989, 79–93.

  ———. Rodgers & Hammerstein. New York: Abrams, 1992.

  ———. Make Believe: The Broadway Musical in the 1920s. New York: Oxford University Press, 1997.

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  ———. One More Kiss: The Broadway Musical in the 1970s. New York: Oxford University Press, 2003.

  ———. The Happiest Corpse I’ve Ever Seen: The Last Twenty-Five Years of the Broadway Musical. New York: Palgrave Macmillan, 2004.

  ———. Sing for Your Supper: The Broadway Musical in the 1930s. New York: Palgrave Macmillan, 2005.

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  ———. The Sound of Their Music: The Story of Rodgers & Hammerstein. New York: Applause, 2002.

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  ———. Andrew Lloyd Webber’s “The Phantom of the Opera Companion.” Contains Original Screenplay. London: Pavilion, 2004.

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  ———. The Memory of All That: The Life of George Gershwin. New York: 1993.

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  Robbins, Tim. “Cradle Will Rock”: The Movie and the Moment. New York: Newmarket, 2000.

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  ———. “Reading Libretti and Misreading Opera.” In Opera, Sex, and Other Vital Matters, 30–51. Chicago: University of Chicago Press, 2002.

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  Rosenberg, Bernard, and Ernest Harburg. The Broadway Musical: Collaboration in Commerce and Art. New York: New York University Press, 1993.

  Rosenberg, Deena. Fascinating Rhythm: The Collaboration of George and Ira Gershwin. New York: Dutton, 1991.

  Salisbury, Mark. Sweeney Todd: The Demon Barber of Fleet Street. With Extracts from the Screenplay by John Logan. London: Titan, 2007.

  Sanders, Ronald. The Days Grow Short: The Life and Music of Kurt Weill. New York: Holt, Rinehart & Winston, 1980.

  Savran, David. A Queer Sort of Materialism: Recontextualizing American Theater. Ann Arbor: University of Michigan Press, 2003.

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  Schiff, David. “Re-hearing Bernstein.” Atlantic Monthly (June 1993): 55–76.

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  ———. Gershwin: His Life & Music. New York: Da Capo, 1979.

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  ———. Stephen Sondheim: A Life. New York: Knopf, 1998.

  Secrest, Meryle. Somewhere for Me: A Biography of Richard Rodgers. Knopf, 2001.

  Simon, Robert. “Jerome Kern.” Modern Music 6/2 (January–February 1929): 20–25.

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  ———. “Reconciliation on Catfish Row: Bess, Serena, and the Short Score of Porgy and Bess.” Quarterly Journal of the Library of Congress 38 (1981): 144–65.

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  ———. “Larger than Life: Reflections on Melodrama and Sweeney Todd.” In Melodrama, ed. Daniel Gerould, 3–14. New York: New York Literary Forum, 1980.

  ———. “An Anecdote.” In Bernstein on Broadway, xi–xii. New York and London: Amberson/G. Schirmer, 1981.

  ———. “Author and Director: Musicals” (with Harold Prince). In Broadway Song & Story: Playwrights / Lyricists/ Composers Discuss Their Hits, ed. Otis Guernsey Jr., 355–70. New York: Dodd, Mead, 1985.

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  ———. “Interview with Stephen Sondheim.” In David Savran, In Their Own Words: Contemporary American Playwrights, 223–39. New York: Theatre Communications Group, 1988.

  ———. “Stephen Sondheim in a Q & A Session: Part I.” Dramatists Guild Quarterly 28/1 (1991): 8–15.

  ———. “Stephen Sondheim in a Q & A Session: Part II.” Dramatists Guild Quarterly 28/2 (1991): 10–17.

  ———. “The Art of the Musical.” Paris Review 142 (Spring 1997): 259–78.

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  ———. “Interview with Stephen Sondheim.” In “2-Disc Special Edition, Special Feature, “Musical Mayhem: Sondheim’s Sweeney Todd.” DreamWorks Pictures 2007.

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  Starr, Lawrence. “Gershwin’s ‘Bess, You Is My Woman Now’: The Sophistication and Subtlety of a Great Tune.” Musical Quarterly 72 (1986): 429–48.

  ———. “Toward a Reevaluation of Gershwin’s Porgy and Bess. American Music 2 (Summer 1984): 25–37.

  ———. “The Broadway Musical as a Critique of Modernist Culture, or Sunday in the Park with Sondheim.” Paper presented at the Society of American Music (formerly the Sonneck Society), at the 1989 Annual Meeting in Nashville.

  ———. George Gershwin. New Haven: Yale University Press, forthcoming.

  Stempel, Larry. “Broadway’s Mozartean Moment, or An Amadeus in Amber.” In Sennets & Tuckets: A Bernstein Celebration, ed. Steven Ledbetter, 39–55. Boston: David R. Godine, 1988.

  ———. “The Musical Play Expands.” American Music 10 (1992): 136–69.

  ———. “Street Scene and the Enigma of Broadway Opera.” In A New Orpheus: Essays on Kurt Weill, ed. Kim H. Kowalke, 321–41. New Haven: Yale University Press, 1986.

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  Suskin, Steven. Berlin, Kern, Rodgers, Hart, and Hammerstein: A Complete Song Catalogue. Jefferson, N.C.: McFarland, 1990.

  ———. Opening Night on Broadway: A Critical Quotebook of the Golden Era of the Musical Theatre, “Oklahoma!” (1943) to “Fiddler on the Roof” (1964). New York: Schirmer, 1990.

  ———. Show Tunes: The Songs, Shows, and Careers of Broadway’s Major Composers, rev. and expanded 3rd ed. New York: Oxford University Press, 1990.

  Swain, Joseph P. The Broadway Musical: A Critical and Musical Survey. New York: Oxford University Press, 1990; 2nd ed. Lanham, Md.: Scarecrow, 2002.

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  ———. How Sondheim Found His Sound. Ann Arbor: University of
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