Complete Poetical Works of Thomas Hood

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Complete Poetical Works of Thomas Hood Page 61

by Thomas Hood


  That, as we walk upon the river’s ridge,

  Assault the nose — below the bridge.

  A walk, however, as tradition tells,

  That once a poor blind Tobit used to choose,

  Because, incapable of other views,

  He met with ‘such a sight of smells.’

  But on, and on, and on,

  In spite of all unsavoury shocks,

  Progress the stout Sir Peter and Sir John,

  Steadily steering ship-like for the docks —

  And now they reach a place the Muse, unwilling,

  Recalls for female slang and vulgar doing,

  The famous gate of Billing,

  That does not lead to cooing —

  And now they pass that House that is so ugly

  A Customer to people looking smuggl’y —

  And now along that fatal Hill they pass

  Where centuries ago an Oxford bled,

  And prov’d — too late to save his life, alas! —

  That he was ‘off his head.

  At last before a lofty brick-built pile

  Sir Peter stopp’d, and with mysterious smile

  Tingled a bell that served to bring

  The wire-drawn genius of the ring,

  A species of commercial Samuel Weller —

  To whom Sir Peter — tipping him a wink,

  And something else to drink —

  ‘Show us the cellar.’

  Obsequious bowed the man, and led the way

  Down sundry flights of stairs, where windows small,

  Dappled with mud let in a dingy ray —

  A dirty tax, if they were tax’d at all.

  At length they came into a cellar damp,

  With venerable cobwebs fringed around,

  A cellar of that stamp

  Which often harbours vintages renown’d,

  The feudal Hock, or Burgundy the courtly,

  With sherry, brown or golden,

  Or port, so olden,

  Bereft of body ’tis no longer portly —

  But old or otherwise — to be veracious —

  That cobwebb’d cellar, damp, and dim, and spacious, —

  Held nothing crusty — but crustaceous.

  Prone, on the chilly floor,

  Five splendid Turtles — such a five!

  Natives of some West Indian shore,

  Were flapping all alive,

  Late landed from the Jolly Planter’s yawl —

  A sight whereon the dignitaries fix’d

  Their eager eyes, with ecstasy unmix’d,

  Like fathers that behold their infants crawl,

  Enjoying every little kick and sprawl.

  Nay — far from fatherly the thoughts they bred,

  Poor loggerheads from far Ascension ferried!

  The Aldermen too plainly wish’d them dead

  And Aldermanbury’d!

  ‘There!’ cried Sir Peter, with an air

  Triumphant as an ancient victor’s,

  And pointing to the creatures rich and rare,

  ‘There’s picters!’

  ‘Talk of Olympic Games! They’re not worth mention;

  The real prize for wrestling is when Jack,

  In Providence or Ascension,

  Can throw a lively turtle on its back!’

  ‘Aye!’ cried Sir John, and with a score of nods,

  Thoughtful of classical symposium,

  ‘There’s food for Gods!

  There’s nectar! there’s ambrosium!

  There’s food for Roman Emperors to eat —

  Oh, there had been a treat

  (Those ancient names will sometimes hobble us)

  For Helio-gobble-us!’

  ‘There were a feast for Alexander’s Feast!

  The real sort — none of your mock or spurious!’

  And then he mention’d Aldermen deceased,

  And ‘Epicurius,’

  And how Tertullian had enjoy’d such foison;

  And speculated on that verdigrease

  That isn’t poison.

  ‘Talk of your Spring, and verdure, and all that!

  Give me green fat!

  As for your Poets with their groves of myrtles

  And billing turtles,

  Give me, for poetry, them Turtles there,

  A-billing in a bill of fare!’

  ‘Of all the things I ever swallow —

  Good, well-dressed turtle beats them hollow —

  It almost makes me wish, I vow,

  To have two stomachs, like a cow!’

  And lo! as with the cud, an inward thrill

  Upheaved his waistcoat and disturb’d his frill,

  His mouth was oozing and he work’d his jaw —

  ‘I almost think that I could eat one raw!’

  And thus, as ‘inward love breeds outward talk,’

  The portly pair continu ed to discourse;

  And then — as Gray describes of life’s divorce —

  With ‘longing lingering look ‘prepared to walk, —

  Having thro’ one delighted sense at least,

  Enjoy’d a sort of Barmecidal feast,

  And with prophetic gestures, strange to see,

  Forestall’d the civic Banquet yet to be,

  Its callipash and callipee!

  A pleasant prospect — but alack!

  Scarcely each Alderman had turn’d his back,

  When seizing on the moment so propitious,

  And having learn’d that they were so delicious

  To bite and sup,

  From praises so high-flown and injudicious, —

  And nothing could be more pernicious!

  The Turtles fell to work, and ate each other up!

  MORAL

  Never, from folly or urbanity,

  Praise people thus profusely to their faces,

  Till quite in love with their own graces,

  They’re eaten up by vanity!

  EPIGRAM: THREE TRAITORS

  Three traitors, Oxford — Francis — Bean,

  Have missed their wicked aim;

  And may all shots against the Queen,

  In future do the same:

  For why, I mean no turn of wit,

  But seriously insist

  That if Her Majesty were hit

  No one would be so miss’d.

  MISCELLANEOUS UNCOLLECTED POEMS (1821-1845)

  CONTENTS

  TO HOPE.

  ODE TO DR. KITCHENER.

  TO A CRITIC

  TO CELIA.

  FARE THEE WELL

  MIDNIGHT.

  TO A SLEEPING CHILD.

  SONNET WRITTEN IN KEATS’S ‘ENDYMION’

  EPIGRAM WRITTEN ON A PICTURE IN THE EXHIBITION, CALLED ‘THE DOUBTFUL SNEEZE’

  SONG. O LADY, LEAVE THY SILKEN THREAD.

  THE TWO SWANS.

  ODE ON A DISTANT PROSPECT OF CLAPHAM ACADEMY.

  ADDRESS TO MR. CROSS, OF EXETER ‘CHANGE, ON THE DEATH OF THE ELEPHANT

  IN MEMORIAM

  ODE TO THE LATE LORD MAYOR, ON PUBLICATION OF HIS ‘VISIT TO OXFORD’

  ODE TO EDWARD GIBBON WAKEFIELD, ESQ.

  VAUXHALL

  TO MR. WRENCH AT THE ENGLISH OPERA HOUSE

  TO MISS KELLY OF THE ENGLISH OPERA HOUSE

  HINTS TO PAUL PRY

  TO THOMAS BISH, ESQ.

  TIME, HOPE, AND MEMORY

  FLOWERS

  I LOVE THEE

  BALLAD: IT WAS NOT IN THE WINTER

  ELEGY ON DAVID LAING, ESQ.

  ODE

  A LAMENT FOR THE DECLINE OF CHIVALRY

  ODE

  STANZAS TO TOM WOODGATE, OF HASTINGS

  THE LOGICIANS

  DEATH IN THE KITCHEN

  EPISTLE TO MISS CHARLOTTE REYNOLDS

  ON THE DEATH OF THE GIRAFFE

  ON THE REMOVAL OF A MENAGERIE

  BIRTHDAY VERSES

  THE FAREWELL

  ON A PICTURE OF HERO AND LEANDER

  FOR THE FOURTE
ENTH OF FEBRUARY

  A BUNCH OF FORGET-ME-NOTS

  THE POET’S PORTION

  ‘

  I’Μ NOT A SINGLE MAN’

  PLAYING AT SOLDIERS

  THE SWEETS OF YOUTH

  ODE TO N. A. VIGORS, ESQ.

  THE PAINTER PUZZLED

  THE DEATH-BED

  ANTICIPATION

  THE STAGE-STRUCK HERO

  ODE TO JOSEPH HUME, ESQ., M.P.

  THE BALLAD

  TO A CHILD EMBRACING HIS MOTHER

  EPIGRAM ON A PICTURE

  ANSWER TO PAUPER

  JARVIS AND MRS. COPE

  MISS FANNY’S FAREWELL FLOWERS

  THE CHINA-MENDER

  ODE TO SPENCER PERCEVAL, ESQ., M.P.

  ON THE DEATH OF SIR WALTER SCOTT

  A PUBLIC DINNER

  ODE TO ADMIRAL LORD GAMBIER, G.C.B.

  THE CIGAR

  A CHARITY SERMON

  A HAPPY NEW YEAR!

  ODE TO MISS KELLY

  ODE TO SIR ANDREW AGNEW, BART.

  ODE TO J. S. BUCKINGHAM, ESQ., M.P.

  THE UNITED FAMILY

  SONNET TO OCEAN

  SONNET. — THINK SWEETEST

  LINES ON SEEING MY WIFE AND TWO CHILDREN SLEEPING IN THE SAME CHAMBER

  POETRY, PROSE, AND WORSE

  SONG FOR THE NINETEENTH

  A TOAST

  DRINKING SONG

  DOMESTIC POEMS

  HYMENEAL RETROSPECTIONS

  A PARENTAL ODE TO MY SON, AGED THREE YEARS

  A SERENADE

  JOHN JONES

  ODE TO MESSRS. GREEN, HOLLOND, AND MONCK MASON

  THE BLUE BOAR

  ODE TO DOCTOR HAHNEMANN

  THE DEAD ROBBERY

  THE DESERT-BORN

  AGRICULTURAL DISTRESS

  LOVE LANE

  ODE TO RAE WILSON, ESQ.

  NAPOLEON’S MIDNIGHT REVIEW

  HIT OR MISS

  THE OLD POLER’S WARNING

  STANZAS COMPOSED IN A SHOWER-BATH

  CLUBS TURNED UP BY A FEMALE HAND

  A RISE AT THE FATHER OF ANGLING

  THE FORLORN SHEPHERD’S COMPLAINT

  MORNING MEDITATIONS

  THE BEADLE’S ANNUAL ADDRESS

  A TABLE OF ERRATA

  ALL ROUND MY HAT

  BEN BLUFF

  A PLAIN DIRECTION

  THE BACHELOR’S DREAM

  RURAL FELICITY

  A FLYING VISIT

  THE DOVES AND THE CROWS

  THE DOCTOR

  THE VISION

  THE ASSISTANT DRAPERS’ PETITION

  LORD DURHAM’S RETURN

  VERSES MISTAKEN FOR AN INCENDIARY SONG

  THE GREEN MAN

  POMPEY’S GHOST

  AN OPEN QUESTION

  MISS KILMANSEGG AND HER PRECIOUS LEG.

  ON A LATE IMMERSION

  A TALE OF A TRUMPET

  A BULL

  A REFLECTION

  ON A ROYAL DEMISE

  UP THE RHINE

  THE PURSUIT OF LETTERS

  ON A NATIVE SINGER

  TO C. DICKENS, ESQ.

  NIGHT-SONG — WRITTEN AT SEA

  THE ELM TREE

  RONDEAU

  EPIGRAM ON A CERTAIN HERO AND HEROINE

  ADDRESS DELIVERED AT THE HAYMARKET THEATRE

  SONNET. MY HEART IS SICK WITH LONGING, THO’ I FEED

  A DROP OF GIN

  THE SONG OF THE SHIRT

  THE PAUPER’S CHRISTMAS CAROL

  THE MARY

  THE HAUNTED HOUSE

  A DISCOVERY IN ASTRONOMY

  A SONG FOR THE MILLION

  SKIPPING. A MYSTERY

  A TALE OF TEMPER

  EPIGRAM ON THE ARRANGEMENT OF THE STATUES IN TRAFALGAR SQUARE

  REFLECTIONS ON NEW YEAR’S DAY

  THE LADY’S DREAM

  MAGNETIC MUSINGS

  A DREAM

  EPIGRAM

  THE KEY

  THE CAPTAIN’S COW

  THE WORKHOUSE CLOCK

  AN EXPLANATION

  THE BRIDGE OF SIGHS

  EPIGRAM ON DR. ROBERT ELLIOT OF CAMBERWELL.

  EPIGRAM ON A CERTAIN EQUESTRIAN STATUE

  EPIGRAM ON THE NEW HALF-FARTHINGS

  EPIGRAM. CHARM’D WITH A DRINK WHICH HIGHLANDERS COMPOSE

  THE LAY OF THE LABOURER

  SONNET TO A SONNET

  EPIGRAM ON HER MAJESTY’S VISIT TO THE CITY

  EPIGRAM ON THE QUEEN’S VISIT TO THE CITY

  EPIGRAM

  THE SAUSAGE-MAKER’S GHOST

  THE LARK AND THE ROOK

  SUGGESTIONS BY STEAM

  ANACREONTIC BY A FOOTMAN

  EPIGRAM. A LORD BOUGHT OF LATE AN OUTLANDISH ESTATE

  STANZAS

  THE SURPLICE QUESTION

  EPIGRAM. ‘TIS SAID OF LORD B., NONE IS KEENER THAN HE

  BALLAD. THERE WAS A FAIRY LIVED IN A WELL

  TO MY DEAR MARIANNE

  SONG. THE SUMMER — THE SUMMER

  WRITTEN ON THE BACK OF THE FOREGOING

  FRAGMENT

  SERENADE

  FALSE POETS AND TRUE

  SONNET. LOVE, I AM JEALOUS OF A WORTHLESS MAN

  LOVE, SEE THY LOVER

  LEAR

  STANZAS

  SONG. THERE IS DEW FOR THE FLOW’RET

  VERSES IN AN ALBUM

  TO A FALSE FRIEND

  STANZAS

  SONG TO MY WIFE

  SUGGESTED BY A BUNCH OF ENGLISH GRAPES

  LINES

  SONG. MY MOTHER BIDS ME SPEND MY SMILES

  YOUTH AND AGE

  SIR JOHN BOWRING

  TO HENRIETTA

  QUEEN MAB

  EPIGRAM. MY HEART’S WOUND UP JUST LIKE A WATCH

  EPIGRAM. AS HUMAN FASHIONS CHANGE ABOUT

  TO MINERVA

  FRAGMENT

  GUIDO AND MARINA

  FRAGMENTS

  LAMIA

  TO HOPE.

  Oh! take, young Seraph, take thy harp,

  And play to me so cheerily;

  For grief is dark, and care is sharp,

  And life wears on so wearily.

  Oh! take thy harp!

  Oh! sing as thou wert wont to do,

  When, all youth’s sunny season long,

  I sat and listened to thy song,

  And yet ’twas ever, ever new,

  With magic in its heaven-tuned string —

  The future bliss thy constant theme.

  Oh! then each little woe took wing

  Away, like phantoms of a dream;

  As if each sound

  That flutter’d round,

  Had floated over Lethe’s stream!

  By all those bright and happy hours

  We spent in life’s sweet eastern bow’rs,

  Where thou wouldst sit and smile, and show,

  Ere buds were come, where flowers would blow,

  And oft anticipate the rise

  Of life’s warm sun that scaled the skies;

  By many a story of love and glory,

  And friendships promised oft to me;

  By all the faith I lent to thee, —

  Oh! take, young Seraph, take thy harp,

  And play to me so cheerily;

  For grief is dark, and care is sharp,

  And life wears on so wearily.

  Oh! take thy harp!

  Perchance the strings will sound less clear,

  That long have lain neglected by

  In sorrow’s misty atmosphere;

  It ne’er may speak as it hath spoken

  Such joyous notes so brisk and high;

  But are its golden chords all broken?

  Are there not some, though weak and low,

  To play a lullaby to woe?

  But thou canst sing of love no more,

  For Celia show’d that dream was vain;

  And many a fancied bliss is o’er,

  That comes not e’en in dreams again.

  Alas! alas!

 
How pleasures pass,

  And leave thee now no subject, save

  The peace and bliss beyond the grave!

  Then be thy flight among the skies:

  Take, then, oh! take the skylark’s wing,

  And leave dull earth, and heavenward rise

  O’er all its tearful clouds, and sing

  On skylark’s wing!

  Another life-spring there adorns

  Another youth — without the dread

  Of cruel care, whose crown of thorns

  Is here for manhood’s aching head.

  Oh! there are realms of welcome day,

  A world where tears are wiped away!

  Then be thy flight among the skies:

  Take, then, oh! take the skylark’s wing,

  And leave dull earth, and heavenward rise

  O’er all its tearful clouds, and sing

  On skylark’s wing!

  ODE TO DR. KITCHENER.

  YE Muses nine inspire

  And stir up my poetic fire;

  Teach my burning soul to speak

  With a bubble and a squeak!

  Of Dr. Kitchener I fain would sing,

  Till pots, and pans, and mighty kettles ring.

  O culinary sage!

  (I do not mean the herb in use,

  That always goes along with goose)

  How have I feasted on thy page:

  “When like a lobster boil’d the morn

  From black to red began to turn,”

  Till midnight, when I went to bed,

  And clapt my tewah-diddle on my head.

  Who is there cannot tell,

  Thou leadest a life of living well?

  “What baron, or squire, or knight of the shire

  Lives half so well as a holy Fry — er?”

  In doing well thou must be reckon’d

  The first, — and Mrs. Fry the second;

  And twice Job, — for, in thy fev’rish toils,

  Thou wast all over roasts — as well as boils.

  Thou wast indeed no dunce,

  To treat thy subjects and thyself at once;

  Many a hungry poet eats

  His brains like thee,

  But few there be

  Could live so long on their receipts

  What living soul or sinner

  Would slight thy invitation to a dinner,

  Ought with the Danaides to dwell,

  Draw gravy in a cullender, and hear

  For ever in his ear

  The pleasant tinkling of thy dinner bell.

  Immortal Kitchener! thy fame

  Shall keep itself when Time makes game

  Of other men’s — yea, it shall keep, all weathers,

  And thou shalt be upheld by thy pen feathers.

 

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