Scene 6:
Exterior of the Mission. Noon, the next day.
Scene 7:
A Street Off Broadway.
Scene 8:
Havana, Cuba—El Café Cubana.
Dance: Havana
Scene 9:
Outside El Café Cubana. Immediately following.
“If I Were a Bell” (Sarah)
Scene 10:
Exterior of the Mission.
“My Time of Day” (Sky)
“I’ve Never Been in Love Before” (Sky and Sarah)
Incidental music: The Raid
Act II
Scene 1:
The Hot Box Nightclub.
“Take Back Your Mink” (Adelaide and Dolls)
“Adelaide’s Second Lament” (Adelaide)
Scene 2:
Forty-Eighth Street.
“More I Cannot Wish You” (Arvide)
Scene 3:
Crap Game in the Sewer.
“Luck Be a Lady” (Sky and the Crapshooters)
Scene 4:
A Street Off Broadway.
“Sue Me” (Adelaide and Nathan)
Scene 5:
Interior of the Save-A-Soul Mission.
“Sit Down, You’re Rockin’ the Boat” (Nicely-Nicely and the Crapshooters)
Scene 6:
Near Times Square.
“Marry the Man Today” (Adelaide and Sarah)
Scene 7:
Broadway.
Reprise: “Guys and Dolls” (Ensemble)
Appendix O: The Most Happy Fella (1956)
Act I
OVERTURE
Scene 1:
A restaurant in San Francisco; January, 1927.
“OOH! my feet!” (Cleo)
“… I know how it is” (Cleo)
“… Seven million crumbs” (Cleo)
“… I don’t know” (Rosabella)
“… Maybe he’s kind crazy” (Rosabella)
“SOMEBODY, SOMEWHERE” (Rosabella)
Scene 2:
Main Street, Napa, California; in April.
“THE Most HAPPY FELLA” (Townspeople)
“… A long time ago” (Marie)
“STANDING ON THE CORNER” (Herman, Jake, Clem, and Al)
“JOEY, JOEY, JOEY” (Joe)
“… Soon you gonna leave me, Joe” (Tony)
“ROSABELLA” (Tony)
Scene 3:
Tony’s barn; a few weeks later.
“ABBONDANZA” (Giuseppe, Ciccio, and Pasquale)
“… Plenty bambini” (Tony)
Scene 4:
Tony’s front yard.
“SPOSALiZiO” (Townspeople)
“… I seen her at the station” (Postman)
“BENVENUTA” (Giuseppe, Ciccio, and Pasquale)
“… Aren’t you glad” (Rosabella)
“… No home, no job” (Rosabella)
“DON’T CRY” (Joe)
Act II
PRELUDE
Scene 1:
The vineyards; in May.
“FRESNO BEAUTIES” (Vineyard Workers)
“… Cold and dead” (Joe and Rosabella)
“… Love and kindness” (Doc)
“HAPPY TO MAKE YOUR ACQUAINTANCE” (Rosabella and Tony)
“… I don’t like this dame” (Cleo)
“BIG D” (Cleo and Herman)
Scene 2:
Late in May.
“HOW BEAUTIFUL THE DAYS” (Tony, Rosabella, Marie, and Joe)
Scene 3:
The vineyards; in June.
“YOUNG PEOPLE” (Marie)
“WARM ALL OVER” (Rosabella)
“… Old people gotta” (Tony)
Scene 4:
The barn.
“I LIKE EV’RYBODY” (Herman)
Scene 5:
The vineyards; in July.
“… I love him” (Rosabella)
“… I know how it is” (Cleo)
“… Like a woman loves a man” (Rosabella)
“MY HEART IS SO FULL OF YOU” (Tony and Rosabella)
“MAMMA, MAMMA” (Tony)
Act III
PRELUDE
Scene 1:
The barn; an hour later.
“… Good-bye darlin’” (Cleo and Herman)
“… I like ev’rybody” (Duet) (Cleo and Herman)
“SONG OF A SUMMER NIGHT” (Doc and the Townspeople)
“PLEASE LET ME TELL YOU” (Rosabella)
Scene 2:
Napa Station; A little later.
“… Tell Tony and Rosabella good-bye for me” (Joe)
“… She gonna come home wit’ me” (Tony)
“… Nobody’s ever gonna love you” (Trio) (Marie, Tony, and Cleo)
“… I made a fist!” (Herman)
Finale (Ensemble)
Appendix P: My Fair Lady (1956)
Act I
Scene 1:
Outside the Opera House, Covent Garden. A cold March night.
Overture and Street Entertainers (The Three Buskers)
“Why Can’t the English?” (Higgins)
“Wouldn’t It Be Loverly” (Eliza and Costermongers)
Scene 2:
A Tenement Section—Tottenham Court Road. Immediately following.
“With a Little Bit of Luck” (Doolittle, Harry, and Jamie)
Scene 3:
Higgins’s Study. The following morning.
“I’m an Ordinary Man” (Higgins)
Scene 4:
Tenement Section—Tottenham Court Road. Three days later.
“With a Little Bit of Luck” (reprise) (Doolittle and Friends)
Scene 5:
Higgins’s Study. Later that day.
“Just You Wait” (Eliza)
“The Rain in Spain” (Higgins, Eliza, and Pickering)
“I Could Have Danced All Night” (Eliza, Mrs. Pearce, and Maids)
Scene 6:
Near the Race Meeting, Ascot. A July afternoon.
Scene 7:
Inside a Club Ten, Ascot. Immediately following.
“Ascot Gavotte” (Spectators at the Race)
Scene 8:
Outside Higgins’s House, Wimpole Street. Later that afternoon.
“On the Street Where You Live” (Freddy)
Scene 9:
Higgins’s Study. Six weeks later.
Scene 10:
The Promenade of the Embassy. Later that night.
“Promenade” (underscoring)
Scene 11:
The Ballroom of the Embassy. Immediately following.
“The Embassy Waltz” (Higgins, Eliza, Karpathy, and Guests)
Act II
Scene 1:
Higgins’s Study. 3:00 the following morning.
“You Did It” (Higgins, Pickering, Mrs. Pearce, and Servants)
“Just You Wait” (reprise) (Eliza)
Scene 2:
Outside Higgins’s House, Wimpole Street. Immediately following.
“On the Street Where You Live” (reprise) (Freddy)
“Show Me” (Eliza and Freddy)
Scene 3:
Flower Market of Covent Garden. 5:00 that morning.
“Wouldn’t It Be Loverly” (reprise) (Eliza and Costermongers)
“Get Me to the Church on Time” (Doolittle, Harry, Jamie, and Costermongers)
Scene 4:
Upstairs Hall of Higgins’s House. 11:00 that morning.
“A Hymn to Him” (Higgins)
Scene 5:
The Conservatory of Mrs. Higgins’s House. Later that day.
“Without You” (Higgins and Eliza)
Scene 6:
Outside Higgins’s House, Wimpole Street. Immediately following.
“I’ve Grown Accustomed to Her Face” (Higgins)
Scene 7:
Higgins’s Study. Immediately following.
Appendix Q: West Side Story (1957)
Act I
Prologue:
The Months Before.
1. Pr
ologue (Instrumental)
Scene 1:
5:00 P.M. The Street.
2. “Jet Song” (Riff and Jets)
Scene 2:
5:30 P.M. A Back Yard.
3. “Something’s Coming” (Tony)
Scene 3:
6:00 P.M. A Bridal Shop.
Scene 4:
10:00 P.M. The Gym.
4. The Dance and the Gym (Instrumental)
5. “Maria” (Tony)
Scene 5:
11:00 P.M. A Back Alley.
6. Balcony Scene (“Tonight”) (Maria and Tony)
7. “America” (Anita, Rosalia, and Girls)
Scene 6:
Midnight. The Drugstore.
8. “Cool” (Riff and Jets)
The Next Day
Scene 7:
5:30 P.M. The Bridal Shop.
9. “One Hand, One Heart” (Tony and Maria)
Scene 8:
6:00 to 9:00 P.M. The Neighborhood.
10. “Tonight” (Quintet) (Maria, Tony, Anita, Riff, and Bernardo)
Scene 9:
9:00 P.M. Under the Highway.
11. The Rumble (Instrumental)
Act II
Scene 1:
9:15 P.M. A Bedroom.
12. “I Feel Pretty” (Maria and the Girls)
13. Ballet Sequence (Instrumental, Tony, Maria and a Girl)
Scene 2:
10:00 P.M. Another Alley.
14. “Gee, Officer Krupke” (Jets)
Scene 3:
11:30 P.M. The Bedroom.
15. “A Boy Like That/I Have a Love” (Maria and Anita)
Scene 4:
11:40 P.M. The Drugstore.
16. Taunting (Instrumental)
Scene 5:
11:50 P.M. The Cellar.
Scene 6:
Midnight. The Street.
17. Finale (Maria and Tony)
Libretto Drafts 1 (January 1956) and 2 (Spring 1956)
Act I
Scene 1:
An Alleyway. Sundown.
“Rumble Song” [“Mix” ?] (Jets and “Tonio”)
Scene 2:
The Crystal Cave. Night.
Mambo (Pantomime)
“Maria” (“Tonio”)
Scene 3:
Back of the Tenements. Night.
“Maria” (second chorus) (“Tonio”)
“Love Song” [“One Hand, One Heart” ?] (“Tonio” and Maria)
“Song for Anita and Girls” [“America” ?]
Scene 4:
Drugstore. Night.
“Cool” (Riff and Jets)
Scene 5:
The Neighborhood. The Next Day.
“Tonight” (Quintet) (Maria, Tony, Anita, Riff, and Bernardo)
Scene 6:
Bridal Shop. Late Afternoon.
“Love Song” [“Oh, Happy We” from Candide ?] (“Tonio” and Maria)
“Rumble Song” [“Mix” ?] (Instrumental)
Scene 7:
The Park. Sundown.
“Rumble Song” [“Mix” ?] (Jets)
Act II
Scene 1:
An Apartment. Early Evening.
“I Feel Pretty” (Maria and Girls)
Scene 2:
A Street. Night.
Scene 3:
Police Station. Night.
“Love Song” (reprise) [“One Hand, One Heart” ? ] (“Tonio” and Maria)
Scene 4:
Outside the Bridal Shop. Night.
“Duet” [“I Have a Love” ?] (Anita and Maria)
Scene 5:
Drugstore. Night.
“Duet” (continuation) [“I Have a Love” ?] (“Tonio”)
Scene 6:
A Street. Night.
Scene 7:
Bridal Shop. Night.
“This scene will be almost entirely to music. Maria comes in the back door, the music has brief theme of her love with Tonio” [“One Hand, One Heart”?]
Appendix R: Follies: Broadway 1971 and London Revival 1987
Broadway 1971*
SCENE: A party on the stage of the Weismann Theatre
TIME: Tonight
There will be no Intermission
“Prologue” [Based on “All Things Bright and Beautiful” from The Girls Upstairs, second draft, preceding “Could I Leave You?” and “It Wasn’t Meant to Happen,” planned in 1966 as a second duet for Ben and Sally]†
“Beautiful Girls” (Roscoe and Company) [The Girls Upstairs, first and second drafts]‡
“Don’t Look at Me” (Sally, Ben) [The Girls Upstairs, second draft]
“Waiting for the Girls Upstairs” (Buddy, Ben, Phyllis, Sally, Young Buddy, Young Ben, Young Phyllis, Young Sally) [The Girls Upstairs, first and second drafts]
“Rain on the Roof” (The Whitmans) [Follies, January 2, 1971]
“Ah, Paris!” (Solange) [Follies, January 2, 1971]
“Broadway Baby” (Hattie) [Follies, January 2, 1971]
“The Road You Didn’t Take” (Ben) [Follies, January 2, 1971; replaced in London Follies 1987 by “Country House”]
“Bolero d’Amour” (Vincent and Vanessa) [added in 1971 rehearsal; cut in London Follies 1987]
“In Buddy’s Eyes” (Sally) [Follies, January 2, 1971]
“Who’s That Woman?” (Stella and Company) [Mirror Dance Routine in The Girls Upstairs, first and second drafts]
[“Can That Boy Fox-trot!” in The Girls Upstairs, second draft, cut in 1971 rehearsals]
“I’m Still Here” (Carlotta) [replaced “Can That Boy Fox-trot!” during 1971 rehearsals]
[“Pleasant Little Kingdom” in The Girls Upstairs, first draft; cut in 1971]
“Too Many Mornings” (Ben, Sally) [The Girls Upstairs, first and second drafts]
[“That Old Piano Roll” (Buddy) in Follies, September 1970 draft]
“The Right Girl” (Buddy) [added in 1971 rehearsals]
“One More Kiss” (Heidi, Young Heidi) [The Girls Upstairs, first and second drafts]
“Could I Leave You?” (Phyllis) [The Girls Upstairs, second draft]
*Includes songs retained from The Girls Upstairs (1965).
Enchanted Evenings:The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber Page 69